Benjamin Raborg kõige armastatum teos on Night Scene of Indian Tipi (1895), mis rihang Smithsonian American Art Museum-is, Washington, D.C.. Meie kataloogist löytyb 1 teost kunstnikult Benjamin Raborg: siin on 1 kõige kuulsamat, mille juures on märgitud aasta, muuseum ja info selle kohta, mis teeb teose meeldivaks.
Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026. Iga selle lehekülje maali saab tellida kas linatele kangale käsitsi maalatuna nagu õlimaalide reproduktsiooni või valitud suuruses fine art trükkina.
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | Benjamin Raborg teosid | Selle nimekirja maalid |
|---|---|---|---|
| Washington, D.C. | 1 | Night Scene of Indian Tipi |
Kõik sellel lehel olevad Benjamin Raborg dateeritud lamedad pildid on maalatud aastal 1895; siin on need, kõige kuulsamad esimestena.
Night Scene of Indian Tipi (1895)
1871 aastal sündinud Benjamin Raborg oli 24 aastat vanus: Night Scene of Indian Tipi on pärinev aastast 1895.
Kataloogist leiate 1 teost kunstnikult Benjamin Raborg.
Peamiselt Smithsonian American Art Museum (Washington, D.C.) asukohas; ülaltoetud nimekiri esitab kirja iga muuseumi ja selle tablood.
Jah. Iga maali sellel lehel saab tellida oma lehelt kas käsitsi maalatuna õli-reproductionina või suurepärase kunstiprentina valitud suuruses.
Benjamin O'Fallan Raborg lived a life shaped by the landscapes of the American West. Born in Sulphur Springs, Missouri, he carried the influence of his family into his work, including his uncle, the artist Astley David Middleton Cooper. His brush found its way to the textures of the frontier, focusing on the quiet dignity of landscapes and the presence of portraits. He often turned his attention to American Indians, capturing them within the scenes he composed on canvas.
His work was not about grand gestures, but about the specific details of a place. In pieces like Night Scene of Indian Tipi, there is a focus on how light and shadow settle over a camp. This particular work resides in the Smithsonian American Art Museum, a quiet piece of his legacy that remains after his passing.
The path of his life took him from the plains of Missouri to the coast of California. He spent his final years in San Francisco, where his life came to an abrupt end in 1918. A cable car accident took his life, leaving behind a body of work that reflects the era of his existence. He is buried in Oak Hill Memorial Park in San Jose, California.
His paintings remain as physical traces of his time. They are objects that hold the light of a different century, specifically through his use of oil on canvas. His subjects—the landscapes and the people of the West—remain fixed in the way he chose to see them.