Untitled is the painting Alexander Calder is best remembered for; it belongs to the Biennale Internazionale dell'Antiquariato di Firenze, Firenze. Mobile (1932) and Romulus and Remus (1928) complete the trio of best-loved canvases. Our catalogue counts 98 works by Alexander Calder. Here are the 98 most famous, with the year, the museum and the story of each canvas.
Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated oktoober 2026.
This work, titled Untitled, is an original lithograph in colors by the artist Alexander Calder. It emerged from the studio about 1967. The paper holds the ink in a way that captures a specific moment of graphic intent, a quiet intersection of line and pigment.
Alexander Milne Calder's "Romulus and Remus," crafted in 1928, isn’t merely a sculpture; it’s a distilled essence of myth rendered in delicate wire. This piece, a testament to the artist’s pioneering approach to three-dimensional form, transcends its subject matter – the legendary founders of Rome – to become a profound meditation on beginnings, brotherhood, and the very act of creation itself. Calder, deeply influenced by Constructivism and early Modernism, sought…
Alexander Milne Calder's "Red Lily Pads (Nénuphars rouges)" isn’t merely a depiction of a serene pond; it’s an invitation to lose oneself in the delicate balance of form, color, and movement. Created in 1956, this captivating sculpture – captured through a masterful photograph – embodies Calder's signature approach: embracing chance and celebrating the ephemeral beauty of nature within a distinctly modern aesthetic. The piece resides within a contemporary architectural space,…
Alexander Milne Calder's "Black Sun," painted in 1953, isn’t merely a depiction of abstract forms; it’s an invitation to contemplate the interplay between chaos and order, darkness and light. Born in Aberdeen, Scotland, and later establishing himself as a pivotal figure in American sculpture alongside his son Alexander Stirling Calder and grandson Alexander ‘Sandy’ Calder, Milne Calder possessed a singular vision – one that sought to capture dynamic movement and…
In Colored Spots, created in 1970, we encounter a moment of pure rhythmic energy. This gouache work moves away from the heavy permanence of sculpture to explore the lightness of color and shape. The composition is defined by a series of circles, varying in scale, that appear to drift across the surface. There is a specific tension in how these forms are placed; they do not sit static but seem…
Alexander Milne Calder’s “Calder’s Circus,” created in 1931, is more than just a charming miniature scene; it’s a meticulously crafted meditation on movement, spectacle, and the enduring allure…
Alexander Milne Calder’s “Red Sun” stands as a testament to the enduring power of minimalist abstraction and the captivating allure of kinetic sculpture. Executed in 1968, this monochrome…
Alexander Milne Calder's "Lobster Trap and Fish Tail," created in 1939, isn’t merely a depiction of marine life; it’s an embodiment of movement captured within a strikingly reductive…
In the evocative realm of mid-century graphic expression, Alexander Milne Calder’s "Violin" emerges as a mesmerizing dialogue between form and abstraction. Created in 1960, this striking screenprint transcends…
The artwork titled "A R" is a metal piece featuring the letter A. Created by the sculptor Alexander Milne Calder, this work is crafted from a silver material.…
A Striking Encounter: "Crosshatch" by Alexander Milne Calder This captivating painting, currently residing within the esteemed Smithsonian American Art Museum, presents a unique and visually arresting depiction of…
The artwork 'Fish at Sunrise' by Alexander Milne Calder is a mesmerizing piece that showcases the artist's unique style and technique. Created in 1974, this gouache painting measures…
Nemo by Alexander Calder presents an intricate arrangement of geometric forms. The composition is built upon a series of overlapping circles and squares. Large circles act as central…
Red, Yellow and Blue Gongs – Alexander Milne Calder Alexander Milne Calder’s “Red, Yellow and Blue Gongs” stands as a testament to the sculptor's pioneering exploration of kinetic…
The painting Tache Bleu is a remarkable work of art created by the talented artist Alexander Milne Calder. This stunning piece is a tapestry, measuring 103 x 152…
Between the 1920s and ‘30s, Calder regularly made long study and work trips to Paris, where he began to participate in the Abstraction-Création group. Finally, in 1932, at…
The four subjects that return most often on these canvases, each with its best-loved example.
The 8 museums that hold the most of the paintings on this page.
| Museum | City | Works by Alexander Calder | Paintings from this list |
|---|---|---|---|
 Biennale Internazionale dell'Antiquariato di Firenze |
Firenze | 2 | Untitled, Nemo |
 Solomon R. Guggenheimi muuseum |
New York | 2 | Romulus and Remus, Red Lily Pads (Nénuphars rouges) |
 The Phillips Collection |
Washington, D.C. | 2 | Untitled, Red Polygons |
 Tate Britain |
London | 1 | Black Sun |
 Whitney Museum of American Art |
New York | 1 | Calder's Circus |
 Des Moines Art Center |
Des Moines | 1 | Punane Päike |
 MoMA - Museum of Modern Art |
New York | 1 | Lobster Trap and Fish Tail |
 Metropolitan Museum of Art |
New York | 1 | "Calder #1" Textile (Model No. 1-145) |
Alexander Milne Calder's "Romulus and Remus," crafted in 1928, isn’t merely a sculpture; it’s a distilled essence of myth rendered in delicate wire. This piece, a testament to…
Alexander Milne Calder's "Red Lily Pads (Nénuphars rouges)" isn’t merely a depiction of a serene pond; it’s an invitation to lose oneself in the delicate balance of form,…
In Colored Spots, created in 1970, we encounter a moment of pure rhythmic energy. This gouache work moves away from the heavy permanence of sculpture to explore the…
Untitled, Biennale Internazionale dell'Antiquariato di Firenze, Firenze. Mobile (1932) and Romulus and Remus (1928) follow.
Untitled, Mobile, Romulus and Remus, Abstraction, Red Lily Pads (Nénuphars rouges), Orange and Black Composition, Puppet Man, Slanting Red Nose, Black Sun and Colored Spots. Each canvas in the ranking above comes with its year and its museum.
98 works by Alexander Calder are in our catalogue, dated 1928 to 1975.
Mostly in Biennale Internazionale dell'Antiquariato di Firenze (Firenze), Solomon R. Guggenheimi muuseum (New York) and The Phillips Collection (Washington, D.C.); the list above names each museum and its canvases.
In 1960s, which gave 17 of the 98 works on this page, Abstraction among them.
The earliest canvas here is Romulus and Remus (1928); the latest is Pyramids (1975).
Sculpture (6), Geometric (5) and Geometric design (5), across the 98 works on this page.
Acrylic On Canvas, used in 4 of the 98 works on this page.
Abstract expressionism, as the canvases on this page show.
The Biennale Internazionale dell'Antiquariato di Firenze, Firenze holds 2 of the works on this page, among them Untitled and Nemo.
Šoti päritoluga ameerika skulptor Alexander Milne Calder, sündinud 1846. aastal Aberdeeni linnas Šotimaal, on kunstiajaloo oluline figuur, kuigi tema nimi ei pruugi olla sama tuntud kui poja ja lapselapse omad. Calderi loomingus tiivustab arhitektuurne skulptuur, eriti silmapaistev Philadelphia linnapea hoone monumentaalne kaunistus. Tema perekonna kunstiline pärand on erakordne – nii Alexander Stirling Calder kui ka Alexander “Sandy” Calder said 20. sajandi olulisteks skulptoriteks, jätkates isa loomingut ja arendades seda edasi.
Calder alustas oma kunstilist teekonda Šotimaal, töötades kuulsa skulptori John Rhindi juures. Samal ajal täiendas ta oma oskusi Edinburgh’ Royal Academy’s. Seejärel siirdus ta Londonisse, kus osales Albert Memoriali loomises – tohutu ja detailiderikas monument, mis kujundas tema varajast esteetilist tunnetust. 1868. aastal otsustas Calder immigreeruda Ameerika Ühendriikidesse ning leidis uue kodu Philadelphias. Seal õppis ta Joseph A. Bailly juures ja käis Thomas Eakinsi tunnides Pennsylvania Academy of the Fine Arts’is, mis aitas tal lihvida oma tehnilisi oskusi ja arendada isikupärast loomingulist stiili.
Calderi nimi on lahutamatult seotud Philadelphia linnapea hoonega, mis kujunes tema suurimaks väljakutseks ja saavutuseks. See tohutu projekt hõlmas üle 250 skulptuurielemendi valmistamist marmorist ja pronksist ning kestis tervelt kakskümmend aastat. Hoone fassaadi kaunistavad figuurid, portaalid ja detailid on tunnistuseks Calderi oskustest ja visaduse kohta. Eelkõige väärib tähelepanu tohutu William Penni pronksist monument, mis oli mõeldud kroonima linnapea hoone torni. Lisaks sellele olid olulised ka “India figuur” skulptuur ning värviliste valgustitega illumineeritud “South Portal” ja “West Portal”, mis näitasid Calderi tähelepanu detailidele ja tema oskust luua atmosfääri.
Alexander Milne Calderi pärand ulatub kaugemale tema enda töödest. Tema poeg, Alexander Stirling Calder, sai tuntuks arhitektuurse skulptuuriga, samal ajal kui lapselaps, Alexander “Sandy” Calder, revolutsioneeris mobiilsete skulptuuride kunstivormi. Calderi loomingust võib leida inspiratsiooni nii tema poja kui ka lapselapse töödes, mis näitab perekonna kunstilise geeniuse jätkuvust. Tema panus kunstimaailma on kajastatud erinevates muuseumides, sealhulgas Smithsonian American Art Museum’is ja Galleria Civica di Arte Moderna e Contemporanea Torinos.
Alexander Milne Calderi loomingut iseloomustab arhitektuuriline täpsus, detailirohkus ning oskus luua monumentaalseid ja atmosfäärilisi teoseid. Tema töö on oluline näide 19. sajandi skulptuurikunstist ning tema panus Philadelphia linnapea hoone loomises on kunstiajaloo üks silmapaistvamaid saavutusi. Calderi perekonna loominguline pärand jätkab inspireerimist ja vaimustamist tänapäevalgi, kinnitades nende kohta kunstimaailmas.
