Samson (Bairds Carryout) (1987) on teos, millega Peter Howson on kõige tuntum; see kuulub museumi Metropolitan Museum of Art, New York. Samson (Bairds Carryout) (1987) ja Boxer täiendavad kõige armastatumate tablodeid moodustavat triooti. Meie kataloogis on 3 teost kunstnikult Peter Howson. Siin on 3 kõige kuulsamat koos aasta, muuseumi ja iga linate veebilehe loo kohta.
Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026.
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | Peter Howson teosid | Selle nimekirja maalid |
|---|---|---|---|
| New York | 1 | Samson (Bairds Carryout) |
Sellel lehel olevad Peter Howson ajaloolised lamedad pildid kuuluvad kõigi koos aastale 1987: siin on need kubus, kululikkuse järjekorras.
Samson (Bairds Carryout) (1987), Metropolitan Museum of Art, New York. Järgnevad Samson (Bairds Carryout) (1987) ja Boxer.
1958 aastal sündinud Peter Howson oli 29 aastat vanus: Samson (Bairds Carryout) on pärinev aastast 1987.
Kataloogist leiate 3 teost kunstnikult Peter Howson.
Peamiselt Metropolitan Museum of Art (New York) asukohas; ülaltoetud nimekiri esitab kirja iga muuseumi ja selle tablood.
1987 perioodil, mis sisaldas 2 kogu selle lehe 3 teosest, oli nende hulgas Samson (Bairds Carryout).
Peter Howson OBE (born 1958) is a Scottish painter renowned for his powerfully emotive and often unsettling depictions of modern life. Born in London to Scottish parents, he moved with his family to Prestwick, Ayrshire, at the age of four. Raised in a deeply religious household, this early upbringing profoundly influenced his artistic trajectory; his very first painting, created at age six, was a depiction of the crucifixion.
Howson’s work has evolved through distinct phases. Initially, he became known for his raw and unflinching portrayals of masculine working-class men – figures often presented as heroic yet vulnerable. Heroic Dosser (1987) remains a seminal example of this early style. His paintings from this period are characterized by their muscular forms, gritty realism, and exploration of identity and social issues.
A pivotal moment in Howson’s career came in 1993 when he was commissioned by the Imperial War Museum as the official war artist for Bosnia/Herzegovina during the brutal conflict. This experience profoundly affected him, leading to some of his most shocking and controversial works. Paintings like Plum Grove (1994) unflinchingly documented the atrocities witnessed, including depictions of rape and violence based on direct accounts from victims. The painting Croatian and Muslim, detailing a rape, generated significant controversy due to its explicit subject matter.
Howson also served as the official war painter during the Kosovo War for *The London Times*. In more recent years, his work has increasingly explored religious themes. This shift is closely linked to his personal battle with alcoholism and drug addiction, culminating in treatment at Castle Craig Hospital in Peebles in 2000. Following this experience, he converted to Christianity, and paintings like Judas (2002) reflect both his past struggles and newfound faith.
Beyond fine art, Howson's work has reached wider audiences through album cover designs for bands like Live (*Throwing Copper*), The Beautiful South (*Quench*), and Jackie Leven (*Fairytales for Hardmen*) and even a British postage stamp celebrating engineering achievements in 1999.
Peter Howson is considered a significant figure in contemporary Scottish art, associated with the New Glasgow Boys. His unflinching honesty, powerful imagery, and willingness to confront difficult subjects have established him as a unique voice within figurative expressionism. He continues to exhibit internationally, and his work resides in numerous major collections, cementing his place as an iconic artist of our time.