Atelier — Tasuta kohaletoimetamine üle maailma — Tarneaeg 2–6 nädalat
      John Dee, 1527 – 1608

      4 kulubumatamatum John Dee maalistikut, järjestatud

      John Dee kõige armastatum teos on Obsidian Mirror (1400). Lugejate poolest kõige paremini tuntud tablaga järnevad Four Castles Gold Disk (1560) ja Sigillum Dei, Wax Disks (1582). Meie kataloogist löytyb 4 teost kunstnikult John Dee: siin on 4 kõige kuulsamat, mille juures on märgitud aasta, muuseum ja info selle kohta, mis teeb teose meeldivaks.

      Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026. Iga selle lehekülje maali saab tellida kas linatele kangale käsitsi maalatuna nagu õlimaalide reproduktsiooni või valitud suuruses fine art trükkina.

      John Dee portree
      John Dee · 1527 – 1608
      Sündinud · surnud
      1527 – 1608
      Meie kataloogis olevad teosed
      4
      Kõige tuntud
      Obsidian Mirror (1400)

      John Dee top 10 maalist: tablood, mille kohta kõik teavad

      John Dee leekid teos, aasta-aastalt

      John Dee maalilaua ääres üle 23 aasta jooksul, 1560 kuni 1582: aasta kõige armastatumad tablood kronoloogilisel järjekorras.

      1. 1560
      2. 1582
      3. 1582

      John Dee tablidet: vastused teie küsimustele

      Mis on John Dee kõige tuntum maaliamat?Loe vastust

      Obsidian Mirror (1400), järglased on Four Castles Gold Disk (1560) ja Sigillum Dei, Wax Disks (1582).

      Kui palju teoseid John Dee kokku kirjoonud on?Loe vastust

      Kataloogis on 4 teost kunstnikult John Dee, kuupäevadelt 1560 kuni 1582.

      Millal maalis John Dee oma kõige armastatumad lamedad pildid?Loe vastust

      1582 perioodil, mis sisaldas 2 kogu selle lehe 4 teosest, oli nende hulgas Sigillum Dei, Wax Disks.

      Millised on John Dee tuntud esimesed ja viimased tablood?Loe vastust

      Siin olevad kõige vanamad lamedad pildid on Four Castles Gold Disk (1560); kõige uuemad on Sigillum Dei, Wax Disks (1582).

      Kas ma saan osta John Dee linate koos reproduktsiooni?Loe vastust

      Jah. Iga maali sellel lehel saab tellida oma lehelt kas käsitsi maalatuna õli-reproductionina või suurepärase kunstiprentina valitud suuruses.

      John Dee: elu värvides

      The Life and Family of John Dee

      John Dee was an English polymath and occultist, a man whose intellectual reach extended far beyond the boundaries of traditional scholarship. Born on 13 July 1527, he occupied a space between rigorous science and the esoteric. His lineage began with his father, Rowland Dee, providing the foundation for a life defined by the pursuit of hidden knowledge. He was not a painter or a visual creator, but a thinker whose influence was felt through his vast intellectual inquiries and his involvement in the occult sciences of the sixteenth century.

      Family life for Dee was marked by specific, documented connections that anchored his complex existence. His son, Arthur Dee, was born on 13 July 1579. This lineage continued through a life spent largely in Mortlake, London, where he maintained his residence and his extensive collections. The weight of his intellectual pursuits often intersected with his personal associations, creating a life that was as much about human relationships as it was about the study of the unknown.

      The end of his life remains a matter of slight historical debate, with records suggesting he died in 1608 or 1609. Regardless of the exact year, the impact of his work remains a concrete part of the history of English intellectualism. He left behind a legacy of manuscripts and tracts, including the Cotton Vitellius C. VII, which serves as a primary record of his own life and thoughts. His existence was defined by this tension between the documented word and the unseen forces he sought to understand.

      Travels and Connections in Europe

      John Dee was an English polymath and occultist whose influence relied heavily on his ability to navigate the complex social and intellectual circles of the European continent. His movements were not mere sightseeing; they were strategic engagements with the power structures of the era. He was a visitor to the court of Rudolf II, a connection that placed him at the center of significant intellectual exchange. This relationship was solidified during his time in Prague, where he visited the court of Rudolf II between 1584 and 1585. These interactions demonstrate a man deeply embedded in the high-stakes political and esoteric currents of the late sixteenth century.

      His social network was as diverse as it was specialized. He maintained a close friendship with Edward Kelley, a relationship that likely defined much of his later intellectual pursuits. Beyond these personal ties, Dee moved through a web of associates and acquaintances that spanned various social strata. He was connected to William of Rosenberg and Nicholas Starkie, figures who represent the breadth of his professional and social reach. These were not casual acquaintances but part of a structured existence defined by proximity to power and the exchange of specialized knowledge. His presence in Prague and his ties to the court of Rudolf II confirm that his work was never isolated to a single locale, but was instead part of a broader, continental dialogue.