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      Simon Vouet, 1590 – 1649

      The 100 Most Famous Simon Vouet Paintings, Ranked

      The best-loved painting by Simon Vouet is Venus and Adonis (1642), which hangs in the J. Paul Getty Museum, Los Angeles. The Muses of Urania and Calliope (1634) and Annunciation (1640) come next among the canvases readers know best. Our catalogue holds 166 works by Simon Vouet: here are the 100 most famous, each with its year, its museum and what makes it memorable.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated October 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portrait of Simon Vouet
      Simon Vouet · 1590 – 1649
      Born · died
      1590 – 1649, Paris
      Movement
      Baroque
      Works in our catalogue
      166
      Most famous
      Venus and Adonis (1642)
      Most works at
      The Louvre

      Top 10 Simon Vouet paintings: the canvases everyone knows

      Venus and Adonis (1642) by Simon Vouet
      1

      Venus and Adonis

      1642 · Acrylic On Canvas · J. Paul Getty Museum, Los Angeles

      Simon Vouet’s “Venus and Adonis,” painted in 1642, is a striking example of French Baroque art, showcasing the artist’s mastery of color, composition, and his assimilation of Italian artistic trends. This evocative scene depicts the poignant moment from Ovid's *Metamorphoses* where the mortal Adonis, captivated by hunting, rejects Venus’s advances, foreshadowing his tragic demise. The painting isn't merely a depiction of mythology; it's an exploration of love, desire, and mortality…

      The Muses of Urania and Calliope (1634) by Simon Vouet
      2

      The Muses of Urania and Calliope

      1634 · Acrylic On Canvas · National Gallery of Art, Washington

      Simon Vouet’s “The Muses Urania and Calliope”: A Symphony of Baroque Grace Simon Vouet (1590-1649) stands as a pivotal figure in the artistic landscape of 17th-century France, marking the decisive transition from Mannerism to the opulent grandeur of the Baroque style. His legacy resides not merely in his prolific output but also in his unwavering dedication to mastering Italian influences—a pursuit that fundamentally reshaped French painting and cemented Vouet’s place…

      Annunciation (1640) by Simon Vouet
      3

      Annunciation

      1640 · Oil On Canvas · Galleria degli Uffizi, Florence

      Simon Vouet's "Annunciation," painted in 1640, is more than just a religious depiction; it’s a masterful orchestration of light, shadow, and human emotion. This captivating work transports the viewer to an intimate interior space, where the momentous announcement of Mary’s divine conception unfolds with breathtaking drama. The painting immediately draws the eye to the kneeling figure of the Virgin Mary, bathed in a warm, golden glow emanating from the right…

      The Fortuneteller (detail) (1617) by Simon Vouet
      4

      The Fortuneteller (detail)

      1617 · Oil On Canvas · Galleria Nazional d Art Antica, Rome

      In the heart of 1617, amidst the vibrant and transformative atmosphere of Roman artistic circles, Simon Vouet captured a moment of profound human connection in his masterpiece, The Fortuneteller. This work, particularly when viewed in its intimate details, serves as much more than a mere portrait; it is an emblem of the burgeoning Baroque style that was beginning to reshape the visual landscape of Europe. The scene unfolds with a…

      Sleeping Venus (1630) by Simon Vouet
      5

      Sleeping Venus

      1630 · Acrylic On Canvas · Szépművészeti Múzeum, Budapest

      Simon Vouet's "Sleeping Venus," painted around 1630, is not merely a depiction of a reclining nude; it’s an exquisite distillation of Renaissance ideals and the burgeoning Baroque aesthetic. This captivating work transcends simple portraiture, offering instead a profound meditation on beauty, repose, and the delicate balance between earthly pleasure and spiritual contemplation. The painting immediately draws the viewer into a world of hushed tranquility, inviting us to share in the…

      Allegory of Virtue (1634) by Simon Vouet
      6

      Allegory of Virtue

      1634 · Acrylic On Canvas · The Louvre, Paris

      Simon Vouet’s “Allegory of Virtue,” completed around 1634, stands as a testament to the burgeoning Baroque aesthetic infiltrating French artistic circles during Louis XIII's reign. More than just a portrait—though it undeniably depicts a woman radiating grace and authority—the painting delves into profound philosophical concepts rooted in humanist ideals prevalent at the time.

      The Entombment (1638) by Simon Vouet
      7

      The Entombment

      1638 · Oil On Canvas · Fitzwilliam College, Cambridge

      Simon Vouet's "The Entombment," painted in 1635–1638, is not merely a depiction of a biblical scene; it’s an exquisitely rendered meditation on grief, faith, and the profound dignity of sacrifice. This monumental work, currently residing within the collection of the Fitzwilliam Museum in Cambridge, transcends its subject matter to become a powerful testament to the Baroque era's ability to evoke intense emotion through masterful technique and carefully considered symbolism. Vouet,…

      Angels with Attributes of the Passion: Angel Holding the Vessel and Towel for washing the hands of Pontius Pilate (1624) by Simon Vouet
      8

      Angels with Attributes of the Passion: Angel Holding the Vessel and Towel for washing the hands of Pontius Pilate

      1624 · Oil · Minneapolis Institute of Art, Minneapolis

      A single celestial figure emerges from a deep, near-black void, commanding the space with an intimate and monumental presence. This angel, caught in a moment of profound spiritual devotion, gazes upward with eyes full of soulful contemplation or sorrow. The light descends from the upper left, carving the figure out of the darkness and casting soft, tender shadows across a face etched with emotion. Every detail feels immediate, from the…

      Saint John (1623) by Simon Vouet
      9

      Saint John

      1623 · Oil On Canvas · Philadelphia Museum of Art, Philadelphia

      A young man turns his face toward a light that remains unseen. His eyes, wide and searching, catch a glimmer that pulls his gaze upward, away from the dark, murky depths of the background. Thick, dark curls frame a pale face, creating a sharp contrast against the heavy shadows that swallow the space around him. He is caught in a moment of sudden, quiet realization. The light does not merely…

      Virgin and Child, with an Angel (1642) by Simon Vouet
      10

      Virgin and Child, with an Angel

      1642 · Oil On Panel · Philadelphia Museum of Art, Philadelphia

      The light falls softly upon the skin of the Virgin Mary, catching the curve of her cheek and the small, smooth hands of the Christ Child. They sit within a triangular arrangement that anchors the composition, surrounded by the deep shadows of a dense woodland. An angel leans into this intimate circle, its robes glowing with warm yellows and golds that contrast against the heavy, dark trees behind them. At…

      More Simon Vouet canvases, 11 to 100

      Madonna with Child (1625) by Simon Vouet
      #11

      Madonna with Child

      1625 · Hermitage Museum

      The room falls away into a deep, near-black shadow, leaving only two figures bathed in a soft, directional light. From the upper left, a gentle glow spills across…

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      Heavenly Charity (1640) by Simon Vouet
      #14

      Heavenly Charity

      1640 · The Louvre

      A Beacon of Baroque Virtue: Simon Vouet’s Heavenly Charity Simon Vouet's "Heavenly Charity," completed around 1640, stands as a cornerstone of French Baroque painting—a testament to Louis XIII’s…

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      Allegory (1640) by Simon Vouet
      #15

      Allegory

      1640 · Capitoline Museums

      Simon Vouet executed Allegory during his residency in Rome, a period spanning from 1614 to 1627. The work was commissioned by Marcello Sacchetti, a 17th-century Italian merchant and…

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      Sacrifice of Isaac (1642) by Simon Vouet
      #17

      Sacrifice of Isaac

      1642 · Milwaukee Art Museum

      The painting titled Sacrifice of Isaac is a work of religious art. It is attributed to the French artist Simon Vouet (1590-1649) and Pierre Patel, the Elder (1605-1676).…

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      Suicide of Lucrece (1625) by Simon Vouet
      #21

      Suicide of Lucrece

      1625 · National Gallery Prague

      The heavy silence of a tragic end hangs in the air within Suicide of Lucrece. In this dramatic oil painting, the artist Simon Vouet captures the precise, harrowing…

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      The Muse Clio (1640) by Simon Vouet
      #22

      The Muse Clio

      1640 · Staatliche Kunsthalle Karlsruhe

      The Muse Clio is an oil on canvas painting by the artist Simon Vouet. Created about 1640, this work depicts the mythological figure Clio, who is recognized as…

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      Vanitas (1621) by Simon Vouet
      #24

      Vanitas

      1621 · National Museum in Warsaw

      In Vanitas, Simon Vouet centers the composition on a tight, intimate encounter between two figures. A young woman and an older man emerge from a deep, near-black background…

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      The Muses Urania and Calliope (1634) by Simon Vouet
      #55

      The Muses Urania and Calliope

      1634 · National Gallery of Art

      Simon Vouet's "The Muses Urania and Calliope," painted in 1634, isn’t merely a portrait; it’s an immersive experience—a vibrant tableau vivant capturing the essence of classical inspiration. This…

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      Saint Catherine of Alexandria (1620) by Simon Vouet
      #60

      Saint Catherine of Alexandria

      1620 · National Museum of Western Art

      Saint Catherine of Alexandria by Simon Vouet, executed in 1620, presents a formal study of the early Christian martyr. Rendered in oil on canvas, the work captures the…

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      Mary Adoring the Christ child (1623) by Simon Vouet
      #61

      Mary Adoring the Christ child

      1623 · Museum Boijmans Van Beuningen

      Mary Adoring the Christ child is a religious oil painting by the French artist Simon Vouet. Executed in 1623, the work belongs to the Baroque tradition, focusing on…

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      Toilet of Venus (1628) by Simon Vouet
      #64

      Toilet of Venus

      1628 · Art Museum

      To gaze upon Simon Vouet’s Toilet of Venus is to step directly into a moment suspended in opulent leisure—a scene dripping with the sensuality and refined drama characteristic…

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      Self-Portrait (1615) by Simon Vouet
      #65

      Self-Portrait

      1615 · Musée Réattu

      To stand before this self-portrait is to encounter not merely paint on canvas, but a direct conduit to the vibrant, ambitious spirit of early 17th-century Paris. Painted around…

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      LA VICTOIRE by Simon Vouet
      #66

      LA VICTOIRE

      The Louvre

      To stand before this depiction of La Victoire is to encounter pure, unbridled apotheosis. It is not merely a painting; it is a dramatic narrative captured in oil,…

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      The Rape of Europa (1640) by Simon Vouet
      #67

      The Rape of Europa

      1640 · Thyssen-Bornemisza Museum

      To gaze upon Simon Vouet's depiction of The Rape of Europa is to step directly into the charged, dramatic heart of the Baroque era. This canvas is not…

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      St Catherine (1614) by Simon Vouet
      #69

      St Catherine

      1614 · Quirinal Palace

      To stand before Simon Vouet's depiction of St Catherine is to step directly into the vibrant, emotionally charged atmosphere of early seventeenth-century Paris. This portrait captures more than…

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      Prince Marcantonio Doria (1621) by Simon Vouet
      #70

      Prince Marcantonio Doria

      1621 · The Louvre

      In the hallowed halls of the Musée du Louvre, there exists a window into the soul of the seventeenth century, captured through the masterful brushstrokes of Simon Vouet.…

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      Virgin and Child by Simon Vouet
      #76

      Virgin and Child

      Musée Des Beaux

      Simon Vouet’s “The Virgin and Child (of the Column),” completed around 1640, stands as a cornerstone of French Baroque painting—a testament to artistic ambition and masterful execution that…

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      The Holy Family (1630) by Simon Vouet
      #79

      The Holy Family

      1630 · Kunsthalle Bremen

      In the heart of the seventeenth century, as the rigid structures of Mannerism began to dissolve under the weight of a new, more visceral era, Simon Vouet emerged…

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      Madonna and Child (1633) by Simon Vouet
      #80

      Madonna and Child

      1633 · National Gallery of Art

      In the intimate embrace of Simon Vouet’s Madonna and Child, we are invited into a moment of profound, quiet tenderness that transcends the centuries. Painted in 1633, this…

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      LA MISE AU TOMBEAU by Simon Vouet
      #81

      LA MISE AU TOMBEAU

      The Louvre

      LA MISE AU TOMBEAU is a work by Simon Vouet, created between 1640 and 1642. This painting captures a moment of profound stillness. It depicts the iconographic type…

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      Allegory of Peace (1627) by Simon Vouet
      #82

      Allegory of Peace

      1627 · Galleria Nazional d Art Antica

      Completed in 1627, Allegory of Peace by Simon Vouet offers a profound look into the intellectual fervor and humanist aspirations of the seventeenth century. This work emerged during…

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      Allegory of Wealth (1630) by Simon Vouet
      #83

      Allegory of Wealth

      1630 · The Louvre

      Simon Vouet's 1630 *Allegory of Wealth* is not merely a painting; it’s an immersive experience, a meticulously crafted tableau that speaks volumes about the values and aspirations of…

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      The Fortune Teller (1618) by Simon Vouet
      #87

      The Fortune Teller

      1618 · National Gallery of Canada

      The Fortune Teller, painted in 1618 by the masterful Simon Vouet, offers a captivating glimpse into the social and artistic currents of early 17th-century France. This portrait, measuring…

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      Caritas Romana by Simon Vouet
      #92

      Caritas Romana

      National Museum in Warsaw

      In Caritas Romana, Simon Vouet presents a quiet, emotionally charged encounter between two figures. The composition centers on a woman cradling an older, bearded man, creating an intimate…

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      St Jerome and the Angel (1622) by Simon Vouet
      #93

      St Jerome and the Angel

      1622 · National Gallery of Art

      Simon Vouet’s “St. Jerome and the Angel,” painted in 1622, is more than just a depiction of a biblical scene; it's a carefully constructed meditation on divine guidance,…

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      The Fortune Teller (1617) by Simon Vouet
      #94

      The Fortune Teller

      1617 · Galleria Nazional d Art Antica

      Simon Vouet's "The Fortune Teller," painted in 1617, isn’t merely a portrait; it’s a carefully constructed tableau brimming with intrigue and a palpable sense of the mystical. Housed…

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      LE CHRIST EN CROIX by Simon Vouet
      #95

      LE CHRIST EN CROIX

      The Louvre

      is a significant work by the French Baroque painter Simon Vouet. The composition centers on the crucifixion of Jesus Christ, a central event of the New Testament. The…

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      Simon Vouet's canvases, period by period

      What Simon Vouet painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Simon Vouet's canvases hang

      The 8 museums that hold the most of the paintings on this page.

      Museum City Works by Simon Vouet Paintings from this list
      The Louvre, ParisThe Louvre Paris 20 Allegory of Virtue, Heavenly Charity, POLYMNIE, MUSE DE L'ELOQUENCE
      Szépművészeti Múzeum, BudapestSzépművészeti Múzeum Budapest 5 Sleeping Venus, Parnassus or Apollo and the Muses, Parnassus or Apollo and the Muses (detail)
      National Gallery of Art, WashingtonNational Gallery of Art Washington 4 The Muses of Urania and Calliope, The Muses Urania and Calliope, Madonna and Child
      Galleria Nazional d Art Antica, RomeGalleria Nazional d Art Antica Rome 4 The Fortuneteller (detail), Allegory of Peace, The Fortune Teller
      National Museum in Warsaw, WarsawNational Museum in Warsaw Warsaw 4 Vanitas, Caritas Romana
      Los Angeles County Museum of Art, Los AngelesLos Angeles County Museum of Art Los Angeles 3 Model for Altarpiece in St. Peter's, Model for Altarpiece in St. Peter's
      Minneapolis Institute of Art, MinneapolisMinneapolis Institute of Art Minneapolis 2 Angels with Attributes of the Passion: Angel Holding the Vessel and Towel for washing the hands of Pontius Pilate, Angels with Attributes of the Passion, the Superscription from the Cross
      Philadelphia Museum of Art, PhiladelphiaPhiladelphia Museum of Art Philadelphia 2 Saint John, Virgin and Child, with an Angel

      Simon Vouet's best-loved canvas of each decade

      1. 1610s
        The Fortuneteller (detail) (1617) by Simon Vouet
        Canvas 4 of 100

        The Fortuneteller (detail)

        Age 20 – 29 · Galleria Nazional d Art Antica

        In the heart of 1617, amidst the vibrant and transformative atmosphere of Roman artistic circles, Simon Vouet captured a moment of profound human connection in his masterpiece, The…

      2. 1620s
      3. 1630s
        The Muses of Urania and Calliope (1634) by Simon Vouet
        Canvas 2 of 100

        The Muses of Urania and Calliope

        Age 40 – 49 · National Gallery of Art

        Simon Vouet’s “The Muses Urania and Calliope”: A Symphony of Baroque Grace Simon Vouet (1590-1649) stands as a pivotal figure in the artistic landscape of 17th-century France, marking…

      4. 1640s
        Venus and Adonis (1642) by Simon Vouet
        1 of 100

        Venus and Adonis

        Age 50 – 59 · J. Paul Getty Museum

        Simon Vouet’s “Venus and Adonis,” painted in 1642, is a striking example of French Baroque art, showcasing the artist’s mastery of color, composition, and his assimilation of Italian…

      About Simon Vouet's canvases: your questions answered

      What is the best-known painting by Simon Vouet?Read the answer

      Venus and Adonis (1642), J. Paul Getty Museum, Los Angeles. The Muses of Urania and Calliope (1634) and Annunciation (1640) follow.

      What age was Simon Vouet when Venus and Adonis was painted?Read the answer

      Simon Vouet, born in 1590, was 52 years old: Venus and Adonis dates from 1642.

      What are the 10 most famous paintings by Simon Vouet?Read the answer

      Venus and Adonis, The Muses of Urania and Calliope, Annunciation, The Fortuneteller (detail), Sleeping Venus, Allegory of Virtue, The Entombment, Angels with Attributes of the Passion: Angel Holding the Vessel and Towel for washing the hands of Pontius Pilate, Saint John and Virgin and Child, with an Angel. Each canvas in the ranking above comes with its year and its museum.

      How many works did Simon Vouet paint in all?Read the answer

      166 works by Simon Vouet are in our catalogue, dated 1614 to 1645.

      Where can I see Simon Vouet's most famous canvases?Read the answer

      Mostly in The Louvre (Paris), Szépművészeti Múzeum (Budapest) and National Gallery of Art (Washington); the list above names each museum and its canvases.

      When did Simon Vouet paint the best-loved canvases?Read the answer

      In 1620s, which gave 31 of the 100 works on this page, Angels with Attributes of the Passion: Angel Holding the Vessel and Towel for washing the hands of Pontius Pilate among them.

      Which are Simon Vouet's earliest and latest famous canvases?Read the answer

      The earliest canvas here is Lovers (1614); the latest is Allegory of Prudence (1645).

      What did Simon Vouet paint most often?Read the answer

      Woman (15), Renaissance (12) and Mythology (9), across the 100 works on this page.

      Which medium did Simon Vouet paint in most often?Read the answer

      Oil On Canvas, used in 40 of the 100 works on this page.

      Which movement is Simon Vouet's painting part of?Read the answer

      Baroque, as the canvases on this page show.

      Which Simon Vouet canvases hang at the The Louvre?Read the answer

      The The Louvre, Paris holds 12 of the works on this page, among them Allegory of Virtue, Heavenly Charity and POLYMNIE, MUSE DE L'ELOQUENCE.

      Can I buy a reproduction of a Simon Vouet canvas?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Simon Vouet: a life in paint

      Simon Vouet: A Pioneer of French Baroque Painting

      • Born: January 9, 1590, Paris, France
      • Died: June 30, 1649, Paris, France

      Simon Vouet was a pivotal figure in the transition of French painting from Mannerism to the Baroque style. Born into an artistic family – his father Laurent was a painter and his brother Aubin also pursued art – Vouet received early training that laid the foundation for his future success. His grandson, Ludovico Dorigny, would continue the family’s artistic legacy.

      Early Career and Italian Influences (1608-1627)

      • Early Portraiture: Vouet began his career as a portraitist, demonstrating early talent.
      • Travel to England (1608): At the young age of 14, he traveled to England to paint a commissioned portrait, showcasing his burgeoning reputation.
      • Ottoman Empire and Venice: In 1611, Vouet joined the entourage of Baron de Sancy, French ambassador to the Ottoman Empire, again for portraiture work. This journey took him through Constantinople and then to Venice in 1612.
      • Rome (1614-1627): His time in Rome proved transformative. He remained there for thirteen years, immersing himself in the vibrant artistic scene of the burgeoning Baroque period.

      During his Italian sojourn, Vouet absorbed a diverse range of influences. He studied the dramatic lighting techniques pioneered by Caravaggio, embraced elements of Italian Mannerism, and meticulously analyzed the color palettes and di sotto in su (foreshortened perspective) employed by Paolo Veronese. He also drew inspiration from the works of Carracci, Guercino, Lanfranco, and Guido Reni, synthesizing these diverse styles into a unique artistic vision.

      Development of Vouet’s Distinctive Style

      • Election to Accademia di San Luca (1624): His success in Rome culminated in his election as president of the prestigious Accademia di San Luca, a testament to his skill and recognition within the Italian art world.
      • Synthesis of Influences: Vouet’s style was characterized by its ability to absorb and distill various artistic influences. He didn't simply copy; he integrated these elements into a cohesive and distinctly Italianate Baroque aesthetic.
      • Introduction of Baroque to France: Upon his return to France in 1627, Vouet played a crucial role in introducing the Italian Baroque style to French painting, significantly impacting the artistic landscape of the country.

      Major Achievements and Legacy

      • Premier Peintre du Roi: Vouet was appointed Premier peintre du Roi (First Painter to the King) – a position of considerable prestige and influence.
      • Prolific Workshop: He maintained a large and active workshop, training numerous artists who would shape the subsequent generation of French painters.
      • Notable Pupils: Among his most influential pupils were Charles Le Brun (who later organized all decorative painting at Versailles), Valentin de Boulogne, Charles Alphonse du Fresnoy, Pierre Mignard, Eustache Le Sueur, and Claude Mellan.
      • Influence on French Art: Vouet’s impact extended beyond his own works; his students carried his style and techniques throughout France, establishing a distinctively Baroque school of painting. His influence is particularly evident in the grand decorative schemes commissioned by Louis XIV.

      Historical Significance

      Simon Vouet's legacy rests on his pivotal role as a bridge between Italian and French art. He successfully imported the dynamism and grandeur of the Italian Baroque, transforming it into a style that resonated with the tastes of the French court and aristocracy. His influence is undeniable in the development of French painting during the 17th century, and his contributions continue to be recognized by art historians today.

      All 166 works by Simon Vouet →