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      Fred Roe, 1864 – 1947

      Fred Roe kõige kuulsam 24 maalist

      Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front (1915) on teos, millega Fred Roe on kõige tuntetud. The Passing of John Sargent (1947) ja May the Eighth täiendavad kõige armastatumate tablodeid moodustavat triooti. Meie kataloogis on 24 teost kunstnikult Fred Roe. Siin on 24 kõige kuulsamat koos aasta, muuseumi ja iga linate veebilehe loo kohta.

      Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026. Iga selle lehekülje maali saab tellida kas linatele kangale käsitsi maalatuna nagu õlimaalide reproduktsiooni või valitud suuruses fine art trükkina.

      Fred Roe portree
      Fred Roe · 1864 – 1947
      Sündinud · surnud
      1864 – 1947, Cambridge
      Meie kataloogis olevad teosed
      24
      Kõige tuntud
      Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front (1915)
      Enamasti teoseid on
      Guildhall Art Gallery

      Fred Roe populaarseimad kümneks teost

      Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front (1915) autor Fred Roe
      1

      Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front

      1915 · Oil

      The darkness of the Western Front presses in from all sides, heavy and absolute, yet a small circle of light holds the night at bay. Around a central campfire, soldiers gather, their forms etched against the gloom by the flickering orange glow of the flames. Some men sit on the earth, their bodies slumped in exhaustion, while others stand, perhaps watching the embers or lost in thought. The fire acts…

      Käsitööna maalatud õlireproduction alates $178 27 × 37 cm Originaadi suurusega $711 108 × 173 cm Telli originaalkoguses →
      The Passing of John Sargent (1947) autor Fred Roe
      2

      The Passing of John Sargent

      1947 · Oil On Canvas · Guildhall Art Gallery, London

      The solemnity of 1947 settles upon the canvas in The Passing of John Sargent. This oil painting on canvas captures a moment of profound gravity, frozen in the quietude of a grand cathedral. Fred Roe, the artist behind this large-scale work, directs our gaze toward a gathering of clergymen and dignitaries. They stand assembled around an altar, their presence filling the space with a sense of formal ritual and heavy…

      Käsitööna maalatud õlireproduction alates $453 40 × 25 cm Originaadi suurusega $935 163 × 104 cm Telli originaalkoguses →
      May the Eighth autor Fred Roe
      3

      May the Eighth

      Oil

      In this oil painting, titled May the Eighth, Fred Roe captures a moment of profound historical weight. Created about 1915, the work belongs to the artist's significant period of engagement with the realities of the Great War. It is a piece that reflects the gravity of the era through its specific focus on military movement and the human cost of conflict.

      Käsitööna maalatud õlireproduction alates $178 37 × 27 cm Originaadi suurusega $447 116 × 85 cm Telli originaalkoguses →

      Fred Roe: lõeneksad, reitingi 11 kuni 24 koht

      S. O. S (1929) autor Fred Roe
      #17

      S. O. S

      1929 · Grundy Art Gallery

      The painting "S. O. S" by Fred Roe is a remarkable piece of art that showcases the artist's skill and attention to detail. Created in 1929, this oil…

      Telli see lühend alates $178 →

      Mida Fred Roe kõige rohkem maalis

      Neli teemat, mis esinevad neil lätistes kõige sagedamini, koos nende kõige armastatumate näidetega.

      Kuna Fred Roei lamedad pildid rippuvad siin

      Kümne 7 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

      Muuseumid Linn Fred Roe teosid Selle nimekirja maalid
      Guildhall Art Gallery, LondonGuildhall Art Gallery London 2 The Passing of John Sargent, Recruiting in the Guildhall, London, by Sir Charles Wakefield
      Victoria Art Gallery, BathVictoria Art Gallery Bath 1 Nelson Leaving Portsmouth for the 'Victory', 1805
      Shakespeare Birthplace Trust, AvonShakespeare Birthplace Trust Avon 1 Bedchamber in Anne Hathaway's Cottage, Shottery, Stratford upon Avon, Warwickshire
      Wycombe District Council Offices, High WycombeWycombe District Council Offices High Wycombe 1 West Wycombe, Buckinghamshire
      Te Whare O Rehua Sarjeant GalleryTe Whare O Rehua Sarjeant Gallery 1 The Toast is England
      Grundy Art Gallery, BlackpoolGrundy Art Gallery Blackpool 1 S. O. S
      Doncaster Museum And Art Gallery, DoncasterDoncaster Museum And Art Gallery Doncaster 1 The News, Chelsea Pensioners

      Fred Roe kõige kuulsam linate, aastak decade aastak

      1. 1890s
      2. 1900s
      3. 1910s
      4. 1920s
      5. 1930s
      6. 1940s
        The Passing of John Sargent (1947) autor Fred Roe
        2 / 24

        The Passing of John Sargent

        Vanus 76–83 · Guildhall Art Gallery

        The solemnity of 1947 settles upon the canvas in The Passing of John Sargent. This oil painting on canvas captures a moment of profound gravity, frozen in the…

      Fred Roe puuvangad, küsimus küsimusel

      Millist maalatist Fred Roe kõige rohkem mäletatakse?Loe vastust

      Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front (1915), järglased on The Passing of John Sargent (1947) ja May the Eighth.

      Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front: kui vana oli Fred Roe, kui see maalisiti?Loe vastust

      1864 aastal sündinud Fred Roe oli 51 aastat vanus: Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front on pärinev aastast 1915.

      Millised on Fred Roe kümneks kuulsamat maalatud lakan?Loe vastust

      Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front, The Passing of John Sargent, May the Eighth, Nelson Leaving Portsmouth for the 'Victory', 1805, The Tap Room of the 'Baptist's Head Inn', Clerkenwell, London, Bedchamber in Anne Hathaway's Cottage, Shottery, Stratford upon Avon, Warwickshire, West Wycombe, Buckinghamshire, The Toast is England, The Return of the Hero (Lord Nelson) ja Nathaniel Louis Cohen. Iga teos ülal toodud reitingus on märgitud koos aasta ja muuseumiga.

      Kui palju maali Fred Roe lõi?Loe vastust

      Kataloogis on 24 teost kunstnikult Fred Roe, kuupäevadelt 1890 kuni 1947.

      Kuhu on Fred Roe kõige kuulsamad tablood täna jäetud?Loe vastust

      Peamiselt Guildhall Art Gallery (London), Victoria Art Gallery (Bath) ja Shakespeare Birthplace Trust (Avon) asukohas; ülaltoetud nimekiri esitab kirja iga muuseumi ja selle tablood.

      Millal maalas Fred Roe oma kuulsamad linateid?Loe vastust

      1920s perioodil, mis sisaldas 5 kogu selle lehe 24 teosest, oli nende hulgas Recruiting in the Guildhall, London, by Sir Charles Wakefield.

      Milline kuvaleht Fred Roe on kõige vanem ja milline kõige uuem?Loe vastust

      Siin olevad kõige vanamad lamedad pildid on Nelson Leaving Portsmouth for the 'Victory', 1805 (1890); kõige uuemad on The Passing of John Sargent (1947).

      Milline tehnika esineb kõige rohkem Fred Roe maalides?Loe vastust

      Oil, mida on kasutatud 2 kuni 24 teoseks sellel lehel.

      Millised Fred Roe teosed on Guildhall Art Gallery kogumuses?Loe vastust

      Guildhall Art Gallery, London säilitab 2 sellel lehel olevat teost, seda hulka kuuluvad ka The Passing of John Sargent ja Recruiting in the Guildhall, London, by Sir Charles Wakefield.

      Kust saan osta Fred Roe maali reproduktsiooni?Loe vastust

      Jah. Iga maali sellel lehel saab tellida oma lehelt kas käsitsi maalatuna õli-reproductionina või suurepärase kunstiprentina valitud suuruses.

      Tutvuge kunstnikuga: Fred Roe

      The Visionary Brush of Fred Roe

      To step into the world of Fred Roe is to wander through a tapestry of historical grandeur and rugged frontier beauty. A master of both the intimate portrait and the sweeping landscape, Roe possessed a rare ability to breathe life into the past and the wild. While his name may evoke the dusty trails of the American West for some, his roots and much of his technical mastery were deeply entwared with the classical traditions of Europe. Born in 1864, Roe’s artistic identity was shaped by a dual heritage of meticulous academic training and an unquenchable thirst for exploration. Whether he was capturing the solemnity of a religious ceremony or the atmospheric mist rising over a Wyoming valley, his work remains a testament to a life spent observing the profound beauty in both the historical and the natural worlds.

      The foundations of Roe’s technique were laid in the prestigious art schools of England. As the son of the painter and engraver Robert Henry Roe, the language of art was his first tongue. He refined his skills at the Heatherley School of Fine Art under the guidance of Seymour Lucas, a period that instilled in him a rigorous command over light, shadow, and anatomical precision. This academic discipline allowed him to achieve early success, exhibiting at the prestigious Royal Academy as early as 1877. His early career was marked by an impressive ascent through the ranks of the British art establishment, earning elections to the Royal Society of British Artists and the Royal Institute of British Painters. During these years, his focus often drifted toward historical genre subjects, where he utilized large-scale compositions and period costumes to recreate scenes of English history, including poignant depictions of Joan of Arc and naval incidents involving Lord Nelson.

      From London Studios to the American Frontier

      A pivotal shift occurred when Roe’s artistic gaze turned toward the vast, untamed landscapes of the Americas. His journey to Wyoming in 1893 served as a transformative expedition that expanded his repertoire from historical narrative to environmental storytelling. This period of exploration allowed him to document the topography and culture of the American West with the eye of both an artist and a chronicler. The rugged majesty of Yellowstone National Park became a central character in his work, providing him with a canvas of dramatic sunsets, stormy afternoons, and the quiet, misty mornings of the frontier. In these landscapes, Roe moved beyond mere documentation; he utilized expressive brushwork and a sophisticated understanding of tonal harmony to convey the palpable sense of place that defines the American spirit.

      This versatility—the ability to pivot from the structured elegance of London’s high society to the raw, unscripted life of Wyoming ranchers and cowboys—is what makes his oeuvre so uniquely captivating. His talent for illustration further bridged these two worlds, as he secured prestigious commissions for Harper's Weekly and The Century Magazine. Through these publications, Roe brought the essence of Western life to a global audience, using visual storytelling to render scenes from historical narratives and contemporary frontier life with equal emotional weight. His work during this era was not merely about what could be seen, but about the feeling of the wind across the plains and the heavy silence of a historical moment frozen in time.

      A Legacy of Detail and Discovery

      Beyond the canvas, Fred Roe was a man of profound intellectual curiosity. His passion for history extended into the realm of material culture, where he became a leading expert and collector of antique furniture. His scholarly contributions, such as Ancient Coffers and Cupboards and A History of Oak Furniture, reveal an artist who sought to understand the structural soul of the eras he painted. This deep appreciation for craftsmanship and historical authenticity is mirrored in his paintings, where every detail—from the texture of a period garment to the light hitting a piece of weathered wood—is rendered with meticulous care.

      As we reflect on the life of Fred Roe, we see an artist who refused to be confined by geography or genre. His legacy is found in the intersection of several profound artistic achievements:

      • Mastery of Genre: The seamless transition between historical narrative painting and contemporary landscape art.
      • Atmospheric Realism: An unparalleled ability to capture transient weather conditions and the emotional weight of light.
      • Cultural Documentation: His role as a visual historian for both the English past and the American frontier.
      • Scholarly Depth: The integration of historical research and antique expertise into his visual aesthetic.

      Today, Roe’s works continue to resonate with collectors who seek more than just a beautiful image; they seek a window into a vanished world. His paintings remain vibrant, breathing with the energy of the landscapes he traversed and the histories he so lovingly reconstructed.