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Spring in Mallorca

Nimi Klass Kuupäev

John Anthony Park, Spring in Mallorca (1934). Kasutatud ainult näidises; kõik õigused on kaitstud õiguste valdaja poolt. Vaadake seda künist liikuvas valguses: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
John Anthony Park topimpressionists.com/et/artists/john-anthony-park/
Kunstniku eluaastad
1880 – 1962
Maalatud
1934
Originaalmõõtmed
50 x 61 cm

Kontekstis

Spring in Mallorca — John Anthony Park

Mis on selle mõõt?

Originaali mõõdud on 50 × 61 cm (kõrgus × laius); teos on joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 82 surumisel.

Maalatud siis, kui kunstnik oli 54 aastane. Kunstnik elas 82 aastani. 3 meie kataloogis olevatest selle kunstniku 11 dateeritud teosest on loodud varem.

Varjatud: John Anthony Park eluajal (1880–1962) ▲ see teos, 1934 iga dateeritud maal, aastakümne kaupa

Esimesed teosed: kuni 1931 Peamised töötusaastad: 1931–1938 Hilisemad teosed: alates aastast 1938

Need kolm osa jagavad selles kataloogis kuupäevaga märgitud teosed esimeseks neljanüüdiks, keskmiseks pooleks ja viimaseks neljanüüdiks. Need ei kujuta endast kunstniku tervikut: vähem produktiivne periood võib tähendada hoopis puudut teose kataloogist, mitte pelgalt vaikset aega. Aastad, mis on kooditud kunstniku elulugu

Võrdle teoseid

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: topimpressionists.com/et/art/similar/john-anthony-park-spring-in-mallorca-AQVAX7-en/

Värvid

Pildist mõõdetud

    Peavärv

    Gray #707161

    Katalogistatud palett

    • #707161
    • #2D352B
    • #4D5944
    • #9EA198

    Need värvid on osa kunstniku terviklikust paletist Leia teisi maaleid värvi järgi

    Peavärvi nimi
    Gray
    Intensiivsus
    Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Gentle Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Discordant Palette Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Heleus
    Balanced Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Muted Värvide puhtus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • madalaim 1% osa
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik John Anthony Park teosed viimase zwölf kuuga — kokku 4 riiki. Kust need numbrid pärinevad

    Kolm kümmet juhtivat riiki

    1. 1 Austraalia 28,6%
    2. 2 Hiina 28,6%
    3. 3 Ühendusriik 28,6%
    4. 4 Portugal 14,3%

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    John Anthony Park kõige vaatamistundlikumad teosed (kokku 6)

    1. 1 Heart of Exmoor 28,6%
    2. 2 Spring on the Stour 14,3%
    3. 3 Spring in Mallorca, 1934 see maalaus 14,3%
    4. 4 St Ives Harbour 14,3%
    5. 5 A Peaceful Haven 14,3%
    6. 6 Snow Falls on Exmoor, 1939 14,3%

    Koos kattavad need teosed 100,0% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 26 seda kunstnikku kuuluvat teost, millest 6 on vähemalt üks kord vaadatud. See maaldi on nende seas 3 kohal, selle tähelepanu osaga 14,3%. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks lisaks sellele, kui hästi on see maalitud.

    Kunstnik ja muuseum

    Kunstnik

    John Anthony Park

    John Anthony Park: A Cornish Master of Light and Landscape

    Born in Preston, Lancashire, in 1878, John Anthony Park’s artistic journey began far from the rugged coastlines that would ultimately define his most celebrated work. Initially employed in a cotton mill, Park’s innate talent for observation and representation led him to pursue painting as a vocation, initially studying under Julius Olsson and Algernon Talmage, absorbing the principles of Impressionism and early Modernism. A pivotal move to Paris in 1905 provided further refinement at the Académie Colarossi, under Auguste Joseph Delecluse, exposing him to French artistic techniques and broadening his palette. This period marked a crucial shift towards capturing fleeting moments of light and atmosphere – a hallmark that would become inextricably linked with his name.

    Park’s early career saw him exhibiting at the Royal Academy in 1905, showcasing works like “Summer Evening,” “Low Tide,” and “The Bay Cloudy Day.” These pieces demonstrated an emerging ability to translate the vibrant hues of the Cornish landscape onto canvas. However, it was his relocation to St Ives, Cornwall, around 1927, that truly ignited his artistic fire. The town’s dramatic light, its bustling harbour, and the surrounding coastline provided a constant source of inspiration – a palette of blues, greens, and golds waiting to be rendered with bold brushstrokes and an intuitive understanding of colour.

    The Cornish Vision: Light, Colour, and Coastal Scenes

    Park’s style in St Ives evolved into a distinctive brand of Impressionism, deeply rooted in the local environment. He wasn't merely depicting scenes; he was capturing the feeling of Cornwall – its ever-changing light, the salty tang of the air, and the rhythmic movement of the sea. His paintings are characterized by loose, expressive brushwork, vibrant colour palettes, and a focus on atmospheric effects. Unlike many landscape artists who sought to create photographic realism, Park prioritized conveying an emotional response to his subject matter.

    His most famous subjects were the harbour scenes – the boats bobbing in the water, the fishermen unloading their catch, the quaint cottages nestled amongst the hills. These weren’t idealized depictions; they were honest portrayals of everyday life, imbued with a sense of warmth and tranquility. He frequently depicted the iconic St Ives Harbour, immortalizing its beauty through countless paintings, each capturing a slightly different mood or moment in time. Works like “St Ives Harbour (to commemorate the visit of HMS Howe to St Ives, July 1947)” exemplify this skill, showcasing his ability to capture both the grandeur and intimacy of the scene.

    Influences and Artistic Development

    Park’s artistic development was shaped by a confluence of influences. The Impressionist movement, with its emphasis on capturing fleeting moments and using colour to convey emotion, undoubtedly played a significant role. He also drew inspiration from the Cornish landscape itself – the dramatic light, the rugged coastline, and the vibrant local culture. Furthermore, his time in Paris exposed him to French techniques and perspectives, while his later years were marked by a growing interest in tonal painting, evident in works like “Monday Morning,” where he employed subtle gradations of colour to create a sense of depth and atmosphere.

    It’s important to note that Park's style evolved over time. Early works demonstrate a more academic approach, while later paintings reflect a greater freedom and spontaneity. This evolution is reflected in his increasing use of bold colours and expressive brushwork, culminating in the luminous and evocative landscapes that define his legacy.

    Legacy and Recognition

    John Anthony Park’s work gained recognition throughout his career, with exhibitions held both in Britain and abroad. He became a founding member of the St Ives Society of Artists, contributing to the flourishing artistic community that thrived in Cornwall during the early 20th century. His paintings are now highly sought after by collectors worldwide, appreciated for their beauty, technical skill, and evocative portrayal of the Cornish landscape.

    Beyond his artistic achievements, Park’s legacy extends to his contribution to the St Ives art scene. He helped establish the town as a center for artistic innovation and inspired generations of artists to capture its unique charm on canvas. His work continues to resonate with viewers today, offering a glimpse into a bygone era and reminding us of the enduring power of landscape painting.

    Further Exploration

    To delve deeper into John Anthony Park’s life and work, consider exploring these resources:

    WahooArt: John Anthony Park – Offers detailed artist biographies, artwork images, and auction records.

    AskART: John Anthony Park – Provides a comprehensive overview of the artist’s life, career, and artistic style.

    Haynes Fine Art: John Anthony Park - Offers information about his work for sale.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Spring in Mallorca allalaadimislehele

    topimpressionists.com/et/art/download/john-anthony-park-spring-in-mallorca-AQVAX7-en/

    Viige seda teost allintena

    MLA
    Park, John Anthony. Spring in Mallorca. 1934, https://topimpressionists.com/et/art/john-anthony-park-spring-in-mallorca-AQVAX7-en/
    APA
    Park, John Anthony (1934). Spring in Mallorca [Painting]. https://topimpressionists.com/et/art/john-anthony-park-spring-in-mallorca-AQVAX7-en/
    Chicago
    John Anthony Park. Spring in Mallorca. 1934. https://topimpressionists.com/et/art/john-anthony-park-spring-in-mallorca-AQVAX7-en/
    Harvard
    Park, John Anthony (1934) Spring in Mallorca. Available at: https://topimpressionists.com/et/art/john-anthony-park-spring-in-mallorca-AQVAX7-en/

    Vaata lähedalt

    Spring in Mallorca — John Anthony Park

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Vaadake tagasi juhendi alguses esitatud teosele Heart of Exmoor. Tooge kaks asja, mis sellel ja käesoleva teose vahel ühtevad, ning üks erinevus.
    4. John Anthony Park oli seda teost luues umbes 54 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?
    5. Mida kunstnik võib olla soovinud teile tekitada?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Korduvad küsimused

    Mis on teose „Spring in Mallorca“, autor John Anthony Park luminants?

    Teose „Spring in Mallorca“, autor John Anthony Park luminants on Soft Shadow. Luminants kirjeldab, kui palju valgust värvid peegeldavad.

    Kas saan näha teose „Spring in Mallorca“, autor John Anthony Park röntgenpilti?

    Teose „Spring in Mallorca“, autor John Anthony Park Röntgenuuring leht on interaktiivne vaatur, mis võimaldab liikuda läbi teose üheksateist optilise kihti, sealhulgas röntgenlaadunäoga vaadet.

    Kas teos "Spring in Mallorca" on üldmuljelt pigem hele või tumene?

    Teose „Spring in Mallorca“, autor John Anthony Park registreeritud väärtused on: eregus balanced ja luminants Soft Shadow.