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      Léon Bonnat, 1833 – 1922

      The 100 Most Famous Léon Bonnat Paintings, Ranked

      The best-loved painting by Léon Bonnat is Jacob Wrestling with the Angel (also known as La Lutte de Jacob) (1876). Portrait of Isaac Dignus Fransen van de Putte (1822-1902). Colonial Minister (1863-66, 1872-74) (1879) and Self-portrait (1918) (1918) come next among the canvases readers know best. Our catalogue holds 141 works by Léon Bonnat: here are the 100 most famous, each with its year, its museum and what makes it memorable.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated October 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portrait of Léon Bonnat
      Léon Bonnat · 1833 – 1922
      Born · died
      1833 – 1922, Bayonne
      Movement
      Academic art
      Works in our catalogue
      141
      Most famous
      Jacob Wrestling with the Angel (also known as La Lutte de Jacob) (1876)
      Most works at
      Musée d'Orsay

      Top 10 Léon Bonnat paintings: the canvases everyone knows

      Portrait of Isaac Dignus Fransen van de Putte (1822-1902). Colonial Minister (1863-66, 1872-74) (1879) by Léon Bonnat
      2

      Portrait of Isaac Dignus Fransen van de Putte (1822-1902). Colonial Minister (1863-66, 1872-74)

      1879 · Oil On Canvas · Rijksmuseum, Amsterdam

      A single light source carves the face of Isaac Dignus Fransen van de Putte from a heavy, ink-black void. He sits with a rigid, vertical posture, his presence defined by the sharp contrast between a pale, starched collar and the deep shadows of his frock coat. The light catches the high ridge of his forehead and the steady gaze of a man accustomed to the gravity of statecraft. There is…

      Self-portrait (1918) (1918) by Léon Bonnat
      3

      Self-portrait (1918)

      1918 · Oil On Canvas · Museo del Prado, Madrid

      An elderly man sits within a frame of shadow and light. His face, etched with the textures of many years, turns toward the right while his eyes lock onto the viewer. A white beard descends in soft, defined strokes, catching the pale light that enters from the upper left. The background is a quiet expanse of ochre, burnt sienna, and deep umber, pressing close to the subject. He wears a…

      Portrait of a woman (1881) by Léon Bonnat
      5

      Portrait of a woman

      1881 · Oil On Canvas · Musée d'Orsay, Paris

      A single figure stands in profile, caught in a moment of quiet stillness. The woman is draped in a gown of cool, light blue satin that catches the directional light from the upper left. This luminous fabric flows downward in heavy, sweeping folds, ending in delicate ruffles at the hem. Against the deep, warm umber and sienna tones of the background, the blue of her dress pulls the eye forward.…

      Fruela II of Asturias (king of Asturias from 910 to 925) (1852) by Léon Bonnat
      6

      Fruela II of Asturias (king of Asturias from 910 to 925)

      1852 · Oil On Canvas · Museo del Prado, Madrid

      The air in the chamber feels heavy, thick with the weight of a crown and the silence of a long-passed era. Standing before us, King Fruela II of Asturias commands the space with a stillness that feels almost monumental. He is draped in a mantle of deep, saturated crimson, a color so intense it seems to pulse against the dark, shadowy void behind him. This red is not merely a…

      John Taylor Johnston (1820–1893) (1880) by Léon Bonnat
      7

      John Taylor Johnston (1820–1893)

      1880 · Oil On Canvas

      The room holds its breath as an elderly gentleman sits anchored in his chair. He is John Taylor Johnston, and the weight of his years settles around him in soft, muted tones. Light drifts in from the left, a gentle illumination that carves his features out of the surrounding shadows. It catches the silver of his beard and the subtle folds of his dark suit, lending a tangible volume to…

      Levi Parsons Morton (1883) by Léon Bonnat
      9

      Levi Parsons Morton

      1883 · Oil On Canvas · National Portrait Gallery, Washington, D.C.

      Léon Bonnat executed this oil on canvas in 1883, capturing the likeness of Levi Parsons Morton. The portrait presents the sitter in a formal, three-quarter length pose, establishing a sense of authority through a structured silhouette and a dark, atmospheric background. The composition focuses entirely on the subject, utilizing a directional light source from the upper left to define the facial features and hands against deep shadows.

      More Léon Bonnat canvases, 11 to 100

      Self-Portrait (1896) by Léon Bonnat
      #12

      Self-Portrait

      1896 · National Gallery Prague

      This oil on canvas portrait, executed in 1896, presents a bust-length view of an elderly man positioned slightly off-center. The subject looks directly toward the viewer with a…

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      Anna L. R. S. Morton (1884) by Léon Bonnat
      #40

      Anna L. R. S. Morton

      1884 · National Portrait Gallery

      In this three-quarter length portrait, Léon Bonnat presents Anna L. R. S. Morton with a quiet, commanding presence. The subject is positioned slightly off-center, set against a dark…

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      Portrait of Henry Field (1896) by Léon Bonnat
      #41

      Portrait of Henry Field

      1896 · Art Institute of Chicago

      In this 1896 oil on canvas, we encounter Henry Field through a lens of quiet, academic dignity. The subject is presented in a three-quarter length view, his gaze…

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      Jules Grévy (1880) by Léon Bonnat
      #57

      Jules Grévy

      1880

      The Léon Joseph Florentin Bonnat painting, Jules Grévy, is a masterpiece of French art from the 19th century. Created in 1880, this oil on canvas portrait is a…

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      What Léon Bonnat painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Léon Bonnat's canvases hang

      The 8 museums that hold the most of the paintings on this page.

      Museum City Works by Léon Bonnat Paintings from this list
      Musée d'Orsay, ParisMusée d'Orsay Paris 15 Portrait of a woman, Portrait of the count of Montalivet, Self-portrait / Portrait of a young Man
      Petit Palais, ParisPetit Palais Paris 8 Sketch for the ceiling of the courtroom of the Cour des Assises of the Palais de Justice in Paris: Justice, Sketch for the courtroom of the Cour des Assises of the Palais de Justice in Paris: Justice protecting the weak, Portrait of Madame Georges Ehrler
      Musée Bonnat-Helleu, BayonneMusée Bonnat-Helleu Bayonne 7 Self-portrait at the age of 17, Portrait of Marie Bonnat, the artist's sister, Begging scene
      Walters Art Museum, BaltimoreWalters Art Museum Baltimore 6 An Arab Sheik, Portrait of George Aloysius Lucas, The Hand of Antoine-Louis Barye
      Hermitage Museum, Saint PetersburgHermitage Museum Saint Petersburg 4 Portrait of Prince Viacheslav Tenishev, Fountain by the Cathedral of St. Peter in Rome, In the Mountains
      Museo del Prado, MadridMuseo del Prado Madrid 3 Self-portrait (1918), Fruela II of Asturias (king of Asturias from 910 to 925), The painter Ceferino Araujo Sánchez
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 3 John Taylor Johnston (1820 1893), An Egyptian Peasant Woman and Her Child
      Condé Museum, ChantillyCondé Museum Chantilly 3 BERNIER LOUIS, PORTRAIT DU GENERAL HENRI D'ORLEANS, DUC D'AUMALE (1880)

      Léon Bonnat's best-loved canvas of each decade

      1. 1850s
      2. 1860s
        The painter Ceferino Araujo Sánchez (1864) by Léon Bonnat
        Ranked 11 of 100

        The painter Ceferino Araujo Sánchez

        Age 27 – 36 · Museo del Prado

        This oil on canvas portrait, executed in 1864, presents a close-up view of Ceferino Araujo Sánchez. The subject is a man with a dark beard and mustache, positioned…

      3. 1870s
      4. 1880s
        Portrait of a woman (1881) by Léon Bonnat
        Canvas 5 of 100

        Portrait of a woman

        Age 47 – 56 · Musée d'Orsay

        A single figure stands in profile, caught in a moment of quiet stillness. The woman is draped in a gown of cool, light blue satin that catches the…

      5. 1890s
        Self-Portrait (1896) by Léon Bonnat
        12 of 100

        Self-Portrait

        Age 57 – 66 · National Gallery Prague

        This oil on canvas portrait, executed in 1896, presents a bust-length view of an elderly man positioned slightly off-center. The subject looks directly toward the viewer with a…

      6. 1900s
      7. 1910s
        Self-portrait (1918) (1918) by Léon Bonnat
        Canvas 3 of 100

        Self-portrait (1918)

        Age 77 – 86 · Museo del Prado

        An elderly man sits within a frame of shadow and light. His face, etched with the textures of many years, turns toward the right while his eyes lock…

      About Léon Bonnat's canvases: your questions answered

      What is the best-known painting by Léon Bonnat?Read the answer

      Jacob Wrestling with the Angel (also known as La Lutte de Jacob) (1876), followed by Portrait of Isaac Dignus Fransen van de Putte (1822-1902). Colonial Minister (1863-66, 1872-74) (1879) and Self-portrait (1918) (1918).

      What age was Léon Bonnat when Jacob Wrestling with the Angel (also known as La Lutte de Jacob) was painted?Read the answer

      Léon Bonnat, born in 1833, was 43 years old: Jacob Wrestling with the Angel (also known as La Lutte de Jacob) dates from 1876.

      What are the 10 most famous paintings by Léon Bonnat?Read the answer

      Jacob Wrestling with the Angel (also known as La Lutte de Jacob), Portrait of Isaac Dignus Fransen van de Putte (1822-1902). Colonial Minister (1863-66, 1872-74), Self-portrait (1918), ADAM ET EVE TROUVANT LE CORPS D'ABEL, Portrait of a woman, Fruela II of Asturias (king of Asturias from 910 to 925), John Taylor Johnston (1820–1893), Portrait of the count of Montalivet, Levi Parsons Morton and The Martyrdom of Saint Denis (also known as Martyr de Saint Denis). Each canvas in the ranking above comes with its year and its museum.

      How many works did Léon Bonnat paint in all?Read the answer

      141 works by Léon Bonnat are in our catalogue, dated 1850 to 1918.

      Where can I see Léon Bonnat's most famous canvases?Read the answer

      Mostly in Musée d'Orsay (Paris), Petit Palais (Paris) and Musée Bonnat-Helleu (Bayonne); the list above names each museum and its canvases.

      When did Léon Bonnat paint the best-loved canvases?Read the answer

      In 1880s, which gave 22 of the 100 works on this page, Portrait of a woman among them.

      Which are Léon Bonnat's earliest and latest famous canvases?Read the answer

      The earliest canvas here is Portrait of Louise Lienhard (1850); the latest is Self-portrait (1918) (1918).

      What did Léon Bonnat paint most often?Read the answer

      Man (10), Portrait (6) and Dark background (5), across the 100 works on this page.

      Which medium did Léon Bonnat paint in most often?Read the answer

      Oil On Canvas, used in 13 of the 100 works on this page.

      Which movement is Léon Bonnat's painting part of?Read the answer

      Academic art and Realism, as the canvases on this page show.

      Which Léon Bonnat canvases hang at the Musée d'Orsay?Read the answer

      The Musée d'Orsay, Paris holds 11 of the works on this page, among them Portrait of a woman, Portrait of the count of Montalivet and Self-portrait / Portrait of a young Man.

      Can I buy a reproduction of a Léon Bonnat canvas?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Léon Bonnat: a life in paint

      Léon Joseph Florentin Bonnat: Life and Legacy

      Early Life and Artistic Beginnings

      Léon Joseph Florentin Bonnat was born in Bayonne, France, in 1833 and passed away in 1922. His early life took an interesting turn when his family moved to Madrid in 1846, where his father established a bookshop. This relocation proved pivotal for the young Bonnat’s artistic development. While assisting in the shop, he diligently copied engravings of works by Old Masters, fostering a deep passion for drawing and laying the foundation for his future career. He received formal training under Madrazo in Madrid before returning to Paris.

      Training and Influences

      In Paris, Bonnat sought further refinement of his skills, studying under prominent history painters Paul Delaroche and Léon Cogniet. Despite several attempts, he was not immediately accepted into the prestigious École des Beaux-Arts through the Prix de Rome competition. However, a scholarship from Bayonne enabled him to spend three years in Rome (1858–60), an experience that profoundly shaped his artistic vision. During this period, he forged friendships with fellow artists like Edgar Degas, Gustave Moreau, and sculptor Henri Chapu. Bonnat’s style was heavily influenced by the Spanish masters – particularly Velázquez and Jusepe de Ribera – as well as artists like Titian and Van Dyck, whose works he meticulously studied in the Prado Museum.

      Artistic Development and Style

      Bonnat quickly established himself as a leading portraitist in Paris, consistently receiving commissions. His portraits reflect the influence of his admired Spanish predecessors, characterized by realism, dramatic lighting, and psychological depth. He also explored religious themes and genre paintings depicting Italian peasants, and occasionally ventured into Orientalist scenes. Bonnat’s work is marked by a stark naturalism and a lack of excessive surface finish, qualities praised by critics like Théophile Gautier, who contrasted him favorably with the more polished style of Bouguereau.

      Major Achievements and Recognition

      Bonnat achieved significant recognition throughout his career. He received a Medal of Honor in Paris in 1869 and was appointed Grand Officer of the Légion d'honneur. In 1882, he became a professor at the École des Beaux-Arts, where he mentored numerous aspiring artists, including John Singer Sargent, Toulouse-Lautrec, and Gustave Caillebotte. He eventually succeeded Paul Dubois as director of the École in 1905. Bonnat’s teaching philosophy emphasized simplicity, overall effect, and rigorous drawing skills. His most important works include religious paintings such as *Christ on the Cross*, *Job*, and *St Vincent taking the place of two galley slaves*.

      Historical Significance and Legacy

      Bonnat occupied a unique position within the art world of his time, bridging the gap between academic painting and the emerging Impressionist movement. He was a member of the Institute, holding administrative power over the Academy and École des Beaux-Arts. Despite this affiliation with traditional institutions, he supported independent artists like Edgar Degas, Auguste Rodin, and even defended Gustave Courbet’s submissions to the Salon. In a testament to his gratitude for early support, Bonnat founded the Musée Bonnat in his hometown of Bayonne, housing an exceptional collection of Old Master drawings alongside his own works. His legacy endures through his paintings, his influential teaching career, and the museum he established, preserving artistic heritage for future generations.

      Notable Works

      All 141 works by Léon Bonnat →