Sofie Fohn, 1899 – 1990
17 kulubumatamatum Sofie Fohn maalistikut, järjestatud
Sofie Fohn kõige armastatum teos on Seated Polish Woman in Costume (painted in Paris 1932) (1933), mis rihang Bavaria riiklikud maalidema kogumikud-is, München. Lugejate poolest kõige paremini tuntud tablaga järnevad Market in Olevano Romano (1944) ja Motif in Villa Adriana, Tivoli (1942). Meie kataloogist löytyb 21 teost kunstnikult Sofie Fohn: siin on 17 kõige kuulsamat, mille juures on märgitud aasta, muuseum ja info selle kohta, mis teeb teose meeldivaks.
Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026.
- Sündinud · surnud
- 1899 – 1990, Munich
- Meie kataloogis olevad teosed
- 21
- Kõige tuntud
- Seated Polish Woman in Costume (painted in Paris 1932) (1933)
- Enamasti teoseid on
- Bavaria riiklikud maalidema kogumikud
Sofie Fohn top 10 maalist: tablood, mille kohta kõik teavad
Veel Sofie Fohn lamedat pinda, 11 kuni 17
Kuna Sofie Fohni lamedad pildid rippuvad siin
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | Sofie Fohn teosid | Selle nimekirja maalid |
|---|---|---|---|
 Bavaria riiklikud maalidema kogumikud |
München | 17 | Seated Polish Woman in Costume (painted in Paris 1932), Market in Olevano Romano, Motif in Villa Adriana, Tivoli |
Sofie Fohn kõige armastatum lõenatav teos iga kümnendiga
-
1930s
-
1940s
Lentik 2 / 17Market in Olevano Romano
-
1950s
Reiting: 12 / 17Winter Forest near Kastelruth
-
1960s
14 / 17Flowers in Blue Glass Vase
Sofie Fohn tablidet: vastused teie küsimustele
Mis on Sofie Fohn kõige tuntum maaliamat?Loe vastust
Seated Polish Woman in Costume (painted in Paris 1932) (1933), Bavaria riiklikud maalidema kogumikud, München. Järgnevad Market in Olevano Romano (1944) ja Motif in Villa Adriana, Tivoli (1942).
Kui vana Sofie Fohn oli, kui teos Seated Polish Woman in Costume (painted in Paris 1932) maalis?Loe vastust
1899 aastal sündinud Sofie Fohn oli 34 aastat vanus: Seated Polish Woman in Costume (painted in Paris 1932) on pärinev aastast 1933.
Millised on 10 kuulsumat maali kunstniku Sofie Fohn teosena?Loe vastust
Seated Polish Woman in Costume (painted in Paris 1932), Market in Olevano Romano, Motif in Villa Adriana, Tivoli, In the Villa Adriana, In the Villa Adriana near Tivoli, Motif in Olevano Romano at the Fountain, Self-Portrait with Fever at the Easel in Kastelruth, Mushroom Still Life on Blue Paper, Garden Flowers in the Enamel Jug ja Peach Still Life. Iga teos ülal toodud reitingus on märgitud koos aasta ja muuseumiga.
Kui palju teoseid Sofie Fohn kokku kirjoonud on?Loe vastust
Kataloogis on 21 teost kunstnikult Sofie Fohn, kuupäevadelt 1933 kuni 1965.
Kust saan näha Sofie Fohn kõige kuulsamaid linateid?Loe vastust
Peamiselt Bavaria riiklikud maalidema kogumikud (München) asukohas; ülaltoetud nimekiri esitab kirja iga muuseumi ja selle tablood.
Millal maalis Sofie Fohn oma kõige armastatumad lamedad pildid?Loe vastust
1940s perioodil, mis sisaldas 10 kogu selle lehe 17 teosest, oli nende hulgas Market in Olevano Romano.
Millised on Sofie Fohn tuntud esimesed ja viimased tablood?Loe vastust
Siin olevad kõige vanamad lamedad pildid on Seated Polish Woman in Costume (painted in Paris 1932) (1933); kõige uuemad on Flowers in Blue Glass Vase (1965).
Millised Sofie Fohn lamedad tablavid Bavaria riiklikud maalidema kogumikud muuseumis rihangad?Loe vastust
Bavaria riiklikud maalidema kogumikud, München säilitab 17 sellel lehel olevat teost, seda hulka kuuluvad ka Seated Polish Woman in Costume (painted in Paris 1932), Market in Olevano Romano ja Motif in Villa Adriana, Tivoli.
Sofie Fohn: elu värvides
A Life in Munich
Born in Munich, Germany, in 1899, Sofie Fohn lived through a century of profound transformation. While many remember the era for its political upheaval, her life was deeply intertwined with the quiet, persistent act of preserving culture. She was a painter, but her legacy is also defined by her role as an art collector alongside Emanuel Fohn. Together, they navigated a period where art was often caught in the crosshairs of ideology, working to protect works that were at risk of being lost to history.
Her connection to the city of Munich remained a constant thread throughout her life. It was a place of deep artistic tradition, and she moved through its spaces as both a creator and a guardian of the visual arts. By the time she passed away in 1990, she had seen the world change many times over, yet her commitment to the survival of art remained steady.
The Act of Preservation
The work of Sofie Fohn extended beyond the canvas. During a time when many modern works were being seized or sold off under political pressure, she and Emanuel Fohn made a deliberate choice to intervene. They sought out pieces that were being marginalized, using their resources to ensure these works remained in safe hands. This was not merely a hobby; it was a response to the instability of the era.
Their efforts resulted in a significant collection that eventually found its way into public hands. This collection included a variety of media and formats, such as:
- Oil paintings
- Gouaches and watercolors
- Drawings
- Prints
- Textile works
In 1964, a portion of this collection was donated to the Bavarian State Painting Collections. This gift ensured that the works they had rescued would be available for others to see, moving from private protection into the public light.
A Lasting Legacy
The significance of Sofie Fohn lies in the intersection of her own creative life and her dedication to the survival of art. By collecting works that were threatened by totalitarianism, she helped maintain a link to the modern movements that might otherwise have been erased. Her life reflects a quiet resistance, found in the simple, necessary act of keeping art alive for the next generation.