Paberikuju

Õpilaste kunstiteoste juhend

Poisson

Nimi Klass Kuupäev

Raymond Guerrier, Poisson, Wolfson College. Reprodukteeritud allujoonaseks; õigused on kaitstud õiguste valdaja poolt. Vaadake seda künist liikudes: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
Raymond Guerrier topimpressionists.com/et/artists/raymond-guerrier/
Kunstniku eluaastad
1920 – 2002
Originaalmõõtud
127 x 157 cm
Peetud koht:
Wolfson College topimpressionists.com/et/museums/wolfson-college-oxford/

Kontekstis

Poisson — Raymond Guerrier

Mis on selle suurus?

Originaali mõõdud on 127 × 157 cm (kõrgus × laius); teos on joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maaldis on tehtud?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus — 0 sünni hetkel, 82 surumisel.

Varjatud: Raymond Guerrier eluajal (1920–2002) iga dateeritud maal, aastakümne kaupa

Selle plaadi kohta ei ole täpset aastat säilitatud — kunstniku eluaja ja teose stiili põhjal, millist aastakümnest te arvestaksite?

Sarnased teosed

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: topimpressionists.com/et/art/similar/raymond-guerrier-poisson-ARD87B-en/

Värvigamma

Pildist mõõdetud palett

    Peavärv

    Espresso #363532

    Salvestatud palett

    • #363532
    • #4E473F
    • #958D7A
    • #6D6353

    Need värvid kunstniku kogu paleti sees Leia teisi maaleid värvi järgi

    Palett
    Earthy Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Espresso
    Intensiivsus
    Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Serene Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Balanced Harmony Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Ereus
    Deep_shadow Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Muted Värvide puudus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • alla 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik Raymond Guerrier teosed viimase zwölf kuuga — kokku 2 riiki. Kust need numbrid pärinevad

    Üheksakümmend juhtivat riiki

    1. 1 Hiina 75,0%
    2. 2 Ühendusriik 25,0%

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    Raymond Guerrier kõige vaadatavamad teosed (kokku 4)

    1. 1 Landscape with Cattle and Easel 50,0%
    2. 2 Les Martigues, Provence, France 25,0%
    3. 3 Nature mort aux langoustes 25,0%
    4. Poisson see maalaus 0,0%

    Koos kattavad need teosed 100,0% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 4 seda kunstnikku kuuluvat teost, millest 3 on vähemalt üks kord vaadatud. Seda maali ei ole antud perioodil veel vaadatud — see lõpetab nimekirja ilma reitinguta. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks, lisaks sellele, kui hästi on see maalitud.

    Kunstnik ja muuseum

    Kunstnik

    Raymond Guerrier

    Raymond Guerrier: A Provençal Master of Light and Landscape

    Raymond Guerrier, a name perhaps less familiar than some of his contemporaries of the School of Paris, nevertheless represents a quietly powerful voice in 20th-century French art. Born in Paris in 1920 and passing away in Avignon in 2002, Guerrier’s journey was one of deliberate self-education, culminating in a distinctive style deeply rooted in the landscapes and light of Provence – a region he would ultimately call home. His work, often characterized by its luminous quality and evocative depictions of rural life, deserves greater recognition as a significant contributor to the evolving artistic landscape of his time.

    Early Influences and Artistic Beginnings

    Guerrier’s artistic path wasn't paved with formal training; instead, it began with an intense engagement with the art world from a young age. He spent his formative years frequenting Parisian museums, immersing himself in the works of masters like Goya and Cézanne – artists whose mastery of light, color, and form profoundly shaped his own approach. This independent study, coupled with a period working as a photoengraver to support himself, provided him with a practical understanding of visual techniques while simultaneously fueling his artistic aspirations. His initial exhibitions at the Salon d’Automne and Salon des Indépendants in 1947 marked a crucial first step, establishing his presence within the Parisian art scene and laying the groundwork for his future development. The recognition he received during a group exhibition in 1952 – including a prestigious prize – ultimately allowed him to dedicate himself fully to painting, a decision that proved transformative.

    The Provençal Shift: Light, Color, and New Horizons

    A pivotal moment in Guerrier’s career arrived with his move to Eygalières in the South of France in 1955. This relocation wasn't merely a geographical change; it represented a fundamental shift in his artistic vision. The intense Provençal light – its vibrant yellows, oranges, and blues – became the defining element of his palette and subject matter. He began to capture the essence of the region’s landscapes: the rugged Alpilles mountains, the rolling vineyards, and the sun-drenched villages. His paintings moved away from the often muted tones of Parisian art towards a brighter, more optimistic aesthetic. This period saw him exploring themes of rural life, capturing the rhythms of daily existence – farmers tending their fields, shepherds watching over their flocks, and the simple beauty of the Provençal countryside. His travels throughout Spain, Greece, Morocco, Jordan, and Israel further enriched his artistic vocabulary, introducing new colors, textures, and perspectives that he seamlessly integrated into his work.

    Style and Technique: A Synthesis of Observation and Emotion

    Guerrier’s style can be described as a synthesis of observation and emotion. While rooted in the traditions of Post-Impressionism and Cubism – evident in his use of fragmented forms and bold color choices – his work transcends mere imitation. He possessed an extraordinary ability to capture the feeling of a place, conveying not just its visual appearance but also the atmosphere and spirit of Provence. His brushwork is often loose and expressive, creating a sense of movement and vitality. He favored a limited palette, carefully selecting colors to evoke specific moods and enhance the luminosity of his scenes. The influence of Goya, particularly in his use of dramatic lighting and emotional intensity, is subtly present throughout his oeuvre.

    Legacy and Recognition

    Raymond Guerrier’s work gained international recognition during the 1960s and 70s, with exhibitions held in Geneva, Venezuela, and Buenos Aires. His paintings are now housed in prominent museums across Europe, including the Musée National d'Art Moderne in Paris, Poitiers, Marseille, Pau, Calais, Le Havre, and London. He was awarded the title of Chevalier des Arts et Lettres, a testament to his contribution to French culture. While perhaps not as widely celebrated as some of his contemporaries, Raymond Guerrier’s legacy lies in his quietly powerful depictions of Provence – landscapes imbued with light, color, and an enduring sense of beauty. His work stands as a poignant reminder that true artistic vision often emerges from independent exploration and a deep connection to one's surroundings.

    Muuseum

    Wolfson College

    Näitustel paikal Oxford, United Kingdom

    A Beacon of Modernity: Discovering Wolfson College, Oxford

    Nestled on the banks of the River Cherwell in North Oxford lies Wolfson College, a graduate institution that distinguishes itself not only through academic rigor but also as a vibrant haven for modern and contemporary art. Founded in 1965 with an ethos of inclusivity and intellectual freedom—a vision championed by its inaugural president, Sir Isaiah Berlin—Wolfson has cultivated a collection that reflects its pioneering spirit. The college’s story is one of deliberate departure from tradition; it was conceived as a space where barriers between students and fellows would dissolve, fostering a uniquely democratic environment. This commitment to egalitarianism extends to the very heart of its aesthetic identity, manifested in an impressive array of artworks that challenge convention and inspire dialogue.

    The Art Collection: A Bold Statement

    Architecture Reflecting Progressive Values

    A Legacy of Visionary Leadership

    Notable Exhibitions & Artistic Collaborations

    Wolfson College: An Inspiration for Collectors & Designers

    The Art Collection: A Bold Statement

    The art collection at Wolfson College isn’t merely decorative; it's woven into the fabric of the institution’s identity. At its core resides Anthony Caro’s Criscross (1974), a monumental sculpture that embodies his revolutionary approach to form and space—a challenge to conventional sculptural representation. Alongside Caro’s commanding presence, Gillian Ayres’ canvases inject vibrant color and energy into the college's interiors, offering a counterpoint to Caro’s geometric precision. Her paintings explore fluid forms and expressive brushwork, demonstrating the breadth of artistic vision embraced by Wolfson. Complementing this dynamic duo is M.C. Escher’s intricately detailed prints—mathematically inspired masterpieces that appeal to both scientific curiosity and aesthetic appreciation. These artworks aren't isolated treasures but rather components of a carefully curated environment designed to stimulate thought and creativity within the college community. Exploring these pieces allows visitors to contemplate how art can shape intellectual discourse.

    Architecture Reflecting Progressive Values

    Completed in 1974 by Powell and Moya Architects, Wolfson College stands as one of Oxford’s most strikingly modern structures—a deliberate rebuke to the prevailing collegiate gothic aesthetic. The building's three quadrangles are conceived as spaces for interaction and collaboration, mirroring the college’s foundational belief in egalitarianism. Notably, the diverted River Cherwell forms a picturesque punt harbor, seamlessly integrating natural beauty into the architectural plan—a testament to innovative design principles. Recognized for its significance, Wolfson College is Grade II listed, securing its place within Oxford's historic landscape and symbolizing the college’s unwavering dedication to pushing boundaries.

    A Legacy of Visionary Leadership

    The story of Wolfson College is inextricably linked to Sir Isaiah Berlin—a philosopher whose conviction that a truly vibrant academic community demanded openness and inclusivity profoundly influenced every facet of the institution. His leadership transformed Iffley College into the progressive college it is today, establishing The Isaiah Berlin Literary Trust and an annual lecture series devoted to his enduring ideas. Berlin’s vision continues to inspire generations of scholars and artists, ensuring that Wolfson College remains a bastion of intellectual freedom and artistic exploration.

    Notable Exhibitions & Artistic Collaborations

    Wolfson College actively fosters artistic engagement through collaborations with contemporary artists and hosts exhibitions showcasing innovative works. Recent initiatives have included immersive installations exploring themes of identity and social justice, furthering the college’s commitment to fostering dialogue and expanding perspectives. These events underscore Wolfson's role as a catalyst for creative thought and contribute to Oxford’s cultural landscape.

    Wolfson College: An Inspiration for Collectors & Designers

    For collectors seeking inspiration—and interior designers striving to create spaces that resonate with intellectual curiosity—Wolfson College presents an unparalleled destination. Its distinctive art collection, combined with its groundbreaking architecture and rich history, embodies the spirit of progressive values. Visiting Wolfson College is more than just admiring artwork; it’s immersing oneself in a living testament to visionary leadership and artistic innovation.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Poisson allalaadimislehele

    topimpressionists.com/et/art/download/raymond-guerrier-poisson-ARD87B-en/

    Viige seda teost allintena

    MLA
    Guerrier, Raymond. Poisson. n.d., Wolfson College. https://topimpressionists.com/et/art/raymond-guerrier-poisson-ARD87B-en/
    APA
    Guerrier, Raymond (n.d.). Poisson [Painting]. Wolfson College. https://topimpressionists.com/et/art/raymond-guerrier-poisson-ARD87B-en/
    Chicago
    Raymond Guerrier. Poisson. n.d. Wolfson College. https://topimpressionists.com/et/art/raymond-guerrier-poisson-ARD87B-en/
    Harvard
    Guerrier, Raymond (n.d.) Poisson. Wolfson College. Available at: https://topimpressionists.com/et/art/raymond-guerrier-poisson-ARD87B-en/

    Vaata lähedalt

    Poisson — Raymond Guerrier

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Vaadake tagasi juhendi alguses esitatud teosele Les Martigues, Provence, France. Tooge kaks asja, mis sellel ja käesoleva teose vahel ühtevad, ning üks erinevus.
    4. Mida kunstnik võib olla soovinud teile tekitada?
    5. Kui sa saaksid kunstnikult selle teose kohta ühe küsimuse esitada, siis mis see oleks?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Küsimused ja vastused

    Kas saan tellida teose "Poisson" õli-reproduktsiooni?

    Teose „Poisson“, autor Raymond Guerrier käsitsi maaldatud reproduktsiooni saab tellada otse lehelt see leht: käsitsi maalatud õlireproduktsioon linaelapale, valmistatud tellimusest.

    Kas teos "Poisson" autorilt Raymond Guerrier kuulub avalikku omandisse ja miks?

    Teose "Poisson" tegiteks - on endiselt kaitstud autoriõigusega - tuleneb kunstniku surma aastast 2002.

    Millised värvid domineerivad teoses „Poisson“, autor Raymond Guerrier?

    Teoses „Poisson“, autor Raymond Guerrier on kasutatud Earthy värvipaletti, kus domineerib Espresso (#363532) värv.

    Millises muuseumis on säilitatud originaal "Poisson"?

    Teos „Poisson“, autor Raymond Guerrier on näitustel Wolfson College, Oxford, United Kingdom. Muuseumi keterangane viitab originaalteosele, mitte reproduktsioonidele.

    Kui intensiivsed on värvid teoses „Poisson“, autor Raymond Guerrier?

    Teose „Poisson“, autor Raymond Guerrier värvitoon on Monochromatic.

    Kas teoses "Poisson" on nähtav tugev kerge-tume kontrast?

    Teoses „Poisson“, autor Raymond Guerrier on nähtav Serene kontrast heellemiste ja tumedate alade vahel.

    Milline on teose „Poisson“, autor Raymond Guerrier visuaalne heledus?

    Teel sündinud valgusest on teose „Poisson“, autor Raymond Guerrier ereonim deep_shadow.

    Kuidas teose „Poisson“, autor Raymond Guerrier väripaletti kirjeldatakse?

    Teoses „Poisson“, autor Raymond Guerrier on kasutatud Earthy väripaletti. See palett kokkuvõtab teose üldist värilist olemust.