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Õpilaste kunstiteoste juhend

Blind

Nimi Klass Kuupäev

Mykola Yaroshenko, Blind (1879). Avalik omand Vaadake seda künist liikuvas valguses: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
Mykola Yaroshenko topimpressionists.com/et/artists/mykola-yaroshenko/
Kunstniku eluaastad
1846 – 1898
Maalatud
1879
Originaalmõõtmed
95 x 140 cm
Liikumine
Realism Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander.

Kontekstis

Blind — Mykola Yaroshenko

Mis on selle mõõt?

Originaali mõõdud on 95 × 140 cm (kõrgus × laius); teos on joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 52 surumisel.

Maalatud siis, kui kunstnik oli 33 aastane. Kunstnik elas 52 aastani. 2 meie kataloogis olevatest selle kunstniku 23 dateeritud teosest on loodud varem.

Varjatud: Mykola Yaroshenko eluajal (1846–1898) ▲ see teos, 1879 iga dateeritud maal, aastakümne kaupa

Esimesed teosed: kuni 1882 Peamised töötusaastad: 1882–1892 Hilisemad teosed: alates aastast 1892

Need kolm osa jagavad selles kataloogis kuupäevaga märgitud teosed esimeseks neljanüüdiks, keskmiseks pooleks ja viimaseks neljanüüdiks. Need ei kujuta endast kunstniku tervikut: vähem produktiivne periood võib tähendada hoopis puudut teose kataloogist, mitte pelgalt vaikset aega. Aastad, mis on kooditud kunstniku elulugu

Võrdle teoseid

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: topimpressionists.com/et/art/similar/mykola-yaroshenko-blind-8XYKX6-en/

Värvid

Pildist mõõdetud

    Peavärv

    Putty #d3e2df

    Katalogistatud palett

    • #D3E2DF
    • #454234
    • #9EA288
    • #1C1B17

    Need värvid on osa kunstniku terviklikust paletist Leia teisi maaleid värvi järgi

    Palett
    Neutrals Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Putty
    Intensiivsus
    Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Statement Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Discordant Palette Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Heleus
    Bright Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Muted Värvide puhtus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • madalaim 1% osa
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik Mykola Yaroshenko teosed viimase zwölf kuuga — kokku 2 riiki. Kust need numbrid pärinevad

    Kolm kümmet juhtivat riiki

    1. 1 Hiina 75,0%
    2. 2 Ameerika Ühendriigid 25,0%

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    Mykola Yaroshenko kõige vaatamistundlikumad teosed (kokku 6)

    1. 1 Girl student, 1883 33,3%
    2. 2 The Student, 1881 16,7%
    3. 3 Portrait of P.Strepetova, 1886 16,7%
    4. 4 The Prisoner, 1878 16,7%
    5. 5 Portrait of S.V. Panina, 1892 16,7%
    6. — Blind, 1879 see maalaus 0,0%

    Koos kattavad need teosed 100,0% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 26 seda kunstnikku kuuluvat teost, millest 5 on vähemalt üks kord vaadatud. Seda teost ei ole antud perioodil veel vaadatud — see lõpetab nimekirja ilma reitinguta. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks lisaks sellele, kui hästi on see maalitud.

    Kunstnik ja muuseum

    Kunstnik

    Mykola Yaroshenko

    Sündinud koht: Poltava, Ukraine

    Mykola Yaroshenko: A Soulful Chronicle of the Russian Empire

    Born in Poltava, Ukraine, in 1846, Mykola Yaroshenko’s life and artistic journey were inextricably linked to the tumultuous shifts of the 19th century. His early years, steeped in the traditions of Ukrainian rural life, provided a fertile ground for his later work – a poignant exploration of the hardships, dignity, and quiet beauty of everyday existence within the waning grandeur of the Russian Empire. Yaroshenko’s artistic development wasn't a straightforward ascent; it was shaped by a complex interplay of formal training, personal experiences, and a deep-seated desire to capture the essence of his subjects with unflinching honesty.

    Initially, he received instruction from Ivan Kondratyevich Zaitsev, a local artist who instilled in him a foundational understanding of drawing. This early mentorship laid the groundwork for his later focus on realism, but it was his time at the Poltava Cadet Corps and subsequently the Mikhailovsky Artillery School in Saint Petersburg that truly shaped his artistic trajectory. These institutions provided access to formal training and exposure to the prevailing artistic trends of the era – particularly the influence of academic painting. However, Yaroshenko’s spirit resisted rigid adherence to convention; he sought a more direct connection with reality, a desire that would ultimately define his unique style.

    Yaroshenko's artistic career gained momentum through his association with the Peredvizhniki – “the Wanderers” – a group of Russian realist artists who rejected the opulent salons and academic standards of the Imperial Academy of Arts. Founded in 1870, the Peredvizhniki championed social realism, depicting scenes from the lives of ordinary people, often focusing on the struggles of the working class and peasantry. This movement offered Yaroshenko a vital platform to showcase his work and connect with fellow artists who shared his commitment to portraying the realities of Russian society. He quickly became recognized for his ability to imbue his subjects with empathy and dignity, capturing not just their physical appearance but also their inner lives.

    The Palette of Hardship: Themes and Techniques

    Yaroshenko’s oeuvre is dominated by a profound exploration of hardship – the relentless toil of agricultural labor, the poverty and vulnerability of rural communities, and the quiet dignity of those enduring difficult circumstances. His paintings are rarely celebratory; instead, they offer a starkly honest portrayal of life's challenges, often rendered in somber tones that reflect the gravity of his subjects’ experiences. He frequently depicted scenes of peasant life – harvesting, threshing, tending livestock – but always with an eye toward capturing the emotional weight of these activities.

    Technically, Yaroshenko was a master of observation and detail. He meticulously studied his subjects, paying close attention to their clothing, posture, and expressions. His brushwork is generally smooth and controlled, yet imbued with a subtle sense of texture that adds depth and realism to his compositions. He employed a muted color palette – browns, grays, ochres, and blues – to create a mood of quiet melancholy and reinforce the somber themes of his work. The use of light is particularly effective, often casting long shadows that emphasize the hardships faced by his subjects.

    Notable examples include ‘Girl student,’ a poignant portrait capturing the weariness and resilience of a young woman navigating the challenges of education; ‘Sunset,’ an evocative seascape that utilizes atmospheric perspective to convey both beauty and solitude; and ‘Portrait of the sculptor L.V. Posen’, a meticulously rendered depiction of a prominent figure in the artistic community, demonstrating his ability to capture personality and character with remarkable precision.

    A Legacy Within the Peredvizhniki

    Yaroshenko’s contribution to the Peredvizhniki movement extended beyond simply producing compelling works of art. He was actively involved in shaping the group's artistic direction, advocating for a more direct and accessible style of realism that resonated with a wider audience. His paintings were frequently exhibited alongside those of other prominent Peredvizhniki artists such as Ilya Repin and Vasily Perov, contributing to the movement’s growing visibility and influence.

    His work was not without controversy during his lifetime. Some critics found his depictions of poverty and hardship overly bleak or sentimental, while others questioned his commitment to purely realist representation. However, Yaroshenko remained steadfast in his artistic vision, continuing to produce powerful and emotionally resonant works that offered a valuable counterpoint to the idealized portrayals often favored by academic art circles.

    The Enduring Significance

    Mykola Yaroshenko’s legacy lies not only in his impressive body of work but also in his unwavering commitment to portraying the realities of Russian society with honesty and empathy. His paintings provide a valuable window into the lives of ordinary people during a period of profound social and political change, offering insights into the challenges they faced and the dignity they maintained. His influence can be seen in subsequent generations of realist artists who followed in his footsteps, and his work continues to resonate today as a testament to the power of art to illuminate the human condition.

    Today, his paintings are housed primarily in museums such as the Poltava Art Museum and the Kislovodsk Museum, ensuring that his artistic legacy will continue to be appreciated for generations to come. Further research can be found on platforms like WikiArt and Wikipedia, offering a more comprehensive understanding of his life and work.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Blind allalaadimislehele

    topimpressionists.com/et/art/download/mykola-yaroshenko-blind-8XYKX6-en/

    Viige seda teost allintena

    MLA
    Yaroshenko, Mykola. Blind. 1879, https://topimpressionists.com/et/art/mykola-yaroshenko-blind-8XYKX6-en/
    APA
    Yaroshenko, Mykola (1879). Blind [Painting]. https://topimpressionists.com/et/art/mykola-yaroshenko-blind-8XYKX6-en/
    Chicago
    Mykola Yaroshenko. Blind. 1879. https://topimpressionists.com/et/art/mykola-yaroshenko-blind-8XYKX6-en/
    Harvard
    Yaroshenko, Mykola (1879) Blind. Available at: https://topimpressionists.com/et/art/mykola-yaroshenko-blind-8XYKX6-en/

    Vaata lähedalt

    Blind — Mykola Yaroshenko

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Meie kataloog liigitab seda teost kategooria portraits, hills, rivers alla. Olete nõus? Mida te lisaksin või eemaldasite?
    4. Vaadake tagasi selle juhendi alguses esitatud teosele The Student (1881). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.
    5. Realism: Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander. Kust seda teoses näha saab?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Korduvad küsimused

    Millisse kunstisuuna kuulub teos „Blind“, autor Mykola Yaroshenko?

    "Blind" on Realism suunaga teos. See suundumine viitab kunstilisele traditsioonile, millega teos on seotud.

    Kas teoses „Blind“, autor Mykola Yaroshenko kasutatakse tugevaid kontraste või pehmeid harmooniaid?

    Teose „Blind“, autor Mykola Yaroshenko värvikompositsioon ühendab endas Statement kontrasti ja Discordant Palette harmooniat.

    Milline värv domineerib teose „Blind“, autor Mykola Yaroshenko kompositsioonis?

    Putty (#d3e2df) on teose „Blind“, autor Mykola Yaroshenko domineeriv värv.