Atelier — Complimentary worldwide shipping — Delivery 2–6 weeks
      Palma Vecchio, 1480 – 1528

      The 100 Most Famous Palma Vecchio Paintings, Ranked

      The best-loved painting by Palma Vecchio is Madonna and Child (1515), which hangs in the Hermitage Museum, Saint Petersburg. Portrait of a Man (1512) and Judith (1525) come next among the canvases readers know best. Our catalogue holds 107 works by Palma Vecchio: here are the 100 most famous, each with its year, its museum and what makes it memorable.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated October 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portrait of Palma Vecchio
      Palma Vecchio · 1480 – 1528
      Born · died
      1480 – 1528, Serina
      Movement
      High renaissance
      Works in our catalogue
      107
      Most famous
      Madonna and Child (1515)
      Most works at
      Kunsthistorisches Museum

      Top 10 Palma Vecchio paintings: the canvases everyone knows

      Madonna and Child (1515) by Palma Vecchio
      1

      Madonna and Child

      1515 · Oil On Canvas · Hermitage Museum, Saint Petersburg

      To stand before this depiction of the Madonna and Child is to be drawn into a moment suspended outside the rush of time—a sanctuary painted by the masterful hand of Palma Vecchio. This work, dating from 1515, transcends mere portraiture; it is an eloquent meditation on maternal love, divine connection, and the profound mystery of creation. The composition centers on the Virgin Mary, portrayed with a tender intimacy as she…

      The Adoration of the Shepherds with a Donor by Palma Vecchio
      4

      The Adoration of the Shepherds with a Donor

      Oil On Canvas

      The air in the painting feels heavy with the scent of damp earth and hay. In a rural landscape of rolling hills and distant, pale buildings, a small light gathers around the Holy Family. Mary holds the infant Jesus close, her form a soft curve against the shadows. Beside them, Joseph stands as a steady presence. A shepherd boy kneels in the dirt, his posture a study in humility before…

      Lucretia (1520) by Palma Vecchio
      5

      Lucretia

      1520 · Oil · Kunsthistorisches Museum, Vienna

      The air feels heavy, thick with the scent of velvet and the silent weight of an impending end. Lucretia sits before us, her pale skin luminous against a backdrop of deep, swallowing shadows. A sharp, diagonal line of a dagger presses against her chest, creating a point of tension that vibrates through the stillness. Her reddish-blonde hair flows in soft, organic waves, framing a face caught in a moment of…

      Portrait of a Gentleman (1520) by Palma Vecchio
      6

      Portrait of a Gentleman

      1520 · Oil On Panel · Philadelphia Museum of Art, Philadelphia

      In this 1520 portrait, we are met with a man whose steady gaze bridges the distance between his era and our own. He is positioned slightly off-center, a choice that lends a sense of naturalism to his posture, as if he has just paused in thought to acknowledge our presence. The composition is a medium close-up, focusing our attention on the quiet dignity of his features. His long, flowing brown…

      John the Baptist (1527) by Palma Vecchio
      7

      John the Baptist

      1527 · Oil On Panel · Kunsthistorisches Museum, Vienna

      A single light source enters from the upper left, carving a face out of the heavy darkness. This is the world of Palma Vecchio, where deep browns and muted greens emerge from a nearly black background. The man, identified as John the Baptist, looks directly at the viewer with a piercing, steady gaze. His reddish-brown hair falls in soft, organic waves around a face marked by contemplation. A thin, dark…

      John the Evangelist (1528) by Palma Vecchio
      8

      John the Evangelist

      1528 · Oil On Canvas · Kunsthistorisches Museum, Vienna

      An elderly man sits within a heavy shadow. His face, etched by time, turns toward an unseen light from the upper left. A thick, white beard flows over a deep green tunic. Over one shoulder, a red cloak rests with the weight of heavy wool. The skin of his hands and brow catches the glow, pulling him out from the dark, atmospheric background.

      The Holy Family with St Mary Magdalen (1514) by Palma Vecchio
      9

      The Holy Family with St Mary Magdalen

      1514 · Oil On Panel · The Ashmolean Museum of Art And Archaeology, Oxford

      In this 1514 oil on panel, we find ourselves drawn into a private, outdoor moment of the Holy Family. The composition is intimate, centered on a man holding a child while a woman stands nearby, her hands resting upon a vase. This arrangement creates a sense of domesticity within a sacred context. The background, filled with the soft presence of trees, suggests a natural setting that allows the figures to…

      Young Woman in Profile (1512) by Palma Vecchio
      10

      Young Woman in Profile

      1512 · Oil · Kunsthistorisches Museum, Vienna

      The portrait presents a young woman in a strict profile view, her head and shoulders occupying the majority of the frame. She is positioned against a dark, circular backdrop that creates a halo-like effect around her silhouette. The subject's skin is rendered in warm, fleshy tones, transitioning through soft shadows that define the structure of her face and neck. This technique, known as sfumato, allows for a gradual blending of…

      More Palma Vecchio canvases, 11 to 100

      John the Baptist (1528) by Palma Vecchio
      #12

      John the Baptist

      1528 · Kunsthistorisches Museum

      The figure of John the Baptist emerges from the shadows of history in this religious painting by Palma Vecchio. He stands alone, a solitary presence caught in a…

      Bring this light home →
      Saint Sebastian (1527) by Palma Vecchio
      #13

      Saint Sebastian

      1527 · Kunsthistorisches Museum

      This religious work, titled Saint Sebastian, was executed by the Venetian painter Palma Vecchio around 1527. The painting focuses on the Roman martyr, a figure venerated for his…

      Order this canvas →
      The Raising of Lazarus (1514) by Palma Vecchio
      #14

      The Raising of Lazarus

      1514 · Philadelphia Museum of Art

      is a dramatic Renaissance oil painting that captures a crowded and dynamic biblical scene. The composition focuses on a central group of figures gathered around a stone tomb,…

      Have it painted by hand →
      The Three Sisters (1520) by Palma Vecchio
      #15

      The Three Sisters

      1520 · Gemäldegalerie Alte Meister

      “The Three Sisters” by Palma Vecchio, painted around 1520, stands as a captivating example of Venetian High Renaissance portraiture. This half-length composition depicts three young women, widely believed…

      Bring this light home →
      Sacred Conversation (detail) (1525) by Palma Vecchio
      #37

      Sacred Conversation (detail)

      1525 · Gallerie dell'Accademia di Venezia

      The air feels heavy with a silent, holy stillness as the Virgin Mary cradles the infant Jesus. She sits draped in a deep blue gown, her presence the…

      Order this canvas →
      Christ and the adulteress (1528) by Palma Vecchio
      #40

      Christ and the adulteress

      1528 · Capitoline Museums

      The oil on canvas work titled Christ and the adulteress was executed by the Venetian artist Palma Vecchio. This religious painting emerged from the artist's hand in 1528.…

      Bring this light home →
      Portrait of Paola Priuli (1527) by Palma Vecchio
      #41

      Portrait of Paola Priuli

      1527 · Fondazione Querini Stampalia

      In the soft, luminous glow of the High Renaissance, few portraits capture the intersection of aristocratic poise and intimate vitality as masterfully as Palma Vecchio’s Portrait of Paola…

      Order this canvas →
      Sacred Conversation (1522) by Palma Vecchio
      #43

      Sacred Conversation

      1522 · Kunsthistorisches Museum

      In the quiet, hallowed atmosphere of Sacred Conversation, the viewer is transported directly into the heart of the Venetian High Renaissance. Painted around 1522 by the master Jacopo…

      Have it painted by hand →
      Sacred Conversation (1525) by Palma Vecchio
      #53

      Sacred Conversation

      1525 · Gallerie dell'Accademia di Venezia

      In the quiet, luminous atmosphere of Palma Vecchio’s Sacred Conversation, dated to 1525, the viewer is invited into a moment of profound spiritual intimacy. This masterpiece serves as…

      Bring this light home →
      De heilige familie by Palma Vecchio
      #54

      De heilige familie

      Rijksmuseum

      The air within the scene feels heavy with a soft, twilight stillness. A group of five figures gathers in a serene, classical arrangement, their presence anchored by the…

      Bring this light home →
      Portrait of a Young Woman by Palma Vecchio
      #55

      Portrait of a Young Woman

      Szépművészeti Múzeum

      A Glimpse into Renaissance Grace This captivating portrait by Palma il Vecchio offers a serene yet subtly poignant depiction of a young woman, embodying the ideals of beauty…

      Bring this light home →
      Venus in a Landscape (1520) by Palma Vecchio
      #66

      Venus in a Landscape

      1520 · Courtauld Gallery

      The Palma Il Vecchio painting, Venus in a Landscape, is a stunning example of Renaissance art. Created in 1520, this oil on canvas piece measures 78 x 153…

      Order this canvas →
      A Blonde Woman by Palma Vecchio
      #67

      A Blonde Woman

      National Gallery

      A single figure dominates the composition, her pale skin and long blonde hair emerging from a dark, indeterminate background. She gazes toward the viewer with a sidelong, pensive…

      Bring this light home →
      A Blonde Woman (1520) by Palma Vecchio
      #68

      A Blonde Woman

      1520 · National Gallery

      To stand before Palma Vecchio's "A Blonde Woman" is to encounter a moment suspended in time—a breath held just before revelation. This portrait, dating from 1520, transcends a…

      Have it painted by hand →
      Venus (1520) by Palma Vecchio
      #85

      Venus

      1520 · Gemäldegalerie

      The painting Venus by Palma Il Vecchio is a masterpiece of Renaissance art, showcasing the artist's skill in capturing the beauty and elegance of the female form. Created…

      Order this canvas →
      Assumption of Mary (1512) by Palma Vecchio
      #94

      Assumption of Mary

      1512 · Gallerie dell'Accademia di Venezia

      In this oil on panel from 1512, we witness a moment of profound transition. The Virgin Mary occupies the center of the composition, her arms outstretched as she…

      Order this canvas →

      Palma Vecchio's canvases, period by period

      What Palma Vecchio painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Palma Vecchio's canvases hang

      The 8 museums that hold the most of the paintings on this page.

      Museum City Works by Palma Vecchio Paintings from this list
      Kunsthistorisches Museum, ViennaKunsthistorisches Museum Vienna 13 Lucretia, John the Baptist, John the Evangelist
      Szépművészeti Múzeum, BudapestSzépművészeti Múzeum Budapest 7 Madonna and Child with the Infant Saint John and a Bishop Saint, The Holy Family with a Female Saint and Saint Francis of Assisi, Portrait of a Young Woman
      Gallerie dell'Accademia di Venezia, VeniceGallerie dell'Accademia di Venezia Venice 6 Sacred Conversation (detail), Sacred Conversation (detail), Sacred Conversation
      Gemäldegalerie, BerlinGemäldegalerie Berlin 5 The Holy Family, The Virgin and Child, Portrait of a young woman with bare chest
      National Gallery, LondonNational Gallery London 4 A Blonde Woman, A Blonde Woman, Saint George and a Female Saint
      Hermitage Museum, Saint PetersburgHermitage Museum Saint Petersburg 3 Madonna and Child, Portrait of a Man, Christ and the Woman Taken in Adultery
      Galleria degli Uffizi, FlorenceGalleria degli Uffizi Florence 3 Judith, Judith with the Head of Holofernes, The Holy Family with Mary Magdalene and the infant saint John
      Philadelphia Museum of Art, PhiladelphiaPhiladelphia Museum of Art Philadelphia 3 Portrait of a Gentleman, The Raising of Lazarus, Allegory

      Palma Vecchio's best-loved canvas of each decade

      1. 1500s
        Saint Magdalene (1504) by Palma Vecchio
        Canvas 17 of 100

        Saint Magdalene

        Age 20 – 29 · Bavarian State Painting Collections
      2. 1510s
        Madonna and Child (1515) by Palma Vecchio
        Canvas 1 of 100

        Madonna and Child

        Age 30 – 39 · Hermitage Museum

        To stand before this depiction of the Madonna and Child is to be drawn into a moment suspended outside the rush of time—a sanctuary painted by the masterful…

      3. 1520s
        Judith (1525) by Palma Vecchio
        Canvas 3 of 100

        Judith

        Age 40 – 48 · Galleria degli Uffizi

      About Palma Vecchio's canvases: your questions answered

      What is the best-known painting by Palma Vecchio?Read the answer

      Madonna and Child (1515), Hermitage Museum, Saint Petersburg. Portrait of a Man (1512) and Judith (1525) follow.

      What age was Palma Vecchio when Madonna and Child was painted?Read the answer

      Palma Vecchio, born in 1480, was 35 years old: Madonna and Child dates from 1515.

      What are the 10 most famous paintings by Palma Vecchio?Read the answer

      Madonna and Child, Portrait of a Man, Judith, The Adoration of the Shepherds with a Donor, Lucretia, Portrait of a Gentleman, John the Baptist, John the Evangelist, The Holy Family with St Mary Magdalen and Young Woman in Profile. Each canvas in the ranking above comes with its year and its museum.

      How many works did Palma Vecchio paint in all?Read the answer

      107 works by Palma Vecchio are in our catalogue, dated 1502 to 1528.

      Where can I see Palma Vecchio's most famous canvases?Read the answer

      Mostly in Kunsthistorisches Museum (Vienna), Szépművészeti Múzeum (Budapest) and Gallerie dell'Accademia di Venezia (Venice); the list above names each museum and its canvases.

      When did Palma Vecchio paint the best-loved canvases?Read the answer

      In 1520s, which gave 37 of the 100 works on this page, Judith among them.

      Which are Palma Vecchio's earliest and latest famous canvases?Read the answer

      The earliest canvas here is The Virgin and Child (1502); the latest is John the Evangelist (1528).

      What did Palma Vecchio paint most often?Read the answer

      Woman (17), Man (15) and Landscape (13), across the 100 works on this page.

      Which medium did Palma Vecchio paint in most often?Read the answer

      Oil On Canvas, used in 15 of the 100 works on this page.

      Which movement is Palma Vecchio's painting part of?Read the answer

      High renaissance, as the canvases on this page show.

      Which Palma Vecchio canvases hang at the Kunsthistorisches Museum?Read the answer

      The Kunsthistorisches Museum, Vienna holds 12 of the works on this page, among them Lucretia, John the Baptist and John the Evangelist.

      Can I buy a reproduction of a Palma Vecchio canvas?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Palma Vecchio: a life in paint

      A Venetian Master of Sensuality: The Life and Art of Palma Vecchio

      Jacopo Negretti, known to history as Palma Vecchio – “Palma the Elder” – emerged from the artistic landscape of early 16th-century Venice as a pivotal figure bridging the High Renaissance and the burgeoning Mannerist styles. Born around 1480 in Serina Alta near Bergamo, his career unfolded entirely within the vibrant Republic of Venice, a city already steeped in artistic innovation. While documented records are sparse regarding his earliest training, it’s believed he may have initially apprenticed under Andrea Previtali before gravitating towards the revolutionary approaches of Giovanni Bellini, and ultimately, the captivating worlds created by Giorgione and Titian. Palma's arrival in Venice coincided with a period of intense artistic competition; alongside Lorenzo Lotto, he quickly established himself as a formidable talent, absorbing the lessons of his predecessors while forging his own distinctive path.

      Early Influences and the Development of a Unique Style

      The initial stages of Palma’s career reveal a clear debt to Giovanni Bellini's refined technique and devotional style. However, it was the groundbreaking work of Giorgione – with its poetic atmosphere and enigmatic narratives – that truly ignited his artistic imagination. He swiftly embraced Giorgione’s use of color, light, and composition, infusing his own paintings with a similar sense of lyrical beauty. Yet, Palma wasn't merely an imitator; he possessed a unique gift for rendering the human form with a sensual grace and a captivating realism that set him apart. As Titian rose to prominence, Palma continued to evolve, demonstrating a remarkable ability to synthesize diverse influences into a harmonious and compelling visual language. This period saw the emergence of two primary themes in his oeuvre: the *sacra conversazione*, or holy conversation scenes, and half-length portraits of idealized women, often speculated to be depictions of Venice’s celebrated courtesans.

      The Allure of Myth and the Venetian Portrait

      Palma Vecchio became renowned for his ability to imbue classical mythology with a distinctly Venetian sensibility. His pastoral scenes are not simply recreations of ancient tales; they are vibrant celebrations of beauty, love, and earthly pleasure, set against lush landscapes teeming with life. These works catered to the tastes of wealthy Venetian patrons who sought art that reflected their sophisticated lifestyles and appreciation for sensual delights. Simultaneously, his portraits – particularly those of women – captivated audiences with their exquisite detail and psychological depth. He developed a signature type: blonde beauties possessing an alluring gaze and a subtle air of mystery. The identity of these sitters remains largely unknown, fueling speculation about their connection to the city’s demimonde. His mastery of color—transparent glazes that created luminous effects—was particularly celebrated, though sadly, many of these delicate layers deteriorated over time. The sheer painterly capacity in his handling of paint and color is often cited as a defining characteristic of his work.

      Major Achievements and Artistic Legacy

      Among Palma’s most significant achievements are the six paintings commissioned for the church of Santa Maria Formosa in Venice, centered around the *St. Barbara Altarpiece*. This monumental composition showcases his skill in depicting complex narratives and harmonious groupings of figures. His later works demonstrate a mastery of *contrapposto* – the elegant balance of opposing forces in a figure’s pose – and a refined palette that exudes dignity and grace. While he initially embraced influences from Central Italy, including Michelangelo, Palma ultimately forged a style uniquely his own. He was commissioned to paint a main altar at Sant'Elena in Venice in 1525, marking a significant milestone in his career. However, his sudden death in 1528 at the age of approximately 47 left numerous works unfinished, completed by his workshop and pupils. Despite this premature end, Palma Vecchio’s influence on Venetian painting was profound. He served as an important link between the High Renaissance masters like Titian and Giorgione and the emerging Mannerist generation, inspiring artists such as Bonifazio Pitati and Giovanni Busi.

      Historical Significance and Rediscovery

      For centuries, Palma Vecchio's work remained somewhat overshadowed by his more celebrated contemporaries. However, in recent decades, there has been a growing appreciation for his unique contributions to Venetian art. Scholars have reassessed attributions previously assigned to Giorgione and Titian, recognizing the distinctive qualities of Palma’s style. His paintings are now celebrated for their sensual beauty, technical brilliance, and ability to capture the spirit of Renaissance Venice. He represents a fascinating intersection of artistic influences, bridging the gap between generations and offering a compelling glimpse into the cultural values and aesthetic sensibilities of his time. Palma Vecchio stands as a testament to the enduring power of Venetian painting—a master whose work continues to captivate and inspire audiences today.

      All 107 works by Palma Vecchio →