Self-Portrait with Cigarette (1909) on teos, millega Hans Sutter on kõige tuntum; see kuulub museumi Staatliche Kunsthalle Karlsruhe, Karlsruhe. Self-Portrait (1910) ja Coast near St. Tropez (1911) täiendavad kõige armastatumate tablodeid moodustavat triooti. Meie kataloogis on 4 teost kunstnikult Hans Sutter. Siin on 4 kõige kuulsamat koos aasta, muuseumi ja iga linate veebilehe loo kohta.
Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026. Iga selle lehekülje maali saab tellida kas linatele kangale käsitsi maalatuna nagu õlimaalide reproduktsiooni või valitud suuruses fine art trükkina.
Kümne 2 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Hans Sutter teosid | Selle nimekirja maalid |
|---|---|---|---|
| Karlsruhe | 3 | Self-Portrait with Cigarette, Self-Portrait, Landscape near St.Tropez | |
| München | 1 | Coast near St. Tropez |
Hans Sutter ajutised lamedad pildid siin hõlmavad vaid 3 aastat, aastast 1909 aastani 1911: aasta-aastalt.
Self-Portrait with Cigarette (1909), Staatliche Kunsthalle Karlsruhe, Karlsruhe. Järgnevad Self-Portrait (1910) ja Coast near St. Tropez (1911).
1887 aastal sündinud Hans Sutter oli 22 aastat vanus: Self-Portrait with Cigarette on pärinev aastast 1909.
Kataloogis on 4 teost kunstnikult Hans Sutter, kuupäevadelt 1909 kuni 1911.
Peamiselt Staatliche Kunsthalle Karlsruhe (Karlsruhe) ja Bavaria riiklikud maalidema kogumikud (München) asukohas; ülaltoetud nimekiri esitab kirja iga muuseumi ja selle tablood.
1911 perioodil, mis sisaldas 2 kogu selle lehe 4 teosest, oli nende hulgas Coast near St. Tropez.
Siin olevad kõige vanamad lamedad pildid on Self-Portrait with Cigarette (1909); kõige uuemad on Coast near St. Tropez (1911).
Staatliche Kunsthalle Karlsruhe, Karlsruhe säilitab 3 sellel lehel olevat teost, seda hulka kuuluvad ka Self-Portrait with Cigarette, Self-Portrait ja Landscape near St.Tropez.
Jah. Iga maali sellel lehel saab tellida oma lehelt kas käsitsi maalatuna õli-reproductionina või suurepärase kunstiprentina valitud suuruses.
Hans Sutter arrived in the world in 1887 in Mainz, Germany. His early years in the Rhineland-Palatinate region laid the foundation for a life dedicated to the visual arts. By 1905, his talent led him to the Karlsruhe Academy, where he studied under the guidance of Wilhelm Trübner. This period of formal training shaped his ability to work across various mediums, from the delicate precision of draughtsmanship to the more fluid applications of painting and lithography.
His path was one of movement and discovery. In 1907, a study trip to Lake Garda offered him new perspectives on landscape and light. Later, in 1911, his travels took him to Paris and southern France. It was during these years that he encountered Pierre Bonnard, an encounter that surely left its mark on his approach to color and composition. By 1913, Sutter had moved to Frankfurt am Main, continuing his work as a painter, graphic artist, and commercial artist.
Sutter’s output was diverse, reflecting a man comfortable with both the fine arts and the practical demands of commercial design. He possessed a keen eye for the natural world, often turning his attention to the coastal beauty of France. His sketches and paintings from this era capture specific moments in time, such as:
In his self-portraits, one finds a more intimate side of the artist. These works, including his 1910 portrait held in the Staatliche Kunsthalle Karlsruhe, reveal a person deeply engaged with his own identity and the act of seeing. His ability to transition between the structured world of lithography and the expressive nature of painting allowed him to explore many different facets of the human experience.
The trajectory of Sutter's life was cut short far too soon. He passed away on 31 August 1916, in Maurepas, France. His death occurred during a period of immense global upheaval, leaving behind a body of work that remains a quiet record of his travels and his observations. Though his career was brief, the traces of his time in Germany and France live on through his drawings and paintings, capturing the light of the Mediterranean and the quiet reflections of a man at work.