Papel

Guía de obras estudiantiles

Psyche

Nombre Curso Fecha

Berthe Morisot, Psyche (1876), Museo Nacional Thyssen-Bornemisza. Obra de dominio público.

Datos generales

Artista
Berthe Morisot topimpressionists.com/es/artists/berthe-morisot_es/
Fechas del artista
1841 – 1895
Pintura
1876
Técnica y materiales
Acrílico sobre lienzo
Tamaño original
64 x 54 cm
Movimiento
French Impressionism
Lugar de celebración
Museo Nacional Thyssen-Bornemisza topimpressionists.com/es/museums/museo-nacional-thyssen-bornemisza-madrid_es/

En contexto

Psyche — Berthe Morisot

¿Qué dimensiones tiene?

Las medidas originales son 64 × 54 cm (alto × ancho), representadas aquí junto a un adulto de estatura media.

Año de creación

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890

Row above: the year. Row below: the artist's age in that year.

Painted when the artist was 35. The artist lived to 54. 51 of the 241 dated works by this artist in our catalogue came earlier.

Sombreado: la trayectoria de Berthe Morisot (1841–1895) ▲ esta obra, 1876

First works: up to 1879 Main working years: 1879–1889 Late works: from 1889

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell.

Obras similares

Elige una de las obras anteriores: menciona dos cosas que comparta con esta y una diferencia.

Más obras para acompañar a esta: topimpressionists.com/es/art/similar/berthe-morisot-psyche-8YDQAE-en/

Paleta de colores

Medido a partir de la imagen

    Color principal

    Marrón rosado #d6b29d

    Paleta guardada

    • #D6B29D
    • #994843
    • #BD886C
    • #51252A
    Paleta de colores
    Tonos oscuros La gama cromática dominante en la imagen.
    Color principal
    Marrón rosado
    Intensidad
    Vívido Qué saturados y variados son los colores, desde un único tono tenue hasta una gran variedad de tonos brillantes.
    Contraste
    Intenso El grado de diferencia entre los colores en cuanto a luminosidad y saturación a lo largo de la obra.
    Armonía
    Gran unidad cromática El grado de armonía entre los colores, desde el contraste hasta la total unidad.
    Brillo
    Brillante El grado de luminosidad o oscuridad general de la imagen, desde las sombras profundas hasta las luces intensas.
    Saturación
    Suave equilibrado Qué puros y fuertes son los colores, desde un gris casi tenue hasta una viveza total.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Berthe Morisot over the last twelve months — 32 countries in all.

    The ten leading countries

    1. 1 China 57,8%
    2. 2 Japón 7,3%
    3. 3 Estados Unidos 5,9%
    4. 4 Singapur 4,7%
    5. 5 España 3,5%
    6. 6 Hong Kong 3,5%
    7. 7 Francia 3,3%
    8. 8 Alemania 2,6%
    9. 9 Italia 2,3%
    10. 10 Brasil 1,4%
    11. · 22 other countries 7,7%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Berthe Morisot

    1. 1 La Hortensia, 1894 3,0%
    2. 2 Girl with Cat, 1892 2,1%
    3. 3 Psyche, 1876 this painting 1,9%
    4. 4 El Bebé, 1872 1,7%
    5. 5 El muelle de Bougival, 1883 1,7%
    6. 6 The Garden at Bougival, 1884 1,7%
    7. 7 Un Rincón del Jardín de Rosas, 1885 1,5%
    8. 8 Julie Manet and her Greyhound Laerte, 1893 1,5%
    9. 9 Niña en el Jardín de Rosas, 1881 1,5%
    10. 10 Eugene Manet en la Isla de Wight 1,3%
    11. 11 En el jardín de Maurecourt, 1884 1,3%
    12. 12 Joven Mujer Vestida para el Baile, 1879 1,3%
    13. 13 Verano (también conocida como Joven junto a una ventana), 1878 1,3%
    14. 14 En el comedor, 1875 1,1%
    15. 15 En el Balcón del Cuarto de Eugenio Manet en Bougival, 1881 1,1%
    16. 16 Mujer con guantes (también conocida como La parisina), 1885 1,1%
    17. 17 La pequeña bailarina, 1885 1,1%
    18. 18 Interior de Cabaña (también conocido como Interior en Jersey), 1886 1,1%
    19. 19 On a Bench in the Bois de Boulogne, 1894 1,1%
    20. 20 Tete de chien griffon, Follette, 1882 1,1%

    Together these works take 29,5% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 331 works by this artist, of which 207 were looked at at least once. This painting ranks 3 of them, with 1,9% of that attention.

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Sobre esta obra

    Psyche — Berthe Morisot

    Psyche by Berthe Morisot: An Intimate Reflection of Impressionist Vision

    Berthe Morisot’s *Psyche*, painted in 1876, stands as a cornerstone of Impressionism—a movement that revolutionized artistic expression and captured the fleeting beauty of everyday life. Currently housed within the Museo Nacional Thyssen-Bornemisza in Madrid, Spain, this deceptively simple portrait transcends mere representation; it delves into themes of introspection, femininity, and the subtle interplay between light and perception. Morisot’s masterful technique—characterized by loose brushstrokes and a delicate tonal palette—perfectly embodies the Impressionist ethos, prioritizing atmosphere over meticulous detail.

    Composition and Setting: A Dialogue Between Woman and Mirror

    The painting depicts a young woman standing before a dressing mirror, her gaze fixed upon her reflection. Morisot skillfully employs compositional devices to heighten the sense of intimacy and contemplation. The room itself is sparsely furnished—two chairs and a dining table—creating a backdrop that emphasizes the subject’s solitude. However, crucially, two windows flank the mirror, flooding the space with diffused daylight – a hallmark of Impressionist painting. This light isn't merely decorative; it actively shapes the tonal range of the canvas, contributing to the overall mood of quiet serenity and inner reflection. The woman wears a white dress that contrasts sharply with the deep red carpet beneath her feet, drawing the viewer’s eye towards the central figure and reinforcing the symbolic significance of purity against opulent surroundings.

    Symbolism: Beyond Appearance – Exploring Inner Consciousness

    The title *Psyche*, referencing Greek mythology—the soul—immediately establishes a profound connection between the painting's subject and universal themes of psychological exploration. Psyche, in myth, undertakes a perilous journey to retrieve Eros (Cupid), symbolizing love and desire. Morisot’s portrayal captures this essence through her woman’s posture – absorbed in her gaze at her reflection – suggesting an internal preoccupation with self-awareness and emotional experience. The mirror serves as a powerful visual metaphor for confronting one's inner self, mirroring not just physical appearance but also psychological state. Furthermore, the inclusion of the dining table hints at domestic life and perhaps represents the woman’s role within the home—a theme frequently explored by Morisot in her oeuvre.

    Technique: Delicate Brushstrokes and Luminosity – The Impressionist Legacy

    Morisot's brushwork is remarkably fluid and loose, prioritizing tonal variation over precise delineation. She achieves this effect through layering thin washes of paint—a technique known as glazing—allowing light to penetrate deeply into the canvas and creating a luminous quality that captures the ephemeral effects of natural illumination. The artist’s meticulous attention to detail—particularly in rendering the folds of the dress and the texture of the carpet—is balanced by an overall impression of spontaneity and immediacy, reflecting the Impressionist commitment to capturing fleeting moments of experience. Like many Impressionists, Morisot sought to convey not just what she saw but how she felt—a feat accomplished with remarkable grace and sensitivity.

    Historical Context: Challenging Conventions – A Woman’s Voice in Art

    Berthe Morisot's participation in the Impressionist movement was itself a groundbreaking achievement for women artists at the time. Facing considerable societal prejudice, Morisot persevered in pursuing her artistic ambitions alongside Édouard Manet—whom she married—demonstrating unwavering determination and securing exposure to the Parisian art scene. Her work aligns with broader trends of the era – a shift away from academic formalism towards subjective observation and emotional expression—solidifying her place as one of the “tres grandes dames” (the three great ladies) of Impressionism, alongside Marie Bracquemond and Mary Cassatt. *Psyche* remains an enduring testament to Morisot’s artistic vision and her contribution to redefining the boundaries of art history.

    Artista y museo

    Artista

    Berthe Morisot

    Nacido en Bourges, Francia

    Primeros años y comienzos artísticos

    Berthe Marie Pauline Morisot, pintora francesa, nació el 14 de enero de 1841 en Bourges, Francia. Provenía de una familia burguesa acomodada; su padre, Edmé Tiburce Morisot, era prefecto del departamento de Cher. Su madre, Marie-Joséphine-Cornélie Thomas, estaba relacionada con Jean-Honoré Fragonard, un destacado pintor rococó.

    Formación artística e influencias

    Berthe, junto con sus hermanas Yves y Edma, recibió lecciones privadas de arte de Geoffroy-Alphonse Chocarne y Joseph Guichard. Esto marcó el comienzo de su viaje artístico. En 1857, Guichard las introdujo a la Galería del Louvre, donde aprendieron observando y copiando pinturas.

    Obras notables y exposiciones

    La primera aparición de Berthe en el Salón de París fue en 1864 con dos pinturas de paisajes. Continuó mostrando su trabajo regularmente hasta 1873. En 1874, se unió a los impresionistas en su primera exposición, que incluyó artistas notables como Paul Cézanne, Edgar Degas y Claude Monet.

    Mujer con vestido verde, un retrato llamativo, muestra su estilo único.

    Su participación en las exposiciones impresionistas consolidó su posición dentro del movimiento.

    Como una de "las tres grandes damas" del impresionismo, la obra de Berthe fue elogiada por críticos como Gustave Geffroy.

    Vida personal y legado

    Berthe se casó con Eugène Manet, hermano de su amigo y colega Édouard Manet. Su carrera madura comenzó en 1872, cuando Durand-Ruel compró veintidós de sus pinturas. Berthe eligió exhibir bajo su nombre de soltera completo, un testimonio de su independencia. Hechos clave:

    Casada con Eugène Manet, hermano de Édouard Manet.

    Primera exposición impresionista en 1874.

    Fue descrita como "la verdadera impresionista" por un crítico de Le Temps en 1877.

    Explora más en AllPaintingsStore:

    Descubre las obras de Berthe Morisot en AllPaintingsStore

    Lee sobre el Musée des Beaux-Arts de Carcassonne, un destino imperdible para los entusiastas del arte.

    Profundiza en la biografía de Berthe Morisot en Wikipedia

    Museo

    Museo Nacional Thyssen-Bornemisza

    En exposición en Madrid, España

    Unveiling a Legacy: The Thyssen-Bornemisza Museum in Madrid

    Nestled within the vibrant heart of Madrid, where the echoes of Velázquez’s brushstrokes mingle with the revolutionary spirit of Picasso, lies the Thyssen-Bornemisza National Museum – an institution that transcends mere collection and embodies a profound dedication to European artistic heritage. More than simply housing masterpieces, it represents a deliberate act of preservation, a passionate defense against the ravages of exile following World War I, and a testament to the discerning eye of Heinrich Baron Thyssen-Bornemisza. The museum’s story isn't rooted solely in Spain; its genesis lies in Lugano, Switzerland, where the Baron embarked on an ambitious quest – a meticulously curated journey to assemble a collection that would encompass the entirety of European artistic achievement, safeguarding it within Europe’s borders as a vital counterweight to transatlantic dispersal.

    Heinrich Thyssen-Bornemisza, driven by an almost obsessive desire for completeness, tirelessly pursued works spanning centuries and stylistic movements. His vision wasn't limited to any single era or nation; instead, he sought a tapestry of artistic expression, from the shimmering Byzantine icons hinting at ancient mysteries – their gold leaf reflecting forgotten rituals – to the bold Surrealist sculptures challenging conventional forms, and crucially, the groundbreaking canvases of Pablo Picasso, whose innovative spirit profoundly shaped the museum’s identity. The relocation to Madrid in 1943 wasn't merely a logistical shift; it was a deliberate act of commitment, a desire to share this extraordinary inheritance with Spain and foster a deeper appreciation for art on a global scale. This strategic move solidified the museum’s place within the “Golden Triangle of Art,” creating a synergistic experience for visitors exploring these three iconic institutions – the Prado, the Reina Sofía, and the Thyssen-Bornemisza itself.

    A Palace of Reflection: Architectural Harmony

    The Thyssen-Bornemisza resides within a beautifully restored neoclassical palace, originally conceived as a royal residence for Alfonso XIII and his family. This magnificent building, designed by Narciso III Ortiz y Montenegro, stands as a harmonious counterpoint to the more modern structures surrounding it, offering visitors an immediate sense of serenity and grandeur. The soaring ceilings, adorned with intricate stucco decorations depicting mythological scenes and allegorical figures, create an atmosphere of refined elegance. Expansive windows flood the galleries with natural light, illuminating the artworks within and fostering a contemplative environment perfectly suited for appreciating their beauty and complexity. The proportions are meticulously considered, reflecting a deep understanding of classical aesthetics – a subtle yet powerful reminder of the enduring influence of artistic tradition. The integration with Parque del Buen Retiro, Madrid’s beloved green space, further enhances the experience, providing a tranquil backdrop and panoramic views that complement the art within, creating a seamless connection between interior beauty and natural splendor.

    A Chronological Journey Through European Art

    Stepping into the Thyssen-Bornemisza is akin to embarking on a chronological journey through the evolution of European painting. The collection begins with early Renaissance works – delicate beauty and spiritual depth exemplified by Duccio’s ethereal “La Madone of the Rosary” and Luca di Tommè's luminous depictions of religious scenes. This progression continues through the vibrant hues of the Italian Primitives: Giotto, Masaccio, Botticelli, and Bellini, offering a profound insight into the foundations of Western art – their mastery of perspective and color laying the groundwork for generations to come. A significant section is dedicated to Dutch Masters – Rembrandt’s dramatic portraits and self-portraits, imbued with psychological intensity, alongside Vermeer's enigmatic landscapes and Hals' lively group scenes, revealing the nuances of light and color that defined this pivotal artistic period. The Spanish Masters showcase Goya’s later works, including his iconic “Saturn” series, providing a glimpse into the artist’s turbulent life and artistic vision – from the serene beauty of his early portraits to the dark, unsettling imagery of his mature works. Finally, the museum culminates in its impressive holdings of Impressionist and Post-Impressionist art – featuring Monet's luminous landscapes capturing fleeting moments of light, Renoir’s intimate portraits brimming with warmth and charm, Degas’ captivating dancers frozen in graceful motion, and Van Gogh’s emotionally charged brushstrokes conveying a profound sense of feeling.

    Beyond the Permanent Collection: A Dynamic Experience

    What truly distinguishes the Thyssen-Bornemisza is its remarkable ability to complement and enrich the collections of the Prado and Reina Sofía, creating a synergistic experience for visitors exploring these three iconic institutions. While the Prado champions Spanish artistic tradition – showcasing the mastery of Velázquez, Goya, and El Greco – and the Reina Sofía celebrates modern innovation with Picasso’s “Guernica” and Warhol’s vibrant prints, the Thyssen fills historical gaps with an astonishing breadth of European painting. The museum is renowned for its dynamic programming of exhibitions that delve into specific themes and artists, fostering intellectual engagement and broadening perspectives on art history. These temporary exhibits often draw upon international collaborations, ensuring that visitors encounter cutting-edge scholarship and innovative interpretations – a testament to the museum’s commitment to remaining relevant in an ever-evolving cultural landscape. Notably, the ongoing loan of Carmen Cervera’s personal collection further expands the museum's offerings, guaranteeing its continued appeal for generations to come.

    Highlights & Artistic Treasures

    Early Renaissance:

    A stunning array of works by Duccio, Fra Angelico, and Piero della Francesca, showcasing the delicate beauty and spiritual depth of this era.

    Italian Primitives:

    Masterpieces by Giotto, Masaccio, Botticelli, and Bellini, offering a profound insight into the foundations of Western art.

    Dutch Masters:

    Rembrandt’s dramatic portraits and self-portraits, alongside works by Vermeer, Hals, and Frans Hals, revealing the nuances of light and color.

    Spanish Masters:

    A significant collection of Goya's later works, including his iconic “Saturn” series, providing a glimpse into the artist’s turbulent life and artistic vision.

    Impressionist & Post-Impressionist:

    Featuring Monet’s luminous landscapes, Renoir’s intimate portraits, Degas’ captivating dancers, and Van Gogh’s emotionally charged brushstrokes – showcasing the revolutionary techniques and emotional intensity of these movements.

    The Thyssen-Bornemisza Museum stands as a vibrant testament to the power of art and the enduring legacy of one man's passionate pursuit of beauty.

    Más información

    Disponible en línea

    Código QR que enlaza con la página de descarga de Psyche

    topimpressionists.com/es/art/download/berthe-morisot-psyche-8YDQAE-en/

    Cómo citar esta obra

    MLA
    Morisot, Berthe. Psyche. 1876, Museo Nacional Thyssen-Bornemisza. https://topimpressionists.com/es/art/berthe-morisot-psyche-8YDQAE-en/
    APA
    Morisot, Berthe (1876). Psyche [Painting]. Museo Nacional Thyssen-Bornemisza. https://topimpressionists.com/es/art/berthe-morisot-psyche-8YDQAE-en/
    Chicago
    Berthe Morisot. Psyche. 1876. Museo Nacional Thyssen-Bornemisza. https://topimpressionists.com/es/art/berthe-morisot-psyche-8YDQAE-en/
    Harvard
    Morisot, Berthe (1876) Psyche. Museo Nacional Thyssen-Bornemisza. Available at: https://topimpressionists.com/es/art/berthe-morisot-psyche-8YDQAE-en/

    Observa de cerca

    Psyche — Berthe Morisot

    Observa de cerca

    Responda con sus propias palabras. Aquí no hay respuestas incorrectas, solo respuestas que pueda explicar.

    1. ¿Qué es lo primero que le llama la atención y por qué?
    2. ¿Qué colores o formas crean la atmósfera, y cuál es esa atmósfera?
    3. Vuelva a consultar Un Rincón del Jardín de Rosas (1885), al principio de esta guía. Mencione dos elementos que comparta con esta obra y uno que sea diferente.
    4. Berthe Morisot tenía unos 35 años cuando se realizó esta obra. ¿Qué elementos de la misma parecen reflejar la etapa creativa de un artista a esa edad?
    5. ¿Qué habrá querido que sientas el artista?

    Tu respuesta

    Redacte un breve párrafo sobre esta obra de arte. Utilice la información de las secciones anteriores de esta guía y sus respuestas previas.

    Preguntas y respuestas

    ¿Es "Psyche" de Berthe Morisot una obra de arte reconocida?

    "Psyche" de Berthe Morisot tiene un nivel de popularidad Reconocido regionalmente. Esta clasificación refleja el grado de reconocimiento de la obra.

    ¿A qué artista se le atribuye "Psyche"?

    El artista detrás de "Psyche" es Berthe Morisot. La obra está catalogada bajo el nombre de Berthe Morisot.

    ¿A qué edad creó Berthe Morisot "Psyche"?

    Cuando se creó "Psyche" en 1876, Berthe Morisot —nacido/a en 1841— tenía 35 años.

    ¿Cómo se relacionan los colores de "Psyche" de Berthe Morisot con su emoción?

    La paleta Tonos oscuros de "Psyche" de Berthe Morisot armoniza con su tono emocional Reflexivo. El color es una de las formas en que una obra transmite sentimiento.

    ¿A qué etapa de la carrera de Berthe Morisot pertenece "Psyche"?

    Dentro de la trayectoria de Berthe Morisot, "Psyche" pertenece al Mature Period. Esta etapa permite compararla con otras obras del artista.

    ¿Dónde puedo ver el original de "Psyche" de Berthe Morisot?

    "Psyche" de Berthe Morisot se encuentra en exhibición en Museo Nacional Thyssen-Bornemisza, Madrid, España. La información del museo se refiere a la obra original, no a reproducciones.

    ¿En qué año se creó "Psyche"?

    "Psyche" data de 1876. La fecha sitúa la obra dentro de la trayectoria de Berthe Morisot y de su época.