Else Hertzer, 1884 – 1978
Else Hertzer: 1 tuntumat teost
Kõikidest Else Hertzer maalistest on kõige kuulsam Small Harbor near Wittenberg (1935). Meie kataloogis olevatest 1 teosest on Else Hertzer kõige kuulsamad 1 teost, millest iga on esitatud koos kuupäeva, muuseumi ja luguga.
Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026.
- Sündinud · surnud
- 1884 – 1978, Lutherstadt Wittenberg
- Meie kataloogis olevad teosed
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- Kõige tuntud
- Small Harbor near Wittenberg (1935)
Else Hertzer kõige kuulsam 10 maalist
Aasta-aastalt: Else Hertzer kõige kuulsamad lamedad tõid
Ühe aasta, 1935, kõik Else Hertzer dateeritud lamedad pildid on sellel lehel: siin on need, kõige kuulsemad esimesena.
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1935
Lentik 1 / 1Small Harbor near Wittenberg
Teie küsimused Else Hertzer maalide kohta – vastused siin
Milline on kunstniku Else Hertzer kõige kuulsam teos?Loe vastust
Small Harbor near Wittenberg (1935)
Kui vana Else Hertzer oli teose Small Harbor near Wittenberg ajal?Loe vastust
1884 aastal sündinud Else Hertzer oli 51 aastat vanus: Small Harbor near Wittenberg on pärinev aastast 1935.
Kui palju on Else Hertzer teoseid teada?Loe vastust
Kataloogist leiate 1 teost kunstnikult Else Hertzer.
Else Hertzer: kunstniku lugu
The Artistic Journey of Else Hertzer
Born Else Heintze, this German artist began her creative evolution in the early 20th century. After marrying Otto Hertzer in 1909, she moved to the Tiergarten district of Berlin. Her early artistic explorations took place between 1911 and 1913 in Buttstadt, Thuringia, where she produced several paintings and drypoint etchings. As her career progressed, she joined the Berlin Secession Movement and began formal studies at the Academy of Arts in Berlin. Her pursuit of artistic development led her to Paris, where she took lessons under Andre Lhote in 1929. Her work, which spanned various media, eventually moved toward abstraction in her later years.
Style and Recognition
Hertzer’s body of work is noted for its versatility in thematic and stylistic aspects. Art historians have highlighted her early creative phase, specifically pointing to her powerfully expressionist watercolors from the 1920s. During the Second World War, she received a commission from her hometown to create a series of wall murals depicting the history of Wittenberg for a communal bunker. While her work initially fell into oblivion after her death, a subsequent rediscovery led to a new art-historical reassessment and various exhibitions in locations such as Berlin, Wittenberg, and Füssen.