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Õpilaste kunstiteoste juhend

Quittebeuf

Nimi Klass Kuupäev

Eugène Boudin, Quittebeuf (1893). Avalik omand Vaadake seda künist liikuvas valguses: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
Eugène Boudin topimpressionists.com/et/artists/eugene-boudin_et/
Kunstniku eluaastad
1824 – 1898
Maalatud
1893
Originaalmõõtmed
55 x 42 cm
Liikumine
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

Kontekstis

Quittebeuf — Eugène Boudin

Mis on selle mõõt?

Originaali mõõdud on 55 × 42 cm (kõrgus × laius); teos on joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860
  6. 1870
  7. 1880
  8. 1890

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 74 surumisel.

Maalatud siis, kui kunstnik oli 69 aastane. Kunstnik elas 74 aastani. 539 meie kataloogis olevatest selle kunstniku 652 dateeritud teosest on loodud varem.

Varjatud: Eugène Boudin eluajal (1824–1898) ▲ see teos, 1893 iga dateeritud maal, aastakümne kaupa

Esimesed teosed: kuni 1871 Peamised töötusaastad: 1871–1891 Hilisemad teosed: alates aastast 1891

Need kolm osa jagavad selles kataloogis kuupäevaga märgitud teosed esimeseks neljanüüdiks, keskmiseks pooleks ja viimaseks neljanüüdiks. Need ei kujuta endast kunstniku tervikut: vähem produktiivne periood võib tähendada hoopis puudut teose kataloogist, mitte pelgalt vaikset aega. Aastad, mis on kooditud kunstniku elulugu

Võrdle teoseid

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: topimpressionists.com/et/art/similar/eugene-louis-boudin-quittebeuf-8XXVGX-en/

Värvid

Pildist mõõdetud

    Peavärv

    Rosy Brown #bdb2a6

    Katalogistatud palett

    • #BDB2A6
    • #332D1C
    • #735D3C
    • #9E9591

    Need värvid on osa kunstniku terviklikust paletist Leia teisi maaleid värvi järgi

    Palett
    Earthy Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Rosy Brown
    Intensiivsus
    Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Statement Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Strong Color Unity Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Heleus
    Bright Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Muted Värvide puhtus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • madalaim 1% osa
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik Eugène Boudin teosed viimase zwölf kuuga — kokku 13 riiki. Kust need numbrid pärinevad

    Kolm kümmet juhtivat riiki

    1. 1 Hiina 77,3%38500 visits
    2. 2 Ameerika Ühendriigid 5,6%2800 visits
    3. 3 Singapur 5,4%2700 visits
    4. 4 Hong Kong 4,4%2200 visits
    5. 5 Prantsusmaa 4,0%2000 visits
    6. 6 Katar 0,8%400 visits
    7. 7 Rumeenia 0,8%400 visits
    8. 8 Mehhiko 0,6%300 visits
    9. 9 Šveits 0,2%100 visits
    10. 10 Saksamaa 0,2%100 visits
    11. · 3 teist riiki 0,7%300 visits

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    Eugène Boudin kõige vaatamistundlikumad teosed (kokku 20)

    1. 1 Etretat: Le Falaise d'Aval, 1890 1,7%900 visits
    2. 2 Study of the Sky 1,1%600 visits
    3. 3 The Lock at Saint-Valery-sur-Somme, 1891 1,1%600 visits
    4. 4 Etretat, Boats Stranded on the Beach, 1890 1,1%600 visits
    5. 5 Dodrecht 0,9%500 visits
    6. 6 Étretat, Fishing Boats and Fishermen on the Beach, 1890 0,9%500 visits
    7. 7 River near Dunkirk, 1889 0,9%500 visits
    8. 8 Door of the Touques Church, 1888 0,7%400 visits
    9. 9 Le Havre, Sunset at Low Tide, 1884 0,7%400 visits
    10. 10 Laundresses on the Banks of the Touques (8), 1895 0,7%400 visits
    11. 11 Venise le quai et l'église San Biagio 0,7%400 visits
    12. 12 Trouville, Beach Scene 0,7%400 visits
    13. 13 Lipudega kaunistatud paadid Deauville'i sadamas (Bateaux pavoisés dans le bassin, Deauville), 1895 0,6%300 visits
    14. 14 Fervaques, a Village Street, 1881 0,6%300 visits
    15. 15 Le Havre - Bassin de l'Eure, 1867 0,6%300 visits
    16. 16 Mullet and Fish, 1873 0,6%300 visits
    17. 17 A Hen and Her Chicks (after Melchior d'Hondecoeter) 0,6%300 visits
    18. 18 The Berck Dunes, 1886 0,6%300 visits
    19. 19 Trouville at Low Tide, 1890 0,6%300 visits
    20. — Quittebeuf, 1893 see maalaus 0,0%0 visits

    Koos kattavad need teosed 15,4% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 838 seda kunstnikku kuuluvat teost, millest 343 on vähemalt üks kord vaadatud. Seda teost ei ole antud perioodil veel vaadatud — see lõpetab nimekirja ilma reitinguta. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks lisaks sellele, kui hästi on see maalitud.

    Kunstnik ja muuseum

    Kunstnik

    Eugène Boudin

    Sündinud koht: Honfleur, Prantsud

    Early Life and Artistic Beginnings

    Eugène Louis Boudin, born in July 12th, 1824 in Honfleur, France, possessed a destiny inextricably linked to the sea. His father, a harbor pilot, instilled within him an early appreciation for the ever-changing moods and captivating beauty of the maritime world. This formative influence would become the cornerstone of Boudin’s artistic vision. Rather than pursuing a traditional academic path, young Eugène began his working life aboard a steamboat traversing between Le Havre and Honfleur at the tender age of ten. It was during these voyages that he first felt compelled to capture the fleeting impressions of light and water with sketches in the margins of his books—the nascent stirrings of a lifelong passion. The family’s subsequent move to Le Havre, where his father established a shop for stationery and picture frames, further immersed Boudin in an artistic environment. He worked alongside his father, eventually opening his own small shop, which brought him into contact with local artists like Constant Troyon and Jean-François Millet, who encouraged his burgeoning talent. These early encounters proved pivotal, steering him away from commerce and towards a dedicated life of painting.

    Developing a Unique Style: Plein Air Painting and Influences

    Boudin’s artistic development was profoundly shaped by several key influences. A crucial turning point came with his introduction to Johan Jongkind, a Dutch painter who championed the practice of en plein air—painting outdoors directly from nature. This revolutionary approach allowed Boudin to capture the ephemeral qualities of light and atmosphere with unprecedented immediacy. He embraced this technique wholeheartedly, becoming adept at rendering the subtle nuances of sky and sea. His style also drew inspiration from the 17th-century Dutch masters, whose meticulous attention to detail and atmospheric perspective resonated deeply with his own artistic sensibilities. Boudin’s pastels, characterized by their summary yet evocative brushwork, quickly garnered recognition. Critics like Charles Baudelaire lauded his ability to convey the essence of a scene with remarkable economy, while Camille Corot affectionately dubbed him “the king of the skies,” acknowledging his mastery of atmospheric effects. He was particularly moved by the paintings of Jean-Baptiste-Camille Corot and Johan Jongkind, who encouraged him to explore the expressive potential of landscape painting.

    Impressionism and Lasting Legacy

    Though often categorized alongside the Impressionists, Boudin’s relationship with the movement was nuanced. He participated in the first Impressionist exhibition of 1874, showcasing his work alongside Claude Monet and other avant-garde artists. However, he never fully identified as an “Impressionist,” maintaining a more traditional approach to composition and technique. Nevertheless, his influence on the development of Impressionism was undeniable. Most notably, Boudin served as a mentor to a young Claude Monet, instilling in him a love for painting outdoors and encouraging him to abandon academic conventions in favor of capturing fleeting impressions of light and color. Monet himself credited Boudin with fundamentally shaping his artistic vision, stating that Boudin had “torn the veil from my eyes” and revealed the true potential of landscape painting. Throughout his career, Boudin received numerous accolades, including a third-place medal at the Paris Salon in 1881 and a gold medal at the 1889 Exposition Universelle. He was knighted into the Légion d’honneur—a testament to his enduring contribution to French art.

    Major Works and Artistic Themes

    Boudin's oeuvre is characterized by a deep connection to the sea and coastal landscapes of Normandy. Still Life with Lobster on a White Tablecloth, now housed at the High Museum of Art in Atlanta, exemplifies his somber yet noble approach to still life painting, imbued with a sense of quiet contemplation. His beach scenes, populated with figures enjoying leisurely pursuits, capture the vibrancy and vitality of seaside life. Honfleur, the Saint Catherine Market Place, showcases his skill at depicting bustling urban environments bathed in natural light. He consistently explored themes of transience, atmosphere, and the interplay between humanity and nature—a preoccupation that would define his artistic output for decades to come. His remarkable ability to convey these fleeting moments solidified his reputation as a master of atmospheric perspective and a pioneer of plein air painting.

    ##Final Years and Enduring Influence In his later years, Boudin continued to travel extensively, seeking inspiration in Belgium, the Netherlands, and southern France. He also made several visits to Venice, captivated by its unique light and architectural beauty. Despite facing health challenges, he remained remarkably productive, consistently exhibiting his work and mentoring younger artists. Eugène Louis Boudin passed away in August 8th, 1898 at Deauville, overlooking the English Channel that had so profoundly shaped his life and art. His legacy extends far beyond his own paintings; the Eugène Boudin Prize, awarded by the Société Nationale des Beaux-Arts, stands as a lasting tribute to his enduring influence on generations of artists. Today, his works are celebrated in museums worldwide, including the Musée d’Orsay in Paris, which houses several of his most iconic paintings, such as Landscape with Sunset. Boudin's remarkable career serves as a testament to the power of observation, the beauty of nature, and the enduring allure of the sea.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Quittebeuf allalaadimislehele

    topimpressionists.com/et/art/download/eugene-louis-boudin-quittebeuf-8XXVGX-en/

    Viige seda teost allintena

    MLA
    Boudin, Eugène. Quittebeuf. 1893, https://topimpressionists.com/et/art/eugene-louis-boudin-quittebeuf-8XXVGX-en/
    APA
    Boudin, Eugène (1893). Quittebeuf [Painting]. https://topimpressionists.com/et/art/eugene-louis-boudin-quittebeuf-8XXVGX-en/
    Chicago
    Eugène Boudin. Quittebeuf. 1893. https://topimpressionists.com/et/art/eugene-louis-boudin-quittebeuf-8XXVGX-en/
    Harvard
    Boudin, Eugène (1893) Quittebeuf. Available at: https://topimpressionists.com/et/art/eugene-louis-boudin-quittebeuf-8XXVGX-en/

    Vaata lähedalt

    Quittebeuf — Eugène Boudin

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Meie kataloog liigitab seda teost kategooria countryside, buildings, lakes alla. Olete nõus? Mida te lisaksin või eemaldasite?
    4. Vaadake tagasi selle juhendi alguses esitatud teosele Etretat: Le Falaise d'Aval (1890). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Kust seda teoses näha saab?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Korduvad küsimused

    Millal ja millise kunstisuuna kuulub teos "Quittebeuf"?

    Teos "Quittebeuf" loodi aastal 1893, kuuludes Impressionism suunasse.

    Kui vana oli Eugène Boudin, kui ta loositud teose "Quittebeuf" aastal 1893?

    Eugène Boudin oli 69 aastane, kui ta teosest "Quittebeuf" aastal 1893 lõi. Vanus on arvutatud kunstniku sünnaaasta põhjal, 1824.

    Millist värvigamma teos "Quittebeuf" kasutab?

    Teose "Quittebeuf" värvid moodustavad Earthy paleti. See klassifikatsioon kirjeldab domineerivaid värvigruppe.