Paberikuju

Õpilaste kunstiteoste juhend

Landscape at Champetre

Nimi Klass Kuupäev

Henri Lebasque, Landscape at Champetre (1894). Avalik omand Vaadake seda künist liikudes: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
Henri Lebasque topimpressionists.com/et/artists/henri-lebasque_et/
Kunstniku eluaastad
1865 – 1937
Maalatud
1894
Liikumine
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

Kontekstis

Landscape at Champetre — Henri Lebasque

Millal see maalis on tehtud?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 72 surumisel.

Maalatud siis, kui kunstnik oli 29 aastane. Kunstnik elas 72 aastani. 5 meie kataloogis olevatest selle kunstniku 243 dateeritud teosest on loodud varem.

Varjatud: Henri Lebasque eluajal (1865–1937) ▲ see teos, 1894 iga dateeritud maal, aastakümne kaupa

Esimesed teosed: kuni 1905 Peamised töötusaastad: 1905–1920 Hilisemad teosed: aastast 1920

Need kolm osa jagavad selles kataloogis kuupäevaga märgitud teosed esimeseks neljanüüdiks, keskmiseks pooleks ja viimaseks neljanüüdiks. Need ei kujuta endast kunstniku tervikut: vähem produktiivne periood võib tähendada hoopis puudut teose kataloogist, mitte pelgalt vaikset aega. Samad aastad koos kunstniku eluluga

Sarnased teosed

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: topimpressionists.com/et/art/similar/henri-lebasque-landscape-at-champetre-9GEN9U-en/

Värvigamma

Pildist mõõdetud palett

    Peavärv

    Gray #6d705f

    Salvestatud palett

    • #6D705F
    • #49574D
    • #D6CCC2
    • #A9926D

    Need värvid kunstniku kogu paleti sees Leia teisi maaleid värvi järgi

    Peavärvi nimi
    Gray
    Intensiivsus
    Balanced Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Balanced Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Discordant Palette Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Ereus
    Bright Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Subtle Color Värvide puudus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • alla 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik Henri Lebasque teosed viimase zwölf kuuga — kokku 17 riiki. Kust need numbrid pärinevad

    Üheksakümmend juhtivat riiki

    1. 1 Hiina 69,7%
    2. 2 Hong Kong 5,9%
    3. 3 Ameerika Ühendriigid 5,9%
    4. 4 Holland 4,3%
    5. 5 Prantsusmaa 2,7%
    6. 6 Saksamaa 1,6%
    7. 7 Hispaania 1,6%
    8. 8 Malaisia 1,6%
    9. 9 Brasiilia 1,1%
    10. 10 Ühendusriik 1,1%
    11. · 7 teist riiki 4,5%

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    Henri Lebasque kõige vaadatavamad teosed (kokku 20)

    1. 1 Nude in Provence 4,3%
    2. 2 Woman in a White Dress, 1923 2,4%
    3. 3 Les Andelys Three Girls in a Garden, 1914 1,9%
    4. 4 Meal on the Terrace, 1914 1,4%
    5. 5 Women Sewing, 1922 1,4%
    6. 6 Madame Lebasque and Her Daughters, 1903 1,4%
    7. 7 A fishing expedition, 1920 1,4%
    8. 8 Hammock, 1923 1,4%
    9. 9 Three Girls in a boat 1,4%
    10. 10 On the beach, 1920 1,4%
    11. 11 The Swing 1,4%
    12. 12 Le Cannet Madame Lebasque Reading in the Garden, 1923 1,0%
    13. 13 Nono and a guitar, 1910 1,0%
    14. 14 Garden in Summer 1,0%
    15. 15 Rest on the Banks of the Yaudet, 1897 1,0%
    16. 16 Marthe at the Villa in Saint Maxime, 1914 1,0%
    17. 17 Women in the Gardens at St Cloud, 1918 1,0%
    18. 18 Madame Lebasque in a Breton landscape, 1898 1,0%
    19. 19 Landscape at Champetre, 1894 see maalaus 1,0%
    20. 20 The Terrace in Pradet 1,0%

    Koos kattavad need teosed 28,8% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 522 seda kunstnikku kuuluvat teost, millest 148 on vähemalt üks kord vaadatud. See maalid on nende seas 19 kohal, selle tähelepanu osaga 1,0%. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks, lisaks sellele, kui hästi on see maalitud.

    Kunstnik ja muuseum

    Kunstnik

    Henri Lebasque

    Sündinud koht: Champigné, Prantsuse

    A Painter of Joy and Light: The Life and Art of Henri Lebasque

    Henri Lebasque, a name perhaps less immediately recognized than some of his Post-Impressionist contemporaries, nevertheless occupies a significant place in the artistic landscape of early 20th-century France. Born in Champigné, Maine-et-Loire, in 1865, Lebasque’s journey toward becoming a celebrated painter was one marked by diligent study, evolving influences, and an unwavering commitment to capturing beauty in everyday life. His early education at the École régionale des beaux-arts d'Angers provided a foundational grounding, but it was his move to Paris in 1886 that truly ignited his artistic development. There, under the tutelage of Léon Bonnat and through assisting Ferdinand Humbert with decorative murals at the Panthéon, he honed his technical skills while immersing himself in the vibrant Parisian art scene. This period proved crucial, bringing him into contact with pivotal figures like Camille Pissarro and Auguste Renoir, whose emphasis on light and color would profoundly shape his aesthetic sensibilities.

    Embracing Intimacy: Influences and Artistic Development

    Lebasque’s artistic trajectory wasn't solely defined by the established masters; it was equally influenced by a younger generation of artists pushing the boundaries of painting. His association with Les Nabis, particularly Édouard Vuillard and Pierre Bonnard, proved transformative. These Intimist painters prioritized domestic scenes and intimate moments, fostering in Lebasque a similar inclination toward capturing the quiet poetry of everyday existence. The Nabis’ emphasis on flattened forms, decorative patterns, and subtle color harmonies resonated deeply with his own artistic inclinations. Simultaneously, exposure to the theories of Georges Seurat and Paul Signac introduced him to the principles of Chromoluminarism – the scientific application of complementary colors to create luminous effects. This knowledge became a cornerstone of his technique, allowing him to imbue his canvases with an extraordinary vibrancy and sense of light. He wasn’t merely replicating what he saw; he was interpreting it through a lens of color and emotion, creating scenes that felt both familiar and dreamlike.

    Lebasque's artistic vision centered around portraying the serene beauty of domestic life and landscapes bathed in sunlight—themes that mirrored the sensibilities of Les Nabis and resonated with his own profound appreciation for visual harmony. His meticulous technique involved layering thin, translucent paint to achieve a luminous quality characteristic of Post-Impressionism, skillfully utilizing complementary color pairings to heighten visual impact while maintaining an overall sense of balance. Works like Rest on the Banks of the Yaudet exemplify this mastery, capturing the tranquility of nature with delicate brushstrokes and subtle tonal variations.

    A Palette of Serenity: Themes and Techniques

    The hallmark of Lebasque's work lies in its tranquil atmosphere and harmonious palette—a deliberate departure from the dramatic narratives favored by earlier artistic movements. He sought inspiration in simple pleasures—family portraits, leisurely moments spent outdoors—translating these experiences onto canvas with remarkable sensitivity. His paintings eschewed grand historical pronouncements or theatrical displays of emotion; instead, they offered glimpses into intimate domesticity and the understated splendor of the natural world. Madame Lebasque and Her Daughters stands as a testament to his ability to convey tenderness and grace through masterful composition and luminous color—a hallmark of Lebasque’s distinctive style.

    His technique involved building up layers of thin, translucent paint – a method that allowed for subtle tonal shifts and maximized the impact of complementary color pairings. This approach resulted in canvases imbued with an ethereal glow, reflecting Lebasque's unwavering dedication to capturing light and color with unparalleled precision. He skillfully employed techniques honed during his formative years at the École régionale des beaux-arts d’Angers and further refined through collaborations with prominent artists like Camille Pissarro and Auguste Renoir—artists who championed a similar aesthetic philosophy centered on observation and emotional resonance.

    Legacy and Recognition: A Lasting Impression

    Throughout his prolific career, Lebasque achieved considerable acclaim, participating in prestigious exhibitions such as the Salon d’Automne – which he helped establish alongside Henri Matisse – and the Salon des Indépendants. These venues provided a platform for showcasing his innovative approach to painting and solidified his reputation as a visionary artist ahead of his time. Furthermore, commissions from influential patrons—including decorative projects undertaken at the Champs-Élysées theatre and on transatlantic liners—demonstrated Lebasque’s versatility and cemented his place within the cultural landscape of Belle Époque Paris. His enduring artistic legacy is evidenced by the presence of numerous masterpieces in prominent museum collections across Europe – including the Musée d’Orsay in Paris, the Petit Palais in Geneva, and museums in Lille and Nantes – guaranteeing that Henri Lebasque's vision continues to inspire generations of artists and viewers alike.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Landscape at Champetre allalaadimislehele

    topimpressionists.com/et/art/download/henri-lebasque-landscape-at-champetre-9GEN9U-en/

    Viige seda teost allintena

    MLA
    Lebasque, Henri. Landscape at Champetre. 1894, https://topimpressionists.com/et/art/henri-lebasque-landscape-at-champetre-9GEN9U-en/
    APA
    Lebasque, Henri (1894). Landscape at Champetre [Painting]. https://topimpressionists.com/et/art/henri-lebasque-landscape-at-champetre-9GEN9U-en/
    Chicago
    Henri Lebasque. Landscape at Champetre. 1894. https://topimpressionists.com/et/art/henri-lebasque-landscape-at-champetre-9GEN9U-en/
    Harvard
    Lebasque, Henri (1894) Landscape at Champetre. Available at: https://topimpressionists.com/et/art/henri-lebasque-landscape-at-champetre-9GEN9U-en/

    Vaata lähedalt

    Landscape at Champetre — Henri Lebasque

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Meie kataloog liigitab seda teost kategooria landscape, rural france, leisure alla. Olete nõus? Mida te lisaksin või eemaldasite?
    4. Vaadake tagasi selle juhendi alguses esitatud teosele Basleri portreeet (1912). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Kus seda teoses näha saab?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Küsimused ja vastused

    Mida „Landscape at Champetre“, autor Henri Lebasque kujutab?

    Teos „Landscape at Champetre“, autor Henri Lebasque kujutab: landscape, rural france, leisure, tranquility, figures, village, impressionism, outdoors.

    Kas teose "Landscape at Champetre" värvid on tugevad või pehmed?

    Teose "Landscape at Champetre" värvitoon on Balanced. Intensiivsus kirjeldab värvide sileduse ja tugevuse määra.

    Kuidas kunstiliikumine ja ajastu tegemist on teoses „Landscape at Champetre“, autor Henri Lebasque?

    Teos "Landscape at Champetre" kuulub Impressionism suunale ning selle looja tegutses 19. sajand ajastul.