Atelier — Tasuta kohaletoimetamine üle maailma — Tarneaeg 2–6 nädalat
      Frederic Yates, 1854 – 1919

      16 kulubumatamatum Frederic Yates maalistikut, järjestatud

      Frederic Yates kõige armastatum teos on Charlotte Mason (1842–1923) (1902). Lugejate poolest kõige paremini tuntud tablaga järnevad Path on Nab Scar (1900) ja At Dent, August 1904 (1904). Meie kataloogist löytyb 16 teost kunstnikult Frederic Yates: siin on 16 kõige kuulsamat, mille juures on märgitud aasta, muuseum ja info selle kohta, mis teeb teose meeldivaks.

      Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026. Iga selle lehekülje maali saab tellida kas linatele kangale käsitsi maalatuna nagu õlimaalide reproduktsiooni või valitud suuruses fine art trükkina.

      Frederic Yates portree
      Frederic Yates · 1854 – 1919
      Sündinud · surnud
      1854 – 1919, Southampton
      Meie kataloogis olevad teosed
      16
      Kõige tuntud teosed
      Charlotte Mason (1842–1923) (1902)
      Enamasti teoseid on
      Abbot Hall Art Gallery

      Frederic Yates top 10 maalist: tablood, mille kohta kõik teavad

      Charlotte Mason (1842–1923) (1902) (autor) Frederic Yates
      1

      Charlotte Mason (1842–1923)

      1902 · Oil On Canvas

      The room holds a stillness that feels heavy with thought. A woman sits, her gray hair catching the light, her hands pressed gently against her chin in a gesture of deep reflection. She wears a dark, somber dress and a scarf that wraps around her neck, grounding her presence against the warmth of the red table before her. Nearby, a book rests, its presence suggesting the source of her meditation…

      Käsitööna maalitud õlireproduction alates $178 27 × 37 cm Originaadi suurusega $211 40 × 52 cm Telli originaalkoguses →

      Veel Frederic Yates lamedat pinda, 11 kuni 16

      Kuna Frederic Yatesi lamedad pildid rippuvad siin

      Kümne 5 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

      Muuseum Linn Frederic Yates teosed Selle nimekirja maalid
      Abbot Hall Art Gallery, KendalAbbot Hall Art Gallery Kendal 5 Path on Nab Scar, Rydal Valley, View near Rydal
      Kendal Town Hall, KendalKendal Town Hall Kendal 3 Frederick Punchard, John Holme (1830–1905), Chairman of the Board of Guardians (1851–1905), William Dilworth Crewdson (c.1838–1908), High Sheriff of Westmorland (1888) and Chairman of Westmorland County Council (1906–1907)
      Cumbria Archive And Local Studies Centre, Barrow-in-FurnessCumbria Archive And Local Studies Centre Barrow-in-Furness 1 At Dent, August 1904
      University of Birmingham, BirminghamUniversity of Birmingham Birmingham 1 Ernest de Sélincourt (1870–1943), Professor of English
      Laing Art Gallery, Newcastle upon TyneLaing Art Gallery Newcastle upon Tyne 1 Japanese Shrine

      Frederic Yates leekid teos, aasta-aastalt

      15 aastat maalistamisel, aastatest 1900 kuni 1914: Frederic Yates populaarseimad tablood, aasta-aastale.

      1. 1900
      2. 1901
        Girl with a Pigeon (1901) (autor) Frederic Yates
        16 / 16

        Girl with a Pigeon

        Vanus 47 · Abbot Hall Art Gallery

        The painting "Girl with a Pigeon" by Frederic Yates is a stunning example of early 20th-century art. Created in 1901, this oil on canvas piece measures 32 x…

      3. 1902
        Charlotte Mason (1842–1923) (1902) (autor) Frederic Yates
        Lentik 1 / 16

        Charlotte Mason (1842–1923)

        Vanus 48

        The room holds a stillness that feels heavy with thought. A woman sits, her gray hair catching the light, her hands pressed gently against her chin in a…

      4. 1904
      5. 1904
      6. 1907
      7. 1914

      Frederic Yates tablidet: vastused teie küsimustele

      Mis on Frederic Yates kõige tuntum maaliamat?Loe vastust

      Charlotte Mason (1842–1923) (1902), järglased on Path on Nab Scar (1900) ja At Dent, August 1904 (1904).

      Kui vana Frederic Yates oli, kui teos Charlotte Mason (1842–1923) maalis?Loe vastust

      1854 aastal sündinud Frederic Yates oli 48 aastat vanus: Charlotte Mason (1842–1923) on pärinev aastast 1902.

      Millised on 10 kuulsumat maali kunstniku Frederic Yates teosena?Loe vastust

      Charlotte Mason (1842–1923), Path on Nab Scar, At Dent, August 1904, John Henry Bridges (1832–1906), Ernest de Sélincourt (1870–1943), Professor of English, Rydal Water, Rydal Valley, View near Rydal, Frederick Punchard ja John Holme (1830–1905), Chairman of the Board of Guardians (1851–1905). Iga teos ülal toodud reitingus on märgitud koos aasta ja muuseumiga.

      Kui palju teoseid Frederic Yates kokku kirjoonud on?Loe vastust

      Kataloogis on 16 teost kunstnikult Frederic Yates, kuupäevadelt 1900 kuni 1914.

      Kust saan näha Frederic Yates kõige kuulsamaid linateid?Loe vastust

      Peamiselt Abbot Hall Art Gallery (Kendal), Kendal Town Hall (Kendal) ja Cumbria Archive And Local Studies Centre (Barrow-in-Furness) asukohas; ülaltoetud nimekiri esitab kirja iga muuseumi ja selle tablood.

      Millal maalis Frederic Yates oma kõige armastatumad lamedad pildid?Loe vastust

      1904 perioodil, mis sisaldas 2 kogu selle lehe 16 teosest, oli nende hulgas At Dent, August 1904.

      Millised on Frederic Yates tuntud esimesed ja viimased tablood?Loe vastust

      Siin olevad kõige vanamad lamedad pildid on Path on Nab Scar (1900); kõige uuemad on Rydal Water (1914).

      Millised Frederic Yates lamedad tablavid Abbot Hall Art Gallery muuseumis rihangad?Loe vastust

      Abbot Hall Art Gallery, Kendal säilitab 5 sellel lehel olevat teost, seda hulka kuuluvad ka Path on Nab Scar, Rydal Valley ja View near Rydal.

      Kas ma saan osta Frederic Yates linate koos reproduktsiooni?Loe vastust

      Jah. Iga maali sellel lehel saab tellida oma lehelt kas käsitsi maalatuna õli-reproductionina või suurepärase kunstiprentina valitud suuruses.

      Frederic Yates: elu värvides

      A Life Painted in Light: The Story of Frederic Yates

      Frederic Yates, born Frederick Keeping in 1854 and passing in 1919, remains a compelling figure within the landscape tradition of Victorian Britain. Though perhaps not a household name today, his evocative paintings – often signed simply as “F. Yates” – capture a particular mood of romantic contemplation that resonates deeply with viewers even now. His life story is one woven into the fabric of artistic shifts and societal changes, a journey from early promise to a dedicated practice focused on capturing the beauty of the English countryside and the dignity of portraiture. While biographical details are somewhat scarce, piecing together his exhibition history and stylistic development reveals an artist deeply attuned to both the technical demands of his craft and the emotional power of light and atmosphere.

      Early Years and Artistic Training

      The early life of Frederick Keeping is shrouded in some mystery. Records suggest a formal artistic education, though the specifics remain elusive. It’s believed he studied at the prestigious South Kensington Art Schools – later to become the Royal College of Art – during a period when academic realism was dominant. This foundation undoubtedly instilled in him a mastery of technique and an understanding of composition. However, Yates quickly moved beyond strict imitation, developing a style that embraced a more subjective interpretation of nature. The adoption of “Frederic Yates” as his professional name suggests a deliberate forging of a new artistic identity, perhaps distancing himself from the constraints of earlier training or seeking to establish a unique presence in the crowded art market. His early works demonstrate a clear influence of the Barbizon school and artists like John Constable, evident in their naturalistic depictions of rural scenes and subtle handling of light.

      The Alluring Landscapes: A Romantic Vision

      Yates’s most celebrated work centers around his landscapes. These are not merely topographical representations; they are imbued with a sense of quiet drama and emotional depth. He favored idyllic settings – rolling hills, tranquil woodlands, shimmering rivers – often bathed in the soft glow of dawn or dusk. His paintings evoke a feeling of nostalgia for a vanishing rural England, a sentiment that resonated strongly with Victorian audiences undergoing rapid industrialization. Yates’s technique is characterized by delicate brushwork and a masterful use of color to create atmospheric effects. He wasn't interested in grand, sweeping vistas but rather in intimate scenes that invited contemplation. The influence of the Pre-Raphaelites can be seen in his attention to detail and his desire to capture the beauty of the natural world with almost photographic accuracy, yet he infused these details with a romantic sensibility. He skillfully balanced realism with an emotional response to the landscape, creating works that are both visually stunning and deeply moving.

      Portraiture: Capturing Character and Dignity

      Alongside his landscapes, Yates also produced a significant body of portrait work. These portraits, often depicting members of the middle class, reveal a sensitivity to character and an ability to capture the inner life of his sitters. Unlike the flamboyant poses and elaborate costumes favored by some Victorian portraitists, Yates’s portraits are characterized by their simplicity and directness. He focused on conveying the personality and dignity of his subjects through subtle nuances of expression and gesture.
      • His use of light is particularly effective in portraiture,
      • softening features and creating a sense of intimacy.
      • He often employed a muted color palette,
      • allowing the sitter’s character to take center stage.

      Legacy and Historical Significance

      While Frederic Yates may not be as widely recognized as some of his contemporaries, his work offers a valuable insight into the artistic sensibilities of Victorian Britain. His landscapes represent a continuation of the romantic tradition, while his portraits reflect a growing interest in psychological realism. He successfully navigated the demands of the art market, producing works that were both commercially viable and artistically satisfying. Today, his paintings are increasingly sought after by collectors who appreciate their quiet beauty and emotional depth. Yates’s legacy lies not in groundbreaking innovation but in his ability to capture a particular moment in time – a fleeting glimpse of rural England and the enduring dignity of the human spirit. His work serves as a reminder of the power of art to evoke emotion, preserve memory, and connect us to the past.