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      Ary Scheffer, 1795 – 1858

      The 100 Most Famous Ary Scheffer Paintings, Ranked

      The best-loved painting by Ary Scheffer is Marquis De Lafayette (1822), which hangs in the National Portrait Gallery, Washington, D.C.. Portrait of the king Louis-Philippe (1835) and Princess Marie of Orléans (1813–1839) (1837) come next among the canvases readers know best. Our catalogue holds 227 works by Ary Scheffer: here are the 100 most famous, each with its year, its museum and what makes it memorable.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated October 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portrait of Ary Scheffer
      Ary Scheffer · 1795 – 1858
      Born · died
      1795 – 1858, Dordrecht
      Movement
      Romanticism
      Works in our catalogue
      227
      Most famous
      Marquis De Lafayette (1822)
      Most works at
      Dordrechts Museum

      Top 10 Ary Scheffer paintings: the canvases everyone knows

      Marquis De Lafayette (1822) by Ary Scheffer
      1

      Marquis De Lafayette

      1822 · Oil On Canvas · National Portrait Gallery, Washington, D.C.

      The Marquis De Lafayette gazes out from the canvas, his presence fixed in a moment of quiet dignity. Ary Scheffer captures the man in this 1822 oil on canvas, presenting a likeness that feels immediate and alive. The subject appears with a sense of composed authority, his features rendered with a precision that suggests a deep familiarity with his character. Every brushstroke contributes to a sense of weight and substance…

      Portrait of the king Louis-Philippe (1835) by Ary Scheffer
      2

      Portrait of the king Louis-Philippe

      1835 · Oil On Canvas · Condé Museum, Chantilly

      A single light source strikes the subject from the upper left, carving a profile out of the surrounding gloom. King Louis-Philippe sits in a quiet, heavy stillness. The light catches the stark white of his cravat, a sharp contrast against the deep, ink-like shadows of his coat. His gaze is fixed toward the left, directed at something unseen beyond the frame. There is a gravity in his expression, a stillness…

      Princess Marie of Orléans (1813–1839) (1837) by Ary Scheffer
      3

      Princess Marie of Orléans (1813–1839)

      1837 · Oil On Canvas · Condé Museum, Chantilly

      The portrait presents Princess Marie of Orléans in a three-quarter view, her gaze directed toward the right of the frame. A soft, directional light enters from the upper left, defining the contours of her face and the delicate texture of her skin. She is dressed in a light grey gown, the fabric rendered with fluid, heavy folds that suggest both weight and movement. The composition is vertical and intimate, set…

      Portrait of the Prince de Talleyrand (1828) by Ary Scheffer
      4

      Portrait of the Prince de Talleyrand

      1828 · Oil On Canvas · Condé Museum, Chantilly

      The Portrait of the Prince de Talleyrand is an oil on canvas portrait painting executed by the Dutch artist Ary Scheffer. Created in 1828, the work depicts Charles Maurice de Talleyrand-Périgord. The subject is presented at the age of seventy-four, capturing the statesman in his later years.

      The Death of Saint Louis (1817) by Ary Scheffer
      5

      The Death of Saint Louis

      1817 · Oil On Canvas · Los Angeles County Museum of Art, Los Angeles

      In this work, titled The Death of Saint Louis, the artist Ary Scheffer captures a profound moment of historical and religious significance. Painted about 1817, the canvas depicts the final moments of the French King Saint Louis IX, who lived from 1214 to 1270. The scene is set within a tent on the Libyan coast, a location chosen to reflect the circumstances of the King's passing during the later stages…

      A Shepherd (1840) by Ary Scheffer
      6

      A Shepherd

      1840 · Oil On Canvas · Museum Boijmans Van Beuningen, Rotterdam

      A weathered man emerges from a heavy, espresso-toned darkness, his face turned upward toward an unseen light. This is a shepherd, though the title feels more like a state of being than a mere occupation. His skin, etched by years of sun and wind, catches a dramatic glow that carves out the rugged contours of his forehead and cheekbone. A grey beard clings to a jawline set in an expression…

      Portrait of Zygmunt Krasiński. (1850) by Ary Scheffer
      7

      Portrait of Zygmunt Krasiński.

      1850 · Oil On Canvas · National Museum in Warsaw, Warsaw

      This oil portrait, executed in 1850, presents a man in a three-quarter view, positioned slightly off-center and facing toward the right. The subject is rendered with a focus on the facial features, which are illuminated by a directional light source originating from the upper left. This lighting creates a chiaroscuro effect, casting soft shadows across the right side of the face and neck to establish three-dimensional volume. The subject wears…

      Count Eberhard of Württemberg Mourns next to the Body of his Son (1853) by Ary Scheffer
      8

      Count Eberhard of Württemberg Mourns next to the Body of his Son

      1853 · Oil On Canvas · Museum Boijmans Van Beuningen, Rotterdam

      This oil on canvas, titled Count Eberhard of Württemberg Mourns next to the Body of his Son, is a significant work by the Dutch-French painter Ary Scheffer. The painting captures a profound historical subject, rendered with the specific emotional weight characteristic of the artist's hand. It was originally presented to the public at the Salon de 1834 in Paris, marking its early recognition within the French art scene.

      Portrait of Queen Mary Amélie (1857) by Ary Scheffer
      10

      Portrait of Queen Mary Amélie

      1857 · Oil On Canvas · Condé Museum, Chantilly

      The Portrait of Queen Mary Amélie emerges from the shadows of history, a formal and dignified oil on canvas rendered by the hand of Ary Scheffer. Created in 1857, this work captures a moment of quiet authority and poise. The subject of this portrait is Maria Amalia of Naples and Sicily, presented with a serene expression that suggests a deep, internal wisdom. She sits in a state of calm contemplation,…

      More Ary Scheffer canvases, 11 to 100

      What Ary Scheffer painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Ary Scheffer's canvases hang

      The 8 museums that hold the most of the paintings on this page.

      Museum City Works by Ary Scheffer Paintings from this list
      Dordrechts Museum, DordrechtDordrechts Museum Dordrecht 105 Greek Combat (Nestor and Diomedes), Hannibal, to whom on a platter the head of Hasdrubal is brought, Head of an Old Man with Beret on Head
      Musée de la Vie Romantique, ParisMusée de la Vie Romantique Paris 26 Project for a Triptych, The Storm, Presumed Portrait of Princess Marie d'Orléans
      Condé Museum, ChantillyCondé Museum Chantilly 5 Portrait of the king Louis-Philippe, Princess Marie of Orléans (1813–1839), Portrait of the Prince de Talleyrand
      Amsterdam Museum, AmsterdamAmsterdam Museum Amsterdam 5 Mary Magdalene at the foot of the cross, Greek Exiles on a Rock, Staring at Their Lost Fatherland, Portrait of a Lady
      Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 4 A Shepherd, Count Eberhard of Württemberg Mourns next to the Body of his Son, Count Eberhard of Württemberg and his Son
      Opera House, VersaillesOpera House Versailles 3 Georges Mouton, Count of Lobau, Alphonse de Lamartine (1790-1869), poet, François Arago (1786-1853), physicist
      Wallace Collection, LondonWallace Collection London 4 The Return of the Prodigal Son, The Sister of Mercy
      Petit Palais, ParisPetit Palais Paris 3 Portrait of Madame Edouard Caillard, Saint Thomas Aquinas Preaching Trust in God During the Storm

      Ary Scheffer's best-loved canvas of each decade

      1. 1800s
      2. 1810s
        The Death of Saint Louis (1817) by Ary Scheffer
        Ranked 5 of 100

        The Death of Saint Louis

        Age 15 – 24 · Los Angeles County Museum of Art

        In this work, titled The Death of Saint Louis, the artist Ary Scheffer captures a profound moment of historical and religious significance. Painted about 1817, the canvas depicts…

      3. 1820s
        Marquis De Lafayette (1822) by Ary Scheffer
        Ranked 1 of 100

        Marquis De Lafayette

        Age 25 – 34 · National Portrait Gallery

        The Marquis De Lafayette gazes out from the canvas, his presence fixed in a moment of quiet dignity. Ary Scheffer captures the man in this 1822 oil on…

      4. 1830s
        Portrait of the king Louis-Philippe (1835) by Ary Scheffer
        2 of 100

        Portrait of the king Louis-Philippe

        Age 35 – 44 · Condé Museum

        A single light source strikes the subject from the upper left, carving a profile out of the surrounding gloom. King Louis-Philippe sits in a quiet, heavy stillness. The…

      5. 1840s
        A Shepherd (1840) by Ary Scheffer
        6 of 100

        A Shepherd

        Age 45 – 54 · Museum Boijmans Van Beuningen

        A weathered man emerges from a heavy, espresso-toned darkness, his face turned upward toward an unseen light. This is a shepherd, though the title feels more like a…

      6. 1850s
        Portrait of Zygmunt Krasiński. (1850) by Ary Scheffer
        7 of 100

        Portrait of Zygmunt Krasiński.

        Age 55 – 63 · National Museum in Warsaw

        This oil portrait, executed in 1850, presents a man in a three-quarter view, positioned slightly off-center and facing toward the right. The subject is rendered with a focus…

      About Ary Scheffer's canvases: your questions answered

      What is the best-known painting by Ary Scheffer?Read the answer

      Marquis De Lafayette (1822), National Portrait Gallery, Washington, D.C.. Portrait of the king Louis-Philippe (1835) and Princess Marie of Orléans (1813–1839) (1837) follow.

      What age was Ary Scheffer when Marquis De Lafayette was painted?Read the answer

      Ary Scheffer, born in 1795, was 27 years old: Marquis De Lafayette dates from 1822.

      What are the 10 most famous paintings by Ary Scheffer?Read the answer

      Marquis De Lafayette, Portrait of the king Louis-Philippe, Princess Marie of Orléans (1813–1839), Portrait of the Prince de Talleyrand, The Death of Saint Louis, A Shepherd, Portrait of Zygmunt Krasiński., Count Eberhard of Württemberg Mourns next to the Body of his Son, Portrait of Madame Edouard Caillard and Portrait of Queen Mary Amélie. Each canvas in the ranking above comes with its year and its museum.

      How many works did Ary Scheffer paint in all?Read the answer

      227 works by Ary Scheffer are in our catalogue, dated 1807 to 1857.

      Where can I see Ary Scheffer's most famous canvases?Read the answer

      Mostly in Dordrechts Museum (Dordrecht), Musée de la Vie Romantique (Paris) and Condé Museum (Chantilly); the list above names each museum and its canvases.

      When did Ary Scheffer paint the best-loved canvases?Read the answer

      In 1830s, which gave 35 of the 100 works on this page, Portrait of the king Louis-Philippe among them.

      Which are Ary Scheffer's earliest and latest famous canvases?Read the answer

      The earliest canvas here is Head of an Old Man with Beret on Head (1807); the latest is Portrait of Queen Mary Amélie (1857).

      What did Ary Scheffer paint most often?Read the answer

      Man (9), Portrait (4) and Dark background (4), across the 100 works on this page.

      Which medium did Ary Scheffer paint in most often?Read the answer

      Oil On Canvas, used in 12 of the 100 works on this page.

      Which movement is Ary Scheffer's painting part of?Read the answer

      Romanticism, as the canvases on this page show.

      Which Ary Scheffer canvases hang at the Dordrechts Museum?Read the answer

      The Dordrechts Museum, Dordrecht holds 46 of the works on this page, among them Greek Combat (Nestor and Diomedes), Hannibal, to whom on a platter the head of Hasdrubal is brought and Head of an Old Man with Beret on Head.

      Can I buy a reproduction of a Ary Scheffer canvas?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Ary Scheffer: a life in paint

      A Life Bridging Worlds: The Romantic Vision of Ary Scheffer

      Ary Scheffer, a name perhaps less immediately recognized than some of his contemporaries like Delacroix or Géricault, nevertheless occupies a significant and fascinating position within the landscape of 19th-century European art. Born in Dordrecht, Netherlands, in 1795, he was a figure deeply shaped by both Dutch artistic traditions and the burgeoning Romantic movement taking hold in France. His story is one of migration – not just geographically from Holland to Paris with his mother following his father’s death in 1809 – but also artistically, navigating between the meticulous detail inherited from his parents, both painters themselves, and the emotional intensity that defined the new aesthetic sensibility sweeping across Europe. His father, Johan Bernard Scheffer, was a portraitist, while his mother, Cornelia Lamme, specialized in miniature portraits; this early exposure instilled in Ary a foundational respect for technical skill and precise representation. However, it was in Paris, studying under Pierre-Narcisse Guérin at the École des Beaux-Arts, that Scheffer truly found his artistic voice, absorbing the influences of Xavier Sigalon, Eugène Delacroix, and Théodore Géricault while forging a style uniquely his own – often described as “frigidly classical,” a seeming paradox that hints at the core tension within his work.

      The Literary Canvas: Themes and Artistic Development

      Scheffer’s career unfolded across several decades, marked by a consistent exploration of themes drawn from literature, mythology, religion, and portraiture. He wasn't merely illustrating stories; he was attempting to *visualize* the emotional core of these narratives, translating complex psychological states onto canvas. This is particularly evident in his recurring depictions of Dante’s Francesca da Rimini, a tragic tale of forbidden love, which he revisited multiple times throughout his career. Each iteration offered a nuanced exploration of sorrow, passion, and despair. Equally compelling are his paintings inspired by Goethe's *Wilhelm Meister*, specifically the character of Mignon, whose longing for home and heaven resonated deeply with Scheffer’s own sense of displacement and spiritual yearning. Christus Consolator, a powerful work demonstrating his engagement with religious themes, showcases a mystical quality that further distinguishes his style. He wasn't simply depicting biblical scenes; he was seeking to convey the profound emotional and spiritual experience of faith. Beyond these literary and religious subjects, Scheffer also enjoyed considerable success as a portraitist, capturing the likenesses of royalty and prominent figures in French society, demonstrating a versatility that contributed to his widespread popularity. His 1837 painting, The Shepherds Led by the Star, exemplifies his ability to imbue traditional religious iconography with a Romantic sensibility.

      A Style Defined by Nuance: Blending Classicism and Romanticism

      Defining Scheffer’s style is not straightforward; it exists in a fascinating interplay between seemingly opposing forces. While undeniably influenced by the emotional fervor of Romanticism, his work consistently retains a formality and classical structure that sets him apart from more overtly dramatic painters like Delacroix. His compositions are meticulously crafted, demonstrating a refined technique and an evocative use of light and shadow to create atmosphere and depth. He possessed a remarkable attention to detail, particularly in the rendering of costumes and settings, which adds a layer of historical authenticity to his paintings. However, this meticulousness never feels cold or sterile; it serves to heighten the emotional impact of the scene. A distinctive characteristic of Scheffer’s work is its tendency towards sentimental and even melodramatic depictions of literary and religious themes. He wasn't afraid to embrace emotion, but he often presented it through a lens of restraint and refinement. His preference for subdued color palettes further contributes to this sense of controlled emotionality, creating paintings that are both visually striking and emotionally resonant.

      Legacy and Enduring Appeal

      Although Scheffer’s popularity waned somewhat in the 20th century, his influence on subsequent generations of artists remains undeniable. His unique blend of Romanticism and Classicism offered a compelling alternative to the more radical approaches of some of his contemporaries. Today, his works are held in museums worldwide, including the Dordrecht Museum – a testament to his Dutch roots – and the Museum of Fine Arts, Boston, demonstrating his international recognition. The Musée de la Vie Romantique in Paris holds a special collection dedicated to Scheffer and George Sand, highlighting his significance within the Romantic era’s intellectual and artistic circles. The accessibility of his masterpieces through handmade oil painting replicas, as offered by platforms like TopImpressionists, ensures that his art continues to inspire and captivate audiences today. Ary Scheffer's legacy lies not just in the beauty of his paintings but also in his ability to bridge worlds – between tradition and innovation, between reason and emotion, and between the Dutch artistic heritage and the vibrant cultural landscape of 19th-century France. He remains a compelling figure for anyone seeking to understand the complexities and nuances of Romantic art.

      All 227 works by Ary Scheffer →