Forest Landscape with Bathing Children (1867) on teos, millega Carl Ebert on kõige tuntum; see kuulub museumi Bavaria riiklikud maalidema kogumikud, München. Evening Landscape (1875) ja Landscape society in a park täiendavad kõige armastatumate tablodeid moodustavat triooti. Meie kataloogis on 5 teost kunstnikult Carl Ebert. Siin on 5 kõige kuulsamat koos aasta, muuseumi ja iga linate veebilehe loo kohta.
Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026. Iga selle lehekülje maali saab tellida kas linatele kangale käsitsi maalatuna nagu õlimaalide reproduktsiooni või valitud suuruses fine art trükkina.
Kümne 2 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Carl Ebert teosid | Selle nimekirja maalid |
|---|---|---|---|
| München | 2 | Forest Landscape with Bathing Children, Evening Landscape | |
| München | 1 | Isar Landscape |
Täpsemalt kümne aasta jooksul maalistamisel, 1867 kuni 1875: Carl Eberti ajastatud lamedad pildid, aasta aastale järjel.
Forest Landscape with Bathing Children (1867), Bavaria riiklikud maalidema kogumikud, München. Järgnevad Evening Landscape (1875) ja Landscape society in a park.
1821 aastal sündinud Carl Ebert oli 46 aastat vanus: Forest Landscape with Bathing Children on pärinev aastast 1867.
Kataloogis on 5 teost kunstnikult Carl Ebert, kuupäevadelt 1867 kuni 1875.
Peamiselt Bavaria riiklikud maalidema kogumikud (München) ja Lenbachhaus (München) asukohas; ülaltoetud nimekiri esitab kirja iga muuseumi ja selle tablood.
Siin olevad kõige vanamad lamedad pildid on Forest Landscape with Bathing Children (1867); kõige uuemad on Evening Landscape (1875).
Bavaria riiklikud maalidema kogumikud, München säilitab 2 sellel lehel olevat teost, seda hulka kuuluvad ka Forest Landscape with Bathing Children ja Evening Landscape.
Jah. Iga maali sellel lehel saab tellida oma lehelt kas käsitsi maalatuna õli-reproductionina või suurepärase kunstiprentina valitud suuruses.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.