Atelier — Tasuta kohaletoimetamine üle maailma — Tarneaeg 2–6 nädalat
      Dora Maar, 1907 – 1997

      Dora Maar: 13 tuntumat teost

      Kõikidest Dora Maar maalidest on kõige kuulsam Pere Ubu (1936); seda saab näha Metropolitan Museum of Art-is, New York. Järgnevad neile Portrait de Frida Kahlo ja Portrait of Picasso (1938). Meie kataloogis olevatest 13 teosest on Dora Maar kõige kuulsamad 13 teost, millest iga on esitatud koos kuupäeva, muuseumi ja luguga.

      Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud oktoober 2026.

      Dora Maar portree
      Dora Maar · 1907 – 1997
      Sündinud · surnud
      1907 – 1997, 6th arrondissement of Paris
      Suunata
      Surrealism
      Meie kataloogis olevad teosed
      13
      Kõige tuntud
      Pere Ubu (1936)
      Enamasti teoseid on
      San Francisco Museum of Modern Art

      Dora Maar kõige kuulsam 10 maalist

      Pere Ubu (1936) autor Dora Maar
      1

      Pere Ubu

      1936 · Giclée Print · Metropolitan Museum of Art, New York

      Dora Maar’s “Pere Ubu,” painted in 1936, isn't merely a portrait; it’s an unsettling plunge into the subconscious, a meticulously crafted tableau of primal fear and distorted humanity. This arresting image, rendered in stark monochrome with a dramatic interplay of light and shadow, captures the essence of Surrealism at its most potent – a deliberate disruption of reality designed to evoke profound emotional responses. The painting immediately confronts the viewer…

      Portrait de Frida Kahlo autor Dora Maar
      2

      Portrait de Frida Kahlo

      Black and White Photography

      The artwork titled Portrait de Frida Kahlo is a photographic portrait created by the artist Dora Maar. This specific work features the Mexican artist Frida Kahlo as the subject. The image captures the subject in a formal pose, focusing on her upper body and shoulders. The composition is centered, presenting the subject from the waist up against a simple, blurred background.

      Double Portrait (1935) autor Dora Maar
      6

      Double Portrait

      1935 · Gelatin Silver Print · San Francisco Museum of Modern Art, San Francisco

      Double Portrait is a Surrealist Gelatin Silver Print created by the artist Dora Maar. This photographic print emerged from the artist's experimental period in the mid-1930s, specifically dating to about 1935.

      Dora Maar maalid reitingul 11 kuni 13

      Mida Dora Maar kõige rohkem maalis

      Neli teemat, mis esinevad neil lätistes kõige sagedamini, koos nende kõige armastatumate näidetega.

      Kuna Dora Maari lamedad pildid rippuvad siin

      Kümne 3 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

      Muuseumid Linn Dora Maar teosid Selle nimekirja maalid
      San Francisco Museum of Modern Art, San FranciscoSan Francisco Museum of Modern Art San Francisco 2 Untitled, Double Portrait
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Pere Ubu
      Israel Muuseum, JeruusalemmaIsrael Muuseum Jeruusalemma 1 Portrait of Picasso

      Ajaastik: Dora Maar kõige kuulsam linate

      1. 1930s
        Pere Ubu (1936) autor Dora Maar
        1 / 13

        Pere Ubu

        Vanus 23–32 · Metropolitan Museum of Art

        Dora Maar’s “Pere Ubu,” painted in 1936, isn't merely a portrait; it’s an unsettling plunge into the subconscious, a meticulously crafted tableau of primal fear and distorted humanity.…

      2. 1950s
      3. 1960s

      Teie küsimused Dora Maar maalide kohta – vastused siin

      Milline on kunstniku Dora Maar kõige kuulsam teos?Loe vastust

      Pere Ubu (1936), Metropolitan Museum of Art, New York. Järgnevad Portrait de Frida Kahlo ja Portrait of Picasso (1938).

      Kui vana Dora Maar oli teose Pere Ubu ajal?Loe vastust

      1907 aastal sündinud Dora Maar oli 29 aastat vanus: Pere Ubu on pärinev aastast 1936.

      Millest kümnest maalist on Dora Maar kõige kuulsam?Loe vastust

      Pere Ubu, Portrait de Frida Kahlo, Portrait of Picasso, Untitled, The years lie in wait for you, Double Portrait, Untitled (Hand-Shell), The Pretender, Monster on the Beach ja Cavalier. Iga teos ülal toodud reitingus on märgitud koos aasta ja muuseumiga.

      Kui palju on Dora Maar teoseid teada?Loe vastust

      Kataloogis on 13 teost kunstnikult Dora Maar, kuupäevadelt 1934 kuni 1960.

      Millistes muuseumides asuvad Dora Maar kõige tuntumad maalid?Loe vastust

      Peamiselt San Francisco Museum of Modern Art (San Francisco), Metropolitan Museum of Art (New York) ja Israel Muuseum (Jeruusalemma) asukohas; ülaltoetud nimekiri esitab kirja iga muuseumi ja selle tablood.

      Milles aastades maalas Dora Maar oma kõige kuulsamaid maale?Loe vastust

      1930s perioodil, mis sisaldas 9 kogu selle lehe 13 teosest, oli nende hulgas Pere Ubu.

      Millised on Dora Maar kuulsimate tablloode esimene ja viimane?Loe vastust

      Siin olevad kõige vanamad lamedad pildid on Untitled (Hand-Shell) (1934); kõige uuemad on Untitled Landscape (1960).

      Millised teemad esinevad kõige sagedamini Dora Maar maalidel?Loe vastust

      Black and white (2) ja Hair (2), kogu selle lehekülje 13 teose kohta.

      Minge pihta kunstisuunasse, kuhu Dora Maar kuulub?Loe vastust

      Surrealism, nagu sellel lehel olevad tablood näitavad.

      Mida saan näha kunstnikult Dora Maar museumis San Francisco Museum of Modern Art?Loe vastust

      San Francisco Museum of Modern Art, San Francisco säilitab 2 sellel lehel olevat teost, seda hulka kuuluvad ka Untitled ja Double Portrait.

      Dora Maar: kunstniku lugu

      Dora Maar: A Surrealist Visionary and Political Witness

      Dora Maar (Henriette Theodora Markovitch, 1907-1997) remains a captivating figure in the annals of 20th-century art – a photographer, painter, and intellectual whose life was inextricably intertwined with the turbulent currents of Surrealism, political activism, and the passionate intensity of her relationship with Pablo Picasso. Often overshadowed by the brilliance of her collaborator, Maar’s unique vision, marked by psychological depth, social critique, and a strikingly unconventional approach to both photography and painting, deserves far greater recognition. Her story is not merely one of a muse; it's that of an artist who forged her own path amidst a world grappling with war, revolution, and the shifting landscapes of artistic expression.

      • Early Life and Artistic Beginnings: Born in Paris to a Croatian architect father and a French mother, Maar’s early years were spent in Buenos Aires. She began her artistic journey formally at the École de Beaux-Arts and the Académie Julian in Paris, honing her skills in painting before gravitating towards photography. Her initial work focused on commercial assignments for fashion magazines and advertising campaigns, providing a crucial foundation for her later explorations of form and composition.
      • Collaboration with Kéfer and Cartier-Bresson: A pivotal moment arrived in 1930 when she joined forces with Pierre Kéfer, establishing a shared studio that became a hub for artistic experimentation. This collaboration extended to the influential photographer Brassaï, with whom she shared the darkroom, absorbing his techniques and developing her own distinctive style.

      The Surrealist Years: Politics, Photography, and Picasso’s Influence

      Maar's involvement in the Surrealist movement was profound, extending beyond mere aesthetic affiliation to encompass a deep engagement with its political ideals. Following her introduction to Pablo Picasso in 1935, she became deeply involved in leftist groups like “masses” and the Union of Intellectuals against Fascism, reflecting a commitment to social justice that permeated much of her work. This period witnessed a significant shift in her artistic practice, influenced by both Picasso’s mentorship and her own evolving sensibilities.

      • Political Activism: Her participation in demonstrations, convocations, and the signing of manifestos like ‘When Surrealists Were Right’ demonstrated her unwavering commitment to anti-fascist causes. She documented the social and economic hardships of the Depression era through her photography, offering a starkly realistic portrayal of poverty and displacement.
      • The Picasso Connection: Her relationship with Picasso was complex and transformative. He recognized her unique perspective and incorporated her influence into his work, most notably in *Guernica*, where her photographic documentation played a crucial role. However, Maar herself acknowledged that Picasso’s portraits often obscured her true identity, stating, “All his portraits of me are lies. They're all Picassos. Not one is Dora Maar.”
      • Photographic Innovations: During this time, Maar experimented with photographic techniques, pushing the boundaries of the medium through photomontage and exploring themes of psychology, dreams, and inner states. Her work in the darkroom was particularly innovative, utilizing unconventional methods to create hauntingly evocative images.

      A Photographic Legacy: Portraits, Fashion, and Social Commentary

      Maar’s photographic output spanned a diverse range of subjects, from glamorous fashion shoots to poignant depictions of social unrest. Her portraits are particularly striking – characterized by their psychological intensity, fragmented forms, and often unsettling gazes. She possessed an uncanny ability to capture the essence of her subjects, revealing both their beauty and their vulnerability.

      • Iconic Portraits: Among her most celebrated photographs are portraits of Jacqueline Lamba (Picasso’s wife), André Breton, and, of course, Pablo Picasso himself. These images are not merely representations of appearance but rather explorations of personality and inner life.
      • Fashion and Advertising: Her work in the fashion industry showcased a keen eye for composition and an understanding of visual aesthetics, while her documentary photographs documented the realities of poverty and social inequality during the Depression.
      • The ‘Weeping Woman’ Influence: Picasso's iconic *Weeping Woman* series, inspired by Maar’s own emotional state, stands as a testament to the profound impact she had on his artistic vision.

      Beyond Picasso: A Lasting Artistic Contribution

      While often remembered primarily as Picasso's muse and lover, Dora Maar’s artistic legacy extends far beyond this association. Her pioneering work in photography – particularly her exploration of psychological themes and unconventional techniques – established her as a significant figure within the Surrealist movement. Her commitment to social justice and political activism further enriched her artistic practice, imbuing her work with a powerful sense of empathy and critical awareness. Today, Maar’s photographs continue to resonate with viewers, offering a glimpse into a complex and fascinating life—a testament to an artist who defied expectations and left an indelible mark on the world of art.

      Kõik 13 teost Dora Maar →