Atelier — Complimentary worldwide shipping — Delivery 2–6 weeks
      Bernardo Strozzi, 1581 – 1644

      Bernardo Strozzi: The 100 Best-Known Paintings

      Of all Bernardo Strozzi's paintings, Sleeping Child is the most famous; it hangs in the Residenzgalerie, Salzburg. Close behind come Banquet at the House of Simon (detail) (1630) and David with the Head of Goliath (1635). Among the 118 works by Bernardo Strozzi in our catalogue, these 100 are the most celebrated, each shown with its date, its museum and its story.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated October 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portrait of Bernardo Strozzi
      Bernardo Strozzi · 1581 – 1644
      Born · died
      1581 – 1644, Campo Ligure
      Movement
      Baroque
      Works in our catalogue
      118
      Most famous
      Sleeping Child
      Most works at
      Gallerie dell'Accademia di Venezia

      Bernardo Strozzi's 10 most celebrated paintings

      Sleeping Child by Bernardo Strozzi
      1

      Sleeping Child

      Oil On Canvas · Residenzgalerie, Salzburg

      A Serene Masterpiece: Capturing Innocence in "Sleeping Child" The Subject: A Moment of Pure Tranquility Bernardo Strozzi's "Sleeping Child" is a poignant portrayal of an infant in peaceful slumber. The artwork captures the essence of innocence and vulnerability, offering viewers a moment of quiet reflection. The child's serene expression and relaxed posture evoke a sense of calm, making this piece a timeless representation of childhood purity. Style and Technique: Baroque…

      Banquet at the House of Simon (detail) (1630) by Bernardo Strozzi
      2

      Banquet at the House of Simon (detail)

      1630 · Oil On Canvas · Gallerie dell'Accademia di Venezia, Venice

      To gaze upon Bernardo Strozzi's Banquet at the House of Simon is to be instantly transported into the vibrant, intoxicating heart of the seventeenth century. This monumental canvas does more than merely depict a meal; it captures an entire atmosphere—a moment suspended in rich color and human connection. The air seems thick with the scent of exotic spices, spilled wine, and lively conversation. Strozzi masterfully orchestrates a scene of pure…

      David with the Head of Goliath (1635) by Bernardo Strozzi
      3

      David with the Head of Goliath

      1635 · Oil On Canvas · Hermitage Museum, Saint Petersburg

      To stand before Bernardo Strozzi's depiction of David with the Head of Goliath is to confront a moment suspended between brutal conflict and sublime victory. This painting, executed in 1635, does more than merely record a biblical episode; it captures the very essence of human courage pitted against overwhelming odds. The composition immediately draws the eye to the central figure—David—whose bearing suggests not just physical prowess, but an unshakeable moral…

      Allegory of Arts (1640) by Bernardo Strozzi
      4

      Allegory of Arts

      1640 · Oil On Canvas · Hermitage Museum, Saint Petersburg

      To stand before Bernardo Strozzi’s Allegory of Arts is to step directly into the vibrant, intellectual heart of the Baroque era. This magnificent oil painting from 1640 captures more than just three figures; it encapsulates a profound celebration of human creativity and the enduring power of female genius. The composition draws the eye immediately to the interplay between the three elegantly draped women, their poses suggesting a moment suspended in…

      Saint Catherine of Alexandria (1615) by Bernardo Strozzi
      5

      Saint Catherine of Alexandria

      1615 · Oil On Canvas · Los Angeles County Museum of Art, Los Angeles

      The light descends from the upper left, cutting through a heavy, dark void to illuminate a figure of profound grace. Saint Catherine of Alexandria sits in a pyramidal arrangement, her presence commanding the space with a quiet, regal strength. She does not look at the viewer; instead, her eyes are turned upward, caught in a moment of spiritual ecstasy or perhaps a silent communion with the divine. Her skin possesses…

      St Maurice and the Angel (1640) by Bernardo Strozzi
      6

      St Maurice and the Angel

      1640 · Oil On Canvas · Hermitage Museum, Saint Petersburg

      Bernardo Strozzi’s “St Maurice and the Angel,” painted in 1635, stands as a testament to the flourishing artistic spirit of Venice during its Golden Age. This monumental canvas embodies the baroque style's dramatic flair and masterful use of color—a visual feast that continues to captivate viewers centuries later.

      St Francis of Assisi adoring the Crucifix (1615) by Bernardo Strozzi
      7

      St Francis of Assisi adoring the Crucifix

      1615 · Oil On Canvas · Art Gallery of South Australia, Adelaide

      The air in the room feels heavy, thick with the scent of old wood and the weight of silent devotion. St. Francis of Assisi leans upward, his body a vessel for a sudden, overwhelming surge of religious ecstasy. His gaze is fixed upon the figure of Christ on the cross, eyes wide and upturned as if searching for a connection that transcends the physical realm. The light does not merely…

      St. Gerardo Sagredo, Bishop of Csanád (1630) by Bernardo Strozzi
      8

      St. Gerardo Sagredo, Bishop of Csanád

      1630 · Oil On Canvas · Art Institute of Chicago, Chicago

      To stand before this portrait is to encounter a figure emerging from an immense, dark void. The Bishop of Csanád does not demand attention through movement, but rather through a quiet, heavy stillness. There is a profound sense of weight here, found in the way the light catches the textured folds of his white alb and the stiff, embroidered edges of his liturgical vestments. The background remains indeterminate, a deep…

      Portrait of Nikola Kuchi (1637) by Bernardo Strozzi
      10

      Portrait of Nikola Kuchi

      1637 · Oil On Canvas · National Gallery of Armenia, Yerevan

      An elderly man gazes toward the viewer's right, his eyes meeting the observer with a steady, dignified presence. He is rendered in three-quarter length, positioned slightly off-center against an atmospheric background of deep browns and blacks. A strong light source strikes the side of his face and the front of his heavy red cloak, leaving the remainder of his figure to recede into deep shadow. This dramatic use of light…

      Bernardo Strozzi paintings ranked 11 to 100

      Old Coquette (1625) by Bernardo Strozzi
      #12

      Old Coquette

      1625

      A woman sits centered in a white dress, her hair gathered into a tight bun. She leans toward a mirror held aloft by a servant, seeking a glimpse…

      Bring this light home →
      Bishop Alvise Grimani (1633) by Bernardo Strozzi
      #14

      Bishop Alvise Grimani

      1633 · National Gallery of Art

      The portrait presents a three-quarter length view of Bishop Alvise Grimani, positioned against a dark, indeterminate background. Directional light enters from the upper left, carving the subject's features…

      Have it painted by hand →
      Saint Francis (1612) by Bernardo Strozzi
      #17

      Saint Francis

      1612 · Museum Boijmans Van Beuningen

      The oil on canvas before us presents Saint Francis, a figure caught in a moment of profound spiritual weight. This portrait of the saint emerges from the shadows,…

      Bring this light home →
      Doge Francesco Erizzo (1566-1646) (1631) by Bernardo Strozzi
      #18

      Doge Francesco Erizzo (1566-1646)

      1631 · Kunsthistorisches Museum

      A three-quarter length portrait presents an elderly man, identified as Doge Francesco Erizzo, positioned centrally against a dark, indeterminate background. The subject possesses a prominent white beard and…

      Bring this light home →
      St Cecilia (1620) by Bernardo Strozzi
      #19

      St Cecilia

      1620 · Nelson-Atkins Museum of Art

      In the heart of the Baroque era, few works capture the intersection of earthly texture and divine grace as poignantly as Bernardo Strozzi’s St Cecilia. Painted around 1620,…

      Bring this light home →
      David with Goliaths Head (1635) by Bernardo Strozzi
      #20

      David with Goliaths Head

      1635 · Museum Boijmans Van Beuningen

      The artwork titled David with Goliaths Head is a painting by the artist Bernardo Strozzi. Created in 1635, this work depicts a specific biblical scene involving the figures…

      Bring this light home →
      Berenice (1640) by Bernardo Strozzi
      #44

      Berenice

      1640 · El Paso Museum of Art

      In this intimate portrait of Berenice by Bernardo Strozzi, the composition is tightly framed, focusing our attention on the subject’s face and upper body. The artist employs a…

      Order this canvas →
      Portrait of a Man (1635) by Bernardo Strozzi
      #48

      Portrait of a Man

      1635 · Castelvecchio Museum

      In this 1635 oil on canvas, we encounter a man who commands the space through a quiet, heavy dignity. He is seated, perhaps contemplating the documents held within…

      Bring this light home →
      Gamba Player (1635) by Bernardo Strozzi
      #49

      Gamba Player

      1635 · Gemäldegalerie

      Bernardo Strozzi’s captivating portrait, *Gamba Player*, transports us directly into the vibrant, emotionally charged atmosphere of 17th-century Italian life. At its heart stands a woman, poised with an…

      Order this canvas →
      The Madonna of Justice (1620) by Bernardo Strozzi
      #51

      The Madonna of Justice

      1620 · The Louvre

      To stand before Bernardo Strozzi's "The Madonna of Justice" is to be enveloped in the dramatic fervor of the Baroque age. This magnificent oil on canvas, dating from…

      Order this canvas →
      The Charity of St Lawrence (1615) by Bernardo Strozzi
      #52

      The Charity of St Lawrence

      1615 · Galleria Nazional d Art Antica

      Bernardo Strozzi captures a moment of profound spiritual duty through the figure of St. Lawrence. The composition centers on the deacon, draped in red robes, holding a cross…

      Order this canvas →
      Saint Francis in Prayer (1630) by Bernardo Strozzi
      #53

      Saint Francis in Prayer

      1630 · National Gallery of Art

      The oil on canvas titled Saint Francis in Prayer was executed by the artist Bernardo Strozzi. This religious art piece captures the quietude of Francis of Assisi in…

      Order this canvas →
      The Annunciation (1643) by Bernardo Strozzi
      #54

      The Annunciation

      1643 · Szépművészeti Múzeum

      To stand before this depiction of The Annunciation is to step across the threshold into a moment suspended between the earthly and the divine. Bernardo Strozzi, master of…

      Bring this light home →
      The Cook (1640) by Bernardo Strozzi
      #55

      The Cook

      1640 · Scottish National Gallery

      In the soft, amber glow of a domestic afternoon, Bernardo Strozzi captures a scene of profound, unassuming stillness. The Cook is not merely a portrait of a woman…

      Bring this light home →
      Old Woman at the Mirror (1615) by Bernardo Strozzi
      #56

      Old Woman at the Mirror

      1615 · Pushkin State Museum

      In the quiet intimacy of Bernardo Strozzi’s Old Woman at the Mirror, we are invited to witness more than a mere moment of grooming; we are pulled into…

      Bring this light home →
      St Cecilia (1623) by Bernardo Strozzi
      #57

      St Cecilia

      1623 · Thyssen-Bornemisza Museum

      In the heart of the Baroque era, few works capture the intersection of earthly texture and divine grace as poignantly as Bernardo Strozzi’s St Cecilia. Painted between 1623…

      Have it painted by hand →
      The Tribute Money by Bernardo Strozzi
      #58

      The Tribute Money

      Nationalmuseum

      A single coin catches the light, a small metallic weight that anchors the tension of the scene. The composition centers on a figure in a crimson tunic, his…

      Order this canvas →
      Lamentation over the Dead Christ (1615) by Bernardo Strozzi
      #62

      Lamentation over the Dead Christ

      1615 · Accademia Ligustica di Belle Arti

      In the profound stillness of Bernardo Strozzi’s Lamentation over the Dead Christ, we are invited into a moment of unparalleled human vulnerability and divine sorrow. Painted around 1615,…

      Bring this light home →
      Portrait of a Knight (detail) (1640) by Bernardo Strozzi
      #72

      Portrait of a Knight (detail)

      1640 · Gallerie dell'Accademia di Venezia

      This work, titled Portrait of a Knight (detail), was executed by the Italian artist Bernardo Strozzi. Created around 1640, the painting offers a focused view of a nobleman.…

      Have it painted by hand →
      Portrait of a Maltese Knight by Bernardo Strozzi
      #74

      Portrait of a Maltese Knight

      Pinacoteca di Brera

      A man emerges from a dark, indeterminate background, his presence defined by the stark geometry of a white octagonal cross pinned to his chest. This emblem identifies him…

      Order this canvas →
      The Release of St. Peter (1635) by Bernardo Strozzi
      #75

      The Release of St. Peter

      1635 · Art Gallery of New South Wales

      The Release of St. Peter is an oil on canvas work by the Italian Baroque painter Bernardo Strozzi. Created around 1635, this piece captures the moment of the…

      Order this canvas →
      Lute Player (1630) by Bernardo Strozzi
      #76

      Lute Player

      1630 · Kunsthistorisches Museum

      In the heart of the Venetian Baroque era, amidst the vibrant textures and dramatic light of Italy, Bernardo Strozzi captured a moment that transcends the mere act of…

      Have it painted by hand →
      Salome (1630) by Bernardo Strozzi
      #77

      Salome

      1630 · Gemäldegalerie

      The oil on canvas painting titled Salome was executed by the Italian Baroque painter Bernardo Strozzi. This work dates to 1630. The composition depicts a biblical scene involving…

      Have it painted by hand →
      Berenice by Bernardo Strozzi
      #79

      Berenice

      Bavarian State Painting Collections

      Bernardo Strozzi's Berenice represents a significant subject from the first half of the 17th century. The work identifies the figure as Queen Berenice, the daughter of the King…

      Order this canvas →
      Joseph Telling his Dreams (1626) by Bernardo Strozzi
      #81

      Joseph Telling his Dreams

      1626 · Pallavicino Collection

      In the evocative masterpiece Joseph Telling his Dreams, the Italian Baroque master Bernardo Strozzi invites us into a moment of profound narrative tension and domestic intimacy. Painted in…

      Have it painted by hand →
      Banquet at the House of Simon (detail) (1630) by Bernardo Strozzi
      #92

      Banquet at the House of Simon (detail)

      1630 · Gallerie dell'Accademia di Venezia

      To gaze upon Bernardo Strozzi’s Banquet at the House of Simon (detail) is to be instantly transported into the vibrant, intoxicating heart of the seventeenth century. This masterful…

      Order this canvas →
      A Personification of Fame by Bernardo Strozzi
      #93

      A Personification of Fame

      National Gallery

      In this work, titled A Personification of Fame, the artist Bernardo Strozzi presents a nuanced interpretation of an allegorical subject. The painting, which dates to probably 1635-6, depicts…

      Have it painted by hand →
      Portrait of a Knight (1640) by Bernardo Strozzi
      #96

      Portrait of a Knight

      1640 · Gallerie dell'Accademia di Venezia

      Bernardo Strozzi's “Portrait of the Knight Giovanni Grimani,” painted circa 1640, stands as a testament to the Venetian Baroque’s fascination with aristocratic grandeur and psychological depth. Executed in…

      Order this canvas →

      Bernardo Strozzi's canvases, period by period

      What Bernardo Strozzi painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Bernardo Strozzi's canvases hang

      The 8 museums that hold the most of the paintings on this page.

      Museum City Works by Bernardo Strozzi Paintings from this list
      Gallerie dell'Accademia di Venezia, VeniceGallerie dell'Accademia di Venezia Venice 5 Banquet at the House of Simon (detail), Banquet at the House of Simon, Portrait of a Knight (detail)
      Kunsthistorisches Museum, ViennaKunsthistorisches Museum Vienna 5 Salome with the head of St John the Baptist, The Sermon of St. John the Baptist, Doge Francesco Erizzo (1566-1646)
      Hermitage Museum, Saint PetersburgHermitage Museum Saint Petersburg 5 David with the Head of Goliath, Allegory of Arts, St Maurice and the Angel
      Bavarian State Painting Collections, MunichBavarian State Painting Collections Munich 3 Joseph as Interpreter of Dreams (Fragment), Berenice, The Parable of the Widow's Mite
      Accademia Ligustica di Belle Arti, GenovaAccademia Ligustica di Belle Arti Genova 3 St John the Baptist, Lamentation over the Dead Christ, St Augustine Washing the Feet of Christ
      Art Gallery of South Australia, AdelaideArt Gallery of South Australia Adelaide 2 St Francis of Assisi adoring the Crucifix, Study for St Francis of Assisi adoring the cross
      National Gallery of Art, WashingtonNational Gallery of Art Washington 2 Bishop Alvise Grimani, Saint Francis in Prayer
      Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 2 Saint Francis, David with Goliaths Head

      Decade by decade: Bernardo Strozzi's most celebrated canvas

      1. 1600s
      2. 1610s
        Saint Catherine of Alexandria (1615) by Bernardo Strozzi
        Ranked 5 of 100

        Saint Catherine of Alexandria

        Age 29 – 38 · Los Angeles County Museum of Art

        The light descends from the upper left, cutting through a heavy, dark void to illuminate a figure of profound grace. Saint Catherine of Alexandria sits in a pyramidal…

      3. 1620s
        Old Coquette (1625) by Bernardo Strozzi
        Ranked 12 of 100

        Old Coquette

        Age 39 – 48

        A woman sits centered in a white dress, her hair gathered into a tight bun. She leans toward a mirror held aloft by a servant, seeking a glimpse…

      4. 1630s
        Banquet at the House of Simon (detail) (1630) by Bernardo Strozzi
        2 of 100

        Banquet at the House of Simon (detail)

        Age 49 – 58 · Gallerie dell'Accademia di Venezia

        To gaze upon Bernardo Strozzi's Banquet at the House of Simon is to be instantly transported into the vibrant, intoxicating heart of the seventeenth century. This monumental canvas…

      5. 1640s
        Allegory of Arts (1640) by Bernardo Strozzi
        Canvas 4 of 100

        Allegory of Arts

        Age 59 – 63 · Hermitage Museum

        To stand before Bernardo Strozzi’s Allegory of Arts is to step directly into the vibrant, intellectual heart of the Baroque era. This magnificent oil painting from 1640 captures…

      Your questions on Bernardo Strozzi's paintings, answered

      Which is the most celebrated painting by Bernardo Strozzi?Read the answer

      Sleeping Child, Residenzgalerie, Salzburg. Banquet at the House of Simon (detail) (1630) and David with the Head of Goliath (1635) follow.

      Which ten paintings is Bernardo Strozzi most famous for?Read the answer

      Sleeping Child, Banquet at the House of Simon (detail), David with the Head of Goliath, Allegory of Arts, Saint Catherine of Alexandria, St Maurice and the Angel, St Francis of Assisi adoring the Crucifix, St. Gerardo Sagredo, Bishop of Csanád, Portrait of a Genoese Nobleman and Portrait of Nikola Kuchi. Each canvas in the ranking above comes with its year and its museum.

      How many paintings by Bernardo Strozzi are known?Read the answer

      118 works by Bernardo Strozzi are in our catalogue, dated 1600 to 1644.

      Which museums hold Bernardo Strozzi's best-known canvases?Read the answer

      Mostly in Gallerie dell'Accademia di Venezia (Venice), Kunsthistorisches Museum (Vienna) and Hermitage Museum (Saint Petersburg); the list above names each museum and its canvases.

      In which years did Bernardo Strozzi paint the most celebrated canvases?Read the answer

      In 1630s, which gave 34 of the 100 works on this page, Banquet at the House of Simon (detail) among them.

      What are the first and the last of Bernardo Strozzi's famous canvases?Read the answer

      The earliest canvas here is Old Man with a Pupil (1600); the latest is The Sermon of St. John the Baptist (1644).

      Which subjects return most often in Bernardo Strozzi's paintings?Read the answer

      Man (19), Woman (10) and Dark background (9), across the 100 works on this page.

      What did Bernardo Strozzi usually paint with?Read the answer

      Oil On Canvas, used in 43 of the 100 works on this page.

      To which art movement does Bernardo Strozzi belong?Read the answer

      Baroque, as the canvases on this page show.

      What can I see by Bernardo Strozzi at the Gallerie dell'Accademia di Venezia?Read the answer

      The Gallerie dell'Accademia di Venezia, Venice holds 5 of the works on this page, among them Banquet at the House of Simon (detail), Banquet at the House of Simon and Portrait of a Knight (detail).

      Can I order a hand-painted copy of a painting by Bernardo Strozzi?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Bernardo Strozzi: the painter's story

      early life and training

      bernardo strozzi, also known as il cappuccino and il prete genovese, was a prominent italian baroque painter and engraver born in 1581 in genoa, italy. his early training took place in the workshop of cesare corte, a minor genoese painter, under whose guidance strozzi developed his skills until 1596. he then joined the workshop of pietro sorri, an innovative sienese painter, who led strozzi towards a more naturalistic style.

      artistic career

      strozzi's career can be divided into two main periods: his early years in genoa and his later work in venice. in genoa, he worked on various projects, including the frescoes in the choir of the san domenico church, commissioned by members of the doria family.

      influence and legacy

      strozzi's powerful art, characterized by rich colors and broad brushstrokes, had a significant impact on the artistic developments in both genoa and venice. he is considered one of the principal founders of the venetian baroque style.
      • notable patrons:
      • doge francesco erizzo
      • catholic cardinal and patriarch of venice federico baldissera
      • prominent venetian artists, including claudio monteverdi and barbara strozzi

      later life and death

      strozzi's later years were marked by his work as an engineer. he died in venice in 1644, leaving behind a legacy as a versatile and prolific artist. view more works by bernardo strozzi on TopImpressionists: [https://TopImpressionists.com/@/bernardo-strozzi](https://TopImpressionists.com/@/bernardo-strozzi) explore the pinacoteca di vicenza, italy, featuring works from various periods and styles: /en/art/show/art-d3afpd-en/

      All 118 works by Bernardo Strozzi →