Atelier — Tasuta kohaletoimetamine üle maailma — Tarneaeg 2–6 nädalat
      Daniel Saint, 1778 – 1847

      Daniel Saint kõige kuulsam 5 maalist

      Portrait de Mme Savary, duchesse de Rovigo (1840) on teos, millega Daniel Saint on kõige tuntetud. Portrait of the duchess of berry ja Unknown Man täiendavad kõige armastatumate tablodeid moodustavat triooti. Meie kataloogis on 7 teost kunstnikult Daniel Saint. Siin on 5 kõige kuulsamat koos aasta, muuseumi ja iga linate veebilehe loo kohta.

      Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026. Iga selle lehekülje maali saab tellida kas linatele kangale käsitsi maalatuna nagu õlimaalide reproduktsiooni või valitud suuruses fine art trükkina.

      Daniel Saint portree
      Daniel Saint · 1778 – 1847
      Sündinud · surnud
      1778 – 1847, Saint-Lô
      Meie kataloogis olevad teosed
      7
      Kõige tuntud
      Portrait de Mme Savary, duchesse de Rovigo (1840)
      Enamasti teoseid on
      Nationalmuseum

      Daniel Saint populaarseimad kümneks teost

      Lady with a Greyhound (1842) autor Daniel Saint
      5

      Lady with a Greyhound

      1842

      Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early works are soft and vaporous in style, the mature works are more precisely painted with a pure, vibrant palette.Saint’s

      Käsitööna maalatud õlireproduction alates $178 24 × 41 cm

      Kuna Daniel Sainti lamedad pildid rippuvad siin

      Kümne 2 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

      Muuseumid Linn Daniel Saint teosid Selle nimekirja maalid
      Nationalmuseum, StockholmNationalmuseum Stockholm 2 Unknown Man, Charles X, King of France and Navarre
      Château de Chambord, ChambordChâteau de Chambord Chambord 1 Portrait of the duchess of berry

      Daniel Saint kõige kuulsamad lamedad, aasta-aastaga

      Daniel Saint ajutised lamedad pildid siin hõlmavad vaid 3 aastat, aastast 1840 aastani 1842: aasta-aastalt.

      1. 1840
      2. 1842
        Lady with a Greyhound (1842) autor Daniel Saint
        Lentik 5 / 5

        Lady with a Greyhound

        Vanus 64

        Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early…

      Daniel Saint puuvangad, küsimus küsimusel

      Millist maalatist Daniel Saint kõige rohkem mäletatakse?Loe vastust

      Portrait de Mme Savary, duchesse de Rovigo (1840), järglased on Portrait of the duchess of berry ja Unknown Man.

      Portrait de Mme Savary, duchesse de Rovigo: kui vana oli Daniel Saint, kui see maalisiti?Loe vastust

      1778 aastal sündinud Daniel Saint oli 62 aastat vanus: Portrait de Mme Savary, duchesse de Rovigo on pärinev aastast 1840.

      Kui palju maali Daniel Saint lõi?Loe vastust

      Kataloogis on 7 teost kunstnikult Daniel Saint, kuupäevadelt 1840 kuni 1842.

      Kuhu on Daniel Saint kõige kuulsamad tablood täna jäetud?Loe vastust

      Peamiselt Nationalmuseum (Stockholm) ja Château de Chambord (Chambord) asukohas; ülaltoetud nimekiri esitab kirja iga muuseumi ja selle tablood.

      Milline kuvaleht Daniel Saint on kõige vanem ja milline kõige uuem?Loe vastust

      Siin olevad kõige vanamad lamedad pildid on Portrait de Mme Savary, duchesse de Rovigo (1840); kõige uuemad on Lady with a Greyhound (1842).

      Millised Daniel Saint teosed on Nationalmuseum kogumuses?Loe vastust

      Nationalmuseum, Stockholm säilitab 2 sellel lehel olevat teost, seda hulka kuuluvad ka Unknown Man ja Charles X, King of France and Navarre.

      Kust saan osta Daniel Saint maali reproduktsiooni?Loe vastust

      Jah. Iga maali sellel lehel saab tellida oma lehelt kas käsitsi maalatuna õli-reproductionina või suurepärase kunstiprentina valitud suuruses.

      Tutvuge kunstnikuga: Daniel Saint

      The Delicate Touch of Parisian Miniature Painting

      Daniel Saint (French, b.1778, d.1847) stands as a pivotal figure in the history of French miniature painting during the Romantic era. Born in the quiet town of Saint Lô, Normandy, he emerged from humble beginnings to become one of the most celebrated portraitists of his time, lauded for his unparalleled ability to capture emotion and nuance within exquisitely detailed canvases often no larger than six inches square. His distinctive style—characterized by a soft, vaporous technique—established him as an innovator who subtly departed from established conventions, marking a significant shift toward Impressionistic sensibilities long before the movement officially took hold.

      Saint’s formative years were shaped by rigorous academic training under the esteemed Jean-Baptiste Regnault at the École Royale Supérieure des Beaux-Arts in Paris. Studying alongside talented contemporaries such as Augustine Aubry and François Auguste Clément, Saint absorbed the foundational principles of the School of David while simultaneously fostering a unique artistic imagination. This period of mentorship was crucial, as it provided him with the technical discipline required for precision, yet allowed him to explore the psychological depth that would become his hallmark. Interestingly, his early exposure to craftsmanship was likely influenced by his father, a printer, whose profession instilled in Saint a lifelong meticulous attention to detail and an appreciation for visual communication.

      A Revolution of Light and Texture

      What truly set Daniel Saint apart from the masters of his era was his pioneering approach to medium and method. While many of his contemporaries, such as Isabey, relied heavily on traditional glazing methods to achieve depth, Saint embraced a groundbreaking use of hatching. By drawing closely spaced parallel lines to create tonal shading, he achieved remarkable effects of light and shadow that conveyed texture with astonishing subtlety. This technique allowed him to move away from overly polished, porcelain-like surfaces in favor of a matte finish, lending his portraits an ethereal, atmospheric quality that mirrored the Romantic preoccupation with mood and psychological realism.

      As his career progressed, Saint’s work underwent a fascinating evolution. His early compositions were celebrated for their soft, vaporous, and almost dreamlike qualities, capturing the fleeting elegance of the era. However, as he matured, his palette became more pure and vibrant, and his brushwork grew increasingly precise. This transition allowed him to navigate the shifting political landscapes of France with ease, moving from the delicate aesthetics of the late 18th century into a more robust and commanding style that suited the grandeur of the Napoleonic age.

      Legacy and Imperial Recognition

      The historical significance of Daniel Saint is inextricably linked to the heights of French political power. He rose to prominence as a worthy successor to the great portrait-miniaturist Jean-Baptiste-Jacques Augustin, eventually earning the prestigious opportunity to paint official portraits of Napoleon Bonaparte and members of his imperial court. His ability to capture the likenesses of figures such as Empress Josephine and Queen Hortense ensured his place in the annals of French history, as his miniatures served not just as art, but as intimate, portable icons of power and familial connection.

      Beyond the imperial court, Saint's influence extended through his mastery of the miniature format, an art form that demanded extreme technical virtuosity. His works remain a testament to a period where the small-scale canvas could hold the weight of an entire era's emotions. Today, his legacy is preserved in collections worldwide, recognized for:

      • Technical Innovation: The pioneering use of hatching to create depth without traditional glazing.
      • Historical Connection: His role as a primary chronicler of the Bonaparte family and the Napoleonic court.
      • Stylistic Evolution: The transition from soft, vaporous Romanticism to a vibrant, precise maturity.
      • Artistic Mastery: An unparalleled ability to convey psychological depth within extremely small dimensions.
      Through his delicate touch, Daniel Saint transformed the miniature portrait from a mere keepsake into a profound medium of light, shadow, and human soul.