A. Patrick kõige kuulsam 2 maalist
Mrs. Benajah Johnson (1830) on teos, millega A. Patrick on kõige tuntum; see kuulub museumi Smithsonian American Art Museum, Washington, D.C.. Meie kataloogis on 2 teost kunstnikult A. Patrick. Siin on 2 kõige kuulsamat koos aasta, muuseumi ja iga linate veebilehe loo kohta.
Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026.
- Meie kataloogis olevad teosed
- 2
- Kõige tuntud
- Mrs. Benajah Johnson (1830)
- Enamasti teoseid on
- Smithsonian American Art Museum
A. Patrick populaarseimad kümneks teost
Kuna A. Patricki lamedad pildid rippuvad siin
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | A. Patrick teosid | Selle nimekirja maalid |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 2 | Mrs. Benajah Johnson, Benajah Johnson |
A. Patrick kõige kuulsamad lamedad, aasta-aastaga
Sellel lehel olevad A. Patrick ajaloolised lamedad pildid kuuluvad kõigi koos aastale 1830: siin on need kubus, kululikkuse järjekorras.
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1830
Lentik 1 / 2Mrs. Benajah Johnson
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1830
2 / 2
Benajah Johnson
A. Patrick puuvangad, küsimus küsimusel
Millist maalatist A. Patrick kõige rohkem mäletatakse?Loe vastust
Mrs. Benajah Johnson (1830)
Kui palju maali A. Patrick lõi?Loe vastust
Kataloogist leiate 2 teost kunstnikult A. Patrick.
Kuhu on A. Patrick kõige kuulsamad tablood täna jäetud?Loe vastust
Peamiselt Smithsonian American Art Museum (Washington, D.C.) asukohas; ülaltoetud nimekiri esitab kirja iga muuseumi ja selle tablood.
Millal maalas A. Patrick oma kuulsamad linateid?Loe vastust
1830 perioodil, mis sisaldas 2 kogu selle lehe 2 teosest, oli nende hulgas Mrs. Benajah Johnson.
Millised A. Patrick teosed on Smithsonian American Art Museum kogumuses?Loe vastust
Smithsonian American Art Museum, Washington, D.C. säilitab 2 sellel lehel olevat teost, seda hulka kuuluvad ka Mrs. Benajah Johnson ja Benajah Johnson.
Tutvuge kunstnikuga: A. Patrick
The Portraitist of 1830
The brush meets the canvas in a quiet studio, capturing the likeness of the Benajah Johnson family. In 1830, A. Patrick works with oil on canvas, a medium that demands patience and a steady hand. The light settles on the subjects, freezing a specific moment of nineteenth-century life within the frame. These are not mere sketches; they are deliberate records of identity, preserved through the careful application of pigment.
The work exists now within the halls of the Smithsonian American Art Museum in Washington, D.C. Here, the portraits of Benajah Johnson and Mrs. Benajah Johnson remain as physical remnants of a bygone era. The textures of the oil paint hold the weight of their history, surviving long after the sitters themselves have passed into memory.
A Record of Presence
The artist's output is defined by these specific, documented encounters with his subjects. His technique focuses on the formal requirements of portraiture during this period, ensuring the likenesses remain accurate for posterity. The collection of his work highlights a specific focus on the individuals of the time:
- Benajah Johnson: A portrait rendered in 1830, executed in oil on canvas.
- Mrs. Benajah Johnson: A companion piece from 1830, also rendered in oil on canvas.
Historical Footprints
A. Patrick remains a figure defined by these specific contributions to the American portraiture tradition. While the broader details of his personal life remain obscured by time, his technical presence is confirmed by the preservation of his work in major institutions. The gift of Mrs. Frank Cummings Cook in 1966 ensured that these specific oils would continue to exist, allowing the faces of 1830 to remain visible to the modern eye.