Paberikuju

Õpilaste kunstiteoste juhend

Frederick Shum

Nimi Klass Kuupäev

Edward Newling, Frederick Shum (1920), Victoria Art Gallery. Reprodukteeritud allujoonaseks; õigused on kaitstud õiguste valdaja poolt. Vaadake seda künist liikudes: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
Edward Newling topimpressionists.com/et/artists/edward-newling/
Kunstniku eluaastad
1890 – 1964
Maalatud
1920
Originaalmõõtud
101 x 75 cm
Liikumine
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Peetud koht:
Victoria Art Gallery topimpressionists.com/et/museums/victoria-art-gallery-bath_et/

Kontekstis

Frederick Shum — Edward Newling

Mis on selle suurus?

Originaali mõõdud on 101 × 75 cm (kõrgus × laius); teos on joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 74 surumisel.

Maalatud siis, kui kunstnik oli 30 aastane. Kunstnik elas 74 aastani. 3 meie kataloogis olevatest selle kunstniku 7 dateeritud teosest on loodud varem.

Varjatud: Edward Newling eluajal (1890–1964) ▲ see teos, 1920 iga dateeritud maal, aastakümne kaupa

Sarnased teosed

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: topimpressionists.com/et/art/similar/edward-newling-frederick-shum-AR293S-en/

Värvigamma

Pildist mõõdetud palett

    Peavärv

    Espresso #67534c

    Salvestatud palett

    • #67534C
    • #1E1B18
    • #343030
    • #C39C81

    Need värvid kunstniku kogu paleti sees Leia teisi maaleid värvi järgi

    Palett
    Earthy Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Espresso
    Intensiivsus
    Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Serene Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Discordant Palette Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Ereus
    Deep_shadow Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Muted Värvide puudus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • alla 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik Edward Newling teosed viimase zwölf kuuga — kokku 1 riiki. Kust need numbrid pärinevad

    Üheksakümmend juhtivat riiki

    1. 1 Hiina 100,0%

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    Edward Newling kõige vaadatavamad teosed (kokku 3)

    1. 1 Second Lieutenant Gilbert Stuart Martin Insall (1894–1972), VC, MC, Royal Flying Corps and Later Squadron Leader, Royal Air Force, 1919 50,0%
    2. 2 Captain Albert Ball (1896–1917), VC, DSO, MC, Nottinghamshire and Derby Regiment and Royal Flying Corps, 1919 50,0%
    3. — Frederick Shum, 1920 see maalaus 0,0%

    Koos kattavad need teosed 100,0% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 8 seda kunstnikku kuuluvat teost, millest 2 on vähemalt üks kord vaadatud. Seda maali ei ole antud perioodil veel vaadatud — see lõpetab nimekirja ilma reitinguta. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks, lisaks sellele, kui hästi on see maalitud.

    Kunstnik ja muuseum

    Kunstnik

    Edward Newling

    The Painter of Victorian Valor: The Life and Legacy of Edward Newling

    Edward Newling (1890-1964) stands as a quietly significant figure in 20th-century British art, primarily remembered for his evocative and dignified portraits of WWI heroes and members of the aristocracy. Born in Melbourne, Australia, in 1890, he later relocated to England, establishing himself as a respected artist specializing in capturing the solemnity and inherent dignity of those who served their country during a period of immense national upheaval. His work offers a poignant glimpse into the Victorian sensibilities that persisted even amidst the horrors of modern warfare, blending traditional portraiture techniques with an understated emotional depth.

    Newling’s artistic journey began with a formal education in art, though details remain somewhat sparse. He honed his skills primarily through self-study and observation, developing a distinctive style characterized by meticulous detail, subtle tonal gradations, and a remarkable ability to convey both physical presence and inner character. Unlike many of his contemporaries who embraced the bold brushstrokes and expressive distortions of modernism, Newling remained firmly rooted in academic traditions, favoring a controlled and refined approach that lent an air of timelessness to his subjects. His portraits were not flamboyant celebrations; they were quiet meditations on duty, sacrifice, and the weight of experience.

    A Mastery of Character and Tradition

    The essence of Newling's oeuvre revolves around his profound depictions of military figures, particularly those involved in the First World War. He produced a substantial body of work featuring legendary aviators such as Albert Ball, a Royal Flying Corps officer whose tragic death during a training flight left a void in the hearts of many, and McCudden, another celebrated pilot of the era. These portraits are far more than mere likenesses; they are imbued with a profound sense of respect and sorrow. Newling meticulously researched his subjects, often obtaining photographs and personal accounts to ensure an accurate representation of their character and the gravity of their service.

    Beyond the battlefield, Newling’s talent extended to the depiction of the British upper echelons, capturing the essence of the aristocracy with a similar level of reverence. His ability to render textures—from the crispness of a military uniform to the soft folds of formal attire—demonstrates his technical prowess. Notable works such as Sir Arbuthnot Lane and Frederick Shum showcase his capacity for realism and his skill in creating compositions that feel both intimate and monumental.

    Historical Significance and Artistic Impression

    The historical significance of Edward Newling lies in his role as a visual chronicler of an era defined by transition. As the world moved away from the structured certainties of the Victorian age into the fragmented reality of the modern era, Newling’s art provided a sense of continuity. His work serves as a bridge, preserving the dignity of a vanishing social order and the heroism of those who faced the unprecedented challenges of the early 20th century.

    To study Newling's collection is to encounter a legacy of:

    Academic Precision: A commitment to the classical techniques of portraiture that eschewed the fleeting trends of modernism.

    Emotional Resonance: The ability to translate historical tragedy into deeply moving, humanized imagery.

    Historical Documentation: Providing a vital visual record of key figures in British military and social history.

    Ultimately, Newling’s contribution to the art world is found in his restraint. By avoiding the sensationalism of his age, he created works that possess an enduring, quiet power, ensuring that the faces of the past remain etched in the collective memory with all their original grace and solemnity.

    Muuseum

    Victoria Art Gallery

    Näitustel paikal Bath, United Kingdom

    A Sanctuary of British Heritage

    Nestled within the historic heart of Bath, Somerset, the

    Victoria Art Gallery

    stands as a luminous testament to Britain’s enduring artistic legacy. This institution is far more than a mere repository for canvas and stone; it is a living dialogue between centuries of creativity. Housed within a magnificent Grade II* listed building, the gallery invites visitors on a journey that spans from the formal elegance of the 1700s to the provocative voices of the contemporary era. For the art lover, it offers a profound connection to the past, while for the interior designer, it serves as an unparalleled source of inspiration, showcasing how classical beauty and modern expression can coexist within a single, curated space.

    The architectural splendor of the gallery is, in itself, a masterpiece of Victorian grandeur. Designed by the visionary

    John McKean Brydon

    , the structure is a triumph of limestone ashlar and classical proportion. As one enters through the circular entrance hall, the sense of ceremony is immediate, guided by a seventeenth-century revival staircase crafted from rich mahogany. The Upper Gallery, bathed in the soft, ethereal light of specialized skylysts, reveals a space designed to honor classical ideals, featuring delicate plaster copies of the Parthenon friezes and intricately panelled dados. This architectural setting provides a majestic backdrop that elevates every object on display, turning a simple viewing into an immersive experience of historical luxury.

    A Curated Journey Through Time

    The collection itself is a curated treasure trove, boasting over 1,500 objects that capture the very soul of British art. Collectors will find themselves captivated by the meticulous craftsmanship of the Tudor era, most notably in the commanding portrait of

    Henry VIII by Holbein

    , which radiates royal power and humanist precision. The gallery’s strength lies in its ability to transition seamlessly between movements; one moment, a visitor might be lost in the serene, atmospheric landscapes of

    Thomas Gainsborough

    or the tranquil watercolors of

    Joseph Sheldon

    , and the next, confronted by the psychological depth and urban grit of

    Walter Sickert

    .

    This diversity is further enriched by contemporary voices like

    Grayson Perry

    , whose work challenges social conventions, ensuring the collection remains as relevant today as it was at the turn of the twentieth century. Beyond its permanent holdings, the Victoria Art Gallery thrives as a dynamic cultural hub through its rotating exhibitions and commitment to accessibility. The museum frequently hosts temporary showcases that explore varied themes, ranging from Impressionistic studies of the British countryside to evocative depictions of wartime life. Whether one is drawn to the realistic charm of

    Arthur Louis Townsend’s

    work or the abstracted, emotive figures of

    Hughie O’Donoghue

    , the gallery offers a sanctuary where history, technique, and emotion converge.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Frederick Shum allalaadimislehele

    topimpressionists.com/et/art/download/edward-newling-frederick-shum-AR293S-en/

    Viige seda teost allintena

    MLA
    Newling, Edward. Frederick Shum. 1920, Victoria Art Gallery. https://topimpressionists.com/et/art/edward-newling-frederick-shum-AR293S-en/
    APA
    Newling, Edward (1920). Frederick Shum [Painting]. Victoria Art Gallery. https://topimpressionists.com/et/art/edward-newling-frederick-shum-AR293S-en/
    Chicago
    Edward Newling. Frederick Shum. 1920. Victoria Art Gallery. https://topimpressionists.com/et/art/edward-newling-frederick-shum-AR293S-en/
    Harvard
    Newling, Edward (1920) Frederick Shum. Victoria Art Gallery. Available at: https://topimpressionists.com/et/art/edward-newling-frederick-shum-AR293S-en/

    Vaata lähedalt

    Frederick Shum — Edward Newling

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Meie kataloog liigitab seda teost kategooria formal portraiture, vintage elegance, studio photography alla. Olete nõus? Mida te lisaksin või eemaldasite?
    4. Vaadake tagasi selle juhendi alguses esitatud teosele Captain Albert Ball (1896–1917), VC, DSO (1921). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Kus seda teoses näha saab?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Küsimused ja vastused

    Milline on teose „Frederick Shum“, autor Edward Newling värvitoon?

    Teose „Frederick Shum“, autor Edward Newling värvitoon: Earthy palett, mille domineerib Espresso (#67534c).

    Mis on teose "Frederick Shum" vorming ja suurus?

    Teose "Frederick Shum" vorming on Portrait ning originaali mõõdud on 101 x 75 cm. Mõlemad on kasulikud reproduktsiooni planeerimisel.

    Mis on teose „Frederick Shum“, autor Edward Newling tegelik suurus?

    Teose "Frederick Shum" originaalmõõdud on 101 x 75 cm. Algdimensioonid on kasulik viide reproduktsiooni suuruse valimisel.