Of all Samuel Walters's paintings, The 'pride Of Erin' is the most famous. Close behind come The Ship 'chevy Chase' and Black Ball Packet Europe. Among the 132 works by Samuel Walters in our catalogue, these 100 are the most celebrated, each shown with its date, its museum and its story.
Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated October 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.
The CSS Florida is a stunning oil painting by Samuel Walters, a renowned English maritime artist. This beautiful piece of art is a testament to the artist's skill…
Have it painted by hand from $178 →The four subjects that return most often on these canvases, each with its best-loved example.
The 3 museums that hold the most of the paintings on this page.
| Museum | City | Works by Samuel Walters | Paintings from this list |
|---|---|---|---|
| London | 17 | Paddle steamer Sirius, Paddle steamer Great Western in a gale, Wreck Of A Ship Off A Rocky Coast | |
| Washington, D.C. | 1 | The „Queen of the Ocean“ going to the rescue of the „Ocean Monarch“ | |
| Salem | 1 | Burning of the Ocean Monarch |
From 1842 to 1850, about a decade of light and colour: Samuel Walters's dated canvases, followed year by year.
The 'pride Of Erin', followed by The Ship 'chevy Chase' and Black Ball Packet Europe.
The 'pride Of Erin', The Ship 'chevy Chase', Black Ball Packet Europe, Css 'alabama', Fleet Of Vessels Of War, Portrait Of The 'isis', A Steam And Sail Ship, The Packet Ship Dewitt Clinton Of New York Departing Liverpool, Paddle steamer Sirius, The „Queen of the Ocean“ going to the rescue of the „Ocean Monarch“ and Rescue of passengers of the Ocean Monarch by the Brazilian Frigate Alfonzo. Each canvas in the ranking above comes with its year and its museum.
132 works by Samuel Walters are in our catalogue, dated 1842 to 1850.
Mostly in National Maritime Museum (London), Smithsonian American Art Museum (Washington, D.C.) and Peabody Essex Museum (Salem); the list above names each museum and its canvases.
In 1850, which gave 3 of the 100 works on this page, Rescue of passengers of the Ocean Monarch by the Brazilian Frigate Alfonzo among them.
The earliest canvas here is Paddle steamer Sirius (1842); the latest is Rescue of passengers of the Ocean Monarch by the Brazilian Frigate Alfonzo (1850).
Boats (18), Maritime art (5) and 19th century (4), across the 100 works on this page.
Contemporary realism, as the canvases on this page show.
The National Maritime Museum, London holds 8 of the works on this page, among them Paddle steamer Sirius, Paddle steamer Great Western in a gale and Wreck Of A Ship Off A Rocky Coast.
Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.
Samuel Walters (1811 – 1882) stands as a pivotal figure in the history of British art, particularly renowned for his evocative and meticulously detailed depictions of maritime life during the Victorian era. Born into a family deeply rooted in shipbuilding and artistry—his father, Miles Walters, was himself a respected marine artist—Walters’ artistic journey began within this rich tradition, ultimately establishing him as one of the most enduring figures of the Liverpool School of Marine Art. His legacy resides not just in the sheer volume of his work, but also in his ability to capture the dynamism and grandeur of ships at sea, imbued with a sense of realism and romanticism that resonated deeply with Victorian audiences.
Born in London in 1811, Samuel Walters’ formative years were spent immersed in the world of shipbuilding and artistic craftsmanship. His father's profession provided a unique environment for his development; he witnessed firsthand the intricate processes involved in constructing these magnificent vessels and gained an appreciation for their beauty and power. While his father imparted foundational skills, Walters largely pursued his artistic education independently, demonstrating a remarkable self-discipline and innate talent. Crucially, he moved to Liverpool in 1826, a city then at the heart of Britain’s burgeoning maritime trade, providing him with unparalleled access to subject matter and inspiration. This relocation coincided with his enrollment at the Liverpool Academy of Arts, where he honed his skills and began exhibiting his work publicly.
Walters’ arrival in Liverpool marked a turning point in his career and aligned him perfectly with the flourishing “Liverpool School” of marine art. This movement distinguished itself through its focus on depicting ships—particularly large merchant vessels—in their operational context, rather than solely as static subjects. Walters embraced this approach wholeheartedly, mastering the techniques necessary to convey not just the physical appearance of a ship but also its motion, atmosphere, and the skill of its crew. His paintings are characterized by a remarkable attention to detail – from the rigging and sails to the textures of the hull and the expressions on the faces of the sailors—creating an immersive experience for the viewer. He frequently employed watercolor as his medium, lending a luminous quality to his scenes and allowing him to capture the subtle shifts in light and shadow upon the water’s surface.
Walters' career spanned several decades, during which he produced an extensive body of work. His paintings frequently depicted vessels engaged in transatlantic trade, highlighting the vital role Liverpool played as a global hub. Key works include “The Brazil Packet In Two Positions Off The Coast,” a dramatic portrayal of a merchant ship battling a storm, and “The Full-rigged Merchantman Vespasian At Sea,” which showcases his mastery of capturing the scale and complexity of these impressive vessels. He also produced numerous portraits of individual ships, many commissioned by shipping companies eager to celebrate their fleet’s achievements. The artist's work was exhibited at the Royal Academy from 1842 to 1861, solidifying his reputation within the established art world.
Samuel Walters’ contribution to British art extends beyond his individual paintings. He played a crucial role in shaping the visual representation of maritime history during a period of immense technological and economic change. His work offers valuable insights into Victorian shipbuilding practices, trade routes, and the lives of those who worked aboard these magnificent vessels. His influence can be seen in subsequent generations of marine artists, and his paintings continue to be admired for their technical skill, atmospheric quality, and evocative portrayal of a bygone era. Walters’ enduring popularity is testament to his ability to capture not just the appearance of ships at sea, but also the spirit of adventure and the human drama inherent in maritime life.