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      Carl Bloch, 1834 – 1890

      Carl Bloch's 65 Most Famous Paintings

      In a Roman Osteria (1866) is the painting Carl Bloch is best remembered for; it belongs to the Statens Museum For Kunst, Copenhagen. The Last Supper (1876) and Jesus Raises Lazarus from the Dead (1871) complete the trio of best-loved canvases. Our catalogue counts 65 works by Carl Bloch. Here are the 65 most famous, with the year, the museum and the story of each canvas.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated October 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portrait of Carl Bloch
      Carl Bloch · 1834 – 1890
      Born · died
      1834 – 1890, Copenhagen
      Movement
      Realism
      Works in our catalogue
      65
      Most famous
      In a Roman Osteria (1866)
      Most works at
      Statens Museum For Kunst

      The ten best-loved paintings by Carl Bloch

      In a Roman Osteria (1866) by Carl Bloch
      1

      In a Roman Osteria

      1866 · Oil On Canvas · Statens Museum For Kunst, Copenhagen

      In the mid-19th century, a profound fascination with the warmth and vitality of Italian culture swept through the artistic circles of Northern Europe. Carl Heinrich Bloch’s 1866 masterpiece, In a Roman Osteria, stands as a breathtaking testament to this era, offering much more than a mere snapshot of social life. It is a window into a world of conviviality, where the boundaries between the viewer and the subjects seem to…

      The Last Supper (1876) by Carl Bloch
      2

      The Last Supper

      1876 · Oil On Canvas

      In this oil painting on canvas, twelve figures sit around a long, rectangular table within an enclosed room. Jesus occupies the center of the composition at the head of the table. The scene is illuminated by light entering from a window located on the right side of the frame. This light source casts shadows across the faces and clothing of the disciples, defining their physical forms. The background contains architectural…

      Jesus Raises Lazarus from the Dead (1871) by Carl Bloch
      3

      Jesus Raises Lazarus from the Dead

      1871 · Oil On Canvas

      Jesus Raises Lazarus from the Dead is an oil on canvas work by the Danish artist Carl Heinrich Bloch. Created in 1871, the painting captures a central moment from Christian scripture: the resurrection of Lazarus by Jesus Christ. The scene focuses on the miraculous event as it unfolds before a group of onlookers.

      Let the Little Children Come unto Me by Carl Bloch
      4

      Let the Little Children Come unto Me

      Oil

      In this intimate scene, we find Jesus at the center of a gathering that feels both profound and deeply human. He is surrounded by children, some sitting upon the ground and others standing, all drawn toward him by an invisible pull of curiosity and reverence. There is a palpable sense of movement in the air, a gentle energy that arises from the children's attentive faces and the soft, expressive gestures…

      Christ in Gethsemane (1875) by Carl Bloch
      5

      Christ in Gethsemane

      1875

      The Artist: Carl Heinrich Bloch Carl Heinrich Bloch (1834-1890) was a renowned Danish painter, known for his religious and historical works. Born in Copenhagen, he studied at the Royal Danish Academy of Art under Wilhelm Marstrand. Later, he traveled to Italy, where he became acquainted with the work of Rembrandt, which greatly influenced his style. The Painting: 'Christ in Gethsemane' 'Christ in Gethsemane' is one of Bloch's most famous and…

      Sermon on the Mount (1877) by Carl Bloch
      6

      Sermon on the Mount

      1877 · Oil On Canvas

      In this work, titled Sermon on the Mount, we encounter a significant piece by the Danish painter Carl Bloch. Created around 1877, the painting belongs to a substantial body of work known as the Frederiksborg Castle commission. This series was specifically intended for the King's Oratory within Frederiksborg Castle, marking a period of profound creative focus for the artist.

      The Twelve-Year-Old Jesus in the Temple (1869) by Carl Bloch
      7

      The Twelve-Year-Old Jesus in the Temple

      1869 · Oil On Copper

      In The Twelve-Year-Old Jesus in the Temple, Carl Bloch captures a profound moment of discovery within the temple courts. This work, painted by Carl Bloch, illustrates the specific narrative found in the biblical passage Luke 2:41-52. It depicts the moment Mary and Joseph finally locate their son after a three-day search through Jerusalem. The scene focuses on the young Jesus, who is surrounded by a gathering of people within the…

      The Meeting of Mary and Elizabeth (1866) by Carl Bloch
      8

      The Meeting of Mary and Elizabeth

      1866 · Oil On Canvas

      In the quiet, luminous atmosphere of Carl Heinrich Bloch’s 1866 masterpiece, "The Meeting of Mary and Elizabeth," we are invited into a moment of profound spiritual significance. This painting captures the biblical Visitation, the sacred instant when Mary, carrying the unborn Jesus, encounters her cousin Elizabeth, who is pregnant with John the Baptist. The scene is far more than a mere historical reenactment; it is an intimate study of connection,…

      The Denial of Peter by Carl Bloch
      9

      The Denial of Peter

      Oil On Copper

      The Denial of Peter by the Danish artist Carl Heinrich Bloch captures a heavy, fractured moment from the Gospel of Luke. In this scene, Peter denies knowing Jesus three times. The air holds the weight of a prophecy fulfilled: the rooster's cry will soon pierce the silence, marking the moment Peter's words undo his devotion. It is a significant piece in the history of art, freezing the instant where human…

      The Woman with the Sparrows (1886) by Carl Bloch
      10

      The Woman with the Sparrows

      1886

      A woman sits by a window, her black dress absorbing the light. She wears a hooded shawl that frames a face turned toward a small, intimate miracle. Her hand rests upon the sill, a steady anchor in a world of movement. From her open palm, small birds descend. They are sparrows, seeking sustenance in the stillness of the room. A handbag rests nearby on the floor, a silent witness to…

      Carl Bloch: canvases 11 to 65 of the ranking

      Healing of the Blind Man (1871) by Carl Bloch
      #11

      Healing of the Blind Man

      1871

      In the quiet, luminous depths of Carl Heinrich Bloch’s 1871 masterpiece, "Healing of the Blind Man," viewers are invited into a moment of profound spiritual intimacy. This oil…

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      A Fishwife (1875) by Carl Bloch
      #15

      A Fishwife

      1875 · Statens Museum For Kunst

      A middle-aged woman leans over a wooden table, her presence centered within a somber, earthy atmosphere. She is engaged in the tactile, repetitive motions of her trade, preparing…

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      Christ on the Cross (1870) by Carl Bloch
      #18

      Christ on the Cross

      1870

      In "Christ on the Cross" by Carl Bloch, we encounter a profound depiction of one of the most significant events in Christian history. Created about 1870, this oil-on-canvas…

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      Adoration of the Shepherds (1882) by Carl Bloch
      #37

      Adoration of the Shepherds

      1882 · Nationalmuseum

      The scene is set within a dark, indistinct space where a singular, intense light source emerges from the center. This light radiates from the manger area, casting strong…

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      Old People (1874) by Carl Bloch
      #39

      Old People

      1874 · Hirschsprung Collection

      In the quiet, shadowed corners of Carl Heinrich Bloch’s 1874 masterpiece, 'Old People,' time seems to decelerate, inviting the viewer into a profound moment of human vulnerability. The…

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      Self Portrait (1886) by Carl Bloch
      #40

      Self Portrait

      1886

      In the quiet, shadowed corridors of art history, few portraits capture the profound intimacy of the artist’s gaze as effectively as Carl Heinrich Bloch’s 1886 Self Portrait. This…

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      Samson and the Philistines (1863) by Carl Bloch
      #63

      Samson and the Philistines

      1863 · Statens Museum For Kunst

      In the grand tapestry of nineteenth-century religious art, few moments capture the raw tension of divine destiny as poignantly as Carl Heinrich Bloch’s Samson and the Philistines. Painted…

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      What Carl Bloch painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Carl Bloch's canvases hang

      The 6 museums that hold the most of the paintings on this page.

      Museum City Works by Carl Bloch Paintings from this list
      Statens Museum For Kunst, CopenhagenStatens Museum For Kunst Copenhagen 15 In a Roman Osteria, A Fisherman from Sorrento, Italy, En gammel bondekone, der ser ud af et vindue
      Hirschsprung Collection, CopenhagenHirschsprung Collection Copenhagen 2 Fishermen's families avaiting their return in an approsching storm. From the west coast of Jutland., Old People
      Frederiksborg Palace, HillerødFrederiksborg Palace Hillerød 1 The Transfiguration
      Ribe Kunstmuseum, EsbjergRibe Kunstmuseum Esbjerg 1 Prometheus Unbound
      Nivaagaards Malerisamling, NibeNivaagaards Malerisamling Nibe 1 Two women talking
      Nationalmuseum, StockholmNationalmuseum Stockholm 1 Adoration of the Shepherds

      Carl Bloch's most famous canvas, decade after decade

      1. 1850s
      2. 1860s
        In a Roman Osteria (1866) by Carl Bloch
        Canvas 1 of 65

        In a Roman Osteria

        Age 26 – 35 · Statens Museum For Kunst

        In the mid-19th century, a profound fascination with the warmth and vitality of Italian culture swept through the artistic circles of Northern Europe. Carl Heinrich Bloch’s 1866 masterpiece,…

      3. 1870s
        The Last Supper (1876) by Carl Bloch
        Ranked 2 of 65

        The Last Supper

        Age 36 – 45

        In this oil painting on canvas, twelve figures sit around a long, rectangular table within an enclosed room. Jesus occupies the center of the composition at the head…

      4. 1880s
        The Woman with the Sparrows (1886) by Carl Bloch
        Canvas 10 of 65

        The Woman with the Sparrows

        Age 46 – 55

        A woman sits by a window, her black dress absorbing the light. She wears a hooded shawl that frames a face turned toward a small, intimate miracle. Her…

      5. 1890s

      Carl Bloch's canvases, question by question

      Which canvas is Carl Bloch most remembered for?Read the answer

      In a Roman Osteria (1866), Statens Museum For Kunst, Copenhagen. The Last Supper (1876) and Jesus Raises Lazarus from the Dead (1871) follow.

      In a Roman Osteria: how old was Carl Bloch when it was painted?Read the answer

      Carl Bloch, born in 1834, was 32 years old: In a Roman Osteria dates from 1866.

      What are Carl Bloch's ten most famous canvases?Read the answer

      In a Roman Osteria, The Last Supper, Jesus Raises Lazarus from the Dead, Let the Little Children Come unto Me, Christ in Gethsemane, Sermon on the Mount, The Twelve-Year-Old Jesus in the Temple, The Meeting of Mary and Elizabeth, The Denial of Peter and The Woman with the Sparrows. Each canvas in the ranking above comes with its year and its museum.

      How many paintings did Carl Bloch create?Read the answer

      65 works by Carl Bloch are in our catalogue, dated 1855 to 1890.

      Where do Carl Bloch's most famous canvases hang today?Read the answer

      Mostly in Statens Museum For Kunst (Copenhagen), Hirschsprung Collection (Copenhagen) and Frederiksborg Palace (Hillerød); the list above names each museum and its canvases.

      When did Carl Bloch paint the most famous canvases?Read the answer

      In 1870s, which gave 25 of the 65 works on this page, The Last Supper among them.

      Which famous Carl Bloch canvas came first, and which came last?Read the answer

      The earliest canvas here is The Artist’s Parents, Mr. and Mrs. J. P. Bloch in Their Sitting Room (1855); the latest is Christ and the Sinner (1890).

      Which subjects did Carl Bloch paint most?Read the answer

      People (8), Woman (7) and Jesus (5), across the 65 works on this page.

      Which medium appears most in Carl Bloch's paintings?Read the answer

      Oil On Canvas, used in 14 of the 65 works on this page.

      Which movement is Carl Bloch associated with?Read the answer

      Realism, as the canvases on this page show.

      Which paintings by Carl Bloch are held by the Statens Museum For Kunst?Read the answer

      The Statens Museum For Kunst, Copenhagen holds 15 of the works on this page, among them In a Roman Osteria, A Fisherman from Sorrento, Italy and En gammel bondekone, der ser ud af et vindue.

      Where can I buy a reproduction of a Carl Bloch painting?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Meet the painter: Carl Bloch

      A Life Dedicated to Art and Faith

      Carl Heinrich Bloch, born in Copenhagen on May 23rd, 1834, was a Danish painter whose name became synonymous with profoundly moving depictions of biblical narratives and the quiet dignity of everyday life. His journey as an artist wasn’t initially embraced by his parents, who envisioned a more conventional path for their son—a career at sea. However, Bloch's unwavering passion for art proved irresistible, leading him to enroll at the Royal Danish Academy of Art in 1855 under the tutelage of Wilhelm Marstrand. This formal training laid the crucial foundation for his artistic development, honing his skills and shaping his aesthetic sensibilities. Early works revealed a keen observational eye, focusing on rural scenes and capturing the essence of ordinary existence with remarkable sensitivity.

      The Italian Awakening and Artistic Maturation

      A pivotal moment in Bloch’s artistic evolution arrived with his extended sojourn in Italy from 1859 to 1866. This period proved transformative, exposing him to a wealth of artistic heritage and profoundly influencing his style. It was during these years that he encountered the works of Rembrandt van Rijn, an encounter that would indelibly mark his approach to painting. The Dutch master’s masterful use of light and shadow—the dramatic interplay between illumination and darkness—resonated deeply with Bloch, becoming a defining characteristic of his own work. He absorbed not only technical aspects but also the emotional depth and psychological insight Rembrandt brought to his canvases. In Rome, he found personal happiness as well, marrying Alma Trepka in 1868; their marriage was a source of joy until her untimely death in 1886, an event that cast a long shadow over his later years.

      Triumph at Frederiksborg and Lasting Legacy

      Bloch’s ascent to prominence began with the exhibition of Prometheus Unbound in Copenhagen in 1865, signaling a turning point in his career. He quickly established himself as a leading artist, succeeding Marstrand in completing the decoration of the ceremonial hall at the University of Copenhagen. However, it was his commission to create twenty-three paintings for the King's Chapel at Frederiksborg Palace (spanning from 1865 to 1879) that cemented his legacy. These scenes from the life of Christ—rendered with breathtaking detail and emotional intensity—became immensely popular and are widely considered among his finest achievements. The power of these images extended beyond Denmark’s borders; Bloch subsequently created altarpieces based on the Frederiksborg paintings, which found homes in churches across Denmark and Sweden.

      Style, Influences, and Enduring Impact

      Bloch's artistic style was a compelling blend of realism and romanticism. He possessed an exceptional ability to depict biblical narratives with both historical accuracy and profound emotional resonance. The influence of Rembrandt is undeniable in his masterful manipulation of light and shadow, creating dramatic effects that heighten the sense of spirituality and human drama. He also belonged to the “Eckersberg-Tradition” within Danish art, a school known for its commitment to realism and national themes. Beyond his technical skill, Bloch’s work resonated with audiences because of its genuine empathy and spiritual depth. His paintings weren't merely illustrations; they were invitations to contemplate faith, suffering, and redemption. His impact extends far beyond the realm of fine art. The Church of Jesus Christ of Latter-day Saints has extensively utilized Bloch’s Frederiksborg Palace paintings in its church buildings and printed materials, recognizing their power to convey scriptural stories with clarity and emotional force. They have even served as visual references for films depicting biblical accounts. H.C. Andersen, the celebrated Danish author, recognized Bloch's exceptional talent, predicting that he would "become noble here on earth" and ascend toward “the great heaven of art.” Karl Madsen similarly declared him among the "noblest of them all!" Carl Heinrich Bloch passed away in Copenhagen on February 22nd, 1890, leaving behind a body of work that continues to inspire awe and reverence. His paintings remain testaments to his artistic genius and enduring faith—a legacy that ensures his place as one of the most beloved religious artists of the 19th century.

      All 65 works by Carl Bloch →