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E.44 Making an Attack

Nimi Klass Kuupäev

Philip Connard, E.44 Making an Attack (1918). Reprodukteeritud allujoonaseks; õigused on kaitstud õiguste valdaja poolt. Vaadake seda künist liikudes: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
Philip Connard topimpressionists.com/et/artists/philip-connard/
Kunstniku eluaastad
1875 – 1958
Maalatud
1918
Originaalmõõtud
61 x 51 cm

Kontekstis

E.44 Making an Attack — Philip Connard

Mis on selle suurus?

Originaali mõõdud on 61 × 51 cm (kõrgus × laius); teos on joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 83 surumisel.

Maalatud siis, kui kunstnik oli 43 aastane. Kunstnik elas 83 aastani. 6 meie kataloogis olevatest selle kunstniku 69 dateeritud teosest on loodud varem.

Varjatud: Philip Connard eluajal (1875–1958) ▲ see teos, 1918 iga dateeritud maal, aastakümne kaupa

Esimesed teosed: kuni 1918 Peamised töötusaastad: 1918–1919 Hilisemad teosed: aastast 1919

Need kolm osa jagavad selles kataloogis kuupäevaga märgitud teosed esimeseks neljanüüdiks, keskmiseks pooleks ja viimaseks neljanüüdiks. Need ei kujuta endast kunstniku tervikut: vähem produktiivne periood võib tähendada hoopis puudut teose kataloogist, mitte pelgalt vaikset aega. Samad aastad koos kunstniku eluluga

Sarnased teosed

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: topimpressionists.com/et/art/similar/philip-connard-e-44-making-an-attack-AQUJ89-en/

Värvigamma

Pildist mõõdetud palett

    Peavärv

    Phthalo Green #2c2b2a

    Salvestatud palett

    • #2C2B2A
    • #867868
    • #CABCAC
    • #4D4742

    Need värvid kunstniku kogu paleti sees Leia teisi maaleid värvi järgi

    Palett
    Earthy Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Phthalo Green
    Intensiivsus
    Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Gentle Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Softly Mixed Palette Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Ereus
    Deep_shadow Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Muted Värvide puudus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • alla 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik Philip Connard teosed viimase zwölf kuuga — kokku 5 riiki. Kust need numbrid pärinevad

    Üheksakümmend juhtivat riiki

    1. 1 Hiina 64,7%
    2. 2 Kanada 20,6%
    3. 3 Ameerika Ühendriigid 8,8%
    4. 4 Hispaania 2,9%
    5. 5 Ühendusriik 2,9%

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    Philip Connard kõige vaadatavamad teosed (kokku 20)

    1. 1 From HMS 'Caesar' HMS 'Superb' at Constantinople, HMS 'Lord Nelson' and the French 'Diderot' in the Distance with Seaforth Highlanders Marching along the Quay, 1919 16,7%
    2. 2 The Bandstand, 1918 5,6%
    3. 3 The Bathers 5,6%
    4. 4 British Warships at Constantinople, 1920 5,6%
    5. 5 A Talk on the Ramparts 5,6%
    6. 6 Sunset 5,6%
    7. 7 St George's Day Bridge of HMS 'Canterbury', on Patrol Work when the Great Naval Raid on Zeebrugge and Ostend Took Place, 1918 2,8%
    8. 8 The Guns of HMS 'Caesar' Off Constantinople, Looking towards the Golden Horn, 1919 2,8%
    9. 9 A Destroyer in a Heavy Sea From HMS 'Melampus', 1918 2,8%
    10. 10 The Harwich Force at Sea, 1918 2,8%
    11. 11 The Destruction of an Airship off the Frisian Coast, 11 August 1918, 1918 2,8%
    12. 12 Lowering the Whaler HMS 'Coventry', 1918 2,8%
    13. 13 Sailor on the Bridge, 1918 2,8%
    14. 14 Trout Stream, 1942 2,8%
    15. 15 Cloud Shadows, 1918 2,8%
    16. 16 HMS 'Danaë', 1918 2,8%
    17. 17 Philip Connard, 1920 2,8%
    18. 18 HMS 'Curlew', 1918 2,8%
    19. 19 Still Life with Crockery, 1920 2,8%
    20. E.44 Making an Attack, 1918 see maalaus 0,0%

    Koos kattavad need teosed 81,1% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 97 seda kunstnikku kuuluvat teost, millest 26 on vähemalt üks kord vaadatud. Seda maali ei ole antud perioodil veel vaadatud — see lõpetab nimekirja ilma reitinguta. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks, lisaks sellele, kui hästi on see maalitud.

    Kunstnik ja muuseum

    Kunstnik

    Philip Connard

    A Life Painted in Light: The Story of Philip Connard

    Philip Connard (1875-1958) emerged from humble beginnings to become a celebrated British painter, his canvases imbued with a romantic sensibility and a remarkable versatility that spanned decorative landscapes, poignant war art, and grand mural commissions. Born in Southport, Lancashire, Connard’s early life offered little indication of the artistic path he would forge. He initially entered the building trade as a house painter, a practical occupation that nonetheless fostered an appreciation for form, color, and meticulous detail—qualities that would later define his work. However, a burgeoning passion for art led him to evening classes, culminating in a scholarship to the Royal College of Art in London, where he specialized in textile design. A small prize of £100 allowed a brief sojourn to Paris, though financial constraints curtailed his time there, it nonetheless provided an initial taste of the European artistic milieu.

    Upon returning to London, Connard established himself as an illustrator before securing a teaching position at Lambeth School of Art. This period proved pivotal, not only for his professional development but also for nurturing a new generation of artists, including Edmund Blampied. It was during these years that Connard’s distinctive style began to coalesce—romantic landscapes populated with graceful figures, often pierettes or birds, rendered in oils with an airy lightness and individual conception. He submitted works to the New English Art Club, gaining recognition for his evocative compositions.

    From Battlefield Sketches to Royal Commissions

    The outbreak of World War I dramatically altered Connard’s trajectory. Despite being nearly forty years old, he volunteered for service, joining the Royal Field Artillery as a private and rising to the rank of Captain before being invalided out due to severe shell shock. This experience profoundly impacted his artistic vision. Appointed an official war artist to the Royal Navy, Connard documented scenes of naval conflict with a newfound intensity and emotional depth. His sketches and paintings captured the drama of battles, most notably the surrender of the German ship SMS Goeben and the daring Zeebrugge raid—works that now reside in the Imperial War Museum, London, serving as powerful visual records of a tumultuous era. This period marked a shift from idyllic landscapes to scenes imbued with patriotism and sacrifice.

    Connard’s wartime service propelled him into a realm of prestigious commissions. He secured contracts for murals at Windsor Castle, large panels for a ballroom in New Delhi, and perhaps his most significant undertaking: a substantial panel depicting England for the opulent RMS Queen Mary liner. These projects showcased his mastery of decorative painting and his ability to translate grand narratives onto monumental surfaces. His work during this time was characterized by a refined elegance and a meticulous attention to detail, reflecting both classical influences and a distinctly British aesthetic sensibility.

    Recognition and Legacy

    The accolades followed in quick succession. Connard was elected an associate of the Royal Academy in 1918 and became a full Academician in 1925. He further served as Keeper of the Royal Academy school from 1945 to 1949, guiding aspiring artists and shaping the future direction of British art. In 1950, he was appointed a Commander of the Royal Victorian Order, acknowledging his significant contributions to the artistic landscape. Throughout his career, Connard’s work found its way into esteemed collections including the Tate Gallery in London, the Musée d’Orsay in Paris, and the National Museum of Wales.

    Influences: While not explicitly aligned with a single movement, Connard's work demonstrates an affinity for Impressionism, particularly in his use of light and color. He also drew inspiration from classical traditions and the decorative arts.

    Key Characteristics: Romantic landscapes, graceful figures, meticulous detail, atmospheric perspective, patriotic themes (particularly during wartime), and a refined elegance.

    Major Achievements: Official War Artist to the Royal Navy, murals at Windsor Castle, panel for RMS Queen Mary, election to the Royal Academy, Keeper of the Royal Academy school.

    Philip Connard’s story is one of resilience, artistic evolution, and unwavering dedication. He rose from modest origins to achieve prominence through talent, hard work, and a willingness to embrace new challenges. His paintings continue to captivate audiences with their beauty, emotional resonance, and enduring testament to the power of art to reflect both the triumphs and tragedies of human experience. He remains a significant figure in British Impressionism, celebrated for his evocative landscapes and his poignant contributions to wartime artistry.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib E.44 Making an Attack allalaadimislehele

    topimpressionists.com/et/art/download/philip-connard-e-44-making-an-attack-AQUJ89-en/

    Viige seda teost allintena

    MLA
    Connard, Philip. E.44 Making an Attack. 1918, https://topimpressionists.com/et/art/philip-connard-e-44-making-an-attack-AQUJ89-en/
    APA
    Connard, Philip (1918). E.44 Making an Attack [Painting]. https://topimpressionists.com/et/art/philip-connard-e-44-making-an-attack-AQUJ89-en/
    Chicago
    Philip Connard. E.44 Making an Attack. 1918. https://topimpressionists.com/et/art/philip-connard-e-44-making-an-attack-AQUJ89-en/
    Harvard
    Connard, Philip (1918) E.44 Making an Attack. Available at: https://topimpressionists.com/et/art/philip-connard-e-44-making-an-attack-AQUJ89-en/

    Vaata lähedalt

    E.44 Making an Attack — Philip Connard

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Kui palju näiteid sa leiad? ____ (meie kataloog loeb 3 — kas oled sama arvamust?)
    4. Vaadake tagasi selle juhendi alguses esitatud teosele Albert Emil Davies (1875–1950) (1940). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.
    5. Philip Connard oli selle teose valvimisel umbes 43 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Küsimused ja vastused

    Kas teos "E.44 Making an Attack" autorilt Philip Connard kuulub avalikku omandisse ja miks?

    Philip Connard teos "E.44 Making an Attack" on on endiselt kaitstud autoriõigusega. Autoriõiguse kaitseajad arvutatakse alates kunstniku surmaõigustest ning Philip Connard suri aastal 1958.

    Millal loodi teos "E.44 Making an Attack"?

    Teos „E.44 Making an Attack“, autor Philip Connard loodi aastal 1918.

    Kes lõi "E.44 Making an Attack"?

    Teose "E.44 Making an Attack" loovis Philip Connard. Selle lehe info kirjeldab Philip Connard algteost.

    Mis on teose „E.44 Making an Attack“, autor Philip Connard domineeriv toonsalm?

    Teose „E.44 Making an Attack“, autor Philip Connard läbimõtes on tunda Golden Yellow Range toonist.

    Kui hele on teos "E.44 Making an Attack" üldiselt?

    Üldiselt on teose "E.44 Making an Attack" heledus registreeritud väärtusega deep_shadow. Perseeeritud heledus kirjeldab, kui valguse või tumeda tundub teos olevat.

    Kas teose "E.44 Making an Attack" värvid on tugevad või pehmed?

    Teose „E.44 Making an Attack“, autor Philip Connard värvid on Monochromatic intensiivsusega.

    Kes lõi teose "E.44 Making an Attack" ja millal?

    Teose "E.44 Making an Attack" autor on Philip Connard ja selle loomisaeg on 1918.

    Kas teose "E.44 Making an Attack" looja Philip Connard on tuntud ka muude nimede all?

    Kunstnik Philip Connard tuntub ka nimeel Cvo, Ra, Rws, Royal Academician Philip Connard, Royal Watercolour Society Philip Connard.