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      Tom Roberts, 1856 – 1931

      The 40 Most Famous Tom Roberts Paintings, Ranked

      The best-loved painting by Tom Roberts is Slumbering sea, Mentone (1887), which hangs in the National Gallery of Victoria, Melbourne. Self portrait (1924) and Portrait of Louis Abrahams (1886) come next among the canvases readers know best. Our catalogue holds 40 works by Tom Roberts: here are the 40 most famous, each with its year, its museum and what makes it memorable.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated October 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portrait of Tom Roberts
      Tom Roberts · 1856 – 1931
      Born · died
      1856 – 1931, Dorchester
      Movement
      Impressionism
      Works in our catalogue
      40
      Most famous
      Slumbering sea, Mentone (1887)
      Most works at
      Art Gallery of New South Wales

      Top 10 Tom Roberts paintings: the canvases everyone knows

      Slumbering sea, Mentone (1887) by Tom Roberts
      1

      Slumbering sea, Mentone

      1887 · Acrylic On Canvas · National Gallery of Victoria, Melbourne

      “Slumbering Sea, Mentone,” painted in 1887 by Tom Roberts, is more than just a depiction of a coastal scene; it's a carefully constructed meditation on light, color, and the burgeoning sense of national identity within Australia. This work, housed at the National Gallery of Victoria, offers a captivating glimpse into the heart of the Heidelberg School’s artistic philosophy – a movement that sought to capture the unique spirit of the…

      Self portrait (1924) by Tom Roberts
      2

      Self portrait

      1924 · Oil On Canvas · Art Gallery of New South Wales, Sydney

      In this intimate oil on canvas, the artist Tom Roberts presents a "Self portrait" that offers a quiet moment of introspection. Created about 1924, the work captures the artist in his later years, presenting the subject as an elderly man. It is a bust-length portrait, focusing the viewer's attention on the character and presence of the sitter rather than his surroundings.

      Portrait of Mrs Tom Roberts (1910) by Tom Roberts
      6

      Portrait of Mrs Tom Roberts

      1910 · Oil On Canvas · National Portrait Gallery, Canberra

      Portrait of Mrs Tom Roberts: A Window Into Heidelberg Impressionism The painting “Portrait of Mrs Tom Roberts,” created in 1910 by the celebrated Australian artist Tom Roberts, stands as a testament to the burgeoning Heidelberg School movement and its profound influence on landscape art. More than just a likeness of Elizabeth Sarah (Lillie) Roberts—née Williamson—the portrait embodies a carefully considered aesthetic that reflects both Victorian sensibilities and the revolutionary spirit…

      Andante (1889) by Tom Roberts
      7

      Andante

      1889 · Painting · Art Gallery of South Australia, Adelaide

      To gaze upon Tom Roberts' "Andante" is to step into a moment suspended in time—a quiet chamber where the only sound seems to be the gentle, melancholic spill of music. This evocative scene captures a man absorbed in the act of playing the piano, his posture suggesting both deep concentration and profound contentment. The composition itself draws the viewer inward, inviting them to share in this private performance. It is…

      Gray day in spring, Venice (1884) by Tom Roberts
      8

      Gray day in spring, Venice

      1884 · Oil · National Gallery of Australia, Canberra

      In the delicate interplay of shadow and soft illumination, Gray day in spring, Venice emerges as a breathtaking window into a bygone era. Painted by the Australian master Tom Roberts in 1884, this expansive work transports the viewer to the winding canals of Italy during that fleeting, magical hour when dusk begins to settle over the Adriatic. The scene is not merely a depiction of architecture, but an atmospheric study…

      Turning the soil (Sketch for The charcoal burners) (1886) by Tom Roberts
      9

      Turning the soil (Sketch for The charcoal burners)

      In the quiet, rhythmic labor of Turning the soil (Sketch for The charcoal burners), we find a profound meditation on the relationship between humanity and the land. Created in 1886 by the visionary Australian Impressionist Tom Roberts, this preparatory sketch serves as a soulful window into a moment of shared toil. The scene unfolds with three figures embedded within a rugged landscape, their bodies engaged in the heavy, essential task…

      More Tom Roberts canvases, 11 to 40

      James T. Donovan (1892) by Tom Roberts
      #12

      James T. Donovan

      1892 · National Portrait Gallery

      James T Donovan (1861–1922), journalist, Catholic historian and amateur singer, was born into an Irish Catholic family in Sydney. His father had a shop that was the first…

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      Sir James Reading Fairfax (1898) by Tom Roberts
      #16

      Sir James Reading Fairfax

      1898 · National Portrait Gallery

      James Reading Fairfax (1834-1919), son of Sydney Morning Herald founder John Fairfax (1804-1877), was the second Fairfax boy to join his father

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      Edward Trenchard by Tom Roberts
      #20

      Edward Trenchard

      National Gallery of Victoria

      In this 1890 oil on canvas, Tom Roberts captures the presence of Edward Trenchard. The man sits within a stately, traditional interior, surrounded by the quiet dignity of…

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      An autumn morning, Milson (1888) by Tom Roberts
      #25

      An autumn morning, Milson

      1888 · Art Gallery of New South Wales

      In the gentle embrace of 1888, Tom Roberts captured a moment of profound serenity in An autumn morning, Milson. This exquisite landscape serves as more than just a…

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      Harbourscape (1890) by Tom Roberts
      #26

      Harbourscape

      1890 · National Gallery of Australia

      In the vast canon of Australian Impressionism, few works capture the ephemeral magic of a moment as poignantly as Tom Roberts’ Harbourscape. This remarkably small oil panel, a…

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      Holiday sketch at Coogee (1888) by Tom Roberts
      #28

      Holiday sketch at Coogee

      1888 · Art Gallery of New South Wales

      Tom Roberts' "Holiday Sketch at Coogee," painted in 1888, isn’t merely a depiction of a seaside scene; it’s a vibrant distillation of the Australian light and a pivotal…

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      Cloud study by Tom Roberts
      #29

      Cloud study

      National Gallery of Victoria

      The work titled Cloud study is a small, intimate piece by the artist Tom Roberts. Measuring 12.1 x 20.7cm, it exists as a quiet fragment of observation. The…

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      Shearing the rams (1890) by Tom Roberts
      #34

      Shearing the rams

      1890 · National Gallery of Victoria

      In the golden light of the late nineteenth century, Tom Roberts captured more than just a moment in time; he immortalized the very soul of a burgeoning nation.…

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      Coming South (1886) by Tom Roberts
      #36

      Coming South

      1886 · National Gallery of Victoria

      In the quiet, evocative depths of Tom Roberts’ Coming South (1886), we are invited to step aboard a vessel suspended between two worlds. This masterful oil on canvas…

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      Bailed up (1927) by Tom Roberts
      #37

      Bailed up

      1927 · Art Gallery of New South Wales

      Tom Roberts’ evocative canvas, Bailed up, transports the viewer deep into the heart of the Australian wilderness. This painting is not merely a depiction of travel; it is…

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      What Tom Roberts painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Tom Roberts's canvases hang

      The 8 museums that hold the most of the paintings on this page.

      Museum City Works by Tom Roberts Paintings from this list
      Art Gallery of New South Wales, SydneyArt Gallery of New South Wales Sydney 15 Self portrait, Adagio, Fog, Thames Embankment
      National Portrait Gallery, CanberraNational Portrait Gallery Canberra 7 Practising the Minuet (Miss Hilda Spong), Portrait of Mrs Tom Roberts, Sir William Charles Windeyer
      National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 5 Slumbering sea, Mentone, Edward Trenchard, Cloud study
      National Gallery of Australia, CanberraNational Gallery of Australia Canberra 4 Gray day in spring, Venice, Turning the soil (Sketch for The charcoal burners), Harbourscape
      Museum of New Zealand Te Papa Tongarewa, WellingtonMuseum of New Zealand Te Papa Tongarewa Wellington 2 Hutt Valley, In Quarantine, Wellington
      Art Gallery of South Australia, AdelaideArt Gallery of South Australia Adelaide 1 Andante
      Royal Collection, LondonRoyal Collection London 1 The Big Picture
      Bristol Museum - Art Gallery, BristolBristol Museum - Art Gallery Bristol 1 The Temple of Dendera, Upper Egypt

      Tom Roberts's best-loved canvas of each decade

      1. 1880s
        Slumbering sea, Mentone (1887) by Tom Roberts
        Ranked 1 of 40

        Slumbering sea, Mentone

        Age 24 – 33 · National Gallery of Victoria

        “Slumbering Sea, Mentone,” painted in 1887 by Tom Roberts, is more than just a depiction of a coastal scene; it's a carefully constructed meditation on light, color, and…

      2. 1890s
        Adagio (1893) by Tom Roberts
        Ranked 4 of 40

        Adagio

        Age 34 – 43 · Art Gallery of New South Wales
      3. 1900s
        Hutt Valley (1900) by Tom Roberts
        17 of 40

        Hutt Valley

        Age 44 – 53 · Museum of New Zealand Te Papa Tongarewa
      4. 1910s
        Portrait of Mrs Tom Roberts (1910) by Tom Roberts
        Canvas 6 of 40

        Portrait of Mrs Tom Roberts

        Age 54 – 63 · National Portrait Gallery

        Portrait of Mrs Tom Roberts: A Window Into Heidelberg Impressionism The painting “Portrait of Mrs Tom Roberts,” created in 1910 by the celebrated Australian artist Tom Roberts, stands…

      5. 1920s
        Self portrait (1924) by Tom Roberts
        2 of 40

        Self portrait

        Age 64 – 73 · Art Gallery of New South Wales

        In this intimate oil on canvas, the artist Tom Roberts presents a "Self portrait" that offers a quiet moment of introspection. Created about 1924, the work captures the…

      About Tom Roberts's canvases: your questions answered

      What is the best-known painting by Tom Roberts?Read the answer

      Slumbering sea, Mentone (1887), National Gallery of Victoria, Melbourne. Self portrait (1924) and Portrait of Louis Abrahams (1886) follow.

      What age was Tom Roberts when Slumbering sea, Mentone was painted?Read the answer

      Tom Roberts, born in 1856, was 31 years old: Slumbering sea, Mentone dates from 1887.

      What are the 10 most famous paintings by Tom Roberts?Read the answer

      Slumbering sea, Mentone, Self portrait, Portrait of Louis Abrahams, Adagio, Practising the Minuet (Miss Hilda Spong), Portrait of Mrs Tom Roberts, Andante, Gray day in spring, Venice, Turning the soil (Sketch for The charcoal burners) and Fog, Thames Embankment. Each canvas in the ranking above comes with its year and its museum.

      How many works did Tom Roberts paint in all?Read the answer

      40 works by Tom Roberts are in our catalogue, dated 1883 to 1927.

      Where can I see Tom Roberts's most famous canvases?Read the answer

      Mostly in Art Gallery of New South Wales (Sydney), National Portrait Gallery (Canberra) and National Gallery of Victoria (Melbourne); the list above names each museum and its canvases.

      When did Tom Roberts paint the best-loved canvases?Read the answer

      In 1890s, which gave 12 of the 40 works on this page, Adagio among them.

      Which are Tom Roberts's earliest and latest famous canvases?Read the answer

      The earliest canvas here is Rejected (1883); the latest is Bailed up (1927).

      What did Tom Roberts paint most often?Read the answer

      Landscape (6), Australia (4) and Boats (3), across the 40 works on this page.

      Which medium did Tom Roberts paint in most often?Read the answer

      Oil On Canvas, used in 6 of the 40 works on this page.

      Which movement is Tom Roberts's painting part of?Read the answer

      Impressionism and Heidelberg school, as the canvases on this page show.

      Which Tom Roberts canvases hang at the Art Gallery of New South Wales?Read the answer

      The Art Gallery of New South Wales, Sydney holds 15 of the works on this page, among them Self portrait, Adagio and Fog, Thames Embankment.

      Can I buy a reproduction of a Tom Roberts canvas?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Tom Roberts: a life in paint

      A Pioneer of the Australian Light: The Life and Art of Tom Roberts

      Born in Dorchester, England, on March 8th, 1856, Thomas William Roberts would become a pivotal figure in the development of a distinctly Australian artistic identity. His early life was marked by a family migration to Melbourne in 1869, a journey that irrevocably shaped his artistic vision. The vast landscapes and unique light of Australia ignited within him a passion for capturing the essence of his adopted homeland. Initially working as a photographer’s assistant, Roberts honed his observational skills and developed an eye for composition—qualities that would become hallmarks of his celebrated paintings. He simultaneously pursued formal art training, studying under Louis Buvelot, whose influence instilled in him a love for landscape painting and a foundation in traditional techniques. However, it was a sojourn to Europe in 1881 that truly broadened Roberts’ artistic horizons.

      Forging an Australian Impressionism

      Roberts' time in Europe, particularly his studies at the Royal Academy in London, exposed him to the latest artistic currents, including the burgeoning Impressionist movement. He absorbed the techniques of plein air painting—working outdoors directly from nature—and a focus on capturing fleeting moments of light and atmosphere. Upon returning to Australia in 1885, he brought with him not merely technical skills but a fervent desire to create an art that was authentically Australian. This ambition led him to collaborate with fellow artists Frederick McCubbin, Arthur Streeton, and Charles Conder, forming the core of what would become known as the Heidelberg School, or Australian Impressionism. The group established artist camps at Box Hill and Eaglemont, embracing a lifestyle dedicated to observing and painting the Australian bush. These weren’t simply artistic endeavors; they were statements of cultural independence, rejecting European conventions in favor of celebrating the unique character of their nation. The 1889 “9 by 5 Impression Exhibition,” showcasing small paintings on cedar cigar box lids, was a bold declaration of this new artistic vision—a defiant challenge to established norms and a pivotal moment in Australian art history.

      National Narratives and Enduring Legacy

      While deeply committed to the principles of Impressionism, Roberts wasn’t content with merely replicating landscapes. He sought to create “national narratives”—paintings that depicted scenes of everyday Australian life and celebrated its people. Shearing the Rams (1890), arguably his most famous work, exemplifies this ambition. The painting is a powerful depiction of rural labor, capturing the energy and camaraderie of shearers at work. It’s not simply a record of an activity; it's a celebration of Australian masculinity and the importance of the pastoral industry. A Break Away! (1891), with its dynamic composition and sun-drenched atmosphere, similarly captures a quintessential moment of Australian life—a group of stockmen driving cattle across the plains. Bailed Up (1895), though less celebratory, offers a compelling glimpse into the realities of frontier life, depicting a stagecoach held up by bushrangers. These works weren’t just aesthetically pleasing; they were attempts to define what it meant to be Australian through art. Beyond these iconic paintings, Roberts also made significant contributions as a portraitist and, in 1903, completed The Big Picture, a monumental work commissioned to commemorate the opening of the first Australian Parliament—a visual record of a nation’s birth.

      A Champion for Australian Art

      Tom Roberts' influence extended far beyond his own paintings. He was a tireless advocate for the development of an Australian art scene, actively promoting the work of his fellow artists and championing the establishment of national institutions to support and showcase Australian talent. He passionately believed in the importance of creating a distinctly Australian artistic identity—one that reflected the unique landscapes, people, and experiences of the nation. He was the first to publicly advocate for an Australian National Portrait Gallery, recognizing the power of portraiture to capture the spirit of a nation. His dedication to fostering a vibrant art culture cemented his position not only as a leading artist but also as a visionary leader who helped shape the course of Australian art history. His legacy continues to inspire generations of artists and remains a testament to the enduring power of art to define and celebrate national identity.

      Collections & Further Exploration

      All 40 works by Tom Roberts →