La Fontana de Trevi (1841) es la pintura por la que John Ruskin es más recordado/a. Barranco en Maglans, Valle de Cluse (1849) y Aiguille Charmoz, Chamounix (1849) completan el trío de lienzos más queridos. Nuestro catálogo cuenta con 95 obras de John Ruskin. Aquí presentamos las 95 más famosas, con su año, el museo y la historia de cada lienzo.
Clasificado según nuestra puntuación de popularidad, que combina las búsquedas, visitas y pedidos de cada obra. Actualizado octubre 2026. Cada pintura de esta página puede pedirse como una reproducción al óleo pintada a mano sobre lienzo de lino, o como una impresión de bellas artes, fabricada al tamaño que elija.
En esta evocadora representación de la Fontana de Trevi, somos transportados al corazón de Roma durante un momento crucial del siglo XIX. La pintura captura la monumental obra maestra del Barroco no solo como una proeza arquitectónica estática, sino como una entidad viva que respira. A través de la mirada observadora de John Ruskin, la fuente emerge de su entorno de piedra con un sentido de profunda vitalidad. La composición…
La pintura Barranco en Maglans, Valle de Cluse presenta un dramático paisaje montañoso caracterizado por un terreno escarpado y rocoso. La composición se define por una sensación de movimiento y dinamismo, guiando la mirada del espectador a través de un escenario expansivo. Dentro de este entorno natural, se representa un gran ave en el primer plano, que parece volar sobre las montañas, mientras que varias aves más pequeñas se dispersan…
Esta acuarela retrata el terreno escarpado de la Aiguille Charmoz en la región de Chamonix. Los picos nevados se elevan hacia un cielo pálido, con sus bordes dentados definidos por variaciones de tonos blancos y grises. Bajo estas cumbres, las laderas se ven pobladas por numerosas figuras, al menos trece en total, dispersas a lo largo de la pendiente. Estos individuos aparecen en diversas posiciones, algunos situados en el primer…
During the visits of 1849-50 and 1851-52 Ruskin spent two winters collecting material for The Stones of Venice, a work which proved to be very influential within the development of Victorian architecture.This architectural notebook, known as the ‘Door Book,’ is one of the series of ten which Ruskin used to record details and measurements of aspects of architectural features, carefully cross referencing them with worksheets and drawings. The smaller notebooks…
Ruskin’s largest and most famous architectural watercolour, this was the most important product of his stay in Venice over the winter of 1876-77. If the Ducal Palace was to him “the central building of the world,” then the basilica of St Mark came as close as it stands in reality, “the most magical and most mysterious of churches.” It provided the subject for dozens of drawings in connection with The…
In the delicate interplay of light and pigment that defines The Walls of Lucerne, we encounter the profound mastery of John Ruskin at the height of his creative powers. Created in 1866, this watercolor serves as a breathtaking window into the heart of Switzerland, capturing not merely a landscape, but a fleeting moment of atmospheric perfection. The composition centers on the imposing architectural grandeur of the town walls, where the…
In the delicate, precise lines of John Ruskin’s 1845 work, Ca d'Oro, we find more than just a depiction of Venetian architecture; we encounter a poignant eulogy for a fading era. Created during a transformative and turbulent period in Venice, this piece captures the Casa d’Oro at a moment of profound vulnerability. As Ruskin traversed the canals in 1845, he was not merely an observer of beauty but a witness…
In the quiet, observant moments of 1848, amidst a journey through the heart of northern France, John Ruskin captured more than just architecture; he captured the very soul…
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In the quiet, silvered tones of this exquisite drawing, we find ourselves transported to the upper reaches of Venice's Grand Canal during the winter of 1876. This piece,…
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In 1840/1841 the Ruskins undertake a tour of France, Italy and Switzerland. After spending most of December in Rome they arrive in Naples on the 9th January 1841…
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Ruskin travelled with his parents through France and Italy on a tour between autumn and winter 1840 and spring of 1841. Working their way along the coast of…
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Following his visit in 1845, Ruskin provided a number of notes on Italian art and architecture for the third edition of Murray’s Handbook for Travellers in Northern Italy,…
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Inscribed in black ink:
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Inscribed: J. Ruskin56. Sketch by a Cleark of the WorksJ. EmslieAndre & Sleigh, Sc.The illustration plate, ‘Sketch by a Clerk of the Works’, is taken from the end…
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This panorama of the Jura captures the essence of the view. Ruskin loved travelling in the Jura mountains, and often thought of what it would be like to…
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Ruskin was perennially interested in the appearance and action of clouds, recording in drawings unusual effects both at home and abroad. Part VII of Modern Painters, volume V…
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In their tour of 1838 the Ruskins extended their normal route into Scotland to explore the land of Sir Walter Scott. The date on this drawing conflicts with…
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Ruskin made dozens of large-scale drawings like this during the 1840-41 tour to Italy with his parents, basing his style on the work of the topographical artist David…
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This volume of diary notebook begins in 1846. Primarily an account of his tour abroad, devoted to architecture and detailing his journey with his parents through France and…
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In contrast with the medieval sculpted capitals on the Ducal Palace, Ruskin thought the later Renaissance carvings “base.” He made an exception for the 36th and final capital,…
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Abbeville had been one of Ruskin’s favourite haunts since his first visit on the continental tour of 1835. He particularly admired the late Gothic style in evidence at…
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This drawing depicts what is now the Guildhall Museum, on the corner of Fisher Street and the Greenmarket. Dating from the late fourteenth or early fifteeenth century, this…
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In an early tour of Switzerland taken in 1835, Ruskin described the scene at Lucerne: ‘the whole chain of mountains round the lake, from Righi to the magnificent…
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Ruskin’s decision to return to Venice for the winter of 1876-7 was partly motivated by a plan to revise The Stones of Venice, ‘gathering bits up’ again of…
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Possibly dating from the spring of 1846, this study shows the whole façade of a palace on the lower reach of the Grand Canal, between the Accademia and…
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Of all aspects of medieval architecture, Ruskin delighted most in what he termed the Gothic workman’s “peculiar fondness for the forms of Vegetation.” This he found both in…
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El ensueño alpino de Ruskin: Un estudio de textura y visión moral La obra "Chamouni, rocas y vegetación" de John Ruskin, pintada en 1854, se erige como un…
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Los 5 museos que albergan la mayor parte de las pinturas de esta página.
| Museo | Ciudad | Obras de John Ruskin | Pinturas de esta lista |
|---|---|---|---|
 Birmingham Museum and Art Gallery |
Birmingham | 16 | Dumbarton Castle, Coal Merchant's House in Market Street, Croydon, View of the Bay of Naples and Vesuvius |
 Galería de Arte Abbot Hall |
Kendal | 2 | Dawn, Coniston, Chamouni, rocas y vegetación |
 Isabella Stewart Gardner Museum |
Boston | 1 | The Casa Loredan, Venice |
 Museo Nacional de Varsovia |
Varsovia | 1 | The Walls of Lucerne |
 Museo de Arte de Indianápolis |
Indianápolis | 1 | Bernese Oberland |
En esta evocadora representación de la Fontana de Trevi, somos transportados al corazón de Roma durante un momento crucial del siglo XIX. La pintura captura la monumental obra…
In the delicate interplay of light and pigment that defines The Walls of Lucerne, we encounter the profound mastery of John Ruskin at the height of his creative…
Ruskin’s largest and most famous architectural watercolour, this was the most important product of his stay in Venice over the winter of 1876-77. If the Ducal Palace was…
La Fontana de Trevi (1841), seguido de Barranco en Maglans, Valle de Cluse (1849) y Aiguille Charmoz, Chamounix (1849).
John Ruskin, nacido en 1819, tenía 22 años: La Fontana de Trevi data de 1841.
La Fontana de Trevi, Barranco en Maglans, Valle de Cluse, Aiguille Charmoz, Chamounix, The Casa Loredan, Venice, Architectural Notebook ‘Door Book’ (p21), Mont Dauphiny, near Chartreuse, Fribourg, North West Porch of St Mark, The Walls of Lucerne y Ca d. Cada lienzo del ranking anterior incluye su año y su museo.
95 obras de John Ruskin se encuentran en nuestro catálogo, con fechas desde 1835 hasta 1882.
Principalmente en Birmingham Museum and Art Gallery (Birmingham), Galería de Arte Abbot Hall (Kendal) y Isabella Stewart Gardner Museum (Boston); la lista anterior indica cada museo y sus lienzos.
En 1840s, que comprende 28 de las 95 obras de esta página, La Fontana de Trevi entre ellas.
El lienzo más antiguo aquí es Coal Merchant's House in Market Street, Croydon (1835); el más reciente es Detail of Carved Pillar from East Door, Baptistery, Pisa (1882).
Landscape (4), Paisaje (3) y Buildings (3), en las 95 obras de esta página.
Drawing, utilizado en 2 de las 95 obras de esta página.
Romanticismo, como muestran los lienzos de esta página.
El Birmingham Museum and Art Gallery, Birmingham alberga 16 de las obras de esta página, entre ellas Dumbarton Castle, Coal Merchant's House in Market Street, Croydon y View of the Bay of Naples and Vesuvius.
Sí. Cada pintura de esta página puede pedirse desde su propia página como una reproducción al óleo pintada a mano, o como una impresión de bellas artes, en el tamaño que elija.
