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Traccia Table

Nimi Klass Kuupäev

Meret Oppenheim, Traccia Table, Swiss Institute / Contemporary Art New York. Kasutatud ainult näidises; kõik õigused on kaitstud õiguste valdaja poolt. Vaadake seda künist liikuvas valguses: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
Meret Oppenheim topimpressionists.com/et/artists/meret-oppenheim/
Kunstniku eluaastad
1913 – 1985
Liikumine
Surrealism Dream logic painted with waking precision: impossible things shown as if they were ordinary.
Toimub kohas
Swiss Institute / Contemporary Art New York topimpressionists.com/et/museums/swiss-institute-contemporary-art-new-york-new-york-city/

Kontekstis

Traccia Table — Meret Oppenheim

Millal see maaldis on tehtud?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 72 surumisel.

Varjatud: Meret Oppenheim eluajal (1913–1985) iga dateeritud maal, aastakümne kaupa

Selle plaadi kohta ei ole täpset aastat säilitatud — kunstniku eluaja ja teose stiili põhjal, millist aastakümnest te arvestaksite?

Võrdle teoseid

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: topimpressionists.com/et/art/similar/meret-oppenheim-traccia-table-D7ST7K-en/

Värvid

Pildist mõõdetud

    Peavärv

    Rosy Brown #b1ad9f

    Katalogistatud palett

    • #B1AD9F
    • #918B7E
    • #4A3C2C
    • #D8D5CC

    Need värvid on osa kunstniku terviklikust paletist Leia teisi maaleid värvi järgi

    Palett
    Neutrals Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Rosy Brown
    Intensiivsus
    Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Serene Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Unified Palette Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Heleus
    Brilliant Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Muted Värvide puhtus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • madalaim 1% osa
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik Meret Oppenheim teosed viimase zwölf kuuga — kokku 3 riiki. Kust need numbrid pärinevad

    Kolm kümmet juhtivat riiki

    1. 1 Hiina 50,0%
    2. 2 Šveits 33,3%
    3. 3 Mehhiko 16,7%

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    Meret Oppenheim kõige vaatamistundlikumad teosed (kokku 4)

    1. 1 Red head, blue body 40,0%
    2. 2 Object (Le Déjeuner en fourrure), 1936 30,0%
    3. 3 Traccia Table see maalaus 20,0%
    4. 4 My Nurse Maid, 1936 10,0%

    Koos kattavad need teosed 100,0% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 6 seda kunstnikku kuuluvat teost, millest 4 on vähemalt üks kord vaadatud. See maaldi on nende seas 3 kohal, selle tähelepanu osaga 20,0%. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks lisaks sellele, kui hästi on see maalitud.

    Kunstnik ja muuseum

    Kunstnik

    Meret Oppenheim

    Sündinud koht: Berlin, Germany

    Early Life and Influences

    Born: Berlin, Germany (1913)

    Died: 1985

    Named after Meretlein from Gottfried Keller's "Green Henry."

    Family moved to Delémont, Switzerland, due to her father’s military service during World War I.

    Exposure to art and artists at a young age in Switzerland.

    Inspired by her aunt, Ruth Wenger, and her modern lifestyle.

    Influenced by Modernism, Expressionism, Fauvism, and Cubism.

    Introduced to the writings of Carl Jung and began recording dreams, which became important sources for her art.

    The work of Paul Klee significantly influenced her artistic development.

    Career and Artistic Development

    Moved to Paris in 1932 and attended the Académie de la Grande Chaumière.

    Participated in Surrealist exhibitions starting in 1933, associating with André Breton, Man Ray, Max Ernst, and others.

    First solo exhibition in Basel in 1936 at Galerie Schulthess.

    Artistic block began in 1937 after initial success; destroyed much of her work during this period.

    Returned to art in the 1950s, reverting to earlier styles and themes.

    Major Works and Style

    Object (Le Déjeuner en fourrure) (1936): Her most famous artwork – a teacup, saucer, and spoon covered in fur. This piece explores themes of female sexuality, luxury, and the objectification of women.

    Her work often incorporated everyday objects arranged to evoke dreamlike or unsettling scenarios.

    Explored themes of femininity, exploitation, and the subconscious through her paintings and sculptures.

    Style characterized by a blend of Surrealism, Dada influences, and personal symbolism.

    Historical Significance and Legacy

    Considered a leading figure in the Surrealist movement.

    Her work challenged conventional notions of art and gender roles.

    Object (Le Déjeuner en fourrure) became an iconic symbol of 20th-century art, acquired by MoMA shortly after its creation.

    Oppenheim's exploration of dreams, sexuality, and the subconscious continues to resonate with contemporary audiences.

    Her later work emphasized personal freedom and the "androgyny of the mind."

    Key Influences and Artistic Circle

    Carl Jung: His theories on psychoanalysis and archetypes profoundly influenced her artistic themes and imagery.

    Paul Klee: Inspired by his abstract style and exploration of color and form.

    André Breton: A key figure in the Surrealist movement who encouraged and promoted her work.

    Marcel Duchamp & Max Ernst: Their conceptual approach to art influenced her use of everyday objects.

    Man Ray: Collaborated with Oppenheim on photographic works, including nude portraits.

    Muuseum

    Swiss Institute / Contemporary Art New York

    Näitustel asuvas koht New York City, United States of America

    A Beacon of Contemporary Dialogue: Exploring the Swiss Institute

    Location:

    New York City, United States

    Website:

    https://www.swissinstitute.net/

    The Swiss Institute / Contemporary Art New York stands as a singular testament to artistic ambition and intellectual curiosity—a space where tradition confronts innovation, and global perspectives converge in stimulating conversation. Founded in 1986 by a collective of Swiss expatriates driven by a desire to champion their homeland’s creative spirit, SI has undergone an extraordinary transformation from its humble beginnings into a preeminent non-profit institution dedicated to pushing the boundaries of contemporary art.

    Its evolution mirrors not merely the shifting trends within the artistic landscape but also its unwavering commitment to fostering experimentation and critical engagement. Unlike many museums that curate permanent collections, SI thrives on a dynamic succession of exhibitions—a deliberate rejection of static displays—that embrace an astonishing array of mediums: painting, sculpture, video installations, performance art, and digital explorations. Each presentation serves as a portal into pressing social and political concerns, prompting visitors to confront complex ideas with fresh eyes and fostering a deeper understanding of our world.

    Themes Explored:

    Identity, globalization, technology, environmental consciousness

    Mediums Presented:

    Painting, Sculpture, Video Installations, Performance Art, Digital Media

    Architecture as Invitation: A Space for Vision

    The Institute’s current home—a striking architectural marvel conceived by Selldorf Architects and inaugurated in 2018—is itself an invitation to contemplation. Situated in Manhattan's vibrant East Village, the building eschews the grandeur of conventional museum structures, opting instead for a more welcoming and accessible atmosphere. Natural light floods the expansive gallery spaces, illuminating artworks that demand careful observation and thoughtful reflection. The open layouts encourage movement and interaction, allowing visitors to navigate the exhibitions at their own pace—a conscious decision reflecting SI’s belief that artistic visions flourish best when unbound by restrictive conventions.

    Architectural Design Philosophy:

    Prioritization of natural light and flexible gallery spaces

    Building Location:

    East Village, Manhattan

    From Swiss Roots to Global Reach

    Despite its steadfast dedication to showcasing Swiss artistry—a mission that remains at the core of SI’s identity—the Institute has expanded its horizons far beyond national borders. Artists from across the globe find a platform here, contributing to an enriching dialogue that transcends geographical distinctions. This inclusivity is further underscored by SI’s active engagement with the local community through thoughtfully crafted public programs, immersive workshops, and educational initiatives—establishing it as more than just an institution housed within New York City; it aspires to be an integral component of its cultural heritage.

    Artist Representation:

    Artists from diverse nationalities

    Community Engagement Initiatives:

    Public Programs, Workshops, Educational Activities

    A Legacy of Innovation: Notable Exhibitions & Unique Identity

    Throughout its history, SI has hosted exhibitions that have cemented its reputation as a trailblazer—a champion of artistic daring and intellectual rigor. From spotlighting established masters to nurturing emerging talents, SI consistently presents work that challenges preconceived notions and sparks spirited debate. Recent highlights include solo or duo presentations featuring artists like Allyson Vieira, Pamela Rosenkranz, and Nicolas Party, alongside rediscoveries of overlooked masterpieces such as Karlheinz Weinberger and Heidi Bucher—demonstrating SI’s unwavering commitment to fostering artistic exploration.

    Notable Exhibitions:

    Solo/Duo Shows Featuring Artists Like Allyson Vieira, Pamela Rosenkranz, Nicolas Party

    Unique Identity Attributes:

    Intellectual Rigor Combined With Artistic Freedom; Emphasis on Community Engagement

    Concluding Thoughts

    Ultimately, the Swiss Institute distinguishes itself not merely as a repository of art but as an incubator for ideas—a space where experimentation isn’t simply tolerated but actively celebrated. It invites visitors to embark on a journey of discovery, fostering a deeper appreciation for contemporary expression and its capacity to illuminate the complexities inherent in our shared human experience.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Traccia Table allalaadimislehele

    topimpressionists.com/et/art/download/meret-oppenheim-traccia-table-D7ST7K-en/

    Viige seda teost allintena

    MLA
    Oppenheim, Meret. Traccia Table. n.d., Swiss Institute / Contemporary Art New York. https://topimpressionists.com/et/art/meret-oppenheim-traccia-table-D7ST7K-en/
    APA
    Oppenheim, Meret (n.d.). Traccia Table [Painting]. Swiss Institute / Contemporary Art New York. https://topimpressionists.com/et/art/meret-oppenheim-traccia-table-D7ST7K-en/
    Chicago
    Meret Oppenheim. Traccia Table. n.d. Swiss Institute / Contemporary Art New York. https://topimpressionists.com/et/art/meret-oppenheim-traccia-table-D7ST7K-en/
    Harvard
    Oppenheim, Meret (n.d.) Traccia Table. Swiss Institute / Contemporary Art New York. Available at: https://topimpressionists.com/et/art/meret-oppenheim-traccia-table-D7ST7K-en/

    Vaata lähedalt

    Traccia Table — Meret Oppenheim

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Meie kataloog liigitab seda teost kategooria surreal object, furry texture, dream imagery alla. Olete nõus? Mida te lisaksin või eemaldasite?
    4. Vaadake tagasi selle juhendi alguses esitatud teosele Masked Flower (1958). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.
    5. Surrealism: Dream logic painted with waking precision: impossible things shown as if they were ordinary. Kust seda teoses näha saab?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Korduvad küsimused

    Kuidas teose "Traccia Table" motiiv seobub Meret Oppenheim tavalistega teemadega?

    "Traccia Table" kujutab teemasid surreal object, furry texture, dream imagery, german art, abstract table, psychedelic art, modern design, samal ajal kui Meret Oppenheim tuntud teemad on surrealist object, dreamlike imagery, german modernism, subconscious exploration, sexual symbolism, avant-garde challenge, oppenheimer's signature, pushing artistic boundaries. Nende kahe võrdlemine näitab, kuidas teos seobub kunstniku tavalistega motiividega.

    Kas ma saan näha teost „Traccia Table“, autor Meret Oppenheim erinevates valgustingimustes?

    Teose „Traccia Table“, autor Meret Oppenheim röntgenvaade on saadaval selle Röntgenuuring lehel: see on interaktiivne pildi uurimine läbi üheksateist optilise kihti.

    Kas saan tellida teose "Traccia Table" õli-reproduktsiooni?

    Teose „Traccia Table“, autor Meret Oppenheim käsitsi maaldatud reproduktsiooni saab tellada otse selle Käsitsi maalatud reproduktsioon lehelt: käsitsi maalatud õlireproduktsioon linaelapale, valmistatud tellimusest.