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      Masaccio, 1401 – 1428

      The 97 Most Famous Masaccio Paintings, Ranked

      The best-loved painting by Masaccio is The Trinity (1428). The Tribute Money (1425) and The Expulsion from the Garden of Eden (1426) come next among the canvases readers know best. Our catalogue holds 97 works by Masaccio: here are the 97 most famous, each with its year, its museum and what makes it memorable.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated October 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portrait of Masaccio
      Masaccio · 1401 – 1428
      Born · died
      1401 – 1428, San Giovanni Valdarno
      Movement
      Early renaissance
      Works in our catalogue
      97
      Most famous
      The Trinity (1428)
      Most works at
      Santa Maria del Carmine

      Top 10 Masaccio paintings: the canvases everyone knows

      The Trinity (1428) by Masaccio
      1

      The Trinity

      1428 · Fresco

      The Trinity by Masaccio is a fresco painting that marked the beginning of the Renaissance in Italy. Created in 1425, it is considered one of the most important works of the early Renaissance period. The painting is housed in the Santa Maria Novella church in Florence, Italy. Artistic Innovations The Trinity by Masaccio was a groundbreaking work that introduced several artistic innovations. It is one of the first monumental Renaissance…

      The Tribute Money (1425) by Masaccio
      2

      The Tribute Money

      1425 · Fresco

      The scene unfolds within the Brancacci Chapel of the basilica of Santa Maria del Carmine in Florence. Here, the fresco titled The Tribute Money by Masaccio brings a biblical narrative to life upon the chapel walls. Commissioned by Felice Brancacci, this work forms a significant part of a larger cycle dedicated to the life of Saint Peter. The air in the chapel seems to hold the weight of this sacred…

      The Expulsion from the Garden of Eden (1426) by Masaccio
      3

      The Expulsion from the Garden of Eden

      1426 · Fresco

      The heavy silence of the Brancacci Chapel in the church of Santa Maria del Carmine in Florence, Italy, holds the weight of a profound tragedy. Here, the walls breathe with the story of The Expulsion from the Garden of Eden, a fresco painted by Masaccio around 1425. The air seems to thicken around the figures as they face their sudden, irreversible departure from paradise. This scene marks the beginning of…

      Rendering of the Tribute Money (detail) by Masaccio
      4

      Rendering of the Tribute Money (detail)

      Fresco

      This captivating detail originates from Masaccio’s groundbreaking fresco, “The Tribute Money,” a pivotal work within the Brancacci Chapel in Florence. Executed around 1426, it represents a turning point in Western art, moving away from the stylized conventions of the Gothic period towards a new era of naturalism and humanistic expression.

      Predella panel from the Pisa Altar (1426) by Masaccio
      5

      Predella panel from the Pisa Altar

      1426 · Oil On Panel · Staatliche Museen zu Berlin, Berlin

      To stand before this Predella panel from the Pisa Altar is to encounter a moment frozen in time, yet vibrating with raw, undeniable human drama. Dating to 1426, this work captures Masaccio at the zenith of his revolutionary power. It is not merely a depiction of the Crucifixion; it is a profound meditation on sacrifice, community, and the weight of divine narrative rendered with startling immediacy. The composition draws the…

      The Madonna of Humility (1424) by Masaccio
      6

      The Madonna of Humility

      1424 · Tempera On Panel

      In the quiet, profound stillness of Masaccio’s The Madonna of Humility, we encounter one of the most moving snapshots of the Early Italian Renaissance. Created around 1424, this masterpiece transcends mere religious iconography to offer a window into a moment of raw, maternal intimacy. The scene is set not upon a celestial throne, but on the earth itself, where the Virgin Mary sits upon a blue patterned cushion. This choice…

      Trinity (detail) (1425) by Masaccio
      7

      Trinity (detail)

      1425 · Fresco · Santa Maria Novella, Florence

      The image presents a detail from a fresco painting created in 1425 by Masaccio. Within this specific view, a figure is depicted that appears to be Mary Magdalene, identified by the traditional iconography of her long hair and a head covering. She possesses a contemplative expression, directing her gaze slightly downwards toward an object held in her right hand, which may be interpreted as a symbol of faith or devotion.

      Two panels from the Pisa Altarpiece (1426) by Masaccio
      8

      Two panels from the Pisa Altarpiece

      1426 · Tempera On Panel · Staatliche Museen zu Berlin, Berlin

      In the quiet, hallowed halls of art history, few works capture the dawn of a new era as poignantly as Masaccio’s Two Panels from the Pisa Altarpiece. Completed in 1426, these panels are far more than mere fragments of a lost polyptych; they are windows into a transformative moment when the rigid conventions of the Gothic period began to dissolve, giving way to the profound humanism of the Early Italian…

      Trinity (1425) by Masaccio
      9

      Trinity

      1425 · Fresco · Santa Maria Novella, Florence

      To step before Masaccio’s Holy Trinity is to witness the exact moment when the flattened, symbolic world of the Middle Ages dissolved into the profound, breathing reality of the Renaissance. Painted between 1425 and 1427 within the hallowed walls of Santa Maria Novella in Florence, this fresco does not merely depict a religious scene; it carves a hole in the very wall of the chapel, inviting the viewer to step…

      Trinity (detail) (1425) by Masaccio
      10

      Trinity (detail)

      1425 · Acrylic On Canvas · Santa Maria Novella, Florence

      Masaccio’s “Trinity (detail),” housed within the magnificent Santa Maria Novella in Florence, isn't merely a fresco; it’s a pivotal moment in art history – a visual manifesto declaring the arrival of the High Renaissance. Painted between 1425 and 1427, this intimate section captures the essence of Masaccio’s revolutionary approach to depicting reality, a departure from the stylized elegance of the preceding Gothic era and a profound influence on generations of…

      More Masaccio canvases, 11 to 97

      Trinity (scheme of the perspective) (1425) by Masaccio
      #12

      Trinity (scheme of the perspective)

      1425 · Santa Maria Novella

      Masaccio’s “Trinity (Scheme of the Perspective),” painted in 1425-1427, isn’t merely a depiction of a sacred subject; it’s a profound demonstration of artistic innovation—a pivotal moment where the…

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      Crucifixion (1426) by Masaccio
      #22

      Crucifixion

      1426 · Museo di Capodimonte

      Masaccio’s Crucifixion, painted in 1426 during his tragically brief career, isn’t merely a depiction of a pivotal biblical event; it’s a foundational moment in Western art. Born in…

      Have it painted by hand →
      Distribution of Alms and Death of Ananias (1425) by Masaccio
      #48

      Distribution of Alms and Death of Ananias

      1425

      In the quiet, profound depths of Masaccio’s Distribution of Alms and Death of Ananias, we encounter a moment where the divine intersects with the earthly through the simple,…

      Madonna with Child and Angels (1426) by Masaccio
      #78

      Madonna with Child and Angels

      1426 · National Gallery

      Masaccio's "Madonna with Child and Angels," painted in 1426, stands as a monumental work—a pivotal moment in the burgeoning Renaissance. More than simply a depiction of the Virgin…

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      Adoration of the Magi (1426) by Masaccio
      #85

      Adoration of the Magi

      1426 · Staatliche Museen zu Berlin

      To stand before Masaccio’s Adoration of the Magi is not merely to observe a painting; it is to step directly into the revolutionary atmosphere of the early Italian…

      Have it painted by hand →
      St. Andrew (1426) by Masaccio
      #93

      St. Andrew

      1426 · J. Paul Getty Museum

      A Revolutionary Vision of Faith: Masaccio’s St. Andrew Masaccio's *St. Andrew*, painted in 1426, is a landmark work of the Early Renaissance, embodying the seismic shift towards naturalism…

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      Crucifixion of St Peter (1426) by Masaccio
      #97

      Crucifixion of St Peter

      1426 · Staatliche Museen zu Berlin

      Masaccio's 1426 painting, *Crucifixion of St. Peter*, is not merely a depiction of a pivotal moment in Christian history; it’s a foundational cornerstone of the Early Italian Renaissance.…

      Bring this light home →

      Masaccio's canvases, period by period

      What Masaccio painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Masaccio's canvases hang

      The 8 museums that hold the most of the paintings on this page.

      Museum City Works by Masaccio Paintings from this list
      Santa Maria del Carmine, FlorenceSanta Maria del Carmine Florence 7 View of the Cappella Brancacci (before restoration), Frescoes in the Cappella Brancacci (right view), Frescoes in the Cappella Brancacci (left view)
      Staatliche Museen zu Berlin, BerlinStaatliche Museen zu Berlin Berlin 6 Predella panel from the Pisa Altar, Two panels from the Pisa Altarpiece, Plate of Nativity (Berlin Tondo)
      Gemäldegalerie, BerlinGemäldegalerie Berlin 5 Martyrdom of San Giovanni Battista, A Bearded Carmelite Saint, San Agustín
      Santa Maria Novella, FlorenceSanta Maria Novella Florence 4 Trinity (detail), Trinity, Trinity (detail)
      Lindenau-Museum, AltengauLindenau-Museum Altengau 3 Christ in the Garden of Gethsemane (detail), Christ in the Garden of Gethsemane (detail), Christ in the Garden of Gethsemane
      National Gallery of Art, WashingtonNational Gallery of Art Washington 2 Profile Portrait of a Young Man, Madonna of Humility
      National Gallery, LondonNational Gallery London 2 Madonna with Child and Angels, St.Girolamo end Giovanni Battista
      Museo di Capodimonte, NaplesMuseo di Capodimonte Naples 1 Crucifixion

      Masaccio's best-loved canvases, year by year

      Some ten years of painting, 1420 to 1428, hold the dated canvases of Masaccio on this page: walk through them year by year.

      1. 1420
      2. 1422
      3. 1422
      4. 1422
        San Giovenale Triptych. Left panel (1422) by Masaccio
        Canvas 63 of 97

        San Giovenale Triptych. Left panel

        Age 21

        The San Giovenale Triptych, Left Panel by Masaccio is a seminal work of art that showcases the artist's innovative style and technique. Created in 1422, this painting is…

      5. 1422
      6. 1423
      7. 1423
      8. 1424
        The Madonna of Humility (1424) by Masaccio
        6 of 97

        The Madonna of Humility

        Age 23

        In the quiet, profound stillness of Masaccio’s The Madonna of Humility, we encounter one of the most moving snapshots of the Early Italian Renaissance. Created around 1424, this…

      9. 1424
        Christ in the Garden of Gethsemane (detail) (1424) by Masaccio
        21 of 97

        Christ in the Garden of Gethsemane (detail)

        Age 23 · Lindenau-Museum

        The garden holds a heavy stillness. In this detail from 1424, a single figure kneels upon the earth, hands clasped in a tight knot of devotion. The light…

      10. 1424
      11. 1424
        Christ in the Garden of Gethsemane (1424) by Masaccio
        62 of 97

        Christ in the Garden of Gethsemane

        Age 23 · Lindenau-Museum

        The painting Christ in the Garden of Gethsemane is a renowned work by the Italian artist Masaccio, created in 1424. This tempera painting, measuring 62 x 44 cm,…

      12. 1425
        The Tribute Money (1425) by Masaccio
        Canvas 2 of 97

        The Tribute Money

        Age 24

        The scene unfolds within the Brancacci Chapel of the basilica of Santa Maria del Carmine in Florence. Here, the fresco titled The Tribute Money by Masaccio brings a…

      13. 1425
        Trinity (detail) (1425) by Masaccio
        7 of 97

        Trinity (detail)

        Age 24 · Santa Maria Novella

        The image presents a detail from a fresco painting created in 1425 by Masaccio. Within this specific view, a figure is depicted that appears to be Mary Magdalene,…

      14. 1425
        Trinity (1425) by Masaccio
        9 of 97

        Trinity

        Age 24 · Santa Maria Novella

        To step before Masaccio’s Holy Trinity is to witness the exact moment when the flattened, symbolic world of the Middle Ages dissolved into the profound, breathing reality of…

      15. 1425
        Trinity (detail) (1425) by Masaccio
        10 of 97

        Trinity (detail)

        Age 24 · Santa Maria Novella

        Masaccio’s “Trinity (detail),” housed within the magnificent Santa Maria Novella in Florence, isn't merely a fresco; it’s a pivotal moment in art history – a visual manifesto declaring…

      16. 1426
        The Expulsion from the Garden of Eden (1426) by Masaccio
        Ranked 3 of 97

        The Expulsion from the Garden of Eden

        Age 25

        The heavy silence of the Brancacci Chapel in the church of Santa Maria del Carmine in Florence, Italy, holds the weight of a profound tragedy. Here, the walls…

      17. 1426
        Predella panel from the Pisa Altar (1426) by Masaccio
        Canvas 5 of 97

        Predella panel from the Pisa Altar

        Age 25 · Staatliche Museen zu Berlin

        To stand before this Predella panel from the Pisa Altar is to encounter a moment frozen in time, yet vibrating with raw, undeniable human drama. Dating to 1426,…

      18. 1426
        Two panels from the Pisa Altarpiece (1426) by Masaccio
        Ranked 8 of 97

        Two panels from the Pisa Altarpiece

        Age 25 · Staatliche Museen zu Berlin

        In the quiet, hallowed halls of art history, few works capture the dawn of a new era as poignantly as Masaccio’s Two Panels from the Pisa Altarpiece. Completed…

      19. 1426
        View of the Cappella Brancacci (before restoration) (1426) by Masaccio
        Ranked 11 of 97

        View of the Cappella Brancacci (before restoration)

        Age 25 · Santa Maria del Carmine

        Masaccio's View of the Cappella Brancacci (before restoration), painted in 1426, isn’t merely a depiction of a church interior; it’s a pivotal moment in art history – a…

      20. 1427
      21. 1427
        Baptism of the Neophytes (1427) by Masaccio
        20 of 97

        Baptism of the Neophytes

        Age 26

        The Baptism of the Neophytes is a renowned fresco painted by Masaccio in the early 15th century. This iconic artwork is part of the decoration of the Brancacci…

      22. 1427
        Plate of Nativity (Berlin Tondo) (1427) by Masaccio
        77 of 97

        Plate of Nativity (Berlin Tondo)

        Age 26 · Staatliche Museen zu Berlin

        In the quiet intimacy of the Plate of Nativity (Berlin Tondo), we witness one of the most profound transformations in the history of Western art. Painted in 1427…

      23. 1428
        The Trinity (1428) by Masaccio
        1 of 97

        The Trinity

        Age 27

        The Trinity by Masaccio is a fresco painting that marked the beginning of the Renaissance in Italy. Created in 1425, it is considered one of the most important…

      24. 1428
      25. 1428

      About Masaccio's canvases: your questions answered

      What is the best-known painting by Masaccio?Read the answer

      The Trinity (1428), followed by The Tribute Money (1425) and The Expulsion from the Garden of Eden (1426).

      What age was Masaccio when The Trinity was painted?Read the answer

      Masaccio, born in 1401, was 27 years old: The Trinity dates from 1428.

      What are the 10 most famous paintings by Masaccio?Read the answer

      The Trinity, The Tribute Money, The Expulsion from the Garden of Eden, Rendering of the Tribute Money (detail), Predella panel from the Pisa Altar, The Madonna of Humility, Trinity (detail), Two panels from the Pisa Altarpiece, Trinity and Trinity (detail). Each canvas in the ranking above comes with its year and its museum.

      How many works did Masaccio paint in all?Read the answer

      97 works by Masaccio are in our catalogue, dated 1420 to 1428.

      Where can I see Masaccio's most famous canvases?Read the answer

      Mostly in Santa Maria del Carmine (Florence), Staatliche Museen zu Berlin (Berlin) and Gemäldegalerie (Berlin); the list above names each museum and its canvases.

      When did Masaccio paint the best-loved canvases?Read the answer

      In 1426, which gave 41 of the 97 works on this page, The Expulsion from the Garden of Eden among them.

      Which are Masaccio's earliest and latest famous canvases?Read the answer

      The earliest canvas here is Madonna of Humility (1420); the latest is The Trinity (1428).

      What did Masaccio paint most often?Read the answer

      Saints (30), Religious (25) and Religious art (11), across the 97 works on this page.

      Which medium did Masaccio paint in most often?Read the answer

      Fresco, used in 9 of the 97 works on this page.

      Which movement is Masaccio's painting part of?Read the answer

      Early renaissance, as the canvases on this page show.

      Which Masaccio canvases hang at the Santa Maria del Carmine?Read the answer

      The Santa Maria del Carmine, Florence holds 7 of the works on this page, among them View of the Cappella Brancacci (before restoration), Frescoes in the Cappella Brancacci (right view) and Frescoes in the Cappella Brancacci (left view).

      Can I buy a reproduction of a Masaccio canvas?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Masaccio: a life in paint

      Masaccio (1401-1428): The Dawn of Renaissance Realism

      Tommaso di Ser Giovanni di Simone, better known as Masaccio (meaning "clumsy Tom"), was a pivotal figure in the Early Italian Renaissance. Born on December 21, 1401, in San Giovanni Valdarno, Italy, and dying tragically young in 1428, his brief career revolutionized painting with groundbreaking realism, perspective, and chiaroscuro (the use of strong contrasts between light and dark). Despite his short life, Masaccio’s impact on subsequent generations of artists was profound, establishing a new standard for naturalism and influencing the course of Western art.

      Early Life and Training

      • Origins: Born to Giovanni di Simone Cassai, a notary, and Jacopa di Martinozzo. His family name, Cassai, derived from his paternal grandfather's trade as a cabinet maker.
      • Early Years: Orphaned at age five when his father died, he had a brother, Giovanni (Lo Scheggia), who also became a painter.
      • Apprenticeship: The details of Masaccio’s artistic training remain largely unknown, which is unusual for Renaissance artists. It's believed he likely apprenticed around the age of 12, but no definitive master has been identified. This lack of documented training adds to the mystery surrounding his rapid development and innovative techniques.
      • Guild Membership: He joined the painters’ guild (Arte de’ Medici e Speziali) in Florence on January 7, 1422, signifying his emergence as an independent master artist.

      Artistic Development and Major Works

      • Early Influences: Initially influenced by Giotto di Bondone, a predecessor known for his naturalism, Masaccio quickly surpassed him in his understanding of perspective and anatomy. He also drew inspiration from the architectural innovations of Filippo Brunelleschi, particularly Brunelleschi’s rediscovery of linear perspective.
      • Key Innovations: Masaccio pioneered several groundbreaking techniques:
        • Linear Perspective: Employed vanishing points and mathematical precision to create a convincing illusion of depth on a two-dimensional surface.
        • Chiaroscuro: Masterfully used light and shadow to model forms, creating a sense of volume and realism previously unseen in painting.
        • Naturalism: Depicted figures with anatomical accuracy and emotional expressiveness, moving away from the stylized representations of earlier periods.
      • Significant Works:

      Historical Significance and Legacy

      Masaccio’s impact on the course of Western art is immeasurable, despite his tragically short career. His innovations in perspective, chiaroscuro, and naturalism fundamentally altered how artists depicted the world. He effectively bridged the gap between Medieval artistic conventions and the emerging ideals of the Renaissance.

      • Influence on Subsequent Artists: Masaccio’s work profoundly influenced generations of painters, including Donatello, Leonardo da Vinci, Michelangelo, and Raphael. They studied his frescoes intently, adopting and adapting his techniques to their own styles.
      • Foundation for the High Renaissance: His emphasis on realism and human emotion laid the groundwork for the artistic achievements of the High Renaissance.
      • Vasari's Account: The biographer Giorgio Vasari recognized Masaccio’s genius, praising him as "the best painter of his generation" and highlighting his ability to imitate nature with unparalleled skill.
      • A Tragic Loss: His death at the young age of 26 was mourned by contemporaries like Filippo Brunelleschi, who lamented the loss of such a remarkable talent.

      Conclusion

      Masaccio’s legacy endures as one of the most important and influential artists in history. He stands as a pivotal figure in the transition from Medieval to Renaissance art, forever changing the way we perceive and represent the world through painting. His brief but brilliant career serves as a testament to the power of innovation and the enduring impact of artistic genius.

      All 97 works by Masaccio →