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Etching No. 2

Nimi Klass Kuupäev

Pierre Soulages, Etching No. 2 (1952), Tate Modern. Kasutatud ainult näidises; kõik õigused on kaitstud õiguste valdaja poolt. Vaadake seda künist liikuvas valguses: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
Pierre Soulages topimpressionists.com/et/artists/pierre-soulages/
Kunstniku eluaastad
1919 –
Maalatud
1952
Liikumine
Tachisme
Toimub kohas
Tate Modern topimpressionists.com/et/museums/tate-modern-london_et/

Kontekstis

Etching No. 2 — Pierre Soulages

Millal see maalis on tehtud?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990
  10. 2000
  11. 2010

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus, kus sünniaastat arvestatakse nullina.

Maalatud siis, kui kunstnik oli 33 aastane. 1 meie kataloogis olevatest selle kunstniku 23 dateeritud teosest on loodud varem.

▲ see teos, 1952 iga dateeritud maal, aastakümne kaupa

Esimesed teosed: kuni 1957 Peamised töötusaastad: 1957–2008 Hilisemad teosed: alates aastast 2008

Need kolm osa jagavad selles kataloogis kuupäevaga märgitud teosed esimeseks neljanüüdiks, keskmiseks pooleks ja viimaseks neljanüüdiks. Need ei kujuta endast kunstniku tervikut: vähem produktiivne periood võib tähendada hoopis puudut teose kataloogist, mitte pelgalt vaikset aega. Aastad, mis on kooditud kunstniku elulugu

Võrdle teoseid

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: topimpressionists.com/et/art/similar/pierre-soulages-etching-no-2-D2Q4Y4-en/

Värvid

Pildist mõõdetud

    Peavärv

    Espresso #54413f

    Katalogistatud palett

    • #54413F
    • #F6F2EA
    • #898177
    • #231E1D

    Need värvid on osa kunstniku terviklikust paletist Leia teisi maaleid värvi järgi

    Palett
    Earthy Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Espresso
    Intensiivsus
    Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Statement Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Discordant Palette Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Heleus
    Balanced Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Muted Värvide puhtus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • madalaim 1% osa
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik Pierre Soulages teosed viimase zwölf kuuga — kokku 3 riiki. Kust need numbrid pärinevad

    Kolm kümmet juhtivat riiki

    1. 1 Hiina 70,0%
    2. 2 Holland 20,0%
    3. 3 Makedoonia 10,0%

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    Pierre Soulages kõige vaatamistundlikumad teosed (kokku 10)

    1. 1 Etching No. 2, 1952 see maalaus 28,6%
    2. 2 Lithographie No. 5, 1957 14,3%
    3. 3 Peinture 11 Juillet 1987, 1987 7,1%
    4. 4 Peinture 130 x 89 cm, 6 mars 1955, 1955 7,1%
    5. 5 Peinture 195 x 130 cm, 1955, 1955 7,1%
    6. 6 Peinture 97 x 130 cm, 29 Mai 1965 7,1%
    7. 7 Painting January 7,1983, 1983 7,1%
    8. 8 B-Walnut Stain, 1998 7,1%
    9. 9 Gouache 2004 B-7, 2004 7,1%
    10. 10 Peinture 222 x 314 cm, 24 février 2008, 2008 7,1%

    Koos kattavad need teosed 99,7% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 26 seda kunstnikku kuuluvat teost, millest 10 on vähemalt üks kord vaadatud. See maaldi on nende seas 1 kohal, selle tähelepanu osaga 28,6%. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks lisaks sellele, kui hästi on see maalitud.

    Kunstnik ja muuseum

    Kunstnik

    Pierre Soulages

    Pierre Soulages: A Life in Black and Light

    Pierre Soulages (1919-2022) was a French abstract painter, engraver, and sculptor. Celebrated as “the world’s greatest living artist” by François Hollande in 2014, Soulages dedicated his life to exploring the depths of black – not as an absence of color, but as a presence brimming with light and texture.

    Early Life and Education

    Born in Rodez, Aveyron, France, in 1919, Soulages’ artistic journey began with explorations of museums in Paris before World War II. He sought his vocation amidst the masterpieces of the past. Following military service during the war, he established a studio in Paris and debuted his work at the Salon des Indépendants in 1947. He also briefly worked as a stage set designer.

    Artistic Development & The ‘Outrenoir’ Style

    Soulages' artistic development was marked by a relentless pursuit of expressing light through the medium of black. He wasn’t interested in black for its somber connotations, but rather for its capacity to reflect and absorb light, creating an interplay of shadow and illumination. This led him to develop his signature style, which he termed ‘Outrenoir’ – literally “beyond black.”

    He explained that Outrenoir isn't simply about the color black; it represents a different realm altogether, akin to saying "beyond the Channel" for England or "beyond the Rhine" for Germany. It signifies a space beyond conventional understanding of the color itself.

    Technique and Materials

    Soulages’ technique involved applying paint in thick layers, often manipulating it with tools like spoons, rakes, and rubber implements to create textured surfaces. These textures were crucial for capturing and reflecting light. He employed scraping, digging, and etching movements to achieve smooth or rough effects, disrupting the uniformity of the black surface.

    In his later work, he began experimenting with varying pigment densities – mixing matte and glossy blacks – further enhancing the interplay of light and shadow. He often preferred suspending his paintings like walls in the middle of a room, believing they should “look inside of us” rather than acting as windows to another world.

    Major Achievements & Recognition

    1979: Elected as a foreign honorary member of the American Academy of Arts and Letters.

    1987-1994: Created 104 stained glass windows for the Romanesque Abbey Church Sainte-Foy in Conques, Aveyron – a monumental achievement.

    2001: First living artist invited to exhibit at the State Hermitage Museum of St. Petersburg and the Tretyakov Gallery of Moscow.

    2007: Musée Fabre in Montpellier dedicated an entire room to his work, showcasing a significant donation from the artist.

    2009-2010: A major retrospective held at the Centre National d'Art et de Culture Georges Pompidou in Paris.

    2014: Musée Soulages opened in Rodez, France – a museum dedicated to permanently displaying his works and hosting contemporary exhibitions. He donated 500 pieces to the museum.

    Influences & Legacy

    Soulages’ fascination with black stemmed from an early interest in prehistoric art and a desire for purity and primal expression. He saw parallels between his work and the cave paintings of our ancestors, created using charcoal on dark rock surfaces.

    His influence extends to numerous contemporary artists who explore abstraction, texture, and the expressive potential of limited color palettes. He left behind a legacy that challenges conventional perceptions of color and light, demonstrating that even in darkness, profound beauty and luminosity can be found. He is considered a pivotal figure in Tachism, an informal style of abstract expressionism.

    Historical Significance

    Pierre Soulages’ work represents a significant contribution to post-war abstract art. His unwavering dedication to exploring the nuances of black and light established him as a unique and influential voice in the artistic landscape, captivating audiences worldwide for over seven decades.

    Muuseum

    Tate Modern

    Näitustel asuvas koht London, Ühendatud kuningriik

    Tate Modern: A Chronicle of Urban Innovation

    Nestled within the skeletal remains of a colossal Bankside power station, Tate Modern stands as more than just a gallery; it’s a testament to London's relentless reinvention and a vibrant hub for contemporary art. Completed in 2000 after a painstaking fifteen-year transformation, the building itself is an immediate draw – a dramatic juxtaposition of brutalist concrete and shimmering glass that dominates the Southwark skyline. Designed by Herzog & de Meuron, it’s a structure that doesn't simply house art; it becomes part of the artwork, reflecting the city’s dynamic energy and its ongoing dialogue with the past.

    The power station’s original industrial heart – the Turbine Hall, now a cavernous space capable of hosting monumental installations – remains a powerful reminder of London’s manufacturing heritage, while the surrounding exhibits celebrate the evolution of artistic expression in the 20th and 21st centuries.

    Key Architectural Features

    The iconic sawtooth roof, a deliberate nod to the power station's original design, is perhaps Tate Modern’s most recognizable element. Its vast expanse provides ample space for large-scale exhibitions and offers breathtaking views of the city.

    The Turbine Hall: This immense space serves as a dynamic stage for immersive installations, often pushing the boundaries of artistic convention and challenging viewers' perceptions.

    The Boiler House: Originally housing the power station’s boilers, this area now hosts more intimate exhibitions and offers a fascinating glimpse into the building’s transformation.

    A Collection Rooted in Modernism

    Tate Modern’s collection is deliberately focused on international modern and contemporary art created from 1900 onwards, offering a panoramic view of artistic movements and styles that have shaped our world. It's not simply a chronological survey; instead, the gallery prioritizes works that embody innovation, experimentation, and social commentary.

    You’ll find iconic pieces by Picasso, Matisse, Warhol, Rothko, and countless others – artists whose work continues to resonate with audiences today. The collection isn’t limited to painting and sculpture; it encompasses photography, film, performance art, and digital media, reflecting the evolving nature of artistic practice.

    Picasso's "Les Demoiselles d'Avignon":

    A pivotal work in the development of Cubism, this painting exemplifies Picasso’s radical experimentation with form and perspective.

    Warhol’s “Campbell’s Soup Cans”:

    This seminal Pop Art piece challenged traditional notions of art and elevated everyday objects to the status of high culture.

    Rothko's Color Field Paintings:

    These large-scale canvases evoke a sense of contemplation and spirituality through their immersive use of color.

    Exhibitions That Spark Dialogue

    Tate Modern’s strength lies not just in its permanent collection but also in its consistently thought-provoking temporary exhibitions. The gallery regularly hosts major retrospectives, thematic group shows, and site-specific installations that engage with current social and political issues.

    Recent highlights have included explorations of identity, climate change, and the role of art in society.

    Notable Past Exhibitions:

    Marina Abramović: Artist as Activist

    Ai Weiwei: Made in China

    Jeff Koons: Balloon Dog

    A Space for the Future of Art

    Tate Modern isn’t merely a repository of art; it's an active participant in shaping its future. The gallery invests heavily in research, education, and community engagement, fostering a vibrant ecosystem of artistic creativity.

    Its ongoing expansion projects – including the planned completion of the Southern Extension – demonstrate a commitment to providing ever-evolving spaces for artists and audiences alike.

    More than just a museum, Tate Modern is a dynamic cultural landmark that embodies London’s spirit of innovation, resilience, and its unwavering belief in the power of art to transform our understanding of ourselves and the world.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Etching No. 2 allalaadimislehele

    topimpressionists.com/et/art/download/pierre-soulages-etching-no-2-D2Q4Y4-en/

    Viige seda teost allintena

    MLA
    Soulages, Pierre. Etching No. 2. 1952, Tate Modern. https://topimpressionists.com/et/art/pierre-soulages-etching-no-2-D2Q4Y4-en/
    APA
    Soulages, Pierre (1952). Etching No. 2 [Painting]. Tate Modern. https://topimpressionists.com/et/art/pierre-soulages-etching-no-2-D2Q4Y4-en/
    Chicago
    Pierre Soulages. Etching No. 2. 1952. Tate Modern. https://topimpressionists.com/et/art/pierre-soulages-etching-no-2-D2Q4Y4-en/
    Harvard
    Soulages, Pierre (1952) Etching No. 2. Tate Modern. Available at: https://topimpressionists.com/et/art/pierre-soulages-etching-no-2-D2Q4Y4-en/

    Vaata lähedalt

    Etching No. 2 — Pierre Soulages

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Vaadake tagasi juhendi alguses esitatud teosele Kompositsioon. Tooge kaks asja, mis sellel ja käesoleva teose vahel ühtevad, ning üks erinevus.
    4. Pierre Soulages oli seda teost luues umbes 33 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?
    5. Mida kunstnik võib olla soovinud teile tekitada?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Korduvad küsimused

    Kas teoses „Etching No. 2“, autor Pierre Soulages kasutatakse tugevaid kontraste või pehmeid harmooniaid?

    Teoses "Etching No. 2" on Statement kontrast koos Discordant Palette harmooniasusega.

    Kust saan osta teose „Etching No. 2“, autor Pierre Soulages trükki?

    Teose „Etching No. 2“, autor Pierre Soulages trüket saab tellida otse selle Kvaliteetne kunstutrüki print lehelt: kunstiprint puuvillalõikel kangas või arhiveeritaval kangaspaberil.

    Kas teose "Etching No. 2" värvid on tugevad või pehmed?

    Teose „Etching No. 2“, autor Pierre Soulages värvid on Monochromatic intensiivsusega.