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      Ignacio Zuloaga, 1870 – 1945

      Ignacio Zuloaga's 100 Most Famous Paintings

      Portrait of Maurice Barrès is the painting Ignacio Zuloaga is best remembered for. Woman in Andalusian Dress (1911) and Anita Ramírez, in black (1915) complete the trio of best-loved canvases. Our catalogue counts 108 works by Ignacio Zuloaga. Here are the 100 most famous, with the year, the museum and the story of each canvas.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated October 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portrait of Ignacio Zuloaga
      Ignacio Zuloaga · 1870 – 1945
      Born · died
      1870 – 1945, Eibar
      Movement
      Spanish realism
      Works in our catalogue
      108
      Most famous
      Portrait of Maurice Barrès
      Most works at
      Hispanic Society Museum - Library

      The ten best-loved paintings by Ignacio Zuloaga

      Portrait of Maurice Barrès by Ignacio Zuloaga
      1

      Portrait of Maurice Barrès

      Oil On Canvas

      The figure of Maurice Barrès occupies the left side of the canvas, a steady anchor amidst a swirling, dramatic landscape. He gazes toward a distant cityscape, his expression caught in a moment of quiet introspection. There is a certain weight to his presence, a sense of a man deeply connected to the history he contemplates. The light, diffused and soft as if filtered through an overcast sky, casts gentle shadows…

      Woman in Andalusian Dress (1911) by Ignacio Zuloaga
      2

      Woman in Andalusian Dress

      1911 · Oil On Canvas · National Gallery of Art, Washington

      A woman emerges from a swirl of deep blues and teals. She is captured from the waist up, her presence anchored by the heavy textures of her attire. An orange headpiece rests upon her hair, pinned with pink and white floral accents that catch the light. Her skin glows with warmth against the cool, atmospheric clouds that churn in the background. There is a stillness in her gaze, a poised…

      Julia Wainwright Robbins (1923) by Ignacio Zuloaga
      7

      Julia Wainwright Robbins

      1923 · Oil On Canvas · Metropolitan Museum of Art, New York

      In this 1923 oil on canvas, Ignacio Zuloaga captures Julia Wainwright Robbins as a solitary figure. She occupies the center of the frame, a single female presence held within a quiet, dark space. Her posture is formal, defined by an aristocratic poise that commands the stillness of the composition. She holds a closed fan, a small, rigid object that anchors her hands against the soft volume of her attire.

      Ignacio Zuloaga: canvases 11 to 100 of the ranking

      My Uncle and My Cousins (1898) by Ignacio Zuloaga
      #32

      My Uncle and My Cousins

      1898 · Musée d'Orsay

      Ignacio Zuloaga y Zabala's 1898 painting, *My Uncle and My Cousins*, offers a poignant window into the formal portraiture traditions of late 19th-century Spain. More than simply a…

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      Sepulveda (1909) by Ignacio Zuloaga
      #39

      Sepulveda

      1909 · National Gallery of Art

      The oil on canvas titled Sepúlveda was painted in 1909. It is a work by the Spanish artist Ignacio Zuloaga, who lived from 1870 to 1945. The painting…

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      Torero (1902) by Ignacio Zuloaga
      #91

      Torero

      1902 · Vil·la Casals-Museu Pau Casals

      In the evocative portrait titled Torero, created in 1902 by the master of Spanish realism, Ignacio Zuloaga y Zabala, we are invited into a moment of profound stillness…

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      Ignacio Zuloaga's canvases, period by period

      What Ignacio Zuloaga painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Ignacio Zuloaga's canvases hang

      The 8 museums that hold the most of the paintings on this page.

      Museum City Works by Ignacio Zuloaga Paintings from this list
      Hispanic Society Museum - Library, New YorkHispanic Society Museum - Library New York 12 The Penitents, My Cousin Cándida, Self-Portrait
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 4 Julia Wainwright Robbins, Alva B. Gimbel, Mountains of Calatayud
      National Museum of Fine Arts, Buenos AiresNational Museum of Fine Arts Buenos Aires 4 The Witches of San Millán, Gitanilla, Return of the Harvest
      Museo Nacional Centro de Arte Reina Sofía, MadridMuseo Nacional Centro de Arte Reina Sofía Madrid 3 Tipo de Segovia (Man from Segovia), Retrato de Madame Malinowska (La Rusa) (Portrait of Madame Malinowska [The Russian]), Don Placido Zuloaga in his studio
      National Gallery of Art, WashingtonNational Gallery of Art Washington 2 Woman in Andalusian Dress, Sepulveda
      Museum of Fine Arts, BostonMuseum of Fine Arts Boston 2 My Uncle Daniel and his Family, Castilian Landscape
      Hermitage Museum, Saint PetersburgHermitage Museum Saint Petersburg 3 Portrait of Ivan Shchukin (1869-1908)
      Brooklyn Museum, BrooklynBrooklyn Museum Brooklyn 1 Anita Ramírez, in black

      Ignacio Zuloaga's most famous canvas, decade after decade

      1. 1890s
        Portrait of Ivan Shchukin (1869-1908) (1899) by Ignacio Zuloaga
        11 of 100

        Portrait of Ivan Shchukin (1869-1908)

        Age 20 – 29 · Hermitage Museum

        A full-length portrait depicts a man positioned centrally against a desolate, rocky landscape. He is oriented slightly toward the viewer, maintaining a frontal posture that occupies much of…

      2. 1900s
      3. 1910s
        Woman in Andalusian Dress (1911) by Ignacio Zuloaga
        Canvas 2 of 100

        Woman in Andalusian Dress

        Age 40 – 49 · National Gallery of Art

        A woman emerges from a swirl of deep blues and teals. She is captured from the waist up, her presence anchored by the heavy textures of her attire.…

      4. 1920s
        Julia Wainwright Robbins (1923) by Ignacio Zuloaga
        Ranked 7 of 100

        Julia Wainwright Robbins

        Age 50 – 59 · Metropolitan Museum of Art

        In this 1923 oil on canvas, Ignacio Zuloaga captures Julia Wainwright Robbins as a solitary figure. She occupies the center of the frame, a single female presence held…

      5. 1930s

      Ignacio Zuloaga's canvases, question by question

      Which canvas is Ignacio Zuloaga most remembered for?Read the answer

      Portrait of Maurice Barrès, followed by Woman in Andalusian Dress (1911) and Anita Ramírez, in black (1915).

      What are Ignacio Zuloaga's ten most famous canvases?Read the answer

      Portrait of Maurice Barrès, Woman in Andalusian Dress, Anita Ramírez, in black, My cousin Candida, Alice Lolita Muth Maacha, Celestina, Julia Wainwright Robbins, Segoviano, My friends and Mrs. Philip M. Lydig (Rita H. de Alba de Acosta). Each canvas in the ranking above comes with its year and its museum.

      How many paintings did Ignacio Zuloaga create?Read the answer

      108 works by Ignacio Zuloaga are in our catalogue, dated 1898 to 1931.

      Where do Ignacio Zuloaga's most famous canvases hang today?Read the answer

      Mostly in Hispanic Society Museum - Library (New York), Metropolitan Museum of Art (New York) and National Museum of Fine Arts (Buenos Aires); the list above names each museum and its canvases.

      When did Ignacio Zuloaga paint the most famous canvases?Read the answer

      In 1920s, which gave 11 of the 100 works on this page, Julia Wainwright Robbins among them.

      Which famous Ignacio Zuloaga canvas came first, and which came last?Read the answer

      The earliest canvas here is My Uncle and My Cousins (1898); the latest is Carlos de Beistegui (Mexico, 1863 - Biarritz, 1953) (1931).

      Which subjects did Ignacio Zuloaga paint most?Read the answer

      Portraits (8), Portraiture (7) and Landscape (6), across the 100 works on this page.

      Which medium appears most in Ignacio Zuloaga's paintings?Read the answer

      Oil On Canvas, used in 10 of the 100 works on this page.

      Which movement is Ignacio Zuloaga associated with?Read the answer

      Spanish realism, as the canvases on this page show.

      Which paintings by Ignacio Zuloaga are held by the Hispanic Society Museum - Library?Read the answer

      The Hispanic Society Museum - Library, New York holds 10 of the works on this page, among them The Penitents, My Cousin Cándida and Self-Portrait.

      Where can I buy a reproduction of a Ignacio Zuloaga painting?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Meet the painter: Ignacio Zuloaga

      A Life Etched in Spanish Realism

      Ignacio Zuloaga y Zabala, born in the Basque town of Eibar in 1870, stands as a pivotal figure in late 19th and early 20th-century Spanish painting. His artistic journey wasn’t predestined; rather, it blossomed from an unexpected spark ignited during a trip to Rome with his father. Coming from a family deeply rooted in craftsmanship – his grandfather was the royal armourer, and his father a skilled damascener – Zuloaga initially seemed destined for a more conventional path. However, the allure of artistic expression proved irresistible, leading him at eighteen to immerse himself in the vibrant post-impressionist scene of Paris. This period wasn’t about imitation, but absorption; he observed the innovations of artists like Ramon Casas, Gauguin, and Toulouse-Lautrec, yet steadfastly maintained a distinct focus on his Spanish heritage.

      Forging an Identity Through Artistic Exploration

      Zuloaga's time in Montmartre was formative, exposing him to new ideas and techniques. Yet, the pull of his homeland proved stronger. After several years abroad, he returned to Spain, initially settling in Seville before ultimately finding resonance in Segovia. This relocation marked a turning point, a conscious embrace of his national identity that would become the defining characteristic of his art. He deliberately sought inspiration from Spanish masters – Velázquez and Murillo foremost among them – adopting their earthy color palettes and genre themes while simultaneously forging an expressive style uniquely his own. It was a deliberate act of artistic excavation, unearthing the soul of Spain through paint and canvas. His early works demonstrate this search for authenticity, moving away from Parisian influences towards a distinctly Spanish aesthetic.

      Themes of Nationhood and Human Experience

      Zuloaga’s work is profoundly rooted in portraying the essence of Spain – not a romanticized vision, but an honest, often unflinching depiction of its people and landscapes. He turned his gaze to bullfighters, flamenco dancers, village dwarves, beggars, and the stark beauty of the Spanish countryside. His paintings aren't merely representations; they are visceral experiences, capturing the spirit of a nation with raw honesty. A signature element of his style is a muted color palette – maroons, blacks, and greys dominate, punctuated by vibrant splashes of color in traditional attire or religious garments. This deliberate use of tone creates a sense of drama and intensity, drawing the viewer into the emotional core of each scene. His portraits are particularly compelling, revealing not just physical likeness but also a profound understanding of human psychology, often conveying melancholy, introspection, or quiet dignity. Beyond the everyday lives of his subjects, Zuloaga explored themes of penance and religious fervor, most notably in works like “Cristo de la Sangre” (Christ of the Blood) and depictions of flagellants – reflections of Spain’s deeply ingrained Catholic traditions.

      Recognition and Lasting Legacy

      Zuloaga's talent didn't go unnoticed. His work was exhibited internationally, gaining recognition at prestigious venues like the Paris Salon, Venice Biennale (where he was accepted in 1901 and 1903), and Barcelona International Exposition. He garnered critical acclaim from prominent figures such as Miguel de Unamuno, who lauded his honest portrayal of Spain’s religious and tragic aspects. Patronage played a crucial role in his career, with Alice Warder Garrett becoming a significant supporter; her backing ultimately led to the establishment of the Evergreen Museum & Library in Baltimore, which houses a remarkable collection of his works. Ignacio Zuloaga's legacy lies in his ability to capture the essence of Spanish life with unflinching realism and profound emotional depth. His art provides an invaluable window into the cultural, social, and religious landscape of Spain during a period of significant change. He remains one of the most important Spanish realist painters of his generation, whose evocative portrayals of national identity and human experience continue to resonate powerfully with audiences today.

      All 108 works by Ignacio Zuloaga →