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Õpilaste kunstiteoste juhend

Untitled

Nimi Klass Kuupäev

Alma Thomas, Untitled (1970), The Kinsey African American Art - History Collection. Reprodukteeritud allujoonaseks; õigused on kaitstud õiguste valdaja poolt. Vaadake seda künist liikudes: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
Alma Thomas topimpressionists.com/et/artists/alma-thomas/
Kunstniku eluaastad
1891 – 1978
Maalatud
1970
Peetud koht:
The Kinsey African American Art - History Collection topimpressionists.com/et/museums/the-kinsey-african-american-art-history-collection-los-angeles/

Kontekstis

Untitled — Alma Thomas

Millal see maalis on tehtud?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 87 surumisel.

Maalatud siis, kui kunstnik oli 79 aastane. Kunstnik elas 87 aastani. 11 meie kataloogis olevatest selle kunstniku 44 dateeritud teosest on loodud varem.

Varjatud: Alma Thomas eluajal (1891–1978) ▲ see teos, 1970 iga dateeritud maal, aastakümne kaupa

Esimesed teosed: kuni 1968 Peamised töötusaastad: 1968–1973 Hilisemad teosed: aastast 1973

Need kolm osa jagavad selles kataloogis kuupäevaga märgitud teosed esimeseks neljanüüdiks, keskmiseks pooleks ja viimaseks neljanüüdiks. Need ei kujuta endast kunstniku tervikut: vähem produktiivne periood võib tähendada hoopis puudut teose kataloogist, mitte pelgalt vaikset aega. Samad aastad koos kunstniku eluluga

Sarnased teosed

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: topimpressionists.com/et/art/similar/alma-thomas-untitled-D4NA32-en/

Värvigamma

Pildist mõõdetud palett

    Peavärv

    Khaki #ecd96a

    Salvestatud palett

    • #ECD96A
    • #C13B42
    • #FBFCFC
    • #446AAC

    Need värvid kunstniku kogu paleti sees Leia teisi maaleid värvi järgi

    Palett
    Neutrals Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Khaki
    Intensiivsus
    Balanced Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Statement Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Discordant Palette Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Ereus
    Brilliant Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Balanced Soft Värvide puudus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • alla 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik Alma Thomas teosed viimase zwölf kuuga — kokku 4 riiki. Kust need numbrid pärinevad

    Üheksakümmend juhtivat riiki

    1. 1 Ameerika Ühendriigid 59,1%
    2. 2 Saksamaa 31,8%
    3. 3 Hiina 4,5%
    4. 4 Ühendusriik 4,5%

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    Alma Thomas kõige vaadatavamad teosed (kokku 10)

    1. 1 Sky Light, 1973 30,4%
    2. 2 Snoopy Early Sun Display on Earth, 1970 21,7%
    3. 3 Earth Sermon Beauty, Love And Peace, 1971 17,4%
    4. 4 Deep Blue, 1974 8,7%
    5. 5 Light Blue Nursery, 1968 4,3%
    6. 6 Autumn Leaves Fluttering in the Breeze, 1973 4,3%
    7. 7 Red Abstraction, 1959 4,3%
    8. 8 The Eclipse, 1970 4,3%
    9. 9 Cherry Blossom Symphony, 1968 4,3%
    10. Untitled, 1970 see maalaus 0,0%

    Koos kattavad need teosed 99,7% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 45 seda kunstnikku kuuluvat teost, millest 9 on vähemalt üks kord vaadatud. Seda maali ei ole antud perioodil veel vaadatud — see lõpetab nimekirja ilma reitinguta. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks, lisaks sellele, kui hästi on see maalitud.

    Teose kirjeldus

    Untitled — Alma Thomas

    Thomas was the first graduate of the Howard University art department and the first black woman to earn an MFA from Columbia University. After teaching in the Washington, D.C. public schools for 35 years, she began her professional career. She was among the color-field painters active in D.C., and in 1943, she was asked by James Vernon Herring and Alonzo Aden to join them in establishing the Barnett-Aden Gallery, the first African American gallery in that city. In 1971, when she was 80 years old, she became the first female African American artist to be recognized in a solo exhibition at the Whitney Museum of American Art.

    Kunstnik ja muuseum

    Kunstnik

    Alma Thomas

    Alma Thomas: A Life in Color

    Early Life and Education

    Born: 1891 in Columbus, Georgia, Alma Woodsey Thomas was the eldest of four children. Her parents were John Harris Thomas, a businessman, and Amelia Cantey Thomas, a dress designer.

    The family relocated to the Logan Circle neighborhood of Washington, D.C., in 1907 due to racial violence and seeking better educational opportunities.

    Early Artistic Inclinations: From a young age, Thomas displayed artistic talent, creating puppets and sculptures at home.

    She attended Armstrong Technical High School, taking her first formal art classes.

    Thomas pursued education at Miner Normal School (later University of the District of Columbia) from 1911 to 1913, focusing on kindergarten education.

    Career as an Educator

    Thomas began her career as a substitute teacher in Maryland before securing a permanent position in 1914.

    From 1916 to 1923, she taught kindergarten at the Thomas Garrett Settlement House in Wilmington, Delaware.

    In 1921, she enrolled at Howard University as a home economics student but soon switched her focus to fine art under James V. Herring.

    Groundbreaking Graduate: She earned her B.S. in Fine Arts from Howard University in 1924, becoming the first graduate of the university’s fine arts program.

    Thomas dedicated over three decades to teaching at Shaw Junior High School (1924-1960), fostering a community arts program that included marionette performances and student-designed holiday cards for veterans.

    She earned her M.A. in Art Education from Columbia University in 1934, and continued studies at American University under Jacob Kainen (1950-1960).

    Artistic Development & Influences

    Early Style: Thomas’s early work was representational, but her style evolved towards abstraction through studies with Herring and Lois Mailou Jones.

    Key Influences: She drew inspiration from West African paintings, Byzantine mosaics, and the color field movement.

    Her exposure to the work of the New York School and Abstract Expressionism at American University significantly impacted her artistic direction.

    She was inspired by Matisse’s cutouts, notably reinterpreting “The Snail” in her painting “Watusi (Hard Edge).”

    Mature Work & Artistic Style

    Color Field Paintings: Thomas became known for her vibrant, abstract color field paintings characterized by pattern, rhythm, and bold use of color.

    Her work often reflected themes inspired by nature, space, and music.

    Notable Works: Include “Watusi (Hard Edge),” “Celestial Fantasy,” “Wind and Crepe Myrtle Concerto,” and “Sky Light.”

    She frequently sought inspiration from the effects of light and atmosphere on rural environments, often driving into the countryside with friend Delilah Pierce.

    Recognition & Legacy

    Late Recognition: Thomas gained significant recognition after her retirement from teaching in 1960.

    Her first retrospective exhibit was held at the Gallery of Art at Howard University in 1966, curated by James A. Porter.

    Groundbreaking Exhibition: In 1972, she became the first African American woman to have a solo exhibition at the Whitney Museum of American Art and the Corcoran Gallery of Art in the same year.

    Thomas passed away in 1978, leaving behind a legacy as a pioneering artist who defied labels and embraced her creative vision.

    Historical Significance: Alma Thomas’s work challenged racial barriers within the art world and contributed significantly to the development of abstract expressionism and color field painting.

    Muuseum

    The Kinsey African American Art - History Collection

    Näitustel paikal Los Angeles, United States of America

    A Sanctuary of Resilience: Unveiling The Kinsey African American Art – History Collection

    Nestled in the vibrant heart of Los Angeles, The Kinsey African American Art – History Collection stands as a profoundly moving testament to the enduring spirit and extraordinary creativity of Black Americans. More than simply a museum space, it’s a meticulously curated chronicle—a living narrative woven from artistry, historical artifacts, and deeply personal stories. Founded on the lifelong dedication of Bernard and Shirley Kinsey, this remarkable collection isn't merely displayed; it’s unveiled as a journey of discovery, transforming visitors into active participants in a conversation spanning centuries.

    The story begins with a simple curiosity, blossoming into an unparalleled passion for understanding and celebrating African American heritage. What started as a personal collecting endeavor quickly evolved into one of the most significant private collections globally, encompassing over 10,000 objects and fine arts dating back to the 16th century. The Kinseys weren’t passive collectors; they were seekers—actively searching for the tangible echoes of resilience, innovation, and cultural brilliance that define the African American experience. Their quest unearthed a breathtaking diversity: from rare historical documents – poignant letters penned by enslaved individuals detailing their hopes and fears, early abolitionist publications igniting calls for justice, and powerful photographs capturing moments of both struggle and triumphant victory – to vibrant paintings bursting with color and emotion, intricate sculptures commanding attention with their form and texture, and thought-provoking mixed media pieces that challenge conventional perspectives. The collection’s breadth reflects the multifaceted nature of Black artistic expression, showcasing not only renowned figures but also the voices of lesser-known artists who nonetheless contributed significantly to the movement.

    Echoes of the Past, Visions of the Future

    Stepping into The Kinsey Collection is akin to entering a carefully orchestrated dialogue between eras. The museum’s layout deliberately encourages contemplation and connection. Spacious galleries, bathed in natural light, provide an ideal environment for immersing oneself in these powerful works. The design isn't merely functional; it’s thoughtfully constructed to facilitate a personal journey through African American history and culture. Visitors are invited to trace the evolution of artistic expression over time, connecting with each piece on a deeply emotional level. The collection’s diverse holdings include significant pieces by James Amos Porter, a pivotal figure in establishing Black art history, Allan Randall Freelon, an influential Harlem Renaissance painter, and Mary Frances Pratt, whose photo-realist depictions offer intimate glimpses into domestic life. The Kinsey Collection also features works by Faith Willi Jones, as seen in her quilt-style painting “American Collection #4,” a vibrant celebration of jazz musicians and dancers.

    A Legacy of Education and Empowerment

    At its core, The Kinsey Collection is deeply committed to fostering understanding and appreciation through education. The museum actively partners with educational institutions at all levels – from elementary schools to universities – providing resources and opportunities for students and scholars alike. This commitment extends far beyond the walls of the museum itself; the collection frequently travels to other venues, bringing its message of empowerment and cultural pride to a wider audience. The Kinsey Foundation’s work is exemplified by their ongoing exhibitions, such as “Black History Month | The Kinsey African American Art & History Collection at So-Fi Stadium,” which brought this extraordinary collection to a massive public audience in 2023.

    More Than a Collection: A Cultural Beacon

    The impact of The Kinsey African American Art – History Collection extends far beyond its artistic merit. It serves as a vital cultural beacon, illuminating untold stories and challenging conventional narratives surrounding the American experience. It’s a space where art becomes a catalyst for dialogue, fostering empathy and understanding across communities. The collection's comprehensive approach—a holistic exploration of identity, struggle, and triumph—offers a unique perspective on history, acknowledging the significant contributions and persistent challenges faced by African Americans throughout their journey. The Kinseys’ vision has created a space where visitors can connect with their own heritage, learn from the past, and envision a more equitable future.

    A Treasure for Collectors and Designers

    For collectors seeking pieces imbued with profound historical significance, The Kinsey Collection offers an unparalleled opportunity. Its diverse holdings provide a window into pivotal moments in African American history, offering tangible connections to the lives and experiences of those who shaped our nation. Similarly, interior designers can draw inspiration from the collection’s rich aesthetic and powerful narratives, incorporating its spirit into spaces to create environments that are both beautiful and meaningful. The Kinsey Collection is more than just a museum; it's a testament to the enduring power of art to inspire, educate, and connect us all.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Untitled allalaadimislehele

    topimpressionists.com/et/art/download/alma-thomas-untitled-D4NA32-en/

    Viige seda teost allintena

    MLA
    Thomas, Alma. Untitled. 1970, The Kinsey African American Art - History Collection. https://topimpressionists.com/et/art/alma-thomas-untitled-D4NA32-en/
    APA
    Thomas, Alma (1970). Untitled [Painting]. The Kinsey African American Art - History Collection. https://topimpressionists.com/et/art/alma-thomas-untitled-D4NA32-en/
    Chicago
    Alma Thomas. Untitled. 1970. The Kinsey African American Art - History Collection. https://topimpressionists.com/et/art/alma-thomas-untitled-D4NA32-en/
    Harvard
    Thomas, Alma (1970) Untitled. The Kinsey African American Art - History Collection. Available at: https://topimpressionists.com/et/art/alma-thomas-untitled-D4NA32-en/

    Vaata lähedalt

    Untitled — Alma Thomas

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Vaadake tagasi selle juhendi alguses esitatud teosele Light Blue Nursery (1968). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.
    4. Alma Thomas oli selle teose valvimisel umbes 79 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?
    5. Mida kunstnik võib olla soovinud teile tekitada?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Küsimused ja vastused

    Millist kintust ja intensiivsust „Untitled“, autor Alma Thomas näitab?

    Teose "Untitled" värvitoon on kroomi方面 Balanced Soft ja intensiivsuse方面 Balanced.

    Kes müüb teose "„Untitled“, autor Alma Thomas" käsitsi maaldatud koopiaid?

    Teos "Untitled" on saadaval kujundis käsitsi maalatud õlireproduktsioon linaelapale. Tellimust saab esitada selle Käsitsi maalatud reproduktsioon lehel, kus on võimalik valida erinevad suurused.

    Kas teose „Untitled“, autor Alma Thomas värvid on kütkestatud või pehmed?

    Teose „Untitled“, autor Alma Thomas värvitoit on Balanced Soft kütkusega.