Paber

Õpilaste kunstiteoste juhend

Meadow in Hacking

Nimi Klass Kuupäev

Emil Jacob Schindler, Meadow in Hacking (1880), Österreichische Galerie Belvedere. Avalik omand Vaadake seda künist liikuvas valguses: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
Emil Jacob Schindler topimpressionists.com/et/artists/emil-jacob-schindler/
Kunstniku eluaastad
1842 – 1892
Maalatud
1880
Originaalmõõtmed
90 x 68 cm
Toimub kohas
Österreichische Galerie Belvedere topimpressionists.com/et/museums/osterreichische-galerie-belvedere-vienna_et/

Kontekstis

Meadow in Hacking — Emil Jacob Schindler

Mis on selle mõõt?

Originaali mõõdud on 90 × 68 cm (kõrgus × laius); teos on joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 50 surumisel.

Maalatud siis, kui kunstnik oli 38 aastane. Kunstnik elas 50 aastani. 10 meie kataloogis olevatest selle kunstniku 18 dateeritud teosest on loodud varem.

Varjatud: Emil Jacob Schindler eluajal (1842–1892) ▲ see teos, 1880 iga dateeritud maal, aastakümne kaupa

Esimesed teosed: kuni 1875 Peamised töötusaastad: 1875–1884 Hilisemad teosed: alates aastast 1884

Need kolm osa jagavad selles kataloogis kuupäevaga märgitud teosed esimeseks neljanüüdiks, keskmiseks pooleks ja viimaseks neljanüüdiks. Need ei kujuta endast kunstniku tervikut: vähem produktiivne periood võib tähendada hoopis puudut teose kataloogist, mitte pelgalt vaikset aega. Aastad, mis on kooditud kunstniku elulugu

Võrdle teoseid

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: topimpressionists.com/et/art/similar/emil-jacob-schindler-meadow-in-hacking-AQR6F8-en/

Värvid

Pildist mõõdetud

    Peavärv

    Phthalo Green #2e2a25

    Katalogistatud palett

    • #2E2A25
    • #9D8F81
    • #C3C1DA
    • #6D5C49

    Need värvid on osa kunstniku terviklikust paletist Leia teisi maaleid värvi järgi

    Palett
    Earthy Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Phthalo Green
    Intensiivsus
    Balanced Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Statement Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Softly Mixed Palette Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Heleus
    Balanced Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Subtle Color Värvide puhtus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • madalaim 1% osa
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik Emil Jacob Schindler teosed viimase zwölf kuuga — kokku 4 riiki. Kust need numbrid pärinevad

    Kolm kümmet juhtivat riiki

    1. 1 Hiina 66,7%1000 visits
    2. 2 Ameerika Ühendriigid 20,0%300 visits
    3. 3 Saksamaa 6,7%100 visits
    4. 4 Hispaania 6,7%100 visits

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    Emil Jacob Schindler kõige vaatamistundlikumad teosed (kokku 10)

    1. 1 Grazing Cattle in Holland, 1875 20,0%300 visits
    2. 2 Flower Garden in Weissenkirchen, 1879 13,3%200 visits
    3. 3 March Atmosphere Early Spring in the Vienna Woods, 1884 13,3%200 visits
    4. 4 Aus dem Prater (The Prater Gardens), 1870 13,3%200 visits
    5. 5 Motif from the Vienna Prater (Krieau), 1876 13,3%200 visits
    6. 6 Mountain Stream in the Ramau, 1868 6,7%100 visits
    7. 7 In the Garden at Schloss Niederweiden, 1885 6,7%100 visits
    8. 8 Embrace in the Forest 6,7%100 visits
    9. 9 Forest Path with Sheeps (also known as Waldweg mit Schafen), 1875 6,7%100 visits
    10. — Meadow in Hacking, 1880 see maalaus 0,0%0 visits

    Koos kattavad need teosed 100,0% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 23 seda kunstnikku kuuluvat teost, millest 9 on vähemalt üks kord vaadatud. Seda teost ei ole antud perioodil veel vaadatud — see lõpetab nimekirja ilma reitinguta. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks lisaks sellele, kui hästi on see maalitud.

    Kunstnik ja muuseum

    Kunstnik

    Emil Jacob Schindler

    Emil Jakob Schindler: Life and Legacy

    Early Life and Education

    Born: 1842 in Fischamend, Austria.

    Schindler’s early life was marked by family tragedy; his father died when he was four years old. His mother remarried, leading to a complex family dynamic.

    He initially pursued a military career, joining the army in 1857 and potentially participating in the Battle of Solferino.

    In 1860, he abandoned his military aspirations and enrolled at the Academy of Fine Arts, Vienna, studying under Albert Zimmermann.

    Artistic Influences and Development

    Influenced by Dutch Masters: Schindler drew significant inspiration from 17th-century Dutch landscape painters like Meindert Hobbema and Jacob Izaaksoon van Ruisdael, adopting their atmospheric realism.

    His early works focused on detailed depictions of nature, gradually evolving towards a more impressionistic style with looser brushwork and an emphasis on light and atmosphere.

    Travels to Venice, Dalmatia, France, and Holland broadened his artistic horizons and provided new subject matter.

    Career and Major Works

    Schindler achieved early success with “Eine Waldschmiede” (A Forest Blacksmith), sold in 1864 shortly after his first public exhibition.

    He established himself as a landscape painter, capturing the beauty of the Vienna Woods, the Dalmatian coast, and other scenic locations.

    Notable Works Include: “Kaisermühlen on the Danube,” “Mountain Stream in the Ramau,” “February Atmosphere Early Spring in the Vienna Woods”, "Gosau Mill near Ischl", and “Flower Garden in Weissenkirchen”.

    In 1885, he began renting Castle Plankenberg, establishing an artists' colony where he taught several students.

    He received a commission from Crown Prince Rudolf of Austria to sketch coastal scenery in Dalmatia and Corfu as part of a larger project documenting the Austro-Hungarian monarchy.

    Personal Life and Family

    Schindler’s personal life was complex, marked by marital challenges and suspected infidelity.

    He married Anna Sofie Bergen in 1879, and they had two daughters: Alma Mahler (a renowned composer and author) and Margaretha Julie (Grete).

    Rumors circulated regarding the paternity of his daughters, adding a layer of intrigue to his biography.

    Achievements and Historical Significance

    Awards & Recognition: Schindler was awarded the Reichel-Preis in 1881, boosting his career and financial stability.

    He became an honorary member of both the Vienna Academy (1887) and the Munich Academy (1888).

    Legacy: Schindler’s work represents a bridge between traditional landscape painting and the emerging Impressionist movement. His atmospheric depictions of Austrian landscapes continue to be admired for their beauty and sensitivity.

    As the father of Alma Mahler, he is also remembered as part of a prominent artistic family.

    Muuseum

    Österreichische Galerie Belvedere

    Näitustel asuvas koht Vienna, Austria

    A Symphony of Habsburg Grandeur and Klimt’s Golden Embrace: The Belvedere Palace

    Rising from meticulously sculpted gardens in the heart of Vienna, the Belvedere Palace isn't merely a repository of Austrian art; it is an embodiment of its spirit – a testament to Prince Eugene of Savoy’s ambition, refined taste, and profound understanding of how art could shape a nation’s identity. More than just a palace, the Belvedere is a layered experience, a journey through five centuries of artistic evolution, beginning with medieval treasures and culminating in the dazzling modernism of Gustav Klimt and his contemporaries. The complex itself, comprising the Upper and Lower Belvedere connected by sweeping vistas, is a masterpiece of Baroque design, a harmonious blend of grandeur and elegance that continues to inspire awe and delight. It’s a place where history breathes through opulent staterooms, whispers from ancient panel paintings, and explodes in the shimmering gold of Klimt's most celebrated works.

    The story begins, unsurprisingly, with Prince Eugene, a brilliant military strategist who, through shrewd political maneuvering and decisive victories, amassed both wealth and land. Recognizing the power of visual representation, he commissioned Johann Lucas von Hildebrandt to create not merely a residence, but a statement – a palace that would rival European monarchs and reflect his cultivated sensibilities. The result is a structure of breathtaking scale and meticulous detail, where every fresco, stucco ornament, and sculpted element speaks to the Prince’s desire for both power and refinement. The Upper Belvedere's Staterooms, adorned with opulent frescoes depicting scenes from classical mythology and Habsburg history, transport visitors back to the height of imperial life, offering a glimpse into the lavish entertainments and diplomatic intrigues that unfolded within these very walls. The sheer scale of the rooms, the intricate detail of the ceilings, and the vibrant colors of the paintings create an immersive experience, allowing one to almost feel the presence of past emperors and empresses.

    However, to reduce the Belvedere’s legacy solely to its Habsburg grandeur would be a profound disservice. The Lower Belvedere, originally designed as a hunting lodge, retains a more intimate atmosphere, showcasing a collection of early Austrian art – including remarkable examples of medieval panel paintings and Renaissance sculptures – providing a crucial foundation for understanding the artistic lineage that would flourish at the palace. Here, one encounters works by masters like Hans von der Fust, whose intricate depictions of biblical scenes reveal the burgeoning artistic talent within Austria during the 15th century. The collection here is not merely decorative; it’s a tangible link to the country's early cultural development, demonstrating the evolution of artistic techniques and styles over time.

    Klimt: A Revolution in Viennese Art

    But it’s arguably the museum’s devotion to Gustav Klimt that draws the largest crowds and secures its place as a global icon. The Upper Belvedere houses an unparalleled collection of Klimt’s paintings, centered around “The Kiss,” perhaps the most recognizable image in modern art. This shimmering masterpiece, with its intricate gold leaf patterns and evocative depiction of lovers entwined, dominates Gallery VII, captivating viewers with its mesmerizing beauty and masterful technique. Klimt's artistic journey is brilliantly illuminated by the museum—from his early academic works to portraits like “Judith I,” demonstrating a remarkable progression toward expressive abstraction – culminating in the bold, symbolic language of his later masterpieces. Beyond Klimt’s individual brilliance, the collection reveals a broader Viennese Modernist movement, featuring significant works by Egon Schiele and Oskar Kokoschka—artists who pushed the boundaries of artistic expression with their raw emotional intensity and innovative approaches to form and color.

    Architectural Marvel & Habsburg Vision

    The Belvedere’s architectural splendor is inextricably linked to its historical narrative. Hildebrandt's design seamlessly blends Baroque grandeur with a distinctly Austrian sensibility, incorporating elements from Italian Renaissance palaces while retaining a sense of local identity. The vast scale of the palace reflects Prince Eugene’s ambition and his desire to project an image of power and sophistication. Crucially, the Belvedere wasn’t simply built as a private retreat; it was conceived as Vienna's first public museum in 1781 – a pivotal moment in the democratization of art and a testament to Empress Maria Theresa’s vision for making artistic treasures accessible to all citizens. This early commitment to public engagement shaped the museum’s ethos, fostering an environment where creativity flourished and cultural understanding deepened.

    Beyond Klimt: Exploring Austrian Artistic Heritage

    The surrounding gardens, meticulously landscaped according to Baroque principles, further enhance the palace's allure, providing tranquil spaces for reflection and contemplation – a vital counterpoint to the opulent interiors. The interplay of light and shadow, the carefully placed sculptures, and the formal hedges create a harmonious landscape that complements the grandeur of the palace itself. The gardens were designed not just as an aesthetic delight but also as a space for social gatherings and diplomatic negotiations, reflecting the Prince’s desire to establish Vienna as a center of European culture.

    Belvedere 21: Contemporary Art Dialogue

    Finally, Belvedere 21 represents a bold step forward—a state-of-the-art contemporary art space housed within a former tobacco factory. This innovative extension provides a vital platform for showcasing cutting-edge artistic practices and engaging with new audiences, ensuring that the Belvedere’s legacy continues to inspire future generations.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Meadow in Hacking allalaadimislehele

    topimpressionists.com/et/art/download/emil-jacob-schindler-meadow-in-hacking-AQR6F8-en/

    Viige seda teost allintena

    MLA
    Schindler, Emil Jacob. Meadow in Hacking. 1880, Österreichische Galerie Belvedere. https://topimpressionists.com/et/art/emil-jacob-schindler-meadow-in-hacking-AQR6F8-en/
    APA
    Schindler, Emil Jacob (1880). Meadow in Hacking [Painting]. Österreichische Galerie Belvedere. https://topimpressionists.com/et/art/emil-jacob-schindler-meadow-in-hacking-AQR6F8-en/
    Chicago
    Emil Jacob Schindler. Meadow in Hacking. 1880. Österreichische Galerie Belvedere. https://topimpressionists.com/et/art/emil-jacob-schindler-meadow-in-hacking-AQR6F8-en/
    Harvard
    Schindler, Emil Jacob (1880) Meadow in Hacking. Österreichische Galerie Belvedere. Available at: https://topimpressionists.com/et/art/emil-jacob-schindler-meadow-in-hacking-AQR6F8-en/

    Vaata lähedalt

    Meadow in Hacking — Emil Jacob Schindler

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Vaadake tagasi selle juhendi alguses esitatud teosele Mill Weir in Plankenberg (1891). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.
    4. Emil Jacob Schindler oli seda teost luues umbes 38 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?
    5. Mida kunstnik võib olla soovinud teile tekitada?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Korduvad küsimused

    Kas teoses „Meadow in Hacking“, autor Emil Jacob Schindler kasutatakse tugevaid kontraste või pehmeid harmooniaid?

    Teose „Meadow in Hacking“, autor Emil Jacob Schindler värvikompositsioon ühendab endas Statement kontrasti ja Softly Mixed Palette harmooniat.

    Kas ma saan näha teost „Meadow in Hacking“, autor Emil Jacob Schindler erinevates valgustingimustes?

    Teose „Meadow in Hacking“, autor Emil Jacob Schindler röntgenvaade on saadaval selle Röntgenuuring lehel: see on interaktiivne pildi uurimine läbi üheksateist optilise kihti.

    Kust saan osta teose „Meadow in Hacking“, autor Emil Jacob Schindler trükki?

    Teose "Meadow in Hacking" trükised on saadaval vormis kunstiprint puuvillalõikel kangas või arhiveeritaval kangaspaberil. Tellimusi saab esitada selle Kvaliteetne kunstutrüki print lehel oma soovitud suuruses.