Gessen kõige armastatum teos on Peony with Bird (1765), mis rihang Metropolitan Museum of Art-is, New York. Meie kataloogist löytyb 1 teost kunstnikult Gessen: siin on 1 kõige kuulsamat, mille juures on märgitud aasta, muuseum ja info selle kohta, mis teeb teose meeldivaks.
Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026. Iga selle lehekülje maali saab tellida kas linatele kangale käsitsi maalatuna nagu õlimaalide reproduktsiooni või valitud suuruses fine art trükkina.
Muuseum, milles on kõige rohkem sellel lehel esitatud teoseid.
| Muuseum | Linn | Gessen teosed | Selle nimekirja maalid |
|---|---|---|---|
| New York | 1 | Peony with Bird |
Kõik sellel lehel olevad Gessen dateeritud lamedad pildid on maalatud aastal 1765; siin on need, kõige kuulsamad esimestena.
Peony with Bird (1765)
1741 aastal sündinud Gessen oli 24 aastat vanus: Peony with Bird on pärinev aastast 1765.
Kataloogist leiate 1 teost kunstnikult Gessen.
Peamiselt Metropolitan Museum of Art (New York) asukohas; ülaltoetud nimekiri esitab kirja iga muuseumi ja selle tablood.
Jah. Iga maali sellel lehel saab tellida oma lehelt kas käsitsi maalatuna õli-reproductionina või suurepärase kunstiprentina valitud suuruses.
Born in Nagoya, Japan, Gessen was a painter and a monk. He was born into a family involved in sake brewing and eventually became a priest of the Jōdo-shū sect of Buddhism. His spiritual journey led him to Edo, where he served as a priest at the Zōjō-ji temple. During his time in Edo, he studied the painting style of the monk-painter Sesshū under the teacher Sakurai Sekkan. Later, Gessen moved to Kyōto, living at Chion-in, where he became a student of Maruyama Ōkyo. In 1774, he assumed the role of head priest at the Jakushō-ji temple in Yamada, Ise Province. Through the significant income generated by his paintings, he was able to restore the wealth of the temple.
Gessen was highly skilled in landscape painting and the depiction of figures. His portrayals of human figures often conveyed such profound poverty and despair that he earned the name "Beggar Gessen." His artistic legacy includes notable works such as the sliding door paintings (Fusuma-e) located in the Myōhō-in in Kyōto. He also produced printed works, including three volumes titled Ressen zusan in 1784. One of his recognized works is Peony with Bird, which is held in the Metropolitan Museum of Art, New York.