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Study for Sad Inheritance

Nimi Klass Kuupäev

Joaquín Sorolla, Study for Sad Inheritance (1899). Avalik omand Vaadake seda künist liikuvas valguses: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
Joaquín Sorolla topimpressionists.com/et/artists/joaquin-sorolla_et/
Kunstniku eluaastad
1863 – 1923
Maalatud
1899
Materjal
Oil On Canvas
Liikumine
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

Kontekstis

Study for Sad Inheritance — Joaquín Sorolla

Millal see maalis on tehtud?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 60 surumisel.

Maalatud siis, kui kunstnik oli 36 aastane. Kunstnik elas 60 aastani. 109 meie kataloogis olevatest selle kunstniku 558 dateeritud teosest on loodud varem.

Varjatud: Joaquín Sorolla eluajal (1863–1923) ▲ see teos, 1899 iga dateeritud maal, aastakümne kaupa

Esimesed teosed: kuni 1901 Peamised töötusaastad: 1901–1911 Hilisemad teosed: alates aastast 1911

Need kolm osa jagavad selles kataloogis kuupäevaga märgitud teosed esimeseks neljanüüdiks, keskmiseks pooleks ja viimaseks neljanüüdiks. Need ei kujuta endast kunstniku tervikut: vähem produktiivne periood võib tähendada hoopis puudut teose kataloogist, mitte pelgalt vaikset aega. Aastad, mis on kooditud kunstniku elulugu

Võrdle teoseid

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: topimpressionists.com/et/art/similar/joaquin-sorolla-y-bastida-study-for-sad-inheritance-AQQCKW-en/

Värvid

Pildist mõõdetud

    Peavärv

    Teal #2b7185

    Katalogistatud palett

    • #2B7185
    • #D3B98B
    • #0F4755
    • #848F84

    Need värvid on osa kunstniku terviklikust paletist Leia teisi maaleid värvi järgi

    Peavärvi nimi
    Teal
    Intensiivsus
    Balanced Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Bold Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Softly Mixed Palette Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Heleus
    Bright Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Balanced Soft Värvide puhtus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • madalaim 1% osa
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik Joaquín Sorolla teosed viimase zwölf kuuga — kokku 49 riiki. Kust need numbrid pärinevad

    Kolm kümmet juhtivat riiki

    1. 1 Hiina 41,2%41600 visits
    2. 2 Ameerika Ühendriigid 8,3%8400 visits
    3. 3 Prantsusmaa 6,1%6200 visits
    4. 4 Hispaania 5,6%5600 visits
    5. 5 Lõuna-Korea 4,8%4800 visits
    6. 6 Singapur 4,8%4800 visits
    7. 7 Hong Kong 4,4%4400 visits
    8. 8 Rumeenia 4,2%4200 visits
    9. 9 Itaalia 3,2%3200 visits
    10. 10 Ühendusriik 2,3%2300 visits
    11. · 39 teist riiki 15,1%15400 visits

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    Joaquín Sorolla kõige vaatamistundlikumad teosed (kokku 20)

    1. 1 Õnnelik tüdruk lilledega, 1886 6,7%9200 visits
    2. 2 Rannapromenad, 1909 2,1%2900 visits
    3. 3 Running along the beach, 1908 1,7%2300 visits
    4. 4 Valencia beach in the morning light, 1908 1,6%2200 visits
    5. 5 Seville, the Dance, 1915 1,4%2000 visits
    6. 6 Sewing the Sail, 1896 1,2%1600 visits
    7. 7 Siesta, 1911 1,1%1500 visits
    8. 8 Coast at Santa Cristina, 1914 1,0%1400 visits
    9. 9 bacante, 1886 1,0%1400 visits
    10. 10 Midday at Valencia beach, 1904 0,9%1300 visits
    11. 11 On the Rocks at Javea, 1905 0,8%1100 visits
    12. 12 Nude with Ball, 1887 0,8%1100 visits
    13. 13 The Little Sailing Boat, 1909 0,8%1100 visits
    14. 14 "Fishing Nets" -> "Kaalukaid ja Meriseనె", 1893 0,7%1000 visits
    15. 15 Swimmers, Jávea, 1905 0,7%1000 visits
    16. 16 Clotilde on the Beach, 1904 0,7%1000 visits
    17. 17 València merehel, 1916 0,7%900 visits
    18. 18 Sea Idyll, 1908 0,7%900 visits
    19. 19 Types of Lagartera or Lagarterana bride, 1912 0,7%900 visits
    20. — Study for Sad Inheritance, 1899 see maalaus 0,0%0 visits

    Koos kattavad need teosed 25,3% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 850 seda kunstnikku kuuluvat teost, millest 460 on vähemalt üks kord vaadatud. Seda teost ei ole antud perioodil veel vaadatud — see lõpetab nimekirja ilma reitinguta. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks lisaks sellele, kui hästi on see maalitud.

    Kunstnik ja muuseum

    Kunstnik

    Joaquín Sorolla

    Sündinud koht: València, Hispaania

    Joaquín Sorolla y Bastida – A Life Bathed in Light

    Joaquín Sorolla y Bastida, a name synonymous with the radiant light and vibrant energy of Spain, was more than just a painter; he was a chronicler of his nation’s soul. Born in Valencia in 1863, Sorolla's early life was marked by tragedy. Orphaned at the tender age of two following a cholera epidemic that claimed both parents, young Joaquín and his sister were raised by their maternal aunt and uncle. This early experience with loss perhaps instilled within him a profound appreciation for the fleeting beauty of life – a sentiment that would permeate his art. Though hardship shadowed his beginnings, it did not dim the spark of artistic talent that quickly became apparent. He received initial instruction in Valencia, demonstrating an aptitude that led to studies under established artists like Cayetano Capuz and José Benlliure, eventually culminating in a four-year grant to study in Rome. It was there, amidst the classical grandeur of Italy, that Sorolla began to forge his unique artistic path, absorbing influences while simultaneously developing a style distinctly his own.

    Early Life and Artistic Beginnings

    Joaquín Sorolla’s formative years were shaped by profound loss and circumstance. Born on February 27, 1863, in Valencia, Spain, he descended from a modest family of tradesmen. Tragically, just two years later, his parents succumbed to cholera—a devastating epidemic that gripped the city—leaving him orphaned alongside his sister, Concha. Their maternal aunt and uncle stepped forward to provide care, fostering an early awareness of vulnerability and resilience – themes that would subtly inform Sorolla’s artistic vision throughout his career. Recognizing his exceptional talent at a young age, he commenced formal art education in Valencia, honing his skills under the tutelage of prominent Valencian artists like Cayetano Capuz and José Benlliure. This foundational training instilled in him a disciplined approach to observation and representation—skills that would prove invaluable as he embarked on his artistic journey. At eighteen, Sorolla ventured to Madrid, immersing himself in the vibrant cultural landscape of the capital and dedicating himself to intensive study at the Museo del Prado, where he encountered the masterpieces of Velázquez and other titans of Spanish art.

    Rome: The Crucible of Impressionism

    A pivotal moment arrived when Sorolla secured a prestigious grant enabling him to pursue his artistic ambitions in Rome—the Italian capital—between 1884 and 1888. This immersion in the artistic milieu of Italy proved transformative, exposing him to the burgeoning currents of Impressionism and fostering an enduring fascination with capturing fleeting moments of light and color. Influenced by artists such as Jules Bastien-Lepage and Adolf von Menzel—whose works he meticulously studied—Sorolla began to experiment with looser brushstrokes and brighter palettes, distancing himself from the more rigid conventions of academic painting. He established connections with José Benlliure and Emilio Sala, furthering his artistic education and solidifying his stylistic evolution. During this period, Sorolla’s gaze turned towards Paris, where he encountered the epicenter of modern art—a city pulsating with innovation and intellectual ferment. Exhibitions featuring Bastien-Lepage and Menzel profoundly impacted his artistic sensibilities, shaping his approach to composition and color harmony.

    The Valencian Coast: A Celebration of Light

    Sorolla’s artistic focus shifted decisively upon returning to Valencia in 1890—a homecoming marked by a renewed appreciation for the luminous landscapes of his birthplace. He married Clotilde García del Castillo, forging a lifelong partnership that would inspire him creatively and provide unwavering support throughout his prolific career. Together they established a family in Madrid, where Sorolla continued to produce monumental canvases depicting scenes from Valencian life—particularly those centered around the Mediterranean coast. His fascination with capturing the effects of sunlight on water and skin reached its zenith during this period, resulting in iconic paintings like The Return from Fishing and *Children on the Seashore*. He adopted a technique characterized by rapid brushwork and vibrant color combinations—a deliberate departure from academic realism—reflecting his unwavering commitment to Impressionistic principles. Sorolla’s canvases are imbued with an extraordinary sense of immediacy and vitality, conveying not merely what he saw but also how he felt—a testament to his artistic empathy and profound connection to the natural world.

    Major Achievements & Legacy

    Sorolla achieved international acclaim during his lifetime through numerous exhibitions across Europe and America. His paintings were recognized for their technical brilliance and emotional depth, establishing him as one of Spain’s foremost artists of his era. He garnered considerable honors—including the Grand Prix at the Paris Salon in 1900—and was commissioned to undertake ambitious projects such as Vision of Spain, a monumental mural cycle for the Hispanic Society of America—completed posthumously—that cemented his reputation as a visionary artist and a champion of Spanish culture. Sorolla’s influence extended far beyond his own lifetime, inspiring generations of painters who embraced Luminism—the art movement that sought to capture the essence of light and atmosphere—and whose works continue to resonate with audiences today. His legacy resides not only in his stunning canvases but also in his unwavering dedication to artistic innovation and his profound appreciation for the beauty of everyday life—a painter whose enduring vision continues to illuminate our understanding of Spanish art history.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Study for Sad Inheritance allalaadimislehele

    topimpressionists.com/et/art/download/joaquin-sorolla-y-bastida-study-for-sad-inheritance-AQQCKW-en/

    Viige seda teost allintena

    MLA
    Sorolla, Joaquín. Study for Sad Inheritance. 1899, https://topimpressionists.com/et/art/joaquin-sorolla-y-bastida-study-for-sad-inheritance-AQQCKW-en/
    APA
    Sorolla, Joaquín (1899). Study for Sad Inheritance [Painting]. https://topimpressionists.com/et/art/joaquin-sorolla-y-bastida-study-for-sad-inheritance-AQQCKW-en/
    Chicago
    Joaquín Sorolla. Study for Sad Inheritance. 1899. https://topimpressionists.com/et/art/joaquin-sorolla-y-bastida-study-for-sad-inheritance-AQQCKW-en/
    Harvard
    Sorolla, Joaquín (1899) Study for Sad Inheritance. Available at: https://topimpressionists.com/et/art/joaquin-sorolla-y-bastida-study-for-sad-inheritance-AQQCKW-en/

    Vaata lähedalt

    Study for Sad Inheritance — Joaquín Sorolla

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Kui palju näiteid sa leiad? ____ (meie kataloog loeb 6 — kas oled sama arvamust?)
    4. Meie kataloog liigitab seda teost kategooria beach scene, nude figures, leisure alla. Olete nõus? Mida te lisaksin või eemaldasite?
    5. Vaadake tagasi selle juhendi alguses esitatud teosele Valencia beach in the morning light (1908). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Korduvad küsimused

    Kas teose „Study for Sad Inheritance“, autor Joaquín Sorolla värvid on kütkestatud või pehmed?

    Teose „Study for Sad Inheritance“, autor Joaquín Sorolla värvide kütkuse aste on Balanced Soft. Kütkus kirjeldab, kui erksad või pehmed värvid on.

    Kas teos „Study for Sad Inheritance“, autor Joaquín Sorolla kuulub avalikku omandisse?

    Teos „Study for Sad Inheritance“, autor Joaquín Sorolla on lubaõiguslikult avalikus õiguses – selle autoriõigud onหมดunud. See staatus reguleerib teose pildi reprodüseerimise võimalusi.

    Kuidas teose "Study for Sad Inheritance" värvid omavahel koos toimivad?

    Teose „Study for Sad Inheritance“, autor Joaquín Sorolla värvid kujutavad Softly Mixed Palette harmooniat. Harmoonia kirjeldab, kuidas värvid omavahel seotud on.