Paberikuju

Õpilaste kunstiteoste juhend

A. E. Perrin

Nimi Klass Kuupäev

George Herbert Buckingham, A. E. Perrin (1923). Reprodukteeritud allujoonaseks; õigused on kaitstud õiguste valdaja poolt. Vaadake seda künist liikudes: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
George Herbert Buckingham topimpressionists.com/et/artists/george-herbert-buckingham/
Kunstniku eluaastad
1901 – 1987
Maalatud
1923
Originaalmõõtud
59 x 44 cm

Kontekstis

A. E. Perrin — George Herbert Buckingham

Mis on selle suurus?

Originaali mõõdud on 59 × 44 cm (kõrgus × laius); teos on joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 86 surumisel.

Maalatud siis, kui kunstnik oli 22 aastane. Kunstnik elas 86 aastani. 0 meie kataloogis olevatest selle kunstniku 17 dateeritud teosest on loodud varem.

Varjatud: George Herbert Buckingham eluajal (1901–1987) ▲ see teos, 1923 iga dateeritud maal, aastakümne kaupa

Esimesed teosed: kuni 1930 Peamised töötusaastad: 1930–1948 Hilisemad teosed: aastast 1948

Need kolm osa jagavad selles kataloogis kuupäevaga märgitud teosed esimeseks neljanüüdiks, keskmiseks pooleks ja viimaseks neljanüüdiks. Need ei kujuta endast kunstniku tervikut: vähem produktiivne periood võib tähendada hoopis puudut teose kataloogist, mitte pelgalt vaikset aega. Samad aastad koos kunstniku eluluga

Sarnased teosed

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: topimpressionists.com/et/art/similar/george-herbert-buckingham-a-e-perrin-AQTUYE-en/

Värvigamma

Pildist mõõdetud palett

    Peavärv

    Espresso #423a2c

    Salvestatud palett

    • #423A2C
    • #6E5C39
    • #262219
    • #968153

    Need värvid kunstniku kogu paleti sees Leia teisi maaleid värvi järgi

    Palett
    Earthy Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Espresso
    Intensiivsus
    Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Gentle Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Unified Palette Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Ereus
    Deep_shadow Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Subtle Color Värvide puudus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • alla 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik George Herbert Buckingham teosed viimase zwölf kuuga — kokku 2 riiki. Kust need numbrid pärinevad

    Üheksakümmend juhtivat riiki

    1. 1 Hiina 90,0%
    2. 2 Ameerika Ühendriigid 10,0%

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    George Herbert Buckingham kõige vaadatavamad teosed (kokku 10)

    1. 1 Spencer Leather Works, 1950 18,2%
    2. 2 Chiswick Eyot, London 18,2%
    3. 3 Millicent Lady Isham (d.1961), Mother of the 12th Bt Isham, 1947 9,1%
    4. 4 Charles John King, Organist and Musical Director, 1932 9,1%
    5. 5 Christopher Edmunds (1899–1990), Fellow of Birmingham School of Music, 1949 9,1%
    6. 6 Cottages at Sulgrave, Northamptonshire 9,1%
    7. 7 The Sage, 1927 9,1%
    8. 8 Mrs Elizabeth Smart 9,1%
    9. 9 Roses 9,1%
    10. — A. E. Perrin, 1923 see maalaus 0,0%

    Koos kattavad need teosed 100,0% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 28 seda kunstnikku kuuluvat teost, millest 9 on vähemalt üks kord vaadatud. Seda maali ei ole antud perioodil veel vaadatud — see lõpetab nimekirja ilma reitinguta. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks, lisaks sellele, kui hästi on see maalitud.

    Kunstnik ja muuseum

    Kunstnik

    George Herbert Buckingham

    A Life Dedicated to Capturing Character: The World of George Herbert Buckingham

    George Herbert Buckingham, born in 1901 and passing away in 1987, was a British painter whose work offers a poignant glimpse into the lives and landscapes of Northamptonshire during the mid-20th century. While perhaps not a household name, his dedication to portraiture and scenes of rural England cemented his place as a significant regional artist, deeply connected to the community he depicted. Buckingham wasn’t an artist who sought radical innovation; instead, he honed a traditional skill set, employing it with sensitivity and a keen eye for capturing the essence of his subjects. His paintings are not grand statements about the human condition, but rather intimate studies of individuals and places, imbued with a quiet dignity and warmth. He was a founder member of the Northampton Town and County Art Society, demonstrating an early commitment to fostering artistic expression within his locality. This dedication extended beyond creation; he actively participated in the local art scene, exhibiting regularly and contributing to the cultural fabric of the region.

    Early Influences and Artistic Development

    Buckingham’s artistic journey wasn't one dramatically marked by formal training at prestigious academies. He received instruction at Northampton School of Art, a foundation that instilled in him fundamental techniques but allowed for the development of a distinctly personal style. The early 20th century art world was undergoing seismic shifts – from Impressionism to Cubism and Surrealism – yet Buckingham remained largely anchored in representational painting. This wasn’t necessarily a rejection of modern trends, but rather a conscious choice to focus on what he observed and felt most deeply: the beauty of the English countryside and the character of its people. His early works reveal a fascination with light and shadow, reminiscent of 19th-century landscape painters, though his brushwork is often looser and more expressive than their meticulous realism. He was drawn to portraiture from an early stage, recognizing in it the opportunity to explore not just physical likeness but also the inner lives of those he painted. The influence of artists like John Singer Sargent – known for his masterful portraits and dynamic brushstrokes – can be subtly detected in Buckingham’s approach to capturing personality and movement.

    Portraits as Windows into Society

    Buckingham's most celebrated works are undoubtedly his portraits. He wasn’t commissioned by the aristocracy or wealthy elite, but rather by local families, farmers, and members of the Northamptonshire community. This is crucial to understanding his art; he painted people he knew, individuals whose lives were interwoven with his own. His subjects aren’t idealized figures, but rather real people – often depicted in their homes or working environments. He possessed a remarkable ability to convey character through subtle details: the lines on a face etched by years of labor, the gentle curve of a smile, the way someone holds their hands. These are not portraits that shout for attention; they whisper stories of resilience, quiet strength, and everyday life. His participation in exhibitions organized by the Royal Portrait Painters Society (RP) and the Royal Institute of Oil Painters (ROI) brought his work to a wider audience, acknowledging his skill and sensitivity as a portraitist.

    Scenes of Northamptonshire: A Love Letter to the Landscape

    Beyond portraits, Buckingham also painted scenes of Northamptonshire, capturing the rolling hills, picturesque villages, and historic estates that defined the region. Lamport Hall, a magnificent Jacobean manor house near Northampton, frequently appeared in his work, reflecting a close connection with Lady Margaret Isham, who was a keen supporter of local artists. These landscapes aren’t simply topographical representations; they are imbued with a sense of atmosphere and emotion. He skillfully captured the changing seasons, from the vibrant greens of summer to the muted tones of winter, conveying a deep appreciation for the natural world.

    His paintings often feature farm animals and rural workers

    He used color palettes that reflected the local light and atmosphere.

    Buckingham’s scenes evoke a sense of tranquility and timelessness.

    Legacy and Historical Significance

    George Herbert Buckingham's work represents a valuable contribution to the documentation of mid-20th century English life. While he may not have been a revolutionary artist, his dedication to traditional techniques and his sensitivity to his subjects resulted in paintings that are both technically accomplished and emotionally resonant. His works now reside in national collections such as the National Portrait Gallery, demonstrating their enduring artistic merit and historical importance. He stands as a testament to the power of art to capture not just what is seen, but also what is felt – the spirit of a place and the character of its people. His paintings offer a poignant reminder of a bygone era, preserving a slice of English history for generations to come.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib A. E. Perrin allalaadimislehele

    topimpressionists.com/et/art/download/george-herbert-buckingham-a-e-perrin-AQTUYE-en/

    Viige seda teost allintena

    MLA
    Buckingham, George Herbert. A. E. Perrin. 1923, https://topimpressionists.com/et/art/george-herbert-buckingham-a-e-perrin-AQTUYE-en/
    APA
    Buckingham, George Herbert (1923). A. E. Perrin [Painting]. https://topimpressionists.com/et/art/george-herbert-buckingham-a-e-perrin-AQTUYE-en/
    Chicago
    George Herbert Buckingham. A. E. Perrin. 1923. https://topimpressionists.com/et/art/george-herbert-buckingham-a-e-perrin-AQTUYE-en/
    Harvard
    Buckingham, George Herbert (1923) A. E. Perrin. Available at: https://topimpressionists.com/et/art/george-herbert-buckingham-a-e-perrin-AQTUYE-en/

    Vaata lähedalt

    A. E. Perrin — George Herbert Buckingham

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Vaadake tagasi juhendi alguses esitatud teosele Professor Sir Jack Westrup. Tooge kaks asja, mis sellel ja käesoleva teose vahel ühtevad, ning üks erinevus.
    4. George Herbert Buckingham oli selle teose valvimisel umbes 22 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?
    5. Mida kunstnik võib olla soovinud teile tekitada?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Küsimused ja vastused

    Kas teos "A. E. Perrin" on saadaval kunstiprentina?

    Teose "A. E. Perrin" trükised on saadaval vormis kunstiprint puuvillalõikel}}^{\text{canvas}}$ või arhiveeritaval kangaspaberil. Tellimusi saab esitada selle Kõlblik kunstutrüki kvaliteetne trükis lehel, oma soovitud suuruses.

    Kuidas teos "A. E. Perrin" tõmbab korduvalt välja valgus ja pimendus?

    Teose "A. E. Perrin" üldine ere on deep_shadow ja selle luminants on Dark.

    Kui vana oli George Herbert Buckingham, kui ta loos 1923 aastal teose "A. E. Perrin"?

    Kui teos "A. E. Perrin" loodi aastal 1923, oli George Herbert Buckingham (sündinud aastal 1901) 22 aastane.