Paberikuju

Õpilaste kunstiteoste juhend

Archive

Nimi Klass Kuupäev

simon callery, Archive (1996). Reprodukteeritud allujoonaseks; õigused on kaitstud õiguste valdaja poolt.

Faktid

Kunstnik
simon callery topimpressionists.com/et/artists/simon-callery/
Kunstniku eluaastad
1960 – ?
Maalatud
1996
Originaalmõõtud
254 x 360 cm

Kontekstis

Archive — simon callery

Mis on selle suurus?

Originaali mõõdud on 254 × 360 cm (kõrgus × laius); teos on joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga. See teos on sellel lehel måhuribus joonistamiseks liiga suur.

Millal see maalis on tehtud?

  1. 1960
  2. 1970
  3. 1980
  4. 1990

Varjatud: simon callery eluajal (1960–?) ▲ see teos, 1996

Sarnased teosed

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: topimpressionists.com/et/art/similar/simon-callery-archive-ARD6U9-en/

Värvigamma

Pildist mõõdetud palett

    Peavärv

    Rosy Brown #b6aea5

    Salvestatud palett

    • #B6AEA5
    • #A19D97
    • #919190
    • #ABA59F
    Palett
    Monochrome Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Rosy Brown
    Intensiivsus
    Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Serene Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Strong Color Unity Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Ereus
    Brilliant Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Muted Värvide puudus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kunstnik ja muuseum

    Kunstnik

    simon callery

    Simon Callery: Mapping the Urban Landscape Through Abstract Vision

    Simon Callery (born 1960) is an English artist whose distinctive approach to painting—characterized by fragmented, layered textures and evocative depictions of urban environments—has cemented his place as a pivotal figure within the Young British Artists movement and established him as one of Britain’s most respected contemporary painters. His work transcends mere representation; instead, it delves into psychological landscapes, exploring themes of memory, perception, and the elusive nature of experience.

    Born in London, Callery pursued formal artistic training at Cardiff College of Art, where he honed his skills in oil painting and developed a fascination with architectural forms and textures—influences that would profoundly shape his subsequent artistic endeavors. Early exhibitions showcased his burgeoning talent, establishing him within the vibrant milieu of British art during the nineties, alongside contemporaries like Liam Gilliland and Rachel Harrison. This period marked an initial foray into abstraction, where Callery began to dismantle recognizable imagery, prioritizing surface qualities and tonal harmonies over narrative content.

    Callery’s artistic trajectory gained considerable momentum with his inclusion in “Young British Artists III” at Saatchi Gallery (1994), a landmark exhibition that propelled him onto the international stage. This collective showcased a bold rejection of traditional art conventions, embracing experimentation and challenging viewers to reconsider established aesthetic boundaries. Subsequent projects—including collaborations with architects on the Segsbury Project—further solidified his commitment to exploring spatial relationships and materiality. The Segsbury project involved creating sculptural installations alongside archeologists at two significant sites in Wiltshire and Oxfordshire, reflecting Callery’s interest in engaging with history and uncovering hidden narratives within familiar landscapes.

    His work has been exhibited extensively across Europe and North America, garnering critical acclaim for its conceptual depth and visual impact. Notably, his paintings reside in the Tate Collection, a testament to their enduring artistic merit and contribution to British art history. Callery’s distinctive style—characterized by meticulous layering of pigment and textured surfaces—employs techniques reminiscent of Venetian Renaissance masters like Titian and Tintoretto, subtly referencing traditions of illusionistic painting while simultaneously forging an entirely original visual language. Through his exploration of urban spaces and psychological states, Simon Callery continues to provoke contemplation and inspire dialogue about the complexities of human perception and experience.

    Notable Exhibitions: Young British Artists III (1994), Art Now at Tate Britain (2002), Galerie Philippe Casini, Paris (2002)

    Collection Holdings: Tate Collection

    Influences: Venetian Renaissance Masters (Titian & Tintoretto); Architectural Forms and Textures

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Archive allalaadimislehele

    topimpressionists.com/et/art/download/simon-callery-archive-ARD6U9-en/

    Viige seda teost allintena

    MLA
    callery, simon. Archive. 1996, https://topimpressionists.com/et/art/simon-callery-archive-ARD6U9-en/
    APA
    callery, simon (1996). Archive [Painting]. https://topimpressionists.com/et/art/simon-callery-archive-ARD6U9-en/
    Chicago
    simon callery. Archive. 1996. https://topimpressionists.com/et/art/simon-callery-archive-ARD6U9-en/
    Harvard
    callery, simon (1996) Archive. Available at: https://topimpressionists.com/et/art/simon-callery-archive-ARD6U9-en/

    Vaata lähedalt

    Archive — simon callery

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Vaadake tagasi selle juhendi alguses esitatud teosele Borough and Trinity (1993). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.
    4. simon callery oli selle teose valvimisel umbes 36 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?
    5. Mida kunstnik võib olla soovinud teile tekitada?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.