Atelier — Tasuta kohaletoimetamine üle maailma — Tarneaeg 2–6 nädalat
      Basawan, 1560 – 1600

      Basawan kõige kuulsam 13 maalist

      Mihrdukht aims her arrow at the ring (1570) on teos, millega Basawan on kõige tuntum; see kuulub museumi Metropolitan Museum of Art, New York. The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) ja The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) täiendavad kõige armastatumate tablodeid moodustavat triooti. Meie kataloogis on 13 teost kunstnikult Basawan. Siin on 13 kõige kuulsamat koos aasta, muuseumi ja iga linate veebilehe loo kohta.

      Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026. Iga selle lehekülje maali saab tellida kas linatele kangale käsitsi maalatuna nagu õlimaalide reproduktsiooni või valitud suuruses fine art trükkina.

      Basawan portree
      Basawan · 1560 – 1600
      Sündinud · surnud
      1560 – 1600, Uttar Pradesh
      Meie kataloogis olevad teosed
      13
      Kõige tuntud
      Mihrdukht aims her arrow at the ring (1570)
      Enamasti teoseid on
      Cleveland Museum of Art

      Basawan populaarseimad kümneks teost

      Mihrdukht aims her arrow at the ring (1570) autor Basawan
      1

      Mihrdukht aims her arrow at the ring

      1570 · Tempera · Metropolitan Museum of Art, New York

      The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture that freezes the very pulse of the court. Below her, the world unfolds in layers of architectural precision and organic life. Attendants and observers gather in the shadows of the structure, their eyes drawn upward to the woman and her task. The…

      Käsitööna maalatud õlireproduction alates $403 28 × 36 cm Originaadi suurusega $481 52 × 68 cm Telli originaalkoguses →

      Basawan: lõeneksad, reitingi 11 kuni 13 koht

      Kuna Basawani lamedad pildid rippuvad siin

      Kümne 6 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

      Muuseumid Linn Basawan teosid Selle nimekirja maalid
      Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 8 The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Mihrdukht aims her arrow at the ring
      Victoria and Albert Museum, LondonVictoria and Albert Museum London 1 Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer
      Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama
      San Diego Museum of Art, San DiegoSan Diego Museum of Art San Diego 1 The Virgin and Child
      Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 1 A Mughal and a Rajput Converse at Dusk

      Basawan kõige kuulsam linate, aastak decade aastak

      1. 1570s
        Mihrdukht aims her arrow at the ring (1570) autor Basawan
        Reiting: 1 / 13

        Mihrdukht aims her arrow at the ring

        Vanus 10–19 · Metropolitan Museum of Art

        The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture…

      2. 1580s
      3. 1590s

      Basawan puuvangad, küsimus küsimusel

      Millist maalatist Basawan kõige rohkem mäletatakse?Loe vastust

      Mihrdukht aims her arrow at the ring (1570), Metropolitan Museum of Art, New York. Järgnevad The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) ja The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560).

      Mihrdukht aims her arrow at the ring: kui vana oli Basawan, kui see maalisiti?Loe vastust

      1560 aastal sündinud Basawan oli 10 aastat vanus: Mihrdukht aims her arrow at the ring on pärinev aastast 1570.

      Millised on Basawan kümneks kuulsamat maalatud lakan?Loe vastust

      Mihrdukht aims her arrow at the ring, The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night, A feast for Babur hosted by his half-brother Jahangir Mirza in Ghazni in May 1505, from a Babur-nama (Memoirs of Babur), Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer, The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama, The Virgin and Child, The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) ja Page from Tales of a Parrot (Tuti-nama): text page. Iga teos ülal toodud reitingus on märgitud koos aasta ja muuseumiga.

      Kui palju maali Basawan lõi?Loe vastust

      Kataloogis on 13 teost kunstnikult Basawan, kuupäevadelt 1570 kuni 1596.

      Kuhu on Basawan kõige kuulsamad tablood täna jäetud?Loe vastust

      Peamiselt Cleveland Museum of Art (Cleveland), Metropolitan Museum of Art (New York) ja Victoria and Albert Museum (London) asukohas; ülaltoetud nimekiri esitab kirja iga muuseumi ja selle tablood.

      Millal maalas Basawan oma kuulsamad linateid?Loe vastust

      1590s perioodil, mis sisaldas 4 kogu selle lehe 13 teosest, oli nende hulgas Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer.

      Milline kuvaleht Basawan on kõige vanem ja milline kõige uuem?Loe vastust

      Siin olevad kõige vanamad lamedad pildid on Mihrdukht aims her arrow at the ring (1570); kõige uuemad on The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) (1596).

      Millised Basawan teosed on Cleveland Museum of Art kogumuses?Loe vastust

      Cleveland Museum of Art, Cleveland säilitab 8 sellel lehel olevat teost, seda hulka kuuluvad ka The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night ja The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night.

      Kust saan osta Basawan maali reproduktsiooni?Loe vastust

      Jah. Iga maali sellel lehel saab tellida oma lehelt kas käsitsi maalatuna õli-reproductionina või suurepärase kunstiprentina valitud suuruses.

      Tutvuge kunstnikuga: Basawan

      Basawan: The Pioneer of Mughal Portraiture

      Basawan (flourished 1580–1600), a name whispered with reverence in Indian art history, stands as one of the foremost figures of the Mughal miniature tradition. Though shrouded in obscurity—details about his life remain scant—his legacy endures through his breathtaking depictions of human subjects within the monumental Akbarnama, cementing his place as an innovator who elevated portraiture to unprecedented heights. Born in New Delhi during a period of significant cultural exchange between Persia and India, Basawan’s artistic journey began amidst the opulent courts of Akbar the Great. His formative years were spent under the tutelage of Abd al-Samad, a renowned artist whose influence profoundly shaped Basawan's stylistic sensibilities. This mentorship instilled within him a meticulous observation of human anatomy and expression—a hallmark that distinguishes his work from contemporaries.
      • Akbarnama Influence: Basawan’s contribution to the Akbarnama is arguably his most celebrated achievement. Unlike previous chronicles, Akbar commissioned a series of portraits capturing not merely royal figures but also individuals representing diverse social strata – scholars, musicians, and artisans. This bold decision signaled a departure from conventional artistic practices and established Basawan as a trailblazer in portraying human character with remarkable realism.
      • Color Palette & Technique: Basawan’s mastery lay primarily in his exceptional color palette and technique. Utilizing opaque watercolor pigments combined with gold leaf—a practice considered revolutionary at the time—he achieved luminous hues and textural depth that captivated viewers. His meticulous layering of colors created an illusionistic effect, mirroring the subtleties of light and shadow and conveying a profound sense of atmosphere.
      • Family Legacy: Basawan’s artistic lineage continued through his son Manohar Das, who carried on the family tradition as a court painter. Today, the Das family maintains a thriving manufacturing business specializing in handcrafted carpets—a tangible connection to their ancestral heritage and a testament to the enduring influence of Basawan's artistic vision.

      Exploring His Artistic Output: Beyond Akbarnama Illustrations

      While the Akbarnama undoubtedly represents Basawan’s magnum opus, evidence suggests he engaged in diverse artistic endeavors extending beyond royal commissions. Fragments of manuscripts depicting scenes from Hindu mythology—particularly those featuring Tara Kalan—offer glimpses into his versatility and willingness to explore different thematic concerns. These works demonstrate a keen understanding of symbolism and narrative complexity, reflecting the broader intellectual currents of the Mughal era.
      • Notable Works: Among Basawan’s surviving paintings are depictions of angels (Peri) riding composite camels—a striking visual representation of Islamic cosmology—and portraits capturing the dignity and solemnity of royal figures.

      Connections to Western Artistic Traditions

      Basawan's artistic development coincided with the arrival of Jesuit missionaries in India, bringing with them European paintings that profoundly impacted Mughal artists. This exposure fostered a dialogue between Eastern and Western aesthetics—a pivotal moment in Indian art history—and Basawan’s oeuvre bears subtle traces of this influence. His meticulous attention to detail and his masterful use of perspective foreshadowed developments occurring across the ocean, marking him as an artist attuned to global artistic trends.

      Historical Significance: A Reflection of Mughal Patronage

      Basawan's success is inextricably linked to Akbar’s enlightened patronage—a royal commitment to fostering artistic excellence and promoting cultural enrichment. Akbar recognized Basawan’s talent and entrusted him with monumental commissions, securing his place as one of the most influential artists of his time. His work serves as a poignant reminder of the transformative power of royal support in shaping artistic innovation and preserving cultural heritage for posterity.