Paber

Õpilaste kunstiteoste juhend

Old Lady on a Beach

Nimi Klass Kuupäev

David Levine, Old Lady on a Beach (1963). Kasutatud ainult näidises; kõik õigused on kaitstud õiguste valdaja poolt. Vaadake seda künist liikuvas valguses: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
David Levine topimpressionists.com/et/artists/david-levine/
Kunstniku eluaastad
1926 – 2009
Maalatud
1963
Originaalmõõtmed
52 x 34 cm

Kontekstis

Old Lady on a Beach — David Levine

Mis on selle mõõt?

Originaali mõõdud on 52 × 34 cm (kõrgus × laius); teos on joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 83 surumisel.

Maalatud siis, kui kunstnik oli 37 aastane. Kunstnik elas 83 aastani. 2 meie kataloogis olevatest selle kunstniku 9 dateeritud teosest on loodud varem.

Varjatud: David Levine eluajal (1926–2009) ▲ see teos, 1963 iga dateeritud maal, aastakümne kaupa

Esimesed teosed: kuni 1963 Peamised töötusaastad: 1963–1967 Hilisemad teosed: alates aastast 1967

Need kolm osa jagavad selles kataloogis kuupäevaga märgitud teosed esimeseks neljanüüdiks, keskmiseks pooleks ja viimaseks neljanüüdiks. Need ei kujuta endast kunstniku tervikut: vähem produktiivne periood võib tähendada hoopis puudut teose kataloogist, mitte pelgalt vaikset aega. Aastad, mis on kooditud kunstniku elulugu

Võrdle teoseid

  • Anxiety, 1963 topimpressionists.com/et/art/david-levine-anxiety-AS7TBD-en/
  • Pier Fire, 1967 topimpressionists.com/et/art/david-levine-pier-fire-AS7TBF-en/
  • Woman's Head, 1957 topimpressionists.com/et/art/david-levine-woman-s-head-AS7TB9-en/

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: topimpressionists.com/et/art/similar/david-levine-old-lady-on-a-beach-ARD3U3-en/

Värvid

Pildist mõõdetud

    Peavärv

    White #f1efeb

    Katalogistatud palett

    • #F1EFEB
    • #45322D
    • #C5B3AA
    • #8A6B5A

    Need värvid on osa kunstniku terviklikust paletist Leia teisi maaleid värvi järgi

    Palett
    Neutrals Pildis domineeriv värvigrupp.
    Peavärvi nimi
    White
    Intensiivsus
    Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Statement Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Strong Color Unity Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Heleus
    Brilliant Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Muted Värvide puhtus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • madalaim 1% osa
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik David Levine teosed viimase zwölf kuuga — kokku 1 riiki. Kust need numbrid pärinevad

    Kolm kümmet juhtivat riiki

    1. 1 Ukraina 100,0%300 visits

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    David Levine kõige vaatamistundlikumad teosed (kokku 3)

    1. 1 Anxiety, 1963 66,7%200 visits
    2. 2 Like an Open Book, 1978 33,3%100 visits
    3. — Old Lady on a Beach, 1963 see maalaus 0,0%0 visits

    Koos kattavad need teosed 100,0% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 11 seda kunstnikku kuuluvat teost, millest 2 on vähemalt üks kord vaadatud. Seda teost ei ole antud perioodil veel vaadatud — see lõpetab nimekirja ilma reitinguta. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks lisaks sellele, kui hästi on see maalitud.

    Teose info

    Old Lady on a Beach — David Levine

    The Smithsonian American Art Museum is home to a diverse collection of artworks, including the captivating piece Old Lady on a Beach by David Levine. Created in 1963, this color lithograph on paper measures 20 1/2 x 13 1/4 in. and is a testament to the artist's unique style.

    Artist Background

    David Levine was an American artist known for his bold and expressive works. Born in 1926, he was active in the art world until his passing in 2009. His artwork can be found in various museums, including the Smithsonian American Art Museum and the Brooklyn Museum.

    Painting Description

    The Old Lady on a Beach painting features a solitary figure sitting on a chair with a red blanket draped over it. The scene is set against a curtain, adding an air of intimacy to the composition. The use of bold lines and vibrant colors creates a sense of energy and movement, drawing the viewer's eye to the subject. Key Features:

    Color lithograph on paper

    Measures 20 1/2 x 13 1/4 in.

    Created in 1963

    Part of the Smithsonian American Art Museum collection

    Artistic Significance

    Old Lady on a Beach is a significant work in David Levine's oeuvre, showcasing his ability to capture the human form with sensitivity and nuance. The painting's use of color and composition creates a sense of depth and emotion, inviting the viewer to reflect on the subject's story. For more information on David Levine and his artwork, visit /art/list/?Filter=ARD3U3-David-Levine-Old-Lady-on-a-Beach or explore the Smithsonian American Art Museum collection on Wikipedia: https://en.wikipedia.org/wiki/Smithsonian_American_Art_Museum

    Experience the beauty of handmade oil painting reproductions at https://AllPaintingsStore.com, where you can discover a wide range of artworks, including pieces by David Levine.

    Kunstnik ja muuseum

    Kunstnik

    David Levine

    Sündinud koht: Brooklyn, United States of America

    A Life Etched in Line: The Art of David Levine

    David Levine, born in Brooklyn in 1926 and passing away in 2009, was more than just a caricaturist; he was a visual chronicler of the American cultural and political landscape for over half a century. His legacy isn’t simply about exaggerated features or satirical wit—though those were certainly hallmarks of his style—but rather an insightful ability to capture the essence of his subjects with remarkable precision and often, poignant empathy. Growing up in a household steeped in both artistic encouragement and social consciousness – his father ran a clothing factory while his mother was a politically active nurse – Levine’s early life laid the foundation for a career that would blend keen observation with a deep understanding of human nature. Even as a child, his talent was evident, leading to an audition at Disney's animation studio at the astonishing age of nine. This early exposure to visual storytelling undoubtedly shaped his artistic sensibilities, though his path ultimately diverged towards a more personal and politically charged form of expression. His formal education included studies at Pratt Institute, Temple University’s Tyler School of Art, and with Hans Hofmann, each experience contributing to his evolving technique and understanding of art history. A brief interruption for military service after World War II only seemed to solidify his commitment to observing and interpreting the world around him.

    From Watercolors to Wit: The Evolution of a Style

    Levine’s artistic journey began with painting, initially aiming for a full-time career as an oil painter. However, financial realities led him to supplement his income through illustration work, including assignments for publications like Gasoline Retailer. A devastating fire in 1968 tragically destroyed many of these early paintings, but it also inadvertently steered him towards the medium he would become most celebrated for: watercolor. His earlier watercolors often depicted scenes of everyday life – garment workers and the vibrant energy of Coney Island – revealing a deep sympathy for ordinary people and a talent for capturing fleeting moments. It was his foray into political illustration at Esquire that truly began to hone his distinctive style, but it was his long-standing relationship with The New York Review of Books, beginning in 1963, that cemented his reputation as a master caricaturist. Over the course of four decades, he created over 3,800 drawings for the publication, each one a testament to his meticulous process and insightful understanding of his subjects. Unlike political cartoonists who often rely on immediate reactions or broad generalizations, Levine took the time to thoroughly research his subjects, reviewing drafts and photographs before committing pen to paper. This dedication allowed him to move beyond mere physical resemblance and capture something deeper – a psychological truth that resonated with viewers. His technique, characterized by expressive lines and masterful use of cross-hatching to create light, shadow, and texture, became instantly recognizable.

    Influences and Artistic Kinship

    Levine’s artistic lineage is rich and diverse, drawing inspiration from both European and American masters. He admired the delicate brushwork and atmospheric effects of artists like Vuillard, Prendergast, Bonnard, and Corot, while also appreciating the realism and psychological depth of Eakins and Degas. The biting satire of Goya clearly resonated with his own inclination towards social commentary. Studying with Hans Hofmann further refined his understanding of form and color, providing a solid foundation for his artistic explorations. He also co-founded the Painting Group in 1958 alongside Aaron Shikler, creating a unique salon where artists could gather to paint from life models for fifty years – a testament to his belief in the importance of direct observation and collaborative learning. This dedication to traditional skills, combined with his modern sensibility and political awareness, allowed him to forge a truly original artistic voice.

    Recognition and Lasting Legacy

    Throughout his career, David Levine received numerous accolades for his contributions to art and illustration, including the Louis Comfort Tiffany Foundation Award, a Guggenheim Fellowship, and the Gold Medal of the American Academy and Institute of Arts and Letters. He was elected into the National Academy of Design, first as an Associate member in 1967 and later as a full Academician in 1971. His work is represented in major museum collections such as the Metropolitan Museum of Art, the Brooklyn Museum, and the Hirshhorn Museum, solidifying his place within the canon of American art. In 2008, he published American Presidents, a collection of his drawings of U.S. presidents, offering a unique visual history of leadership through his discerning eye. However, perhaps the most enduring testament to his influence is the widespread recognition of his skill and insight. As Jules Feiffer aptly stated, Levine was “the greatest caricaturist of the last half of the 20th century.” His work revitalized caricature as a journalistic tool, offering social commentary with wit and intelligence. He left behind a vast body of artwork that continues to document key cultural and political moments in American history, reminding us of the power of art to both reflect and shape our understanding of the world. His ability to reveal both the humor and humanity of his subjects ensures that David Levine’s legacy will endure for generations to come.

    A Final Brushstroke: Facing Vision Loss

    In his later years, Levine faced a new challenge – macular degeneration, which gradually impaired his vision. Despite this adversity, he continued to paint and draw, adapting his technique and relying on memory and intuition. This period of artistic struggle was documented in a Vanity Fair article and a C-SPAN interview, offering a poignant glimpse into the resilience of an artist facing loss. While his later work differed from his earlier precision, it retained its emotional depth and expressive power. His story serves as an inspiration to artists everywhere, demonstrating that creativity can flourish even in the face of physical limitations. David Levine’s life was a testament to the enduring power of observation, the importance of social commentary, and the transformative potential of art.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Old Lady on a Beach allalaadimislehele

    topimpressionists.com/et/art/download/david-levine-old-lady-on-a-beach-ARD3U3-en/

    Viige seda teost allintena

    MLA
    Levine, David. Old Lady on a Beach. 1963, https://topimpressionists.com/et/art/david-levine-old-lady-on-a-beach-ARD3U3-en/
    APA
    Levine, David (1963). Old Lady on a Beach [Painting]. https://topimpressionists.com/et/art/david-levine-old-lady-on-a-beach-ARD3U3-en/
    Chicago
    David Levine. Old Lady on a Beach. 1963. https://topimpressionists.com/et/art/david-levine-old-lady-on-a-beach-ARD3U3-en/
    Harvard
    Levine, David (1963) Old Lady on a Beach. Available at: https://topimpressionists.com/et/art/david-levine-old-lady-on-a-beach-ARD3U3-en/

    Vaata lähedalt

    Old Lady on a Beach — David Levine

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Vaadake tagasi selle juhendi alguses esitatud teosele Anxiety (1963). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.
    4. David Levine oli seda teost luues umbes 37 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?
    5. Mida kunstnik võib olla soovinud teile tekitada?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Korduvad küsimused

    Mis on teose "Old Lady on a Beach" formaat?

    Teose „Old Lady on a Beach“, autor David Levine vorm on Portrait. See vorm kirjeldab kompositsiooni proportsioone.

    Kust saan näha teose "Old Lady on a Beach" eelvaadet?

    Leht Eelvaade teose "Old Lady on a Beach" kohta võimaldab teil teost enne tellimist eelvaatata.

    Mis on teose "Old Lady on a Beach" formaat ja suurus?

    „Old Lady on a Beach“, autor David Levine on Portrait kompositsioon, mille originaalmõõdud on 52 x 34 cm.