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      Clog Stall #2

      In the early 1970s David Porter was a contributing photographer for some of the most influential Australian Rock music and underground publications (Go-Set, Daily/Planet, Rolling Stone (Australian Edition), The Digger. Porter was based in Melbourne, his subject the zeitgeist of its Rock/Pop music, underground theatre, and Counterculture scenes, sometimes working as ‘David Porter’, sometimes ‘Jacques L’Affrique’, sometimes ‘Jack Africa’. In 1973 he left Melbourne, stopped working in commercial photography, and pursued a teaching career.This photograph was taken at T.F. MUCH/MUCH MORE BALLROOM (1970-72)Cathedral Hall (aka Central Hall) Brunswick St, FitzroySeries of ‘Counterculture’ performance events staged at Cathedral Hall (owned by the Catholic Church). Created by John Pinder, Peter Andrew, Warren Knight, Bani McSpeeden, Hugh McSpedden. Music, art, light shows, circus, and vaudeville inspired by the psychedelic San Francisco ballrooms of the late 1960s. Built 1903 Cathedral Hall had generous floor space, large proscenium style stage, heavy draw curtains, large domed windows, ornate ceiling and chandeliers, dress circle on three sides facing the stage. Held up to 1,500 patrons (sitting on the floor and in the balcony, standing or dancing).The first T.F. Much Ballroom took place in August 1970 featuring Spectrum, Jeff Crozier’s Indian Medicine Magik Show, Lipp Arthur, Adderley Smith Blues Band, Sons of the Vegetal Mother, Gerry Humphreys & the Joy Band, Captain Matchbox Whoopee Band, Margret RoadKnight, Flash Light Show, Tribe Theatre. A flea market also sold macrobiotic food, hippie clothing. Subsequent events were usually held monthly and featured concert-style performances presenting multiple musical acts interspersed with comedy, poetry, theatrical, dance and novelty performances. The epicentre of the early 1970s ‘Carlton scene’, the T.F. Much/Much More Ballroom was a ‘head venue’. Capturing Melbourne’s alternative theatre, music, and experimental art scenes and counterculture, it was the antithesis of Melbourne’s pub and suburban rock music circuits.After a name change (necessitated when officials twigged that T.F. Much meant ‘Too Fucking’ Much) the ‘Much More Ballroom’ began in November 1971. The last event was held in December 1972 with Spectrum, Indelible Murtceps, Captain Matchbox Whoopee Band, Miss Universe, Gary Young and Hot Dog.

      Preguntas y respuestas

      ¿Quién creó "Clog Stall #2" y en qué año?

      "Clog Stall #2" es una obra de David Dixon Porter, realizada en 1971.

      ¿Existe una guía para "Clog Stall #2" de David Dixon Porter?

      La guía de "Clog Stall #2" es la página Ficha informativa de la obra: una ficha imprimible que presenta la pieza con su pie de foto, línea de crédito y tabla de datos (artista, fechas, técnica, tamaño original, colección).

      ¿Puedo ver "Clog Stall #2" de David Dixon Porter bajo diferentes luces?

      La vista de rayos X de "Clog Stall #2" de David Dixon Porter se encuentra en la página Radiografía de la obra: un examen interactivo de la imagen a través de once capas ópticas.

      David Dixon Porter (1813 – 1891)

      Descubre a David Dixon Porter (1813-1891), almirante y artista naval estadounidense! Explora sus cautivadoras obras: fotografía de conciertos, retratos de bandas y escenas de eventos. ¡Una fusión única de historia naval y expresión artística!

      Galería Regional de Penrith - Hogar del Legado Lewers (Emu Plains, Australia)

      Galería Regional de Penrith: Descubre arte australiano contemporáneo e histórico en este espacio único hogar del legado Lewers, entre jardines patrimoniales y exposiciones inspiradoras.

      Información de la obra