Cornelia Scheffer, 1769 – 1839
Cornelia Scheffer: 4 tuntumat teost
Kõikidest Cornelia Scheffer maalidest on kõige kuulsam Self-portrait (1795); seda saab näha Dordrechts Museum-is, Dordrecht. Järgnevad neile Woman with Two Children on a Country Road (1811) ja The Women of Souli (1833). Meie kataloogis olevatest 4 teosest on Cornelia Scheffer kõige kuulsamad 4 teost, millest iga on esitatud koos kuupäeva, muuseumi ja luguga.
Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026. Iga selle lehekülje maali saab tellida kas linatele kangale käsitsi maalatuna nagu õlimaalide reproduktsiooni või valitud suuruses fine art trükkina.
- Sündinud · surnud
- 1769 – 1839, Dordrecht
- Meie kataloogis olevad teosed
- 4
- Kõige tuntud
- Self-portrait (1795)
- Enamasti teoseid on
- Dordrechts Museum
Cornelia Scheffer kõige kuulsam 10 maalist
2
Woman with Two Children on a Country Road
Käsitööna maalatud õlireproduction alates $203 29 × 34 cm
Originaadi suurusega $306 60 × 73 cm Telli originaalkoguses →
3
The Women of Souli
Käsitööna maalatud õlireproduction alates $453 37 × 27 cm
Originaadi suurusega $745 112 × 95 cm Telli originaalkoguses →
4
Portrait of a small child presumably Karel Arnoldus Scheffer at 3 years of age
Käsitööna maalatud õlireproduction alates $178 30 × 33 cm
Kuna Cornelia Schefferi lamedad pildid rippuvad siin
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | Cornelia Scheffer teosid | Selle nimekirja maalid |
|---|---|---|---|
 Dordrechts Museum |
Dordrecht | 4 | Self-portrait, Woman with Two Children on a Country Road, The Women of Souli |
Ajaastik: Cornelia Scheffer kõige kuulsam linate
-
1790s
1 / 4Self-portrait
-
1810s
-
1830s
Lentik 3 / 4The Women of Souli
Teie küsimused Cornelia Scheffer maalide kohta – vastused siin
Milline on kunstniku Cornelia Scheffer kõige kuulsam teos?Loe vastust
Self-portrait (1795), Dordrechts Museum, Dordrecht. Järgnevad Woman with Two Children on a Country Road (1811) ja The Women of Souli (1833).
Kui vana Cornelia Scheffer oli teose Self-portrait ajal?Loe vastust
1769 aastal sündinud Cornelia Scheffer oli 26 aastat vanus: Self-portrait on pärinev aastast 1795.
Kui palju on Cornelia Scheffer teoseid teada?Loe vastust
Kataloogis on 4 teost kunstnikult Cornelia Scheffer, kuupäevadelt 1795 kuni 1833.
Millistes muuseumides asuvad Cornelia Scheffer kõige tuntumad maalid?Loe vastust
Peamiselt Dordrechts Museum (Dordrecht) asukohas; ülaltoetud nimekiri esitab kirja iga muuseumi ja selle tablood.
Millised on Cornelia Scheffer kuulsimate tablloode esimene ja viimane?Loe vastust
Siin olevad kõige vanamad lamedad pildid on Self-portrait (1795); kõige uuemad on The Women of Souli (1833).
Mida saan näha kunstnikult Cornelia Scheffer museumis Dordrechts Museum?Loe vastust
Dordrechts Museum, Dordrecht säilitab 4 sellel lehel olevat teost, seda hulka kuuluvad ka Self-portrait, Woman with Two Children on a Country Road ja The Women of Souli.
Kas saan tellida Cornelia Scheffer maali käsitsi maalatud koopia?Loe vastust
Jah. Iga maali sellel lehel saab tellida oma lehelt kas käsitsi maalatuna õli-reproductionina või suurepärase kunstiprentina valitud suuruses.
Cornelia Scheffer: kunstniku lugu
A Life of Miniature Precision
Dordrecht, 1769. Cornelia Lamme enters the world as the daughter of Arie Lamme, a landscape painter whose influence likely shaped her early hands. She grows up within an artistic circle, learning the delicate nuances of portrait miniatures. Her childhood is marked by linguistic agility, mastering French, German, and English. The stability of the Dutch Republic shifts in 1787 when Prussian forces arrive; the family flees to the southern Netherlands for two years before returning home.
In October 1794, a union occurs that merges two artistic lineages. Cornelia marries Johann Baptist Scheffer. This partnership is defined by shared skill and the movement of a family through The Hague, Rotterdam, and Amsterdam. She carries the title of miniature painter, working with watercolor and gouache on ivory to capture the likenesses of her own kin.
The Move to Paris
The year 1809 brings a sudden fracture. Johann dies at age 45. The financial weight of the family shifts. Following the death of her husband, Cornelia moves to Brussels, and by 1811, she settles in Paris. This relocation is a calculated decision; she believes the French capital offers better prospects for an artist than the Netherlands. She brings her sons, Ary and Hendrik, into this new environment.
Life in Paris involves navigating the district of Saint-Germain under difficult financial circumstances. As her son Ary gains prominence, Cornelia finds a new rhythm within his orbit. Starting in 1821, she begins working as a copyist for him and Hendrik. She uses her brush to replicate their paintings, effectively building a personal collection of their work through duplication.
Legacy in Miniature
Cornelia’s presence in the Parisian art scene is felt through her proximity to the great figures of the era. While living with Ary in his villa near Montmartre, she likely encounters the likes of Eugene Delacroix, Theodore Gericault, and Jean Baptiste-Dominating Ingres. Her role as a mother and a copyist places her at the center of a significant artistic household.
Her technical output remains rooted in the intimate scale of her training:
- Self-portrait Cornelia Scheffer-Lamme: A 1795 painting capturing her own likeness.
- Miniature portraits of her family: Executed in watercolor and gouache on ivory, held in the Dordrechts museum.
- Genre works: Including pieces such as The women of Souli, a copy of her son's work.
She remains in Paris until her death in 1839 at age 70. She is laid to rest in the Montmartre Cemetery.