An Alchemist's Laboratory (1570) on teos, millega Stradanus on kõige tuntum; see kuulub museumi Palazzo Vecchio, Firenze. Color Olivi (Invention of Oil Painting), plate 14 in the Nova Reperta (New Inventions of Modern Times) (1596) ja Crucifixion (1569) täiendavad kõige armastatumate tablodeid moodustavat triooti. Meie kataloogis on 22 teost kunstnikult Stradanus. Siin on 19 kõige kuulsamat koos aasta, muuseumi ja iga linate veebilehe loo kohta.
Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026. Iga selle lehekülje maali saab tellida kas linatele kangale käsitsi maalatuna nagu õlimaalide reproduktsiooni või valitud suuruses fine art trükkina.
An Alchemist's Laboratory is an oil on slate painting created by the artist Stradanus in 1570. The work depicts the laboratory of Francesco I de' Medici, who was the son of Cosimo I de' Medici and Eleonora di Toledo. This specific laboratory space was originally set up by Cosimo I between 1519 and 1574.
The print titled Color Olivi (Invention of Oil Painting), plate 14 in the Nova Reperta (New Inventions of Modern Times) emerges from the workshop of Jan van der Straet, known as Stradanus. This specific plate captures a moment of creation within a busy studio. It was brought into being in Antwerp, Netherlands, around 1596. The ink traces the vision of Stradanus, a Flemish artist who moved between the traditions of…
The painting titled Crucifixion was executed by Jan van der Straet, an artist also known as Stradanus or Giovanni Stradano. Created in 1569, this work originated in Firenze. The piece is located within the Basilica della Santissima Annunziata in Florence. Stradanus, who lived from 1523 to 1605, produced this oil on panel composition during his time in Italy.
In Stradanus's Lamentation of Christ, a crowded arrangement of elongated figures creates a sense of heavy, overlapping movement. The scene unfolds within a dark, nocturnal environment, illuminated by a pale moon and an unseen light source. This light strikes the musculature of Christ and the heavy folds of draped fabrics, carving deep shadows across the composition. A single ladder rises vertically in the background, providing a sharp structural contrast to…
The enlargement of the city of Florence by Stradanus presents a panoramic view of a sprawling urban landscape. The composition is split into two distinct realms. In the foreground, a crowded assembly of figures engages in various activities, their forms grounded in a detailed, immediate space. Beyond them, the scene opens into a vast, elevated background where the dense architecture of the city rises against a backdrop of rolling hills.…
A heavy, monochrome stillness settles over the scene. Inside a dim warehouse or cellar, the air feels thick with the scent of crushed fruit and damp earth. Figures move through a crowded landscape of wooden shelves and ladders, their bodies bent under the gravity of the season. It is a world of labor, where every hand is occupied. Women reach into the shadows of vines, while men empty heavy baskets…
The air within the frame feels heavy with the scent of damp earth and crushed leaves. In this monochromatic world, a greenhouse becomes a stage for the quiet labor of survival. Figures move through a crowded architecture of shelves and windows, their limbs elongated in the Mannerist style, stretching toward the light. Women bend over baskets, their hands busy with the delicate task of tending to plants, while a man…
The Discovery of America, plate 1 from the by Stradanus unfolds as a complex allegorical scene where history and symbolism collide. Created about 1590, this engraving captures a moment of profound encounter between European exploration and the landscapes of a new world. A central figure, presumably Christopher Columbus, stands upon a shore, his gaze fixed upon a reclining nude woman amidst lush, heavy vegetation. Nearby, a ship rests offshore, its…
In the quiet, dramatic shadows of the late sixteenth century, Johannes Stradanus captured a profound tension between the ephemeral beauty of life and the inevitable approach of the end. His masterpiece, “Vanity, Modesty and Death,” serves as a hauntingly beautiful allegory, inviting the viewer into a deeply personal contemplation of human nature. Created around 1569, this work is not merely a painting but a philosophical dialogue rendered in oil, where…
In the hauntingly beautiful engraving of Cavemen Chasing Elephants, we are transported back to a primordial era where the boundaries between humanity and the wild were thin and fraught with peril. This striking plate, part of the celebrated Venationes Ferarum, Avium, Piscium series by the Flemish master Jan van der Straet (also known as Giovanni Stradano), captures a moment of breathless intensity. The scene unfolds within a dense, jungle-like thicket,…
The scene captures a pivotal intersection of fate and authority within the biblical narrative. A figure kneels in a gesture of profound significance, receiving a crown from Ahasuerus.…
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We are looking at Reeling of the Silk, an engraving produced by Stradanus. This work dates to about 1580, a period when the artist was deeply integrated into…
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The room is a study in stillness and heavy air. Through a single window, light enters to define the edges of a quiet drama. Two men occupy the…
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The ocean stretches out in a vast, monochromatic expanse, a restless void that swallows the horizon. Upon this liquid stage, a large vessel cuts through the swells, its…
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This sketchbook page presents a complex, two-sided narrative through its recto and verso compositions. On the front, a vessel navigates turbulent waters, its sail catching the wind as…
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Neli teemat, mis esinevad neil lätistes kõige sagedamini, koos nende kõige armastatumate näidetega.
Kümne 5 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Stradanus teosid | Selle nimekirja maalid |
|---|---|---|---|
 Palazzo Vecchio |
Firenze | 4 | An Alchemist's Laboratory, The enlargement of the city of Florence, Esther Receiving the Crown from Ahasuerus |
 Royal Collection |
London | 3 | Silkworm Farm, Silkworm Farm, Reeling of the Silk |
 Santissima Annunziata |
Firenze | 1 | Crucifixion |
 Bavaria riiklikud maalidema kogumikud |
München | 1 | Lamentation of Christ |
 Louvre'i muuseum |
Pariis | 1 | Vanity, Modesty and Death |
The painting titled Crucifixion was executed by Jan van der Straet, an artist also known as Stradanus or Giovanni Stradano. Created in 1569, this work originated in Firenze.…
An Alchemist's Laboratory is an oil on slate painting created by the artist Stradanus in 1570. The work depicts the laboratory of Francesco I de' Medici, who was…
A heavy, monochrome stillness settles over the scene. Inside a dim warehouse or cellar, the air feels thick with the scent of crushed fruit and damp earth. Figures…
The print titled Color Olivi (Invention of Oil Painting), plate 14 in the Nova Reperta (New Inventions of Modern Times) emerges from the workshop of Jan van der…
An Alchemist's Laboratory (1570), Palazzo Vecchio, Firenze. Järgnevad Color Olivi (Invention of Oil Painting), plate 14 in the Nova Reperta (New Inventions of Modern Times) (1596) ja Crucifixion (1569).
1523 aastal sündinud Stradanus oli 47 aastat vanus: An Alchemist's Laboratory on pärinev aastast 1570.
An Alchemist's Laboratory, Color Olivi (Invention of Oil Painting), plate 14 in the Nova Reperta (New Inventions of Modern Times), Crucifixion, Lamentation of Christ, The enlargement of the city of Florence, Silkworm Farm, Silkworm Farm, The Discovery of America, plate 1 from the, Vanity, Modesty and Death ja Cavemen Chasing Elephants, plate 3 from the Venationes Ferarum, Avium, Piscium series. Iga teos ülal toodud reitingus on märgitud koos aasta ja muuseumiga.
Kataloogis on 22 teost kunstnikult Stradanus, kuupäevadelt 1561 kuni 1596.
Peamiselt Palazzo Vecchio (Firenze), Royal Collection (London) ja Santissima Annunziata (Firenze) asukohas; ülaltoetud nimekiri esitab kirja iga muuseumi ja selle tablood.
1560s perioodil, mis sisaldas 5 kogu selle lehe 19 teosest, oli nende hulgas Crucifixion.
Siin olevad kõige vanamad lamedad pildid on Esther Receiving the Crown from Ahasuerus (1561); kõige uuemad on Color Olivi (Invention of Oil Painting), plate 14 in the Nova Reperta (New Inventions of Modern Times) (1596).
People (9), Figures (4) ja Buildings (3), kogu selle lehekülje 19 teose kohta.
Engraving, mida on kasutatud 5 kuni 19 teoseks sellel lehel.
Mannerism, nagu sellel lehel olevad tablood näitavad.
Palazzo Vecchio, Firenze säilitab 4 sellel lehel olevat teost, seda hulka kuuluvad ka An Alchemist's Laboratory, The enlargement of the city of Florence ja Esther Receiving the Crown from Ahasuerus.
Jah. Iga maali sellel lehel saab tellida oma lehelt kas käsitsi maalatuna õli-reproductionina või suurepärase kunstiprentina valitud suuruses.
1550. aastal alustas Stradanus oma murdilist reisi Firentesse, kus ta astus Medici familii teenistusse – to damal kevadse Euroopa ühe võimsama ja mõjuvaima dynastiia juurde. Tema saabumine kokkutas tolise ajaga, mil õliuid ebatavaline kunstiline mecenat ja eksperimenteerimine, mida juhtis Grand-härra Cosimo I de’ Medici koos oma nõuandaja Giorgio Vasari. Stradanus become quickly ühe loovsuse ökosüsteemi lahutuselaks osaks, aidates märkimisväärselt pühaks panna lühikeseid ning pidukaid palatse, luues elaboratseid tapiseid ja lootes sügavate detailidega keerukaid veidrikke. Ta ei olnud pelgalt dekorator; ta oli konseptuaalne uuendaja, kes suutis oskuslikult ühendada klassikalist mütholoogiat tänapäevaste teemadega, integreerides oma loomingutes humanistliku filosoofia elemente.
Tema koostöö Vasari-ga on eriti tähelepanuväärne. Üahas koos jälgasid nad ambitsiootseid projekte, nagu freskod Palazzo Vecchios ja dekoratiivsed lahendused Poggio a Caianos juures, demonstreerides Stradanuse mitmekülgsust disainerina ning tema võimet tõlkida keerulised ideed visuaaliselt lummavaks narratiiviks. Ta mängis olulist rolli ka 1563. aastal Accademia e Compagnia delle Arti del Disegno asutamisel – murdmuteeritud kunstiakadeemias, mille eesmärk oli edastada koostööd ja uuendust kunstikate Firentes, mis on tõestus tema suurest mõjust Firente kunsti maailmas. Stradanuse tööd selle perioodi jooksul iseloomustab peen elegants, ülimaline täpne detailide rikkus ning värvi ja kompositsiooni meistlik valdkond, mis peegeldas Medici õliuid sofistikatsiooni ja esteetilist tundlikkust.
