Kõikidest Adam Pendleton maalidest on kõige kuulsam History (Lab 1964 Grey) (2005); seda saab näha Carnegie Kunstimuuseum-is, Pittsburgh. Meie kataloogis olevatest 1 teosest on Adam Pendleton kõige kuulsamad 1 teost, millest iga on esitatud koos kuupäeva, muuseumi ja luguga.
Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026.
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | Adam Pendleton teosid | Selle nimekirja maalid |
|---|---|---|---|
| Pittsburgh | 1 | History (Lab 1964 Grey) |
Ühe aasta, 2005, kõik Adam Pendleton dateeritud lamedad pildid on sellel lehel: siin on need, kõige kuulsemad esimesena.
History (Lab 1964 Grey) (2005)
1984 aastal sündinud Adam Pendleton oli 21 aastat vanus: History (Lab 1964 Grey) on pärinev aastast 2005.
Kataloogist leiate 1 teost kunstnikult Adam Pendleton.
Peamiselt Carnegie Kunstimuuseum (Pittsburgh) asukohas; ülaltoetud nimekiri esitab kirja iga muuseumi ja selle tablood.
Adam Pendleton is an American conceptual artist whose diverse practice encompasses painting, silkscreen, collage, video, performance, and word art. Born in Richmond, United States, he began writing poetry at an early age and later transitioned into painting. His academic journey included studying at the Artspace Independent Study Program in Peitrasanta, Italy, before moving to New York in 2002. Currently, he divides his time between New York City and Germantown, New York.
His work often involves the investigation of language and the recontextualization of history through appropriated imagery. Pendleton's artistic output has been featured in various international exhibitions, including shows at the Museum of Modern Art, the Whitney, the New Museum, and La Triennale at the Palais de Tokyo in Paris. In 2024, he was honored with the Rosenthal Family Foundation Award for Painting from the American Academy of Arts and Letters.
A central concept in Pendleton's work is "Black Dada," a term he uses to discuss the present moment by addressing both the future and the past. This concept is exemplified in his Black Dada series of paintings, which feature partial views of Sol LeWitt's cube sculptures alongside letters derived from the phrase "Black Dada." This phrase itself originates from the 1964 poem "Black Dada Nihilismus" by Amiri Baraka.
His various series and installations explore different visual and linguistic systems: