Atelier — Tasuta kohaletoimetamine üle maailma — Tarneaeg 2–6 nädalat
      John Ames Mitchell, 1845 – 1918

      John Ames Mitchell kõige kuulsam 1 maalist

      Moses in the Bulrushes (1880) on teos, millega John Ames Mitchell on kõige tuntum; see kuulub museumi Museum of Fine Arts, Boston. Meie kataloogis on 1 teost kunstnikult John Ames Mitchell. Siin on 1 kõige kuulsamat koos aasta, muuseumi ja iga linate veebilehe loo kohta.

      Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026. Iga selle lehekülje maali saab tellida kas linatele kangale käsitsi maalatuna nagu õlimaalide reproduktsiooni või valitud suuruses fine art trükkina.

      John Ames Mitchell portree
      John Ames Mitchell · 1845 – 1918
      Sündinud · surnud
      1845 – 1918, New York City
      Meie kataloogis olevad teosed
      1
      Kõige tuntud
      Moses in the Bulrushes (1880)
      Enamasti teoseid on
      Museum of Fine Arts

      John Ames Mitchell populaarseimad kümneks teost

      Kuna John Ames Mitchelli lamedad pildid rippuvad siin

      Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.

      Muuseumid Linn John Ames Mitchell teosid Selle nimekirja maalid
      Museum of Fine Arts, BostonMuseum of Fine Arts Boston 1 Moses in the Bulrushes

      John Ames Mitchell kõige kuulsamad lamedad, aasta-aastaga

      Sellel lehel olevad John Ames Mitchell ajaloolised lamedad pildid kuuluvad kõigi koos aastale 1880: siin on need kubus, kululikkuse järjekorras.

      1. 1880

      John Ames Mitchell puuvangad, küsimus küsimusel

      Millist maalatist John Ames Mitchell kõige rohkem mäletatakse?Loe vastust

      Moses in the Bulrushes (1880)

      Moses in the Bulrushes: kui vana oli John Ames Mitchell, kui see maalisiti?Loe vastust

      1845 aastal sündinud John Ames Mitchell oli 35 aastat vanus: Moses in the Bulrushes on pärinev aastast 1880.

      Kui palju maali John Ames Mitchell lõi?Loe vastust

      Kataloogist leiate 1 teost kunstnikult John Ames Mitchell.

      Kuhu on John Ames Mitchell kõige kuulsamad tablood täna jäetud?Loe vastust

      Peamiselt Museum of Fine Arts (Boston) asukohas; ülaltoetud nimekiri esitab kirja iga muuseumi ja selle tablood.

      Kust saan osta John Ames Mitchell maali reproduktsiooni?Loe vastust

      Jah. Iga maali sellel lehel saab tellida oma lehelt kas käsitsi maalatuna õli-reproductionina või suurepärase kunstiprentina valitud suuruses.

      Tutvuge kunstnikuga: John Ames Mitchell

      A Life of Many Forms

      John Ames Mitchell was a man of many different pursuits, moving between the worlds of architecture, literature, and publishing with a quiet, steady purpose. Born in New York City on January 17, 1845, he was shaped by a diverse education, attending Harvard University before traveling to Paris to study at the École nationale supérieure des Beaux-Arts. This training in the classical traditions of France informed his eye for design, whether he was sketching a building or a magazine masthead. In 1875, he applied his architectural training to the design of the Unity Church of North Easton, a project commissioned by his uncle, Oliver Ames Jr.

      His interests were never confined to a single discipline. He was a novelist who explored speculative themes, such as in his 1889 book The Last American, which imagined a Persian admiral rediscovering America in the distant year 2951. He also wrote Amos Judd in 1895, a story that later became the basis for a silent film. This ability to build worlds through both ink and structure defined his character, making him a man who could inhabit the mind of a storyteller and the precision of a designer simultaneously.

      The Birth of Life

      In 1883, Mitchell took a significant risk by co-founding Life magazine alongside Andrew Miller. He used a $10,000 inheritance to launch the publication, driven by a desire to see his own drawings reproduced through the then-new zinc-coated plate printing process. He was not merely the financier; he was a contributing artist who helped shape the magazine's visual identity. He drew the very first nameplate for the magazine, featuring cupids, and later designed a masthead depicting a knight leveling a lance at a fleeing devil.

      Under his leadership, the magazine became a platform for a new generation of talent. He had a keen eye for potential, encouraging many illustrators and writers who would go on to define the era. His magazine was different from its competitors, often taking on social and political issues with a warm-hearted, if sometimes impulsive, approach. He was a man of conviction, using his platform to advocate for causes he believed in, such as sanitation and the protection of animals from vivisection.

      A Legacy of Service and Change

      Beyond the printed page, Mitchell sought to make a tangible difference in the lives of others. He co-founded the Fresh Air Fund alongside Horace Greeley, an initiative that allowed city children to escape the crowded streets for the fresh air of camps in Ridgefield, Connecticut. This connection to the land remained a constant in his life, as he eventually made Ridgefield his home.

      The magazine he helped build eventually changed hands, but its origins remained tied to his vision. The headquarters of his Life was located in a building that now serves as the Herald Square Hotel in New York, a gift from Charles Dana Gibson. Mitchell passed away in Ridgefield, Connecticut, on June 29, 1918. He left behind a body of work that spanned the structural, the literary, and the visual, reflecting a life spent constantly reshaping the world around him.