Paberikuju

Õpilaste kunstiteoste juhend

DEATH SHRINE

Nimi Klass Kuupäev

Kenneth Price, DEATH SHRINE (1975). Reprodukteeritud allujoonaseks; õigused on kaitstud õiguste valdaja poolt. Vaadake seda künist liikudes: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
Kenneth Price topimpressionists.com/et/artists/kenneth-price/
Kunstniku eluaastad
1935 – 2012
Maalatud
1975
Liikumine
Pop Art Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall.

Kontekstis

DEATH SHRINE — Kenneth Price

Millal see maalis on tehtud?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990
  8. 2000
  9. 2010

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 77 surumisel.

Maalatud siis, kui kunstnik oli 40 aastane. Kunstnik elas 77 aastani. 3 meie kataloogis olevatest selle kunstniku 6 dateeritud teosest on loodud varem.

Varjatud: Kenneth Price eluajal (1935–2012) ▲ see teos, 1975 iga dateeritud maal, aastakümne kaupa

Sarnased teosed

  • Untitled, 1974 topimpressionists.com/et/art/kenneth-price-untitled-D2RD4F-en/
  • Tamed, 1988 topimpressionists.com/et/art/kenneth-price-tamed-D2DSV9-en/
  • Figurine Cup VI, 1970 topimpressionists.com/et/art/kenneth-price-figurine-cup-vi-D3J5AW-en/

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: topimpressionists.com/et/art/similar/kenneth-price-death-shrine-D2SCXM-en/

Värvigamma

Pildist mõõdetud palett

    Peavärv

    Rosy Brown #cdaca0

    Salvestatud palett

    • #CDACA0
    • #7B6A64
    • #CC2D21
    • #E9E4DB

    Need värvid kunstniku kogu paleti sees Leia teisi maaleid värvi järgi

    Palett
    Metallics Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Rosy Brown
    Intensiivsus
    Vivid Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Balanced Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Strong Color Unity Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Ereus
    Brilliant Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Clear Color Presence Värvide puudus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • alla 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik Kenneth Price teosed viimase zwölf kuuga — kokku 1 riiki. Kust need numbrid pärinevad

    Üheksakümmend juhtivat riiki

    1. 1 Hiina 100,0%

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    Kenneth Price kõige vaadatavamad teosed (kokku 2)

    1. 1 Japanese Tree Frog Cup, 1968 100,0%
    2. DEATH SHRINE, 1975 see maalaus 0,0%

    Koos kattavad need teosed 100,0% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 6 seda kunstnikku kuuluvat teost, millest 1 on vähemalt üks kord vaadatud. Seda maali ei ole antud perioodil veel vaadatud — see lõpetab nimekirja ilma reitinguta. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks, lisaks sellele, kui hästi on see maalitud.

    Kunstnik ja muuseum

    Kunstnik

    Kenneth Price

    Sündinud koht: West Hollywood, United States of America

    The Alchemist of Clay: The Visionary World of Kenneth Price

    In the vibrant, sun-drenched landscape of mid-century Los Angeles, a new language of form was being whispered through the medium of clay. Kenneth Price, a figure of profound and restless creativity, did not merely sculpt; he reimagined the very essence of ceramic art. Born in West Hollywood in 1935, Price emerged from a lineage of iconoclastic artists who sought to shatter the boundaries between craft and fine art. His journey began within the prestigious halls of the Chouinard Art Institute and Otis College of Art and Design, where he absorbed the experimental spirit of the era. Under the transformative mentorship of Peter Voulkos, Price learned to view clay not as a vessel for utility, but as a raw, expressive medium capable of profound abstraction and emotional resonance.

    Price’s early years were steeped in the avant-garde currents of Abstract Expressionism and Minimalism. This period of formation instilled in him a lifelong commitment to challenging sculptural conventions. While his contemporaries often sought the stability of geometric perfection or the traditional elegance of glazed pottery, Price pursued a path of beautiful instability. His work moved through various stages of evolution, from the luminously glazed ovoid forms of the 1960s—which earned him immediate critical acclaim and even featured on the cover of Artforum—to more suggestive, molten-like slumps that seemed to defy the rigidity of their material.

    A Signature of Layers and Light

    What truly distinguishes a Price masterpiece is the breathtaking, almost illusory surface treatment that became his artistic hallmark. Moving away from traditional glazes in the 1980s, he developed a revolutionary technique that bridged the gap between sculpture and painting. He would apply multiple, thick layers of bright acrylic paint onto fired, matte-finished clay forms. Through a meticulous process of sanding and abrasion, he would peel back these colorful skins to reveal the hidden strata beneath. This method created a variegated, multi-colored pattern that possessed an ethereal, translucent quality, as if the sculptures were breathing through their own skin.

    This technique allowed for a captivating interplay of light and shadow, where the depth of the color seemed to shift with the viewer's perspective. The resulting works were neither purely sculptural nor purely painterly; they existed in a liminal space of materiality and illusion. Whether working on diminutive, outlandish shapes that subverted the functionality of traditional ceramics or larger-scale, bulbous forms lacquered with iridescent hues, Price maintained an obsession with the tactile experience of color. His surfaces were not merely decorated; they were built, excavated, and revealed.

    Legacy and the Infinite Horizon

    The significance of Kenneth Price extends far beyond the confines of the ceramic studio. He was a pivotal figure in the Los Angeles art scene, a movement that redefined American sculpture on the global stage. His ability to expand the orthodox definitions of both American and European sculpture earned him a cult following among legendary critics like Lucy Lippard, who famously noted his incomparable uniqueness. Even as he moved from the coastal energy of Venice, California, to the rugged, volcanic landscapes of Taos, New Mexico, his work continued to evolve, growing in scale and intensity.

    Beyond his three-dimensional triumphs, Price was an extraordinary draftsman, using drawing to visualize impossible architectures—such as cups with leaping frog handles—and to map out wild, cyclonic skies. His career, spanning over five decades, was a relentless pursuit of the new. Today, his work resides in the most prestigious collections worldwide, including the Metropolitan Museum of Art and the Los Angeles County Museum of Art (LACMA). Kenneth Price remains a pioneer of layered abstraction, an artist who taught us that within the humble earth of clay lies an infinite capacity for light, color, and wonder.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib DEATH SHRINE allalaadimislehele

    topimpressionists.com/et/art/download/kenneth-price-death-shrine-D2SCXM-en/

    Viige seda teost allintena

    MLA
    Price, Kenneth. DEATH SHRINE. 1975, https://topimpressionists.com/et/art/kenneth-price-death-shrine-D2SCXM-en/
    APA
    Price, Kenneth (1975). DEATH SHRINE [Painting]. https://topimpressionists.com/et/art/kenneth-price-death-shrine-D2SCXM-en/
    Chicago
    Kenneth Price. DEATH SHRINE. 1975. https://topimpressionists.com/et/art/kenneth-price-death-shrine-D2SCXM-en/
    Harvard
    Price, Kenneth (1975) DEATH SHRINE. Available at: https://topimpressionists.com/et/art/kenneth-price-death-shrine-D2SCXM-en/

    Vaata lähedalt

    DEATH SHRINE — Kenneth Price

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Vaadake tagasi selle juhendi alguses esitatud teosele Untitled (1974). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.
    4. Pop Art: Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall. Kus seda teoses näha saab?
    5. Kenneth Price oli selle teose valvimisel umbes 40 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Küsimused ja vastused

    Millissele stiilile kuulub "DEATH SHRINE"?

    Teosest „DEATH SHRINE“, autor Kenneth Price tuntud kunstisuuna kuulub Pop Art stiili. See klassifikatsioon aitab teost paikutada sarnaste kunstnike ja teoste hulka.

    Kust saan osta teose „DEATH SHRINE“, autor Kenneth Price käsitsi maalatud reproduktsiooni?

    Teose „DEATH SHRINE“, autor Kenneth Price käsitsi maalatud koopiaid müüakse saidil see veebileht: käsitsi maalatud õlireproduktsioon linaelapale, neid saab tellida sellelt lehelt Käsitsi maalatud reproduktsioon.

    Kas teose „DEATH SHRINE“, autor Kenneth Price värvid on eraldavad või pehmed?

    Teose "DEATH SHRINE" värvitoon on kroomi方面 Clear Color Presence ja intensiivsuse方面 Vivid.