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      Wilhelm Morgner, 1891 – 1917

      Wilhelm Morgner: The 39 Best-Known Paintings

      Of all Wilhelm Morgner's paintings, Goats (1911) is the most famous. Close behind come The Lumberjack (1911) and Soest Farmer (1912). Among the 39 works by Wilhelm Morgner in our catalogue, these 39 are the most celebrated, each shown with its date, its museum and its story.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated October 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portrait of Wilhelm Morgner
      Wilhelm Morgner · 1891 – 1917
      Born · died
      1891 – 1917, Soest
      Movement
      Expressionism
      Works in our catalogue
      39
      Most famous
      Goats (1911)
      Most works at
      Museum Ostwall

      Wilhelm Morgner's 10 most celebrated paintings

      Wilhelm Morgner paintings ranked 11 to 39

      Where Wilhelm Morgner's canvases hang

      The 2 museums that hold the most of the paintings on this page.

      Museum City Works by Wilhelm Morgner Paintings from this list
      Museum Ostwall, DortmundMuseum Ostwall Dortmund 1 Entry of Christ into Jerusalem
      Städel Museum, FrankfurtStädel Museum Frankfurt 1 Astrale Komposition VI

      Year by year: Wilhelm Morgner's most celebrated canvases

      From 1909 to 1913, 5 years in all, Wilhelm Morgner's dated canvases tell a brief story: here it is, year by year.

      1. 1909
      2. 1909
      3. 1909
      4. 1910
      5. 1910
      6. 1910
        Sower (1910) by Wilhelm Morgner
        Canvas 24 of 39

        Sower

        Age 19
      7. 1911
        Goats (1911) by Wilhelm Morgner
        Canvas 1 of 39

        Goats

        Age 20
      8. 1911
      9. 1911
      10. 1911
      11. 1911
      12. 1911
      13. 1911
      14. 1911
      15. 1911
        Mason (1911) by Wilhelm Morgner
        Ranked 17 of 39

        Mason

        Age 20
      16. 1912
      17. 1912
      18. 1912
      19. 1912
      20. 1912
      21. 1912
      22. 1912
      23. 1912
      24. 1912
      25. 1913

      Your questions on Wilhelm Morgner's paintings, answered

      Which is the most celebrated painting by Wilhelm Morgner?Read the answer

      Goats (1911), followed by The Lumberjack (1911) and Soest Farmer (1912).

      How old was Wilhelm Morgner at the time of Goats?Read the answer

      Wilhelm Morgner, born in 1891, was 20 years old: Goats dates from 1911.

      Which ten paintings is Wilhelm Morgner most famous for?Read the answer

      Goats, The Lumberjack, Soest Farmer, The Lumberjack with the Crucified, Self-Portrait XV, Mother with Child, Schulte Stands at Open Door, Man with Blue Car in Ornamental Landscape, Striding Woman in Landscape and The Porter. Each canvas in the ranking above comes with its year and its museum.

      How many paintings by Wilhelm Morgner are known?Read the answer

      39 works by Wilhelm Morgner are in our catalogue, dated 1909 to 1913.

      Which museums hold Wilhelm Morgner's best-known canvases?Read the answer

      Mostly in Museum Ostwall (Dortmund) and Städel Museum (Frankfurt); the list above names each museum and its canvases.

      In which years did Wilhelm Morgner paint the most celebrated canvases?Read the answer

      In 1911, which gave 15 of the 39 works on this page, Goats among them.

      What are the first and the last of Wilhelm Morgner's famous canvases?Read the answer

      The earliest canvas here is Schulte Stands at Open Door (1909); the latest is Ascension (1913).

      To which art movement does Wilhelm Morgner belong?Read the answer

      Expressionism, as the canvases on this page show.

      Can I order a hand-painted copy of a painting by Wilhelm Morgner?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Wilhelm Morgner: the painter's story

      The Brief, Radiant Life of Wilhelm Morgner

      In the fleeting dawn of the twentieth century, few voices resonated with as much raw, spiritual intensity as that of Wilhelm Morgner. Born on January 27, 1891, in the Westphalian town of Soest, Morgner’s life was a short but brilliant arc of creative evolution, cut tragically short by the ravages of war. His early years were marked by a profound tension between duty and desire; while his mother, an artistically inclined woman, envisioned a future for him in the pulpit as a Protestant minister, the young Morgner felt the irresistible pull of the canvas. This internal struggle between the structured expectations of his upbringing and the chaotic beauty of modern art would eventually fuel the expressive power of his work.

      Morgner’s journey into the heart of the avant-garde began in 1908, when, guided by the wisdom of Otto Modersohn, he moved to the renowned artists' colony of Worpswede. It was here, under the mentorship of the Expressionist painter Georg Tappert, that Morgner’s artistic identity truly began to coalesce. Tappert did more than teach technique; he opened a window into the burgeoning world of modernism, introducing his pupil to the radical possibilities of en plein aire painting and the vibrant energy of contemporary movements. As Morgner matured, his early works—often characterized by a heavy, somber realism and dark moods—began to shed their weight, gradually transforming into something far more ethereal and luminous.

      A Symphony of Color and Abstraction

      As Morgner moved toward the great art centers like Berlin, his style underwent a breathtaking metamorphosis. The influence of Pointillism, Futurism, and the haunting emotional depth of Vincent van Gogh began to permeate his brushwork. He did not merely observe these movements; he assimilated them, distilling their essence into a personal language of pure color and spiritual inquiry. His fascination with the interplay of light and pigment led him away from the literal depiction of rural laborers and landscapes toward an increasingly abstract realm. For Morgner, color was not just a descriptive tool but a vessel for the divine, a means to convey profound spiritual truths that transcended the physical world.

      This period of intense experimentation saw his work featured in some of the most prestigious and radical publications and exhibitions of the era, including:

      • Der Sturm: The legendary magazine that served as a beacon for the international avant-garde.
      • Die Aktion: A platform for the most provocative voices of German Expressionism.
      • The Sonderbund Exhibition in Cologne: A monumental gathering of modern art that solidified his standing among his peers.
      • The Blauer Reiter in Munich: Where his work caught the eye of masters like Franz Marc, who was reportedly deeply impressed by Morgner's vision.

      A Legacy Forged in Fire and Memory

      The trajectory of Morgner’s meteoric rise was violently interrupted by the onset of World War I. Conscripted into military service, he found himself thrust onto the battlefields of the Western and Eastern Fronts. The physical and psychological toll of the conflict stripped him of the ability to work in oils, yet even amidst the devastation of war, his creative spirit refused to be extinguished. He turned to the more portable mediums of watercolor and drawing, continuing to document the world through a lens of fragmented, expressive beauty. His service, which earned him the Iron Cross, ultimately led to his untimely death near Langemark, Belgium, in August 1917, at the age of only twenty-six.

      Though his life was tragically brief, Wilhelm Morgner left behind a legacy that continues to captivate the modern soul. He remains a pivotal figure in the German Expressionist movement, representing a bridge between the heavy realism of the nineteenth century and the spiritual abstraction of the twentieth. His ability to find the sacred within the spectrum of color serves as a poignant reminder of the power of art to transcend even the darkest of human experiences. Today, his works stand as luminous fragments of a lost era, echoing with the vibrant, unfulfilled potential of a true visionary.

      All 39 works by Wilhelm Morgner →