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      Adèle Romany, 1769 – 1846

      Adèle Romany kõige kuulsam 37 maalist

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) on teos, millega Adèle Romany on kõige tuntum; see kuulub museumi National Museum of Women in the Arts, Washington, D.C.. Madame Coury, Duhamel Widow (1811) ja Portrait of a Young Woman (1804) täiendavad kõige armastatumate tablodeid moodustavat triooti. Meie kataloogis on 39 teost kunstnikult Adèle Romany. Siin on 37 kõige kuulsamat koos aasta, muuseumi ja iga linate veebilehe loo kohta.

      Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026. Iga selle lehekülje maali saab tellida kas linatele kangale käsitsi maalatuna nagu õlimaalide reproduktsiooni või valitud suuruses fine art trükkina.

      Adèle Romany portree
      Adèle Romany · 1769 – 1846
      Sündinud · surnud
      1769 – 1846, Paris
      Suunata
      Neoclassicism
      Meie kataloogis olevad teosed
      39
      Kõige tuntud
      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)
      Enamasti teoseid on
      Library-museum of the Comédie-Française

      Adèle Romany populaarseimad kümneks teost

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) autor Adèle Romany
      1

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

      1795 · Oil · National Museum of Women in the Arts, Washington, D.C.

      The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

      Käsitööna maalatud õlireproduction alates $178 27 × 36 cm Originaadi suurusega $522 97 × 128 cm Telli originaalkoguses →
      Tellinime käsitsi maaldetud Maalide lugu
      Madame Coury, Duhamel Widow (1811) autor Adèle Romany
      2

      Madame Coury, Duhamel Widow

      1811 · Oil On Canvas · Nationalmuseum, Stockholm

      In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

      Käsitööna maalatud õlireproduction alates $178 28 × 36 cm Originaadi suurusega $467 90 × 117 cm Telli originaalkoguses →
      Tellinime käsitsi maaldetud Maalide lugu
      Portrait of a Young Woman (1804) autor Adèle Romany
      3

      Portrait of a Young Woman

      1804 · Oil On Canvas · Musée Marmottan Monet, Pariis

      The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.

      Käsitööna maalatud õlireproduction alates $178 29 × 35 cm Originaadi suurusega $242 51 × 61 cm Telli originaalkoguses →
      Telli see lühend Loe seda lamedat pinda kohta
      Portrait of Julie Candeille (1791) autor Adèle Romany
      4

      Portrait of Julie Candeille

      1791 · Oil On Canvas

      In Portrait of Julie Candeille, Adèle Romany employs a formal, neoclassical arrangement to present the subject in a medium close-up. The figure is contained within an oval vignette, a choice that creates a sense of depth and focuses the viewer's attention on the sitter. This geometric structure provides a controlled boundary against a soft, atmospheric background of dark greenery. The composition balances the organic fluidity of the subject with this…

      Käsitööna maalatud õlireproduction alates $178 29 × 34 cm
      Telli see lühend Loe seda lamedat pinda kohta
      Portrait of a Young Harpist (1795) autor Adèle Romany
      5

      Portrait of a Young Harpist

      1795 · Oil On Canvas · Palais des Beaux-Arts de Lille, Lille

      The air in the room feels heavy with the scent of old wood and the quiet anticipation of a single note. A young woman sits poised, her body angled toward the left as her fingers prepare to brush against the vertical strings of a harp. The warm, reddish-brown wood of the instrument catches the light, creating a soft glow that contrasts against the deep, muted teal of the background. She…

      Käsitööna maalatud õlireproduction alates $178 28 × 35 cm Originaadi suurusega $351 73 × 92 cm Telli originaalkoguses →
      Telli see lühend Loe seda lamedat pinda kohta
      Portrait of a woman (1795) autor Adèle Romany
      6

      Portrait of a woman

      1795 · Oil On Canvas · Musée Jacquemart-André, Pariis

      The Portrait of a woman by Adèle Romany captures a single, quiet moment from 1795. This bust-length composition is set within an oval format, focusing the viewer's attention on the presence of the sitter. The subject is an elegant and intimate young woman, her likeness emerging from a dark, muted background that recedes into shadow.

      Käsitööna maalatud õlireproduction alates $178 29 × 35 cm Originaadi suurusega $291 62 × 76 cm Telli originaalkoguses →
      Tooge see valguse koos koju Vaata lähemalt
      Portrait of Amélie-Justine Pontois (1795) autor Adèle Romany
      7

      Portrait of Amélie-Justine Pontois

      1795 · Oil

      In this oval-format portrait, we encounter Amélie-Justine Pontois in a moment of quiet poise. The composition, captured in a three-quarter view, positions her with a gentle sense of movement that avoids the stiffness often found in formal commissions of the era. She is rendered with a soft, luminous quality, her skin tones warming against a background of atmospheric greys and deep, nebulous shadows. There is a certain stillness here, a…

      Käsitööna maalatud õlireproduction alates $178 28 × 36 cm Originaadi suurusega $240 49 × 61 cm Telli originaalkoguses →
      Tellinime käsitsi maaldetud Maalide lugu
      Charles-Antoine d'Artenay (1792) autor Adèle Romany
      8

      Charles-Antoine d'Artenay

      1792 · Oil On Canvas · Château de Versailles, Versailles

      The man sits in a quiet, oval frame, caught in a moment of stillness. He is a figure of the late eighteenth century, draped in the heavy, tactile weight of a dark coat. A crisp white cravat provides a sharp, bright break against the warmth of his skin and the earthy tones of his attire. Light falls from the upper left, carving the geometry of his face with a gentle…

      Käsitööna maalatud õlireproduction alates $178 29 × 35 cm Originaadi suurusega $253 53 × 65 cm Telli originaalkoguses →
      Tellinime käsitsi maaldetud Maalide lugu
      Portrait of Amélie-Justine and Charles-Édouard Pontois (1800) autor Adèle Romany
      9

      Portrait of Amélie-Justine and Charles-Édouard Pontois

      1800 · Oil

      The air feels still, as if the world has paused to allow this couple a moment of private repose. Amélie-Justine and Charles-Édouard Pontois lean toward one another, their connection felt through the gentle tilt of their heads and the soft drape of a shawl. She rests her arm upon his shoulder, a gesture of quiet intimacy that speaks of a shared life lived in the calm of a changing era.…

      Käsitööna maalatud õlireproduction alates $203 28 × 35 cm Originaadi suurusega $377 73 × 92 cm Telli originaalkoguses →
      Tooge see valguse koos koju Vaata lähemalt
      A young person hesitating to play the piano in front of her family (1804) autor Adèle Romany
      10

      A young person hesitating to play the piano in front of her family

      1804 · Oil On Canvas · Frances Lehman Loeb Art Center

      The scene unfolds within the quiet tension of "A young person hesitating to play the piano in front of her family," an oil on canvas work that captures a fleeting moment of domestic hesitation. Adèle Romany brings this intimate gathering to life, freezing a single instance of social grace and youthful uncertainty. The figures are suspended in a poised, formal arrangement that suggests the weight of expectation hanging in the…

      Käsitööna maalatud õlireproduction alates $278 36 × 28 cm Originaadi suurusega $746 146 × 113 cm Telli originaalkoguses →
      Tooge see valguse koos koju Vaata lähemalt

      Adèle Romany: lõeneksad, reitingi 11 kuni 37 koht

      Adèle Romany lõikud perioodide kaupa

      Early Period

      1791 – 1798 · 7 teost selles nimekirjas
      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), Adèle Romany #1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 · National Museum of Women in the Arts Portrait of Julie Candeille (1791), Adèle Romany #4 Portrait of Julie Candeille 1791 Portrait of a Young Harpist (1795), Adèle Romany #5 Portrait of a Young Harpist 1795 · Palais des Beaux-Arts de Lille Portrait of a woman (1795), Adèle Romany #6 Portrait of a woman 1795 · Musée Jacquemart-André Portrait of Amélie-Justine Pontois (1795), Adèle Romany #7 Portrait of Amélie-Justine Pontois 1795

      Mature Period

      1799 – 1833 · 28 teost selles nimekirjas
      Madame Coury, Duhamel Widow (1811), Adèle Romany #2 Madame Coury, Duhamel Widow 1811 · Nationalmuseum Portrait of a Young Woman (1804), Adèle Romany #3 Portrait of a Young Woman 1804 · Musée Marmottan Monet Portrait of Amélie-Justine and Charles-Édouard Pontois (1800), Adèle Romany #9 Portrait of Amélie-Justine and Charles-Édouard Pontois 1800 A young person hesitating to play the piano in front of her family (1804), Adèle Romany #10 A young person hesitating to play the piano in front of her family 1804 · Frances Lehman Loeb Art Center Presumed self-portrait (1799), Adèle Romany #11 Presumed self-portrait 1799 · Musée des Beaux-Arts de Rouen

      Mida Adèle Romany kõige rohkem maalis

      Neli teemat, mis esinevad neil lätistes kõige sagedamini, koos nende kõige armastatumate näidetega.

      Woman 24 teost

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), Adèle Romany #1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 · National Museum of Women in the Arts Madame Coury, Duhamel Widow (1811), Adèle Romany #2 Madame Coury, Duhamel Widow 1811 · Nationalmuseum Portrait of a Young Woman (1804), Adèle Romany #3 Portrait of a Young Woman 1804 · Musée Marmottan Monet Portrait of Julie Candeille (1791), Adèle Romany #4 Portrait of Julie Candeille 1791

      Man 14 teost

      Charles-Antoine d'Artenay (1792), Adèle Romany #8 Charles-Antoine d'Artenay 1792 · Château de Versailles Portrait of Amélie-Justine and Charles-Édouard Pontois (1800), Adèle Romany #9 Portrait of Amélie-Justine and Charles-Édouard Pontois 1800 Young lovers playing the lyre (1802), Adèle Romany #12 Young lovers playing the lyre 1802 Louis Jean-Baptiste Étienne Vigée (1800), Adèle Romany #15 Louis Jean-Baptiste Étienne Vigée 1800

      White dress 6 teost

      Portrait of Amélie-Justine Pontois (1795), Adèle Romany #7 Portrait of Amélie-Justine Pontois 1795 A young person hesitating to play the piano in front of her family (1804), Adèle Romany #10 A young person hesitating to play the piano in front of her family 1804 · Frances Lehman Loeb Art Center Portrait of mademoiselle A.P. (1806), Adèle Romany #24 Portrait of mademoiselle A.P. 1806 · Musée de la Chartreuse de Douai Portrait of Amélie-Justine Laidin de la Bouterie (1818), Adèle Romany #31 Portrait of Amélie-Justine Laidin de la Bouterie 1818

      White cravat 6 teost

      Joseph-Dominique Fabry Garat Playing a Lyre Guitar (1808), Adèle Romany #20 Joseph-Dominique Fabry Garat Playing a Lyre Guitar 1808 · Museum of Fine Arts Portrait of Antoine Valedau (1809), Adèle Romany #25 Portrait of Antoine Valedau 1809 · Musée Fabre The Marquis de Romance Mesmon's snack (1815), Adèle Romany #29 The Marquis de Romance Mesmon's snack 1815 · Château de Versailles Portrait of Voltaire (1836), Adèle Romany #35 Portrait of Voltaire 1836 · Library-museum of the Comédie-Française

      Kuna Adèle Romanyi lamedad pildid rippuvad siin

      Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

      Muuseumid Linn Adèle Romany teosid Selle nimekirja maalid
      Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
      Château de Versailles, VersaillesChâteau de Versailles Versailles 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
      Museum of Fine Arts, BostonMuseum of Fine Arts Boston 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
      National Museum of Women in the Arts, Washington, D.C.National Museum of Women in the Arts Washington, D.C. 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
      Nationalmuseum, StockholmNationalmuseum Stockholm 1 Madame Coury, Duhamel Widow
      Musée Marmottan Monet, PariisMusée Marmottan Monet Pariis 1 Portrait of a Young Woman
      Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 1 Portrait of a Young Harpist
      Musée Jacquemart-André, PariisMusée Jacquemart-André Pariis 1 Portrait of a woman

      Adèle Romany kõige kuulsam linate, aastak decade aastak

      1. 1790s
      2. 1800s
        Portrait of a Young Woman (1804) autor Adèle Romany
        3 / 37

        Portrait of a Young Woman

        Vanus 31–40 · Musée Marmottan Monet

        The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of…

      3. 1810s
        Madame Coury, Duhamel Widow (1811) autor Adèle Romany
        Lentik 2 / 37

        Madame Coury, Duhamel Widow

        Vanus 41–50 · Nationalmuseum

        In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence…

      4. 1830s
        Portrait de Zoé Prévost, de l'Opéra-Comique (1830) autor Adèle Romany
        Reiting: 32 / 37

        Portrait de Zoé Prévost, de l'Opéra-Comique

        Vanus 61–70 · Musée Magnin

        The artwork is titled Portrait de Zoé Prévost, de l'Opéra-Comique and was executed by the artist Adèle Romany. This portrait depicts Geneviève-Aimé-Zoë Prévost, a figure known in professional…

      Adèle Romany puuvangad, küsimus küsimusel

      Millist maalatist Adèle Romany kõige rohkem mäletatakse?Loe vastust

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), National Museum of Women in the Arts, Washington, D.C.. Järgnevad Madame Coury, Duhamel Widow (1811) ja Portrait of a Young Woman (1804).

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou: kui vana oli Adèle Romany, kui see maalisiti?Loe vastust

      1769 aastal sündinud Adèle Romany oli 26 aastat vanus: Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou on pärinev aastast 1795.

      Millised on Adèle Romany kümneks kuulsamat maalatud lakan?Loe vastust

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois ja A young person hesitating to play the piano in front of her family. Iga teos ülal toodud reitingus on märgitud koos aasta ja muuseumiga.

      Kui palju maali Adèle Romany lõi?Loe vastust

      Kataloogis on 39 teost kunstnikult Adèle Romany, kuupäevadelt 1791 kuni 1836.

      Kuhu on Adèle Romany kõige kuulsamad tablood täna jäetud?Loe vastust

      Peamiselt Library-museum of the Comédie-Française (Paris), Château de Versailles (Versailles) ja Museum of Fine Arts (Boston) asukohas; ülaltoetud nimekiri esitab kirja iga muuseumi ja selle tablood.

      Millal maalas Adèle Romany oma kuulsamad linateid?Loe vastust

      1800s perioodil, mis sisaldas 13 kogu selle lehe 37 teosest, oli nende hulgas Portrait of a Young Woman.

      Milline kuvaleht Adèle Romany on kõige vanem ja milline kõige uuem?Loe vastust

      Siin olevad kõige vanamad lamedad pildid on Portrait of Julie Candeille (1791); kõige uuemad on Portrait of Voltaire (1836).

      Mille teemadele Adèle Romany kõige rohkem pühendus?Loe vastust

      Woman (24), Man (14) ja White dress (6), kogu selle lehekülje 37 teose kohta.

      Milline tehnika esineb kõige rohkem Adèle Romany maalides?Loe vastust

      Oil On Canvas, mida on kasutatud 29 kuni 37 teoseks sellel lehel.

      Millise suunaga on Adèle Romany seotud?Loe vastust

      Neoclassicism, nagu sellel lehel olevad tablood näitavad.

      Millised Adèle Romany teosed on Library-museum of the Comédie-Française kogumuses?Loe vastust

      Library-museum of the Comédie-Française, Paris säilitab 5 sellel lehel olevat teost, seda hulka kuuluvad ka Portrait of Emilie Leverd, Mlle Raucourt as Agrippine ja Portrait of Fleury.

      Kust saan osta Adèle Romany maali reproduktsiooni?Loe vastust

      Jah. Iga maali sellel lehel saab tellida oma lehelt kas käsitsi maalatuna õli-reproductionina või suurepärase kunstiprentina valitud suuruses.

      Tutvuge kunstnikuga: Adèle Romany

      Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

      Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

      Early Life and Artistic Training

      • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
      • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
      • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

      Artistic Style and Notable Works

      • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
      • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
      • Notable Works:
        • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
        • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
        • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
      • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

      Recognition and Historical Significance

      • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
      • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
      • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
      • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

      Legacy and Rediscovery

      Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.

      Kõik 39 teost Adèle Romany → Adèle Romany maali-reprintid hindadega →